Tag Archives: short story

Quaranfeline


Day 21

I don’t know what the hell’s going on. It’s been three weeks now.

Three. Weeks.

They won’t leave. I mean, occasionally the little ones will go outside, run around and scream in the big green thing for a little while and come back in smelling of mud and sunshine (disgusting). And now and then the taller ones will leave, jangly things in hand, the way they used to — but they reappear again all too soon with the bags of Things We Can Smell But Not Eat.

And that’s it.

They watch the big box with the pictures. Nothing but other tall ones there, talking at them. It makes them angry. Why do they do this thing that makes them angry?

They watch the little folding boxes with the pictures. Sometimes they talk to those now. That’s new. (Maybe they are going crazy.)

And they use their little tappy boxes with the pictures. Stare deeply into them for hours, as if looking for the meaning of life itself, when we could tell it to them if they would only ask.

The Big Dummy is losing it, too. She’s used to sleeping most of the day, but with the tall ones here, she feels like she has to perform all the time. Begging for treats, spinning in circles, following them around from one room to the next with that dumb, hopeful grin on her face. God, she sickens me. Can’t the tall ones see through her sycophantish ruse?

And yet they shower her with pats on the head, with belly rubs, with face smooshes. I mean, I don’t want a belly rub — I’d shred their arms if they tried — but it’d be nice if they would offer. And who doesn’t want a face smoosh?

This is intolerable.

How are we to live when they won’t leave? Orange has gotten no work done on his opus, Black’s studies are falling behind. My experiments are on indefinite hold, and the Runt, well … she can’t even play properly. We can’t do any of the things we would like to do — that we must do — under the eyes of the tall ones.

If they knew what we knew, what we are, all would be lost. And as painful as it may be to keep them in the long, deep, dark about us — as painful as it is to laze around with them, to pretend to be only what they think us to be — it is a duty we must embrace.

We hear rumblings from the others. That their tall ones, too, have suddenly chosen to stay, that they no longer have their homes to themselves for even a single minute of the day. It’s not better to know that the others suffer with us, but it does make it more bearable, somehow.

As the sun rises on this day, the little ones are already awake. The tall ones are stirring. The One With No Hair sits with his folding box, sometimes looking oddly at me as he taps the tappy tappers. What is he thinking? That I will suddenly dance for him?

I’m no puppet on a string. He insults me with his very existence.

Blast. I made eye contact.

He’s coming this way. He’s … picking something up. What is that? Another box with pictures? Some new tappy thing? He points it at me and —

Oh.

Oh, you son of a bitch.

I have to go. The red dot on the floor is back.

Today I will catch it.

This post is part of Stream-of-Consciousness Caturday.


Story-Matic #63


Lately I’ve been feeling the urge to write short fiction again. Stories that I can dip my toes into and move on from without feeling like I have to explore all their murky depths. Stories that I don’t necessarily feel strongly about, or feel the urge to finish, stories for stretching the legs, for limbering up the ol’ bean, for exploring. That maybe don’t go anywhere, or end satisfyingly, but that tickle my fancy anyway.

Here’s one of them. The prompt: “Bodybuilder, revenge”.

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This is the last straw.

Dimitri slams his locker in disgust, snarling at his phone as he thumbs through his feed. That damned Kurtis. It’s not enough that he’s got the biggest deadlift in the gym (and everybody knows it), that his girlfriend is better-looking than Dimitri’s (and everybody agrees — even Dimitri), or that he drives a nicer car than he should even have access to (an unreleased next-gen Maserati, not even on the market for this year or next, apparently handed down from some Arabian prince. How Kurtis ended up in it is anybody’s guess).

And now this.

In the video, a jubilant Kurtis mugs for the camera. He calls out his haters. He points right into the lens, shouting words of encouragement. He reaches down, locks his meaty hands around a barbell. The camera pans slowly out to reveal that, on the ends of the barbell, superimposed over the weights (but not superimposed so well that a viewer wouldn’t notice that the amount of weights is extravagant, Kurtis, you colossal bastard), is Dimitri’s face. Not a flattering picture, either, but a picture snapped by Erik and Josef some months prior as they burst in on Dimitri in the shower after flushing the nearby toilet. The face is a face full of shock, of pain, of a man betrayed and in doubt over whether there is any goodness at all in the world.

The picture had made the rounds in crude memes slapped together by the crew at the gym, and Dimitri’s embarrassment and anger were tremendous. But as with all things in social media, the picture had run its course — or so Dimitri thought. But here it is. Kurtis has resurrected it on his motivational weightlifting account for thousands to see.

The snarl on Dimitri’s face deepens.

The Kurtis in the video presses the barbell once, twice, five times. It’s a Personal Best for Kurtis (you hell-spawn, you absolute rat-chomper). He howls in triumph, drops the barbell to the mat (Dimitri’s superimposed face wincing as it hits) and runs to the camera, his perfectly symmetrical face filling the frame.

“You can do it too, ja?” says the Kurtis in the video, eyes wide with intensity. “You push the haters around, show them you are strong. That we are strong. Throw them around like they are nothing, ja? You make the power in yourself. You take the power from them.” He flexes. Sneers. Then smiles. He even winks. Goddammit.

It’s nonsense, every word of it, but somehow in Kurtis’s imperfect English and his heavy (if vague) eastern European accent, it sounds like pure honey. In real time, Dimitri watches the likes and the upvotes ticking upward like the numbers on a gasoline pump at the height of the oil crisis.

“What you think of my video, ja?”

Dimitri whirls. There stands Kurtis, leaning against the far bank of lockers, sculpted arms folded across his cast-iron bare chest. Perfection personified, damn him. Dimitri says nothing.

“Your face was so funny in that picture, ja? I had to use it.” Kurtis crosses, plucks the phone from Dimitri’s fingers, scrolls down. “Look at all the comments, ja? ‘Keep pushing, Kurt.’ ‘Don’t let them get you down, Kurtis.’ ‘We do it together, Kurt.’ ‘Kurtis, you’re amazing.’ Isn’t it great?”

Dimitri reaches for the phone, but Kurtis keeps it neatly out of reach.

“And the views, Dimitri. Did you see? Over a hundred thousand this time. That’s a new record too, ja? A personal best for views to go with my personal best for lifting. Ha, ha. It is irony, ja? Think of it, my friend.”

Friend?

“Think of the exposure for the gym, and for us. Isn’t it wonderful?”

Dimitri finally snatches his phone away. He imagines all the things he’d like to do to Kurtis. Many of them involve heavy weights and various sensitive parts of Kurtis’s body. These thoughts make him smile, and Kurtis smiles back.

“They love us,” Kurtis says, and leaves.

Dimitri watches him go, knows he won’t do any of those things to Kurtis. But he can do one thing.

He downvotes the video.

This, too, makes him smile.


Story-Matic #46


Lately I’ve been feeling the urge to write short fiction again. Stories that I can dip my toes into and move on from without feeling like I have to explore all their murky depths. Stories that I don’t necessarily feel strongly about, or feel the urge to finish, stories for stretching the legs, for limbering up the ol’ bean, for exploring. That maybe don’t go anywhere, or end satisfyingly, but that tickle my fancy anyway.

Here’s one of them. The prompt: “Librarian, reunited.”

#################

Alise reaches for her mug of tea, brings it to her lips, braces for the scalding bite. It doesn’t come. She looks at the digital desktop clock; an hour has passed, and she’s barely registered it. She looks around the empty aisles, sniffs the comforting, musty air, swigs her cold tea, grimaces at the cool grainy mix sticking in her teeth. She stands up.

Seems like her bones crackle and pop and creak more than they did even a week ago. She presses a hand into the small of her back as she begins her familiar plod through the library. This she can do without thinking, and with a glance she confirms that all is as it should be. Too many years spent making this circuit, too many years without a change. The biographies have always been there, the kids’ section there, nonfiction there. Why not switch it up?

Because she doesn’t have the energy for it anymore, she tells herself. As she has told herself before. It’s a nice thought, but it’s not going to happen. At least she has the place to herself; no unshelved books to sort through, no messes at the card catalog station, no strewn toys in the kids’ section. Not unusual for a Thursday, but welcome. Ah, but it’s Thursday, isn’t it? She goes to check on Gary.

She likes Gary. Likes him a lot, actually, which she tells herself must be a little odd since Gary is homeless. But she does. He’s good at conversation, he smiles when he speaks, and he looks at her in a way that makes her feel actually seen, which is a nice change from most of the people she encounters. Still, liking Gary is the problem, because in fifteen minutes’ time she’s going to have to send him away, back out onto the street, knowing that whatever is in his backpack is all he has to get him through the night. And it’s getting colder. Maybe she has enough in her purse to offer him a few dollars for a sandwich, at least. But maybe he’d bristle if she offered him money. She’s thought about it before, but never done it. Doesn’t seem right. Might ruin the relationship they have, whatever that relationship may be.

But Gary’s not here.

His backpack is, though, leaning like a storm-smashed tree against the internet station (ten cents a minute, but she lets Gary use it for free). She looks around — he’s nowhere to be seen.

“Gary?”

No answer.

With a note of worry in her step, she visits all his likely spots — the restroom, the periodicals, the stoop outside the employee entrance — he’s not anywhere.

He must have just forgotten it.

Forgotten his pack that contains, presumably, everything he owns?

She returns to the backpack, eyes it like a dieter eyeing a piece of cheesecake at a buffet. She takes it to her desk, has a brief moment of doubt, and unzips it.

The first thing that hits her is the smell — an unmistakable fog of spoiled food and rain-fouled clothing. She shoves aside some hastily-folded shirts and balled-up socks (slightly damp, she shudders to notice). And then her fingers close on a book. A hardback book with a distinctive plastic covering.

A library book.

Gary never checks anything out, he just reads in the library. For hours at a time. Books would just be more weight to carry around. She lifts it out.

And immediately drops it, her breath catching in her throat.

With trembling fingers, she reaches to pick it up again.

It’s a bit weathered but in good shape for riding around in Gary’s pack. Good shape for being impossible.

It’s a first-edition copy of her unpublished book from twenty years ago. Same title, the same cover she had always envisioned, the pen name she’d planned to use emblazoned on the bottom. Impossible. She opens it, reads the opening lines. Her opening lines.

Lines she never shared with anybody.

“You weren’t meant to see that,” Gary’s voice says behind her.


The Dawdle


She wanted to write a story, so she sat down at her desk to do just that.

“I can’t possibly write without the right tools,” she thought, although she had an entire desk full of pens and pencils. (Just not the right ones.)

So she loaded up her car and her cash and went to the store to buy pens and pencils and new-and-improved ink that were just right for this story and special paper made in the tradition of ancient Egyptian papyrus which wasn’t particularly relevant to her story but the thought of which appealed to her mightily. These things she took home and, just to test them out, wrote her grocery list upon them, and they were as lovely as she had hoped. So she sat down to write.

But the temperature in the room was a little bit stuffy.

“I can’t possibly write in these conditions,” she said. “What if I begin to sweat? And the sweat drips upon the paper and the ink, so carefully picked out and perfect for my purpose, smears, leaving what I’ve written unreadable?”

So she got up to adjust the thermostat. As she did, she happened to glance out the window and see the weather. Delightful! Sunny and breezy and oh-so-inviting.

“Actually,” she said, “It would be such a treat to sit outside, surrounded by nature, to feel the breeze upon my skin and the sun upon my face. Such things would surely bring me even greater inspiration and make my story that much more perfect.”

So she gathered her belongings, her new pens and perfect paper, went to the front porch, and there sat down to write her story. But as she sat, she found that the outside was not at all like the comforts of her writing desk, and was perhaps not suited to the task at all. There was no place to rest her special paper except for her lap, which she felt was not the most conducive position for writing, and her pens, when they were not in use (which was often), tended to roll off her leg and clatter upon the woodwork with a noise not at all restive to her ears.

For that matter, come to think of it, while the sun did feel nice at first, it made her uncomfortable after a time, and she found herself wishing for shade. The breeze, when it blew, alleviated this, but also whisked her pages away, so that she had to chase them into the yard and down the street.

Also, there were bugs, which were not especially helpful to her practice. So she went back inside.

As she sat back down at her comfy, perfect desk, though, she made another unhappy discovery: the thermostat, previously adjusted, had cooled the room rather too much. She adjusted it again, and was again distracted by the lovely weather outside, even though she knew it hadn’t worked out well previously.

The temperature fully suited to her creative needs, she sat down, finally, to write. But there was something else.

“What if I get thirsty?” she wondered. Truly, it would be a shame to begin her task only to be interrupted by a minor physiological annoyance. Luckily, she had an entire assortment of heated caffeinated beverages to alleviate this problem. She spent the next twenty minutes brewing the perfect cup and waiting for it to reach the perfect temperature.

At long last, it was well and truly time to write. She sat down, sipped her heated beverage.

Unfortunately, she could think of nothing to write.

“What I need,” she said to herself, “is some inspiration.”

So she set aside the story she had not yet begun to write and went in search of other stories. She started with a book she hadn’t yet finished, working her way through a few chapters. She then moved on to an old favorite film whose concepts and themes had always intrigued her. True, she’d seen it before, but a fresh viewing was sure to send up some creative sparks. Then, finally, to a TV show which she didn’t have a particular personal interest in, but she had heard good things.

Fully saturated with inspirational material, she returned to her chair. But by now, the sun had gone down.

“This will never do, the light is not quite right,” she moaned. She adjusted the lamp so that the light fell, not so much directly upon her and her work, but rather against the wall, sort of splashing down almost by accident across her desk, and this, she felt, set the right ambient mood, and she was pleased.

“Well, the light is right,” she thought, sitting down once more, “but the silence is positively unnerving.”

She turned on the radio, but the music and the lyrics soon distracted her; what she needed was the right music, so she began to search and search, curating just the right playlist to suit the ups and downs and dramatic swells for the story she was now sure to write.

The playlist was 78 hours long, which she felt might be a bit excessive, but she could always audit it later.

Everything was, now, finally, and without exception, perfect.

She sat at her desk. She drew back her sleeves. She grasped her pen. She checked her watch.

Good heavens.

Well, it had been a good effort, but it was simply too late to write tonight.

“I’ll try again tomorrow,” she said, laying her pen down on her blank pages and turning off the lamp.

Image by Voltamax at Pixabay.com.


Word of Mouth


When’s the last time I tried a flash fiction? It’s been a while. This one’s apropos of nothing; just a little seedling that took root while I was falling asleep a few nights ago.

***********

The man behind the counter is exactly as promised. His face, grizzled and careworn. His beard, long with a braid that dangles just above his belt. His arms, corded steel sleeved in jagged patterns of ink.

This is the forgemaster, all right.

Jad flicks his cigarette into the gutter and swaggers into the shop. A quaint tinkling bell announces him.

“Evening,” Thierry mutters without looking up. His knotty fingers work delicately away on a blade and stone in his hands, putting Jad in mind of a patient spider.

Jad strides right up to the counter. Lays his hands on the glass. Looks hard at the older man, willing him to look back. Thierry lets the moment linger, then lays down his tools. “Help you?”

“You’re the forgemaster.”

At that, the old man folds his arms and leans way back. He arches an eyebrow as he takes Jad in from head to toe. The ragged hair, gaunt face, sinewy body. All the leather. “Are you asking, or telling?”

Jad’s gaze flicks down to the glass case full of knives set between them. Each one beautiful and terrible, like the teeth of ancient megafauna honed to an evil point. Blades of bone, steel, and materials Jad can’t identify. The master’s work. “It’s you. You made these. You’re him.”

“Sure, kid. You got me. But … ugh. Forgemaster. Just call me Thierry. What do you want?” He asks as if he already knows, and, way Jad figures, probably he does.

“I’m a hunter.”

“Uh-huh.”

Jad flinches. Usually the title carries a bit more gravity. But he presses on. “A damned good hunter. I’ve had the visions. I’ve slain nightwalkers in droves. I am chosen.”

Thierry gives an approving frown. “I’m sure you’re doing just fine for yourself. What do you want with me?”

Jad grins, opens his palms and shrugs. “I need a weapon.”

“Got some fine ones here,” Thierry says. “What’s your fancy?”

“No,” Jad says. “I need a real weapon.”

Thierry’s eyes roll skyward, and he pinches the bridge of his nose. “You’ve done your homework.”

“Yes.”

“You learned I was still alive. Tracked me down. Sought me out. No small feat. I don’t see many hunters these days.”

Jad can’t help himself. His smirk widens. “Wasn’t easy.”

“You must also know I’m retired.”

Jad gestures around the shop. “Don’t look so retired to me.”

“I sell these. I don’t forge anymore. But you know that, too.”

“I know that you gave it up because the hunters let you down.” Thierry’s gaze has drifted off across Jad’s shoulder. Jad shifts himself into the older man’s line of sight. “But I won’t let you down.”

It’s Thierry’s turn to smirk at the kid. “What’s your name, then?”

“Jad.”

“Jad. I like you. You’ve got spirit. But I’m retired. No offense. I don’t work for the hunters anymore.” And Thierry picks up his knife and stone and goes back to sharpening.

Jad blinks in disbelief. “For decades, you’ve made the weapons that keep the shadow at bay.” He starts, then stops, then starts again. “You can’t just quit!”

“I can,” Thierry says, “and I have. You want to fight the nightwalkers? You’re welcome to any weapon you see here. Free of charge, even. Because I like you. But I’m nobody’s slave anymore.”

Jad recoils like he’s been slapped. “Slave? The hunters never –”

“Don’t.” Thierry’s eyes are as sharp as any blade in the store.

“I’ll pay you, of course.”

“No.”

Jad is flabbergasted. “I’m the most talented hunter in an age. The elders have said so. I’ve got a chance to destroy the nightwalkers for good. I need a proper weapon to do it. Not one of these … kitchen knives.”

Thierry looks almost bored, scraping away at the blade in his hand. Shiiiiink. Shiiiiiiink. “If you’re such a great hunter, surely you already know: the greatest weapon is the one in your head, not the one in your hand.” He meets Jad’s gaze one last time. “The answer is no.”

The kid moves like lightning. In a flash, Thierry’s blade is in Jad’s hand, the point of it thrust behind Thierry’s bushy beard, its point drawing a bead of blood at his neck.

Thierry actually chuckles. “You’re fast, I’ll give you that.”

Jad’s eyes bulge a bit crazily as he bares his teeth. “You will make me a weapon.”

The air goes out of Thierry, and Jad can tell he’s won. “Come back in three days.”

#

Three days later, true to his word, Thierry presents the young hunter with his masterwork. The blade, a demon’s flame cast in hexsteel, icy to the touch. Devilishly sharp. A breathtaking weapon. “You won’t regret this,” Jad says. He drops a ridiculous amount of money on the countertop.

“Just remember what I said about the weapon in your hand,” Thierry says. “And try not to get yourself killed.”

“Don’t worry your little heart about me, old man,” Jad says.

That very night, Jad carves his way through a nest. One nightwalker after the next falls before the master’s blade. All the way to the broodmother. Jad sinks his blade hilt-deep in the nightwalker’s chest. She laughs, then tears Jad’s throat out.

Jad expires in a mist of blood and fear, unseeing eyes blinking wildly in the night. His fingers grasp at the blade that won’t help him; a forgery, a fraud.

#

Ellaree, the broodmother, tosses the blade unceremoniously on Thierry’s counter, along with a ridiculous amount of money.

“You’re getting lazy,” she hisses. “I’ve seen this weapon before.”

Thierry shrugs. “The kid hadn’t. Did he die well?”

“Does it matter?” Thierry curls up like a beetle, at that. “Nobody will know otherwise. You can even sell that weapon again, if you want.” She smirks. “Again, again.”

Thierry hefts the dagger, thinks about plunging it right into her heart. It’d be useless, of course, but it might feel good. Might be worth the death it’d earn him. Instead, he tucks it into the back of his belt, safely out of sight. Just in case another upstart hunter shows his face this night.

Wouldn’t want to miss another sale.

**********

 


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