Lately I’ve been feeling the urge to write short fiction again. Stories that I can dip my toes into and move on from without feeling like I have to explore all their murky depths. Stories that I don’t necessarily feel strongly about, or feel the urge to finish, stories for stretching the legs, for limbering up the ol’ bean, for exploring. That maybe don’t go anywhere, or end satisfyingly, but that tickle my fancy anyway.
Here’s one of them. The prompt: “Librarian, reunited.”
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Alise reaches for her mug of tea, brings it to her lips, braces for the scalding bite. It doesn’t come. She looks at the digital desktop clock; an hour has passed, and she’s barely registered it. She looks around the empty aisles, sniffs the comforting, musty air, swigs her cold tea, grimaces at the cool grainy mix sticking in her teeth. She stands up.
Seems like her bones crackle and pop and creak more than they did even a week ago. She presses a hand into the small of her back as she begins her familiar plod through the library. This she can do without thinking, and with a glance she confirms that all is as it should be. Too many years spent making this circuit, too many years without a change. The biographies have always been there, the kids’ section there, nonfiction there. Why not switch it up?
Because she doesn’t have the energy for it anymore, she tells herself. As she has told herself before. It’s a nice thought, but it’s not going to happen. At least she has the place to herself; no unshelved books to sort through, no messes at the card catalog station, no strewn toys in the kids’ section. Not unusual for a Thursday, but welcome. Ah, but it’s Thursday, isn’t it? She goes to check on Gary.
She likes Gary. Likes him a lot, actually, which she tells herself must be a little odd since Gary is homeless. But she does. He’s good at conversation, he smiles when he speaks, and he looks at her in a way that makes her feel actually seen, which is a nice change from most of the people she encounters. Still, liking Gary is the problem, because in fifteen minutes’ time she’s going to have to send him away, back out onto the street, knowing that whatever is in his backpack is all he has to get him through the night. And it’s getting colder. Maybe she has enough in her purse to offer him a few dollars for a sandwich, at least. But maybe he’d bristle if she offered him money. She’s thought about it before, but never done it. Doesn’t seem right. Might ruin the relationship they have, whatever that relationship may be.
But Gary’s not here.
His backpack is, though, leaning like a storm-smashed tree against the internet station (ten cents a minute, but she lets Gary use it for free). She looks around — he’s nowhere to be seen.
“Gary?”
No answer.
With a note of worry in her step, she visits all his likely spots — the restroom, the periodicals, the stoop outside the employee entrance — he’s not anywhere.
He must have just forgotten it.
Forgotten his pack that contains, presumably, everything he owns?
She returns to the backpack, eyes it like a dieter eyeing a piece of cheesecake at a buffet. She takes it to her desk, has a brief moment of doubt, and unzips it.
The first thing that hits her is the smell — an unmistakable fog of spoiled food and rain-fouled clothing. She shoves aside some hastily-folded shirts and balled-up socks (slightly damp, she shudders to notice). And then her fingers close on a book. A hardback book with a distinctive plastic covering.
A library book.
Gary never checks anything out, he just reads in the library. For hours at a time. Books would just be more weight to carry around. She lifts it out.
And immediately drops it, her breath catching in her throat.
With trembling fingers, she reaches to pick it up again.
It’s a bit weathered but in good shape for riding around in Gary’s pack. Good shape for being impossible.
It’s a first-edition copy of her unpublished book from twenty years ago. Same title, the same cover she had always envisioned, the pen name she’d planned to use emblazoned on the bottom. Impossible. She opens it, reads the opening lines. Her opening lines.
Lines she never shared with anybody.
“You weren’t meant to see that,” Gary’s voice says behind her.
Either there’s a supernatural element at play here or Alise and Gary have ‘history’ dating back at least twenty years that is never explored but rather only hinted at.
Loved reading this.
Loved also the skillful inclusion of the word ‘stoop’.
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Default with me is the supernatural but I kinda like the second take, actually.
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