Category: Writing

Double Space, I Hardly Knew Ye

Pavowski7 Comments

I’m always afraid I’m going to be found out.

I’m that guy in the movies who’s walking backward against the current and the only thing saving me from annihilation is that somehow the other berks in the matrix haven’t scented me out yet. I’m covered in zombie entrails walking amongst the walking dead, counting on the smell of dead things to keep me incognito. I’m the wolf covered in tufts of cotton, only invisible because the sheep haven’t bothered to look my way.

I’m making it up as I go in every facet of my life. As a husband? Yeah, I’m five years into that and have no idea what I’m doing. As a father? Don’t make me laugh. What parent really knows what he is doing? It’s my baseline goal to make sure the kid doesn’t grow up to be a mass-murderer, anything beyond that is gravy. As a teacher? Let’s just say I fear for the future. Even now, as I write this blarg post, I’m inescapably aware that in no way am I qualified to be writing the things I’m writing about, whether in my novel or here on this lonely corner of the web. I don’t know what I’m doing.

The only reason, as Tommy Lee Jones said in Men in Black, that I’m able to go on with my life is that most of the time, I do not know about it. There are probably better ways to write, but I am merrily unaware. Doubtless there are better parenting methods, but mine is working well enough for me so far. Ignorance, as they say, is bliss. And I sure as sharknado thought I was doing a decent job as an English teacher.

The problem with living happily in ignorance is that sooner or later, somebody will point out the ways in which you never knew you were wrong, as evidenced by any nimrod who’s anti-vaccinations will be glad to tell you. Even now, this very instant, I am struggling with a bit of information I’ve just learned which is shaking up my very existence, fighting against the habits and automatic thinking which have been a part of me for over twenty years.

Seriously, how did I make it this far in my life not knowing that you only press space once after a period?

I’ve been typing with the double-spaced period for ages. AGES. I learned in my keyboarding class in middle school that a period gets two spaces behind it, and I’ve been typing that way ever since. Then today, it’s pointed out to me that two spaces after a period is nigh-archaic. I ask my wife who writes for a living, and in typical I-can’t-believe-I’m-married-to-this-idiot fashion, she says, “obviously. How did you not know that?” Somehow in twenty years I’ve missed the memo on this and nobody ever bothered to tell me.

Recently I heard a story about a guy who went into Home Depot to buy a new toilet and asked if, since he lived alone, he could just get a toilet without the seat. He lived by himself, no women in the house, so no need to put the seat down. Innocently, a worker asked him how he would be able to go #2, and the guy said, “what do you mean?” After a bit of embarrassing questioning, it came out that the guy had never sat on a toilet seat in his life, he always just squatted over the bowl. Certainly it never hurt anybody. He just never learned the right way and continued on, living his life in the complete wrong way until by mistake somebody set him straight.

So it is with me and the period. The humble period, of all things. Only the most common punctuation mark in the written language. Only the simple symbol of the end of a sentence, the building block of the paragraph, and therefore of all language itself. You wouldn’t believe how many times I’ve had to hit backspace, in this paragraph alone, to go back and erase one of the extra spaces I’m inserting as automatically as breathing.

The double space is a habit it’s going to take me months to unlearn. I wish I had a time machine so that I could go back, find my sixth-grade typing teacher, and punch her in the neck.

What’s next? Will I find out I’ve been spelling my own name wrong? Mispronouncing the simplest of words? Wearing my shoes on the wrong feet?

Staying Motivated (or, how to keep writing on those days when the writing sucks)

Pavowski9 Comments

I’ve struggled with motivation mightily in the months since I started working on my novel.

Some days I feel buoyed by powerful waves of motivation, a deep, slow-burning desire to write and create and push this thing forward.  On those days, it’s all I can do to get myself in front of the computer before the ideas and the words start clawing their way out of my skull.  The plotlines and characters and conflicts dance around in my headspace subconsciously all day, sometimes resolving themselves in time to be written down in neat orderly arrays, other times becoming tangled and spilling out onto the page like intestines from a vicious gut wound.  Motivation isn’t a question on those days.  I’m going to write, regardless of what else I may have going on.

Other days I’m Sisyphus, and my novel is a big boulder the size of six or seven giant men and the hill I have to push it up is high indeed.  Even thinking about the task makes me feel weary and exhausted, and my mind starts thinking of all the other things in my life that need doing in this moment, and wouldn’t it be easier to focus on those things and then, maybe after I’ve done those things, I’ll feel like writing and I can get some work done.  Except, as anybody who’s ever put something off knows, you arrive at the end of the day and you still don’t feel like working on the novel, and what’s more you don’t have time to work properly on it anyway, and also you feel crappy about the fact that you haven’t gotten anything done with it today.  The simple act of even reading your own work to see where you’ve just come from and where you might go next seems like a slog through an endless swamp.  These days it feels impossible to write.

But the writing doesn’t change.  The book is just a book, just a story waiting to be told.  The characters, lively as they may be, are but lumps of clay looking for hands to shape them.  It’s only my perception of the work that seems to affect my motivation to work on it.  So how do you cultivate motivation?  Here are some humble ideas.

And I realize as I edit this post that while this dubious advice seems to fit for writing, I think it applies for staying motivated at just about anything, and if that’s the case, so be it.

  • Eyes on the Prize: On those days when I just don’t feel like writing, I have to remind myself that if it was easy, everybody would do it.  Anything worth doing is worth working hard for, and the book isn’t going to write itself; the words aren’t just going to arrange themselves on the page for me.  Yes, I may be a bit stuck on the story.  Yes, I might be a bit confounded by what this character is trying to do.  But these are Writer Problems, and it’s a writer’s job to solve those problems.  If I want to be a writer — to have that success, to have that recognition, to complete a Story Worth Telling — it’s no good hiding from the work.  When it gets hard, when it gets overwhelming, when it seems impossible, I start asking myself, “do you really want it?”  And almost always, I find that I can get some work done after all.
  • Plan of Attack:  If you were to ask me if I were an organized person, I would begin by laughing hysterically.  Then I might offer you a picture of my garage, or my desk, or my bedroom, and you’d quickly realize that not only am I not by any stretch organized, I might not even know what the word means.  But organization has been key to staying motivated and keeping the boulder rolling uphill.  But I don’t mean organization in the general sense of having a place for everything and everything in its place.  (I strive for that, but I often miss the target.)  I mean rather knowing what I want to accomplish within a given time frame, having a clear idea of what’s to be done on that day, seeing the obstacles and knowing perhaps not exactly how I will deal with them but at least that I am capable.  Notes to myself are invaluable for this.  Every day of drafting I’d finish with a little note to myself: “introduce this character tomorrow.”  “wrap up this scene tomorrow.”  “go back and establish that the main character carries a Taser in her purse so that she can zap this guy now.”  I need to know what needs to happen next more than I need to know what I’ll be doing in three weeks.
  • Window of Opportunity:  One of my favorite quotes of late says something along the lines of, “never put off a dream because of the time it will take to achieve it.  The time will pass anyway.”  And to say that time is a factor when it comes to motivation is a ridiculous understatement.  You need time to do the work.  You need time to do the other stuff in your life so that you can focus on the work.  And time doesn’t give a slippery sharknado about you or your work.  Time is going to roll on past you like a bus rolling past a pile of dog vomit.  If I’m sitting around waiting to find time to get the writing done, then the writing just isn’t going to get done that day.  I have to decide, early on during the day if not the day before, when I’m going to get the writing done.  Maybe tomorrow I can carve out time on my lunch break.  The day after, my wife has a class, so I can do some writing that evening.  However I do it, I have to seize the time, carve it from the still thrashing carcass of the beast, if I want to write that day.  I have to create the window of opportunity for myself to work in.
  • Achievable Goals: It’s too big to think “I need to work on the book today.”  What the balls does that even mean?  Character outlines?  Plot diagrams?  Word count?  No, if I’m going to be focused and motivated to do the writing, I need a goal to work toward that I can actually accomplish during a working session.  Write 900 words today.  Introduce this character into the scene.  End this scene.  All these little goals are part and parcel of the big goal — work on the book — but the difference is, they are things I can get done.  How do you eat an elephant?  One bite at a time.
  • Embrace the Suck: There are days wherein, despite the best of intentions, I’m going to write crap.  I’ll read back over a passage and wish that somebody else had written it, because surely, surely, I can’t be that bad, that uncreative, that uninspired.  And it’s all too easy to see that happening, to take stock of the growing puddle of sharknado on the page, and say NOPE, the work sucks, I suck, writing sucks.  I’m taking my ball and going home.  And I think that’s a normal reaction (correct me if I’m wrong).  But nobody works perfect the first time around, or for that matter, the second or the third.  There came a point where I realized that it was okay to write something terrible, as long as I was working toward the goal.  It’s easier to rewrite something, to clean it up and tweak it, than it is to start from scratch.  It’s easier to bust a thing apart and start over, even, because you still have all the pieces to work with when it’s time to put it back together.  If I can hold it together and write through the bad days and write when it’s awful, then it keeps the pipes clear for when the ideas want to flow on their own.

To put all this in perspective, here’s a turn that’s happened in the last few weeks.  A few weeks back, I lost the notebook I’ve been using to keep notes for my edit.  I keep notes in the draft as well, but big stuff that needs fixing in the work as a whole went into the notebook.  And it was just gone.  It’s still gone.  And with it went much of my motivation.  I’d lost a significant portion of work, lost a ton of time, and felt overwhelmed at the prospect of going back and doing much of the same work again.  And my work over the past few weeks has suffered.  I’ve been dragging my feet, doing the work at the last minute, doing the bare minimum, even skipping days.  I was dreading the writing.

Well, yesterday I accepted the fact that the notebook was gone and started a new one.  And yeah, it sucks looking at those blank pages that I have to refill.  And it’s painful writing down notes that I’ve already written and retreading ground that I’ve covered before.  But somehow, just accepting the loss and refocusing my effort has given me the best couple of days of editing that I’ve had in a month.  I’m not saying I’ve done the best work, I’m saying I feel better about the work.  Perception is everything.  I refocused from the lost notebook to getting the book done, I made a new plan around my new notebook, I got serious again about making my own time to work, and I accepted the lost work and moved on.  Suddenly, working on the book is that thing I can’t wait to do again.

Tomorrow, the pendulum may swing back the other way, but I’ll keep working anyway.  Motivation isn’t some magic elixir you can drink and suddenly be filled with purpose.  It’s just another thing to be worked at.

 

NaNoWriNOPE.

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You can’t swing a cat the last couple of days without hearing about NaNoWriMo.  Well, I guess that’s only true if you travel in writerly circles.  Outside literary circles the talk, I’m sure, is just more football, more Ebola, more elections, and if you’re really unlucky, the start of the Christmas season.  Down here with the writers and the would-be’s, though, it’s all NaNoWriMo all the time.

I think NaNoWriMo is awesome.  I’ve never done it, but I’ve had friends who tried.  Anything that motivates an otherwise stuck writer to unstick himself and put pen to paper, keys to screen, voice to dictaphone, is a thing that’s fighting on the side of good.

That said, I can’t personally get excited about it.

I don’t know why.  Maybe it’s my innate anti-herd mentality, my inherent distrust of groupthink.  If a lot of people are doing a thing because it’s trendy, most of the time, that alone is enough for me to not want to do that thing.  And NaNoWriMo is definitely trendy.  The website claims that over 300,000 people completed the challenge last year, to say nothing of the untold scores that fell off the wagon.  And I have a feeling that, faced with the mammoth task of slaying a 50,000 word novel, there were more than a few that fell off the wagon.

NaNoWriMo should appeal to me on every level.  It invites anybody who feels they have a story to tell to get off their donk and tell that story.  That’s a message I believe in; just look at what I’ve done with this place since I suddenly decided I had stories worth telling, oh, seven or eight months ago.  It encourages you to pour your heart and soul into a thing and work doggedly at it against all odds to get it done.  Yeah, I feel that.  It tells us that anybody — anybody — can do this writing thing, no matter what job you work at or don’t work at, no matter what demands your family makes on your time, no matter  what else you have going on in your day.  All this is relevant to my interests.

But I won’t be doing it this year.  And I probably won’t be doing it for many years to come.

I think my problem with it… no, that’s not right.  Problem is too strong a word, and I’m not here to take a bold stand against NaNoWriMo.  I think it’s awesome, as I stated above.  So, not a problem, as such.  More a misgiving, a lurking doubt.  My lurking doubt about NaNoWriMo is that it’s a gimmick.  And before I wander out onto this very tenuous, very no-actual-leg-to-stand-on branch, let me make it clear that this is just what I think for me.

When I thought about whether or not I would try for NaNoWriMo this year (and I did ponder it, briefly), I realized that it struck me as a gimmick. A potentially useful gimmick, perhaps.  A gimmick which would push me toward my goal of becoming a better and hopefully published writer, probably.  But a gimmick.  It’s imposing a ludicrous daily writing goal.  An insane deadline.  A Herculean writing task.  And if I were to fail at it, to come up short, I’d tear myself up over it.  That’s my MO, that’s what I do.  A missed deadline, a failure to produce, is crippling to me.  Insecurity about whether I’ll be able to produce is why I’m starting to stress out NOW, at the beginning of November, about whether I will in fact finish my first editing pass by the year’s end as I arbitrarily set out to do.

No, working on this edit and pushing out another short story every week and unspooling my brain on the blarg here are quite enough writing goals for November and the near future, for that matter.

I don’t need NaNoWriMo to feel like a writer.  Neither, for that mater, does anybody taking part.  But if it helps you, more power to you.  If it motivates you, then let it motivate you, and embrace the headache and the stress and the adrenaline and the frenzy of it.  I’ll just be over here, plugging away at my novel already in progress, occasionally tossing off posts about how amusing it is watching the NaNoWriMo’ers flailing around.

At any rate, if you’re NaNoWriMo’ing, go get it.  But just remember that you don’t need it.  If you’re a writer, you’re a writer without NaNoWriMo.

Another Dilemma, and a Writerly Question

Pavowski2 Comments

Because I like it, and because I have to scratch my own back on this project a little (because nobody else is going to do it for me) I’m posting another favorite passage of the day.  I read this and it just made me smile knowing that this sprung fully-formed from my own personal thought-box.  But the passage comes with its own problem.  Rather, it’s a problem related to the passage by dint of the fact that the passage made me realize the problem.

God, my thoughts on this thing are a trainwreck.  The problem, or rather, the dilemma, is this:

I think the book is full of scenes that are good.  At least, the book is full of scenes which are potentially good.  And I like my main characters.  I love them, in fact.  They’re ridiculous and earnest and silly and flawed and, ultimately, I hope, believable and maybe a little compelling.  My leads, in short, are great.  But as I read the work — and I recall thinking this as I was drafting the thing — I realize that some of my favorite scenes don’t directly involve my main characters.  In fact, the scene I read today is easily my favorite scene in the whole book.  Hands down.  And neither of my main characters is in it.

I’m not saying it’s the best scene in the book, but it’s certainly the one I enjoy most.  So far.  And in retrospect, considering what I remember writing toward the end of the novel, I don’t know that it gets any better than this at the moment.  And this feels wrong.

So for my fellow authors and authors-in-training out there: Is it a problem if my favorite scene in the book takes place between characters who aren’t even on the marquee?

Anyway, here’s the passage:

…for the children of the gods, these tremendous abilities are as natural as breathing, as unconscious and automatic as reaching for a pen to jot down a phone number.  Only when we discover that not only has the pen been removed, but it has been replaced with a snarling, voracious badger can we approximate the feeling that struck Calli in that moment.

 

I’m falling a little bit behind on my daily schedule for editing, but if I can keep finding gems like this along the way, maybe my Past Self can keep my Present Self motivated.

The Shape of a Story

Pavowski7 Comments

There’s a shape to writing, and that shape is a pear.

No, I’m kidding.  To be fair, writing does go pear-shaped, almost every day if I’m honest, but rare are the days when it doesn’t turn around and end up feeling productive or enlightening or, at the very least, right to have written, even on the days when the writing is total bollocks.  But to say that writing is pear-shaped is to oversimplify in the worst way.  It’s calling a baby a factory for poop and tears and snot.  It’s calling a puppy a factory for poop and vomit and midnight barking.  It’s calling my car a lumbering bucket of soon-to-be-rusted-and-worthless bolts.

Also, to call writing pear-shaped is to essentially say writing is fruity, and it’s certainly not that.  Fruit can’t shave away at your soul like writing does.  Fruit can’t make you feel impossibly brilliant and numbingly stupid in an instant.  At its best, fruit is delicious but transient.  It doesn’t stay with you.

No, I think writing is not so much a shape as a line.  Specifically, it’s a line describing a downward arc through the depths of the soul and the psyche.  You start high, full of motivation and ambition and giddy thoughts that you’re writing the best thing ever, that the story will be momentous and the characters transcendent and the themes and the symbolism and the echoes of the real world will reverberate through the annals of literature, or, at the very least, score you an interview segment on Conan.  You start at the top.

Then the work begins and you lose steam.  You start to struggle.  You realize that writing is hard.  That it’s incredibly difficult to write believable characters, that making multiple plotlines weave together is as easy as playing Chinese Checkers blindfolded, that the nuts and bolts of your narrative make as much sense as a box of chocolates without the label card.  You bite into this thing and you don’t know if you’re getting coconut or caramel or a goldfingered disgusting cherry.  Then you get halfway through your draft and it gets really hard.  The characters are stupid.  Your idea is stupid.  Your narrative might as well be a bile-soaked hairball for all that you want to try and straighten it out, and the end you imagined makes about as much sense as the Duck-Billed Platypus.  And down, down, down you slide.

But you FINISH.  And you float there for a moment, translucent and gleeful, basking in the fact that you finished this monolith task.  Slew the mammoth.  Ate the five-pound steak.  And then you re-read the thing and you realize it’s even worse than you feared, and DOWN, DOWN, DOWN you slide, all the way to the bottom, where maybe one day you finish the thing, and it’s terrible and crippled and ugly and squealing and you feel like you really should put it out of its misery but you spent so much time on it that maybe you ought to just send it out, and then the bottom really, finally, truly, for realsies, drops the fargo out and you plummet into the all-consuming black hole at the bottom of your self-doubting soul.

No, that’s not right.

Writing is a line, but it doesn’t arc downward.  It curls up, like the pointy ends of Snidely Whiplash’s majestic mustache.  You start at the bottom.  Your idea, ill-formed.  Your characters, half-baked.  Your voice uncertain.  But you pick the ball up and begin to write.  For days, you struggle.  You fight the momentum of non-productiveness and you urge the story forward, bit by agonizing bit.  And then a little miracle happens.  The lights start to come on.  The engine turns on, splutters, then catches.  The story starts to move under its own power, just a little bit.  And this gives you hope.  And you keep writing and the story develops its own momentum and one day you’re writing but it doesn’t feel like you’re writing anymore, you’re just seeing the story unfold and transcribing as it does, like some lunatic translator scribing a lost manuscript into English for the first time.  The dragons you’ve yet to slay don’t seem so large, the sharks don’t seem to have quite so many teeth, and you feel you may actually finish this thing, and that momentum lights in your fledgling little wings and spirits you off the ground.  And you finish the thing, in a heady swirl of accomplishment and drunken confidence and sheer self-amazement that from nothingness you have created SOMEthing, in an act that flies in the face of everything you thought you knew before.

You still have doubts, but you know you’ve accomplished a capital “T” Thing, and then you go back and read it and you realize that for all its problems it’s not that bad.  And that realization buoys you even further up, into the rarefied air that only the astronauts and the gods get to breathe (okay, astronauts don’t breathe the outside air, I get that, I’m on a roll here).  And you begin to refine your creation, to shape and polish and sharpen it into the thing you never knew it could be, and then, finally, giddy with achievement and drunk with confidence, you send it out, and Icarus himself could not fly closer to the sun.

Maybe Icarus is the wrong comparison, or maybe he’s the perfect one.  Both of those lines are true, and both are false.  Writing lifts you up on the crests of the highs and casts you down into the snakepits of the lows, in a wickedly exhausting roller-coaster ride that somehow lasts for months on end.  The point is, it’s a hell of a ride, and you might barf at the end.

This post is part of SoCS.  Somehow I wrote all this without an edit.