Category Archives: Flash Fiction

Early-Man Ennui, ep. 2


Some time ago, I wrote a scene with a depressed caveman in it.

The style of it was fun, and I’ve been wanting to write more scenes, so — here’s another chapter. Please to enjoy!

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Ext: a rock wall at the entrance to a cave. BLOOG, a young, hip, cavewoman stands at the wall, chiseling away with a rock and another sharper rock. She seems to be etching a likeness of a person in something like a seductive pose, though it’s hard to tell, as she is not an artist.

GRAAT, a more reserved cavewoman, enters.

Graat: Hi, Bloog. How you doing?

Bloog: Oh, Graat. Good to see you. Been a few weeks, hasn’t it?

Graat: Yes, it has. (Pause.) What are you doing there?

Bloog: Oh, this? Just putting the finishing touches on.

Graat: And what is it?

Bloog: Why, it’s me.

Graat: Well, okay, I see that, but what I meant was: why are you doing it?

Bloog: This is my InstaCave.

Graat: Your what?

Bloog: My InstaCave. It’s the latest.

Graat: You’ve done a cave painting, I see that. A couple, actually, we’ve been seeing them all about the village, even though we haven’t really got a village, us being hunter-gatherers and all. But, dear, don’t you think it belongs a bit further down in the cave?

Bloog: What do you mean?

Graat: Well, it’s just, they’re called cave paintings for a reason, aren’t they?

Bloog: It’s on a cave.

Graat: Yes, true enough, but we usually put the art down, you know, in the interior of the cave.

Bloog: Nobody could see it in there.

Graat: Well, people might not see it from just walking by, but it won’t last out here. Inside the cave, it’s protected from the elements, you know? The wind and the rain? Wash it right away, wouldn’t they?

Bloog: Who cares if it washes away?

Graat: That’s why we do art, Bloog, dear. For future generations. To tell our story.

Bloog: Future generations can piss off, Graat, I’m in it for the likes. I’m getting monetized, soon.

Graat: But what about posterity?

Bloog: Posterity? What do I care about posterity for? We’re cavemen. If we’re lucky, we’ll kick off before we’re thirty.

Graat: Cave women.

Bloog: Oh, yes, big women’s right movement we are, what with the loincloths and getting dragged about by the hair, and all. Why, next, we’ll all have the right to vote?

Graat: What’s a vote?

Bloog: Never mind. It’s a social statement, Graat. You wouldn’t understand. I’m an influencer.

Graat: A what?

Bloog: An influencer. I set trends. I influence the social discourse.

Graat: By chiseling a tart with her tits out?

Bloog: Well, it gets people talking, doesn’t it?

Graat: Talking about your tits, Bloog!

Bloog: Better they talk about my tits than whatever pedestrian nonsense they’d be talking about otherwise. Oh, did Dag sod up the hunt again today? Did Klod whack his toe with his stupid oversized club? Sure, that’s worth our time. Besides, people like this.

Graat: Nobody likes this! It’s obscene!

(At that moment, a pair of cavewomen — ARK and PROOT — wander past. They see Bloog’s artwork as Graat and Bloog stand aside nervously.)

Ark: Did you do that?

Bloog: Yeah, what do you think?

Proot: (After some consideration) Brilliant, I think. Progressive, even. Real women’s lib stuff. Good job.

Ark: It’s a sight more interesting than Klod stubbing his toe again, that’s for sure.

Proot: Yeah, well done. You’ve seized your femininity and demonstrated that you won’t be a stooge for the patriarchy.

Ark: Right. Totally bitchin’.

(They make to move on.)

Bloog: (to Graat) See? They like it. (Bloog goes after them.) Excuse me? Could you just come back for a minute? See, I’ve got this “like” pebble right here. I wonder, could you just put your mark there? Just there. On that “like” pebble. Just smash it.

(Proot points at Bloog’s chisel-rock questioningly. Bloog nods. She takes the chisel, adds a little mark to the wall. Ark does the same. They nod and grin at each other while Bloog claps delightedly. During all this, Graat rolls her eyes more and more dramatically.)

Bloog: Cheers! Make sure to subscribe! New cave paintings every full moon!

(They leave. As they go, another pair of cavemen — KLOD and DAG — saunters past, glances at the artwork, and immediately — almost automatically — mark the “like” pebble.)

Graat: Excuse me. What was that for? You hardly even looked at the painting.

Dag: (shrugs) Her tits are out.

Graat: Oh, piss off.


Story-Matic #63


Lately I’ve been feeling the urge to write short fiction again. Stories that I can dip my toes into and move on from without feeling like I have to explore all their murky depths. Stories that I don’t necessarily feel strongly about, or feel the urge to finish, stories for stretching the legs, for limbering up the ol’ bean, for exploring. That maybe don’t go anywhere, or end satisfyingly, but that tickle my fancy anyway.

Here’s one of them. The prompt: “Bodybuilder, revenge”.

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This is the last straw.

Dimitri slams his locker in disgust, snarling at his phone as he thumbs through his feed. That damned Kurtis. It’s not enough that he’s got the biggest deadlift in the gym (and everybody knows it), that his girlfriend is better-looking than Dimitri’s (and everybody agrees — even Dimitri), or that he drives a nicer car than he should even have access to (an unreleased next-gen Maserati, not even on the market for this year or next, apparently handed down from some Arabian prince. How Kurtis ended up in it is anybody’s guess).

And now this.

In the video, a jubilant Kurtis mugs for the camera. He calls out his haters. He points right into the lens, shouting words of encouragement. He reaches down, locks his meaty hands around a barbell. The camera pans slowly out to reveal that, on the ends of the barbell, superimposed over the weights (but not superimposed so well that a viewer wouldn’t notice that the amount of weights is extravagant, Kurtis, you colossal bastard), is Dimitri’s face. Not a flattering picture, either, but a picture snapped by Erik and Josef some months prior as they burst in on Dimitri in the shower after flushing the nearby toilet. The face is a face full of shock, of pain, of a man betrayed and in doubt over whether there is any goodness at all in the world.

The picture had made the rounds in crude memes slapped together by the crew at the gym, and Dimitri’s embarrassment and anger were tremendous. But as with all things in social media, the picture had run its course — or so Dimitri thought. But here it is. Kurtis has resurrected it on his motivational weightlifting account for thousands to see.

The snarl on Dimitri’s face deepens.

The Kurtis in the video presses the barbell once, twice, five times. It’s a Personal Best for Kurtis (you hell-spawn, you absolute rat-chomper). He howls in triumph, drops the barbell to the mat (Dimitri’s superimposed face wincing as it hits) and runs to the camera, his perfectly symmetrical face filling the frame.

“You can do it too, ja?” says the Kurtis in the video, eyes wide with intensity. “You push the haters around, show them you are strong. That we are strong. Throw them around like they are nothing, ja? You make the power in yourself. You take the power from them.” He flexes. Sneers. Then smiles. He even winks. Goddammit.

It’s nonsense, every word of it, but somehow in Kurtis’s imperfect English and his heavy (if vague) eastern European accent, it sounds like pure honey. In real time, Dimitri watches the likes and the upvotes ticking upward like the numbers on a gasoline pump at the height of the oil crisis.

“What you think of my video, ja?”

Dimitri whirls. There stands Kurtis, leaning against the far bank of lockers, sculpted arms folded across his cast-iron bare chest. Perfection personified, damn him. Dimitri says nothing.

“Your face was so funny in that picture, ja? I had to use it.” Kurtis crosses, plucks the phone from Dimitri’s fingers, scrolls down. “Look at all the comments, ja? ‘Keep pushing, Kurt.’ ‘Don’t let them get you down, Kurtis.’ ‘We do it together, Kurt.’ ‘Kurtis, you’re amazing.’ Isn’t it great?”

Dimitri reaches for the phone, but Kurtis keeps it neatly out of reach.

“And the views, Dimitri. Did you see? Over a hundred thousand this time. That’s a new record too, ja? A personal best for views to go with my personal best for lifting. Ha, ha. It is irony, ja? Think of it, my friend.”

Friend?

“Think of the exposure for the gym, and for us. Isn’t it wonderful?”

Dimitri finally snatches his phone away. He imagines all the things he’d like to do to Kurtis. Many of them involve heavy weights and various sensitive parts of Kurtis’s body. These thoughts make him smile, and Kurtis smiles back.

“They love us,” Kurtis says, and leaves.

Dimitri watches him go, knows he won’t do any of those things to Kurtis. But he can do one thing.

He downvotes the video.

This, too, makes him smile.


Story-Matic #46


Lately I’ve been feeling the urge to write short fiction again. Stories that I can dip my toes into and move on from without feeling like I have to explore all their murky depths. Stories that I don’t necessarily feel strongly about, or feel the urge to finish, stories for stretching the legs, for limbering up the ol’ bean, for exploring. That maybe don’t go anywhere, or end satisfyingly, but that tickle my fancy anyway.

Here’s one of them. The prompt: “Librarian, reunited.”

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Alise reaches for her mug of tea, brings it to her lips, braces for the scalding bite. It doesn’t come. She looks at the digital desktop clock; an hour has passed, and she’s barely registered it. She looks around the empty aisles, sniffs the comforting, musty air, swigs her cold tea, grimaces at the cool grainy mix sticking in her teeth. She stands up.

Seems like her bones crackle and pop and creak more than they did even a week ago. She presses a hand into the small of her back as she begins her familiar plod through the library. This she can do without thinking, and with a glance she confirms that all is as it should be. Too many years spent making this circuit, too many years without a change. The biographies have always been there, the kids’ section there, nonfiction there. Why not switch it up?

Because she doesn’t have the energy for it anymore, she tells herself. As she has told herself before. It’s a nice thought, but it’s not going to happen. At least she has the place to herself; no unshelved books to sort through, no messes at the card catalog station, no strewn toys in the kids’ section. Not unusual for a Thursday, but welcome. Ah, but it’s Thursday, isn’t it? She goes to check on Gary.

She likes Gary. Likes him a lot, actually, which she tells herself must be a little odd since Gary is homeless. But she does. He’s good at conversation, he smiles when he speaks, and he looks at her in a way that makes her feel actually seen, which is a nice change from most of the people she encounters. Still, liking Gary is the problem, because in fifteen minutes’ time she’s going to have to send him away, back out onto the street, knowing that whatever is in his backpack is all he has to get him through the night. And it’s getting colder. Maybe she has enough in her purse to offer him a few dollars for a sandwich, at least. But maybe he’d bristle if she offered him money. She’s thought about it before, but never done it. Doesn’t seem right. Might ruin the relationship they have, whatever that relationship may be.

But Gary’s not here.

His backpack is, though, leaning like a storm-smashed tree against the internet station (ten cents a minute, but she lets Gary use it for free). She looks around — he’s nowhere to be seen.

“Gary?”

No answer.

With a note of worry in her step, she visits all his likely spots — the restroom, the periodicals, the stoop outside the employee entrance — he’s not anywhere.

He must have just forgotten it.

Forgotten his pack that contains, presumably, everything he owns?

She returns to the backpack, eyes it like a dieter eyeing a piece of cheesecake at a buffet. She takes it to her desk, has a brief moment of doubt, and unzips it.

The first thing that hits her is the smell — an unmistakable fog of spoiled food and rain-fouled clothing. She shoves aside some hastily-folded shirts and balled-up socks (slightly damp, she shudders to notice). And then her fingers close on a book. A hardback book with a distinctive plastic covering.

A library book.

Gary never checks anything out, he just reads in the library. For hours at a time. Books would just be more weight to carry around. She lifts it out.

And immediately drops it, her breath catching in her throat.

With trembling fingers, she reaches to pick it up again.

It’s a bit weathered but in good shape for riding around in Gary’s pack. Good shape for being impossible.

It’s a first-edition copy of her unpublished book from twenty years ago. Same title, the same cover she had always envisioned, the pen name she’d planned to use emblazoned on the bottom. Impossible. She opens it, reads the opening lines. Her opening lines.

Lines she never shared with anybody.

“You weren’t meant to see that,” Gary’s voice says behind her.


The Dawdle


She wanted to write a story, so she sat down at her desk to do just that.

“I can’t possibly write without the right tools,” she thought, although she had an entire desk full of pens and pencils. (Just not the right ones.)

So she loaded up her car and her cash and went to the store to buy pens and pencils and new-and-improved ink that were just right for this story and special paper made in the tradition of ancient Egyptian papyrus which wasn’t particularly relevant to her story but the thought of which appealed to her mightily. These things she took home and, just to test them out, wrote her grocery list upon them, and they were as lovely as she had hoped. So she sat down to write.

But the temperature in the room was a little bit stuffy.

“I can’t possibly write in these conditions,” she said. “What if I begin to sweat? And the sweat drips upon the paper and the ink, so carefully picked out and perfect for my purpose, smears, leaving what I’ve written unreadable?”

So she got up to adjust the thermostat. As she did, she happened to glance out the window and see the weather. Delightful! Sunny and breezy and oh-so-inviting.

“Actually,” she said, “It would be such a treat to sit outside, surrounded by nature, to feel the breeze upon my skin and the sun upon my face. Such things would surely bring me even greater inspiration and make my story that much more perfect.”

So she gathered her belongings, her new pens and perfect paper, went to the front porch, and there sat down to write her story. But as she sat, she found that the outside was not at all like the comforts of her writing desk, and was perhaps not suited to the task at all. There was no place to rest her special paper except for her lap, which she felt was not the most conducive position for writing, and her pens, when they were not in use (which was often), tended to roll off her leg and clatter upon the woodwork with a noise not at all restive to her ears.

For that matter, come to think of it, while the sun did feel nice at first, it made her uncomfortable after a time, and she found herself wishing for shade. The breeze, when it blew, alleviated this, but also whisked her pages away, so that she had to chase them into the yard and down the street.

Also, there were bugs, which were not especially helpful to her practice. So she went back inside.

As she sat back down at her comfy, perfect desk, though, she made another unhappy discovery: the thermostat, previously adjusted, had cooled the room rather too much. She adjusted it again, and was again distracted by the lovely weather outside, even though she knew it hadn’t worked out well previously.

The temperature fully suited to her creative needs, she sat down, finally, to write. But there was something else.

“What if I get thirsty?” she wondered. Truly, it would be a shame to begin her task only to be interrupted by a minor physiological annoyance. Luckily, she had an entire assortment of heated caffeinated beverages to alleviate this problem. She spent the next twenty minutes brewing the perfect cup and waiting for it to reach the perfect temperature.

At long last, it was well and truly time to write. She sat down, sipped her heated beverage.

Unfortunately, she could think of nothing to write.

“What I need,” she said to herself, “is some inspiration.”

So she set aside the story she had not yet begun to write and went in search of other stories. She started with a book she hadn’t yet finished, working her way through a few chapters. She then moved on to an old favorite film whose concepts and themes had always intrigued her. True, she’d seen it before, but a fresh viewing was sure to send up some creative sparks. Then, finally, to a TV show which she didn’t have a particular personal interest in, but she had heard good things.

Fully saturated with inspirational material, she returned to her chair. But by now, the sun had gone down.

“This will never do, the light is not quite right,” she moaned. She adjusted the lamp so that the light fell, not so much directly upon her and her work, but rather against the wall, sort of splashing down almost by accident across her desk, and this, she felt, set the right ambient mood, and she was pleased.

“Well, the light is right,” she thought, sitting down once more, “but the silence is positively unnerving.”

She turned on the radio, but the music and the lyrics soon distracted her; what she needed was the right music, so she began to search and search, curating just the right playlist to suit the ups and downs and dramatic swells for the story she was now sure to write.

The playlist was 78 hours long, which she felt might be a bit excessive, but she could always audit it later.

Everything was, now, finally, and without exception, perfect.

She sat at her desk. She drew back her sleeves. She grasped her pen. She checked her watch.

Good heavens.

Well, it had been a good effort, but it was simply too late to write tonight.

“I’ll try again tomorrow,” she said, laying her pen down on her blank pages and turning off the lamp.

Image by Voltamax at Pixabay.com.


Early-Man Ennui


In my writing this morning, I found myself musing: I wonder if cavemen got depressed?

So… this happened.

(For some reason I imagined the cavemen with British accents. Probably all the Good Omens and Ricky Gervais comedy specials I’ve been watching.)

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Int. a dingy, shallow cave. A few unwashed loincloths litter the floor. DAG sits staring into the ashes of a fire that burned out several hours ago at the very least. THOP enters, his shadow stretching long across DAG, who either fails to notice or fails to care.

Thop: Dag?

Dag: Hmm? Oh. Thop. Morning.

Thop: I should say so, Dag. The sun’s been up for 15 minutes. What are you doing?

Dag: What do you mean?

Thop: Are you serious?

Dag: About what?

Thop: Dag. It’s Monday morning. Hunting day. The antelope are waiting.

Dag: Are they?

Thop: What?

Dag: The antelope. Just standing around thinking, gee, it’d sure be great if we got chased, hunted, and eaten today, are they?

Thop: Don’t be ridiculous. It’s a figure of speech.

Dag: Ah.

Thop: It’s time to go hunt, Dag.

Dag: I don’t know, Thop. I’m just not sure I’m feeling like it today.

Thop: Not feeling like it? What are you talking about? We’re hunter-gatherers. Hunting is one of two things we do in life. You don’t feel like it?

Dag: I just feel sort of lost. Kind of … I don’t know. Spiritually icky. You know?

Thop: No, I don’t. If you don’t come on the hunt, you won’t eat. That’s a promise, Dag. The others won’t stand for it and neither will I. So get your loincloth on and let’s go.

Dag: Oh. Well, all right then, I guess maybe I’ll just starve. Waste away. Wouldn’t take very long, we’re all half-dead just waling around here, aren’t we?

THOP sighs in exasperation and heads for the exit. DAG stops him.

Dag: Remember me, okay? Or don’t. It doesn’t matter anyway, in the scheme of things, does it? Nobody will remember any of us after we’re gone. Hunt the antelope, don’t hunt the antelope — what does it matter? This life is meaningless. The hunt is meaningless.

Thop: The hunt is meaningless? Fine, Dag. I’ll just go tell that to Erk and Pog and the rest, then, we’ll hang it up, shall we?

Dag: What’s the point? We bag an antelope, it delays our deaths by a few weeks. But that’s a few weeks more we’ll be suffering, isn’t it?

Thop: Bugger all this, mate.

THOP makes for the exit once more, but DAG isn’t done.

Dag: You remember Egg? Had a tooth rotted so badly he couldn’t eat. Moaned about it for days. Finally he got fed up with it and hurled himself off the cliffs by the river. Remember him?

Thop: Of course I remember Egg. He was our best hunter; we gave him a hero’s sendoff.

Dag: I envy him.

Thop: What, you want an effigy of twigs and antelope dung burned in your honor?

Dag: No, I envy him his end down there on the rocks. He had it right, you know. Took an instant of pain before his sun went down rather than weeks and weeks of the agony of slow starvation. The agony that the rest of us still have to endure, day after day after day. Not such a bad trade, when you think about it, is it?

Thop: (After a long pause.) Dag.

Dag: Yes, Thop?

Thop: Get your prehistoric ass up off that rock, get a loincloth on, and come hunt antelope with us. I’ve had it.

Dag stares morosely into what used to be the fire for a long moment.

Dag: Oh, all right.

Together, DAG and THOP and the rest of the clan would indeed go out to hunt antelope and bring back a feast.

But Dag’s heart wasn’t really in it.

######

And, just because it’s never really exited my consciousness, here’s a blast from the past that may or may not have had a subliminal influence, as well.


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