A Narrative Sugar Rush


Much of the process of writing is boring. Fun-boring, perhaps, the way that putting together a 1000-piece puzzle is fun if not YEAH LET’S GO FINISH THAT PUZZLE WOOO fun. You spend much of the time silently puzzling out the … puzzles … of how all the little fiddly bits fit together. If I want to have that character jump over a cliff to save his dog later in the novel, how do I foreshadow that moment earlier in the text? If that character has a deathly allergic reaction to oranges in chapter three, can I somehow twist that for the resolution in chapter twenty-seven?  My character seems to want to collect postcards from everywhere she visits by the end of chapter twelve… did I have her collecting the tongues of her vanquished foes instead in chapter eight? Better go back and revisit…

You slog through those moments, creating back story, laying foundations for the future, discovering odd little curiosities about your characters along the way, and meanwhile the story meanders forward not unlike a stream: a little cascade over rocks here, a long slow flow of calm water there, a spontaneous whirling eddy over here (not to be confused with Whirling Eddie, the circus performer)… but stories have a life of their own, and just as a somnambulant stream can turn into a vicious torrent with a summer storm, so too can a story surge to life with the proper impetus.

Like, oh, say, the hero deciding she’s had enough of the idiots around her spouting theoretical scientific mumbo-jumbo about time travel and alternate futures and the dangers of wandering through free-standing space-time portals without observing all applicable safety protocols, then running out of the safehouse she doesn’t believe is actually a safehouse, straight into the cold steel arms of one of the very robots the mad scientist was just warning her about.

Or, you know, something. Purely hypothetical, that. Definitely didn’t just write that in my new novel today, over lunch. Nope. No robots or mad scientists here. What are you looking at? Get away from my non-robot-involving, non-mad-scientist-featuring draft.

I wasn’t planning to write that moment today, but all of a sudden my hero decided she’d had enough of sitting around listening to exposition and decided to blow the story the fargo up by walking out of it (and of course, karmically, [is karmically a word?]) walking right into it.

I’ve enjoyed drafting the new novel, but today I couldn’t stop writing. Just like that moment where you can’t put the book down, I kept saying to myself, just one more sentence. Just one more paragraph. Just see what happens next. And I can’t wait for my next drafting session, wherein I’ll get to find out what does happen to my hero next. Because, while I have the general plot for the story mapped out, her getting captured by robots was not necessarily something I expected. Er, not captured by robots. She was, um. Inconvenienced. By… aphids. In her garden. Tomatoes. Very frustrating. No spoilers here.

But expected or not, I think you have to embrace these little detours when they crop up. Outlines are great, and having the end in mind is a fine way to craft a story, but I firmly believe that stories, like life, have minds of their own, and if authors don’t allow those stories a bit of leeway to stretch their legs and explore the side streets a little bit, well, you miss a lot of the fun along the way.

And, as always, I fully recognize that this particular diversion might suck. It might not work with the narrative as a whole. It might have to get cut completely from the book when I get down to the editing part. The sucky part. The I-want-to-kill-myself-with-white-out part.

But you can fix all that in post, as they say.

For now, it’s time to stop and smell the robots.

Roses. Smell the roses.

No robots here.

*hears the whir of servos*

*goes to investigate*

The Itch, or Why It’s Better To Just Go Ahead and Write Something, ANYTHING


Work was a beast today. Finals time, students are panicking, banging down my door, shoving papers in my face, “HERE GRADE THIS HASTILY SCRIBBLED TWO-MONTHS-LATE ASSIGNMENT SO I CAN PASS THE CLASS.” I debated a hundred times giving the lecture: “Had you done all your work at the appropriate time instead of, perhaps, staring gobsmacked into your cell phone when you should have been paying attention in class, then maybe you would have the grade you wanted and wouldn’t feel like the ant looking at the descending boot right now.” But that’s in vain, at this point. I’ve only been saying it for months. If they haven’t learned it from me by now, it ain’t gonna sink in today. Still, I don’t have to put the grades in until Monday. So maybe I’ll let those failing grades hang over their heads for the weekend, each of them enduring their own personal Sword of Damocles.

Anyway, I didn’t meet my writing goal today. This is not the end of the world (#writerproblems are not #realproblems) but it irked. It settled into my shoe like a microscopic bit of gravel and yanked at my mind throughout the afternoon and the evening, chewing on my thoughts like a voracious little psychic were-rabbit. Wrapped up my school day. Didn’t get your writing done. Went for another delightful trail run. There’s still writing to do. Got home, made dinner. You only wrote 500 words today. There’s still time. Made the final arrangements for tomorrow night’s soccer banquet. Only 100 more to make your bare minimum goal. You can cough up 100 words sitting on the toilet if you have to. Skyped with the wife and kids. They’d love you more if you would finish your writing. Watched a bit of TV, because goldfinger it, I deserve that. Slacker. How dare you consume media when you could be CREATING media. Shut everything down and headed for bed.

Oh, that’s cute. You think I’m going to let you sleep, knowing you only have to write 100 words to shut me up?

I could be joking, but I’m not. I feel like a total and abject failure as a writer if I have the opportunity to get it done and I don’t get it done. I feel no comparable sense of shortcoming for virtually anything else in my life. Didn’t get that stack of papers graded? They’ll keep til tomorrow. Yard didn’t get mowed today? Grass’ll still be there in the morning. Pets haven’t been fed lately? They could stand to lose a few pounds. (Let’s sidebar and establish that I don’t actually starve my pets, okay? THIS IS FACETIERY, PEOPLE. And, yeah, okay, fine, facetiery isn’t a word, but dag derg it, it should be.)

So I lay in bed for twenty minutes, eyes shut, focusing on the soothing sounds of the rumbling thunderstorm simulated by the white noise machine on the bedside table (how I ever slept in my life without one of these I will never know), completely failing to fall asleep, because the voice wouldn’t shut up. 100 words. Just 100 words. 100 words and you’d be done. If you weren’t a failure, you’d write the 100 words. Come on. You’ll feel better if you write a little bit. Just a little bit. Just 100 words. Come on. COME ON. GET UP AND WRITE. DON’T BE A B–“

So I got up. But I can’t write just 100 words, so I ended up writing 300. Then I had a good idea for something that should really happen earlier in the story, so I wrote another hundred words or so of notes to myself about what I need to go back and establish at a prior juncture. Then I remembered another couple of things I wanted to have happen at this leg of the narrative, so I doubled back and added them in as well. All told, I ended up writing about 600 words in the story, to add to the 500 I wrote before, so not only did I make my goal, I took a victory lap as well.

And what’s a victory lap deserve? Another victory lap on the blarg, because now my mind is racing and won’t shut up, and I have to spin off this mental energy somewhere. So there’s another 700 words of blarg drivel before I fall asleep.

If writing is my new addiction, I think I can live with it.

Trail Fail Becomes Trail Win


The wife and kids have been out of town for almost a week, and daddy has been able to get a lot of things done. Lots of writing (on the novel, if not so much around here), lots of things around the house (knocking a few things off the ol’ honey-do), lots of things I don’t normally get the chance to do.

Like trail runs.

Living in suburbia and working a more-or-less typical 9-to-5 schedule, then coming home and being a daddy, I don’t have a lot of time to get away. I love running for its simple step-out-the-front-door-and-go nature, but of course, stepping out the front door gets me to only a limited number of possible routes I can run. There’s the mall loop, which I’ve completed more times than even bear counting. There’s a slightly longer circuit that takes me around the local strip malls. Then, on the weekend, I stretch that loop out and roll through downtown, over to the train tracks and past a bunch of mom n’ pop businesses over closer to the railroad tracks.

But I’ve run all of those routes dozens, if not hundreds of times. My feet practically slide into their own custom-made grooves in the pavement. Not much adventure there, outside of dodging the traffic, of course. So the chance to switch things up without having to hurry home for my daddy responsibilities is too tempting to pass up.

We have some good parks and good trails around here, and I’ve run several of them during races and the occasional weekend sneak away, but not nearly regularly enough. There’s nothing quite like trading in your roadside stomps for covered bridges…

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Cascading rapids…

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And enough greenery to make you feel like hugging a tree, or maybe eating one:

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So I’ve set off for a few of them over the past few days. And I’ve learned a few things.

First of all, trails are hellish and heavenly on your feet. Hellish because you hit all kinds of rocks and roots and bumps and sudden drops and hidden steps and any number of obstacles that you don’t hit on the roads. I’m embracing my minimalist shoes again when my feet feel fit (which has been a lot, lately), so I really feel all the bumps in the road. The trails are leaving me with hot spots in my feet — not pain, but soreness and tenderness — which is actually rather a good feeling despite the discomfort. Like a scar after a knife fight, sort of a badge of pride, a proof that I was there and I went through something. Then again, the trails are heavenly, because there’s none of that non-compactable asphalt or concrete underfoot. It’s all dirt or grass or a lush, springy bed of fallen pine needles and leaves pillowing my feet along, like the fingers of angels ferrying me to happiness. Sweet and sour.

Second of all, and more importantly: with trails, you have to know what you’re doing. I checked out maps beforehand and figured I knew pretty much what I was looking out for — the trail goes in such and such general direction for about a half mile, then follows the river for a bit, then cuts back inland toward the rocks shaped like a couple of donkeys humping — but the problem is, when you’re out there surrounded by nothing but green, one donkey hump rock looks pretty much like another, and judging distance is about as easy as cross stitching blindfolded. (Is that hard? It sounds hard.)

Long story short, I got lost. Day 1 I got a little lost and increased my estimated distance by about a half mile, running 3.7 when I meant for a little 5k. That’s no big deal. Saturday, though, I was aiming for 4 miles and ended up running almost six. Which is fine if I’m in shape, which I’m not, because I’ve been nursing my plantar-fasciitis beset right foot back to health. Not only did I increase my mileage spontaneously, but I did it over some of the toughest terrain around: the riverside trails of Sweetwater Creek State Park. Now, there’s beautiful scenery to be seen, and in fact, you’ve probably seen some of the terrain I was running on…

That’s the New Manchester Mill Ruins, and Katniss and what’s-his-beak make an appearance there when they’re in District 13 in Mockingjay, Part 1. (Let’s not talk about the nonsense of splitting any of the books in that series into two movies. Let’s just not.) The trails at Sweetwater go past this relic and up and down some sheer rock faces as they follow Sweetwater Creek past rapids and on into lonely meandering stretches of the river. Really, really gorgeous area.

And I got so lost. My first warning sign was these stairs:

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It’s hard to get a sense of scale, but I’m pretty sure those stairs are equivalent to a seventeen-story building.

I had just gotten finished climbing what felt like a 30 degree incline for about a quarter mile up — so steep and so long I was literally pushing my knees down with my hands to keep going — when I realized I had absolutely no idea where I was or which way was back. Luckily, about that time, a guy and his dog (seriously) came running through a field of brilliant sunny daffodils. He and his pup are regulars, and he was able to point me back to relative civilization: “Oh, just go that way for about two miles, and you’ll see the signs guiding you back in.” This, when I was already at the 4 mile mark for my 3-and-a-half-mile run.

Well, not to belabor the point, but I did make it back. My feet were trashed from six miles in my minimal shoes and I was sweating like the traditional whore in church, but man, there’s something to be said for the journey. I ran almost six miles and did some serious hiking for at least an additional mile in there, and it was simultaneously the toughest workout and most rewarding and enjoyable running experience I’ve had, maybe since I ran my first half marathon. Just pure fun and happiness, despite how beat-up I was afterward. I’ve heard the term “runventure” before, and I always thought it was a little dumb and ridiculous, but this particular run, I think, qualifies.

Anyway. Point is, if you’re going to go running a trail — especially if you don’t usually go running trails — maybe bring a map.

Or, if you’re feeling adventurous, maybe don’t.

Dead Obvious


Chuck’s challenge this week: the Subgenre Mash-up. My mixed up genre? Zombie Whodunit.

I can remember, once in my youth, reading an Agatha Christie book, and I am sure it was nothing like this.

Dead Obvious

It’s all anybody can hope for in this world, to leave it without knowing whence the end comes. A surprise, like breakfast in bed on Mother’s Day or something. Surprise! You’re dead. And in that way, I was fortunate, because I didn’t see it coming. Middle of a dinner party. Excused myself for two minutes, and then it was lights out.

But here I am. Dead. And Alive. Which means two things.

One, somebody I know is a zombie. And two, that somebody didn’t exactly do an outstanding job covering his tracks. Just a nibble, I’m sure he thought (or she, I guess, the virus doesn’t discriminate, but it just feels like a guy’s lack of consideration), and then a total failure to kill me properly. You know, to ensure I didn’t come back.

I can feel it now, the bite on my shoulder, burning like a brand, spreading out like a fiery web. My head could be splitting open for the pain I feel; somebody must’ve clubbed me but good, to try to kill me before I came back. Nice job, that. My heartbeat sounds like the thumping bass at a rave right inside my ears. The burn is spreading. Whole body on fire. On fire with hunger.

I find myself wondering: Why the shoulder? Seems like too much sinew and bone up there to really get a good bite. Somehow, I feel like an expert in anatomy. The thigh is what I’d target, lots of muscle and fat and blood, inches of it before you tangle up in bones. Nice and soft, too, chewy and moist and…

They’re staring at me. I know this because I can feel their heat, smell their blood, hear their hushed whispers and slightly panicked breathing. All of them shocked. How could this happen? At our dinner party, no less? Right before the dessert course? Well, guess what, idiots? I may be dead, but there’s another zombie out there waiting to get you, too. It could strike at any moment.

I open an eyelid with a tiny squishing sound and they all jump. Not astute enough to catch wise to the zombie in your midst, but you don’t miss me sneaking an eye open, do you? Bunch of short-sighted jerks.

Okay. Everybody’s here. The biter is hiding in plain sight.

Could it be James? The snot-nosed trust-fund baby who’s here in a suit that costs twice the average monthly salary for a blue collar worker? He’s clinging onto the waist of his date, Barbara, like he’s more scared than she is. And she, the daughter of a hotel empire, wearing more furs than a snowbound wolf, screaming vacuously into his ear, like I’m about to get up and eat her face. Actually, that sounds rather tempting. I try not to think about how her skin would disintegrate between my gnashing teeth, how her blood would cloy in my throat, how…

Man, the bug works fast. All of them look delicious, in fact, especially tubby Vera, who’s crammed herself into a dress three sizes too small to accentuate her curves for her date, a man she hopes to ensnare in order to rescue her from the one-bedroom flat she shares with her sisters. Too bad he’s gay. Tobias there, lending her his elbow in order to keep up the charade even though he keeps sneaking glances at Francis, stands to inherit millions if he’d only marry a nice girl like Vera and give his mother some grandchildren. Poor woman knows she’s got a better chance of being eaten by zombies now than of seeing her son breed — there’s not much hiding his condition with the spangly tie, the perfectly coordinated pocket square, and swooshing sashay of his walk — but it’s nice to hope. Much like I hope to suck the meat from his fingers, slurp slurp slurp like chicken wings, and…

I slam my eye closed again to shut out the visions of devouring my ex-friend, and collectively they sigh in relief. Dead after all, they say, and shuffle from the room. Francis, the one Tobias has been eyeing, comes over to check my pulse — I know it’s him because he reeks of his cologne, smelling like cut grass and musk and cognac and spinal fluid and… maybe I’m just daydreaming a little, but he smells intoxicating — and determines that I am, in fact, dead. He announces it to the rest of the guests and they sigh in relief and move the party to the parlor. No sense hanging around in here while I lie in a pool of my own blood, going bad like the hors de’ouvres, ruining the evening the way my murderer has ruined my three-piece suit and my skull.

But wait. Francis. He’s the internet dynamo who founded a dozen different companies before he was thirty, and has been married almost as many times. Could he be my killer? It’s almost too much to imagine: as much as he’s been in the tabloids for dating this or that supermodel, that he might be the country’s highest-profile zombie to boot. How salacious. Everybody knows you can’t tell if somebody’s a zombie by checking their pulse, after all. Well, everybody except the people at this party, apparently.

Or maybe it’s Carol, who, after everybody else leaves, stands in the door frame hugging herself tightly, like all the heat’s been sucked out of the room. That’s not the room, dearie, that’s me, going cold over here on the Spanish tile. She thinks she loves me — or rather, loved me — but everybody here knows she could have done better than a third-rate investments agent. I could have bought her the mansion and the yacht, sure, but not the vacation home on the coast that she really has her heart set on. But I don’t think she could have killed me. She’s too innocent, and sweet, and delectable, and her face just looks like it would melt in my mouth, and… And there she goes.

All of them gone. Maybe now I can sneak to my feet and…

Arnulfo. The butler, of course. Pretending not to speak English so that he can simply nod and serve our drinks without a word. That ever-so-subtle limp that we all assumed was a scar from his troubled life in the third-world country of… wherever he claimed to be from. He lingers by the door, his smarmy, faintly clouded eyes lingering on me, and wipes a drop of my blood from his lip. His lip falls off, and he quickly replaces it, tamping it into place with clumsy fingers. That sneaky son of a bitch. His face contorts like he’s trying to giggle at me, or maybe he’s just moaning with the eternal torment of the living dead; it’s hard to tell which. He slips out the door toward the others.

I have to stop him before he kills again.

Shit. Did my blood congeal into glue or something? My face is stuck to the floor with sticky crimson, my limbs feel like they’re strapped with lead sleeves. I haul myself to my feet, but I feel shaky, unstable, like my body is made of jenga blocks balanced on a rope bridge. I splay my legs unnaturally to better hold my balance, throw my arms out in front to counterbalance my ungainly torso. That works. I hobble to the next room, throw the door open —

They all gasp at the sight of me, even Arnulfo, that treacherous swine. In a flash, Carol collapses in the corner with Francis, Vera starts screaming at a high C with Barbara in perfect harmony, Tobias grabs a chair and brandishes it like a medieval greatsword and James draws a little pistol from his coat pocket quick as a cobra. But that’s okay, I’ve figured it out, and I can explain it all to them in an instant, and we can kill that prick Arnulfo together.

I hold up my arms, take a shaky step toward them, and state my case: “Grrraaaaaaaaaarrrgh. Uuuuuuuuhhhhh… HmmmMMMMMMMMaaaammmmfffff.”

That’s odd. I try again: “Rrrrroooooooooooorrrrrrzzz. Nnnaaaarrrrssssshhhhhhhhhhh. Ffflllllllleeeeeeeeeeeccchhhhhhh…”

Dammit, dammit, dammit. Out of the corner of one eye, I see Arnulfo’s hand fall off. I scream at them all to look (“Blaaarrrr, BLLAAAAAAARRRRRR”), but he grabs it and shuffles out of the room, unnoticed, while they’re all staring at me like I’m some kind of monster or something.

Everybody’s shouting at me now. The girls are crying, the guys are advancing on me with their weapons, and it’s all a big mess. Still, all I can think about is eating their brains to save them from their own stupidity. I figure it’s worth a shot, so I lunge at Francis, he of the sweet cologne and flesh smell, and that’s when I hear the meat of James’s finger tighten on the trigger.

I hope he hits my brain this time.

Not By Any Other Name


For so long I struggled with a question of identity. Actually, struggle is the wrong word, because I wasn’t thinking about the issue at all, but by virtue of not thinking about the issue, I was missing out.

Okay, that’s vague as hell. Let me try again. Self-perception is a big deal. Not so much in thinking of yourself as a big deal (although I guess that’s maybe not a bad thing now and then), but I mean just the way you think of yourself in general. The way you define yourself matters.

Sounds obvious, right? But it’s the simple truths that are the most powerful. For a long, long time, I thought of myself in a really negative way. Not actively — I didn’t sit around thinking to myself: “I’m a loser, I’m never going to amount to anything, I might as well just not try.” But that perception was lurking in the back of my mind nonetheless. I hadn’t amounted to anything, so I didn’t know that I ever would amount to anything. I had aspirations, but I had no confidence that I could achieve them, so I didn’t bother even thinking of myself as being on that track.

Case in point: Writing. I always wanted to write, but the idea of actually writing a book felt so insurmountable I just took it for granted that I could never get it done. Without really thinking about it, then, I named myself not-a-writer. By the same token, I could define myself by virtually any yardstick you could think of. Not-an-astronaut. Not-a-millionaire. Not a super-genius. But there’s only so much you can learn about a thing by determining what it isn’t, and that goes for yourself, too.

So, a little over a year ago, I decided to try something different. I told myself, you’re going to try being a writer. And so I started thinking of myself as a writer. And lo and behold, I suddenly found myself more committed than ever to writing well and productively and regularly. Well, that was pretty cool, so I started thinking of myself as other things, just to see what effect it would have on me. I never thought of myself as much of a dad, but now and then lately I remind myself, you’re a dad now, and I find myself being just a little more conscientious with my kids.

I’m willing to bet that this works with almost anything, because as good as we are at fooling ourselves about life in a direction that hurts us (I’ve got plenty of time for that project, or a few extra cookies won’t hurt), we can fool ourselves in a positive direction, too.

So, this post is to remind myself that I’m a writer. And a runner. And a dad and a husband. And a teacher. And a thinker. And a goofball and a nerd and a reader and a slew of other things. Positive things.

The names we give ourselves, I think, become the names we make for ourselves. So pick good ones.

This post is part of Stream of Consciousness Saturday.