End in Sight


I have noted to my two primary reviewers that, in the recent weeks of my latest (and, for the time being, last) revision of AI, I’ve felt less and less compelled to make any changes the closer I get to the end of the book.

I wasn’t sure if that was due to my fatigue with the project or whether the book actually got better toward the end.

Well, today, I answered that question, because today I feel compelled to make some massive changes to the ending. Well, not massive changes in and of themselves; the characters will do the same things, the conflicts will resolve in the same ways. But there are some serious plot holes toward the end of the book which are too big not to address, and that’s going to require some creative narrative surgery to fix. It’s kinda like I was so excited to put the finishing touches on the thing that I didn’t realize I had attached the feet above the knees. Then the thing tried to walk and it collapsed like a wire skeleton. Or maybe the book is like a gymnast that spends 180 pages running and twisting and building up momentum and then breaks its ankle on the landing from a back handspring.

So even though it’s a little discouraging to run into such a hurdle within sight of the end of the process, I’m at least heartened to see that my editorial lenses aren’t simply fogged with exhaustion.

Now I’m off to think about how to straighten out this gimpy narrative leg…

An Open Letter to the Creators of FreeWrite


I heard about a product a little over a year ago: The Hemingwrite. I wrote a little piece about it then, in which I waffled between two opinions. namely that it would probably help some writers to a) write more and b) feel better about their writing, but ultimately I came down on the side of feeling that the thing was decidedly silly for the price. It was still in development, though, and everything was fair game for change.

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Well, the wait is over, and the discussion is no longer hypothetical: the device is here. You’ve rebranded it the FreeWrite, which is maybe less catchy than the obvious play on Hemingway’s name. I like it, though. The new name taps into the inspiring soul of the idea: they’re branding it as “your distraction-free writing tool.” It conjures up images of writing wherever, whenever you feel like. A lonely beach at sunrise! A breezy mountaintop with the whispering wind swirling about you! The cozy confines of your murder cabin! Er, writing cabin. I meant writing cabin. Take it anywhere, write anywhere. Distraction free!

And I stand by most of what I wrote in my original review. I would love to test-drive one. It’s still adorable. And I can totally see the draw it will have. We writers are a strange lot — what looks odd and useless to the general public can be a source of endless inspiration for us. Having a tool “just for writing,” especially a tool in which one makes a serious financial investment, is almost certain to do two things: remind the author that he has made a commitment to his craft, and remind him that he really should be writing.

Of course, we have Benedict Cumberbatch for that.

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But I see one problem towering above all the rest with the FreeWrite.

The investment.

When I first wrote about it, I (crazily, apparently) mused that I might be willing to spend $100, maybe $150 on something like the FreeWrite. I also realized at the time that that figure was probably laughably low, and I was right; I checked their website and the price, to my memory at the time, was projected to be in the $200-250 range. That’s frankly too rich for my blood.  I’m a guy who agonized for a month over shelling out $40 for a copy of Scrivener. (Which I love, it turns out, although they seriously need to implement a Track Changes feature for the Windows version.)

So what does $250 get us? A typewriter simulator with an e-ink screen and a wi-fi switch for automated cloud backups and a couple of weeks of battery at full charge (which is pretty cool). No internet connectivity for anything other than your backups (which is, obviously, sort of a core tenet of the idea — no distractions). A million pages of internal storage (which is, in the scheme of computer storage, not actually all that much, but since this is all the thing does, it’s more than adequate). Feels a little overpriced to me, but I guess I would have been willing to shell out extra for the kitsch factor.

Except — surprise! — the price on the current iteration of the FreeWrite is $499.

Four hundred ninety-nine dollars. (Which is a specially discounted, limited-time offer over the apparent original price of $549.)

Look. FreeWrite creators.

I wanted to like the product. I really did. In fact, I still do. I think, conceptually, it’s absolutely got a place among burgeoning, youngish writers like myself. (Sorry, I just had a coughing fit over calling myself a youngish writer. Whoops, it happened again.) I can even envision how I  would use it:

“I’m going out to write!” I announce to nobody in particular, as I throw a scarf around my neck and don my tweed jacket with suede elbow patches and spontaneously sprout a beard. I put on spectacles for no apparent reason (they’re just empty frames and YES I CALL THEM SPECTACLES), scoop up my FreeWrite by its collapsible handle and bicycle off on my 19th-century huge-front-wheeled bicycle (because modern bicycles are so mindlessly corporate, and yes, I use “bicycle” as a verb AND a noun in the same sentence; I’m a writer, whee). Along the way, I stop and pick some coffee beans from the living trees and brew them with my own urine, then I perch in the crook of a mighty elm in the heart of the wood, sipping my coffee and typing away on the next American masterpiece while the fauna of the forest swirl lazily around me.

Seriously, the site features pictures of a bearded dude writing on this thing. So tranquil! So creative! So hip! This is what you’re’re selling to the throngs of would-be writers out there. Don’t get me wrong, this is a great vision. People would buy that! I would buy that!

But — five hundred dollars? That’s almost a mortgage payment. Rent for a month. That’s two months worth of car payments. A university course. Four weeks’ worth of groceries for my family of four. 2500 packets of Ramen Noodles, enough to subsist on for over ten years!

So who are you really selling this to? I have to imagine that any “established” writer is already going to have their routines and favorite tools well-ensconced; they won’t have any need for this thing. Poorish college types will balk at dropping that kind of cash on this thing when they can easily get a laptop — and a damn good one at $500 — to do everything this machine does and more. And middle-of-the-road types like me (my wife and I are comfortable, but by no means flush with extra money) are never going to be able to justify dropping that kind of coin on a unitasker like this.

In short, I feel you’ve priced yourself out of the very market you hope to attract. The only people I can see spending $500 on this device are the very rich who have run out of useful things to spend their money and time on (which may be a bigger segment of the population than I give credit for) or those who believe that the tools seriously make the writer (which I sincerely hope is a minuscule portion of the writing population).

For the same $499, I can buy myself a laptop and a copy of Scrivener (which not only offers a distraction-free writing mode, but will also package and format my book for submission to agents or even self-publishing) or any other free programs that do what the FreeWrite does (q10 and WriteMonkey, just off the top of my head, are two free programs that are excellent for drafting), and still have $200 to throw at the tsunami of credit card debt rising outside my door because of all the frivolous, needless things that I buy.(I’m an American, after all).

I would have loved for the FreeWrite to be one of those things. I love its design and I love its concept.

But I can’t, in any type of conscience, let alone with a straight face, consider paying $500 for $100 worth of hardware and $400 worth of kitsch.

Bleh. Back to doing this thing I love using the tools I already possess — which are more than adequate and don’t make me feel like a stinky hipster in hiding.

 

 

The Weekly Re-Motivator: Short of Time


I’m tired.

This is the part of the year where everything seems to converge and my time and energy run low, the gas tank puttering on fumes, the next gas station a couple of impossible miles ahead. Soccer is getting into full swing, which means I’m losing out on a couple entire evenings every week, and several hours on the average weeknight. School tends to pick up during this time as well, as we start to look forward toward the end of the year: conferences, scheduling for next year, graduation, all of which says nothing about the old refrain of grades, grades, grades. It’s colder out, which makes it harder to get out for my runs, which makes me more likely to miss them, which has its own sapping effect. And, of course, the days are shorter, so there is literally less daylight in which to get done the things that need doing.

Again: I’m tired.

The inclination is to just let a few things slide. Miss a run here and there. Let a day’s worth of writing get away from me. Shell out for some fast food instead of cooking a proper meal.

But momentum matters, and it cuts both ways.

I’ve worked really hard to establish a momentum which has me writing every day, exercising almost every day, waking up early, doing a decent job balancing work with family. And I know that that momentum will survive a skipped workout, a slipped writing session, a meal of junk food. But just like the slow orbit of the moon is slowly disrupting the earth’s rotation, little things add up over time. Skipping a workout on Monday makes it easy to skip the one on Tuesday as well. Leaving out the writing time on Thursday makes me realize just how nice it would be to have that extra time on Friday, too.

Hourglass, Duration, Temporal Distance, Egg Timer

It’s why we have the recognizable, lamentable stereotype of the person who retires and develops Alzheimer’s or dementia in just a few short years. The routine goes away, there’s not nearly so much to occupy their time, and suddenly, they’re no longer able to accomplish a fraction of what they once could.

Writer types know how hard it is to protect their writing time, especially when the routine is disrupted. It only gets worse when nature itself is conspiring against you by literally removing minutes and hours from the day. The truth is, I know it won’t be that big a deal if I let the project breathe for a few days while I catch up on some other work, and it certainly won’t hurt me to catch up on a little sleep instead of rising at 5 to go for a run. But I think it becomes even more important to be true to our goals when it’s hard to follow through on them.

It’s like a placekicker who never misses a goal in practice but shanks his kicks during the game. Well and good to deliver when it’s easy, but it doesn’t help much if you can’t get the work done when it matters. Which is not to say that the work matters more at this time of year than at any other — unless you’re lucky enough to have a deadline looming — but I just come back to knowing that the momentum matters. My momentum will survive a day or two of slippage, but an entire week? A month?

No chance.

Winter has its hooks in. I’m tired. We’re all tired.

But there is still work to do.

As a great American once said, we do these things “not because they are easy, but because they are hard.”

So I guess I’ll find a way to lace up for my run later this afternoon, even though I missed it this morning. And I’ll find a way to carve out a few more minutes for my writing, too.

Luckily, the kids are out of town for the night. Maybe this is why god invented grandparents.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

Glimpses of Non-Suckitude


I was beginning to get a little fatigued with this latest edit. Cleaning up the junk language, tightening up all the moments, trimming out the unnecessary. It felt like most of what I had written was crap; that it all needed serious work before it could be “ready”.

But I reached a few passages today that absolutely crackle with life and energy. Passages that had me laughing to myself while I sat in my darkened room reading jokes I myself had written, even though I already knew all the punchlines. Passages possessed of a sort of self-evident, unconcerned eloquent beauty, the like of which I would not attribute to myself. Passages that make me think maybe I’m not so bad at this writing thing after all.

This novel (and this blog for that matter) is keenly interested in the question of inspiration: where it comes from, how useful it is, what it can do for you when you have it. And by and large, I have come to believe that inspiration is just a bunch of baloney sandwiches. You either work or you don’t, but some days are better than others.

Still.

As I read my own work of the last year and a half, it’s encouraging — and kind of awesome — to see those flashes of inspiration peeking out through the cracks.

I like to liken (like to liken, tee hee) writing to a long, arduous slog through vine-darkened jungle, or to a hopeless trek in a desert. And it damn sure feels that way a lot of days. But every now and then, light penetrates the canopy and wakes up the critters on the jungle floor, and the rare flowers open their petals to the light. Here and there, water bubbles up to shape an oasis amid the scorching sands.

For now, though, it’s back into the caves.

The Weekly Re-Motivator: Unpause


*Coughs a little*

*Turns the lights back on*

Man, did I really let over a week pass without posting something around here? I don’t think that’s happened since I started the blarg almost two years ago.

Back then, a lapse like that would have scared the hell out of me. To be honest, it still scares the hell out of me, a little bit. Having started so many things in my life — running, writing, keeping a clean house, staying organized at work, keeping good financial records, NOT leaving evidence of my victims out in plain sight — only to have them grind to a halt a few days, weeks, months later when the initial push wears off, I know the importance of momentum. As a good friend of mine once told me (and I think it may have been a quote from somebody else, but I always attribute it to my friend Dorian), “the more you do, the more you can do.”

Writing 1000 words a day on the first draft of a novel only works if you’re doing it every day. If it’s just something you try to do when you have time, well, you’ll never have time. If going for a thirty-minute run is something you do when you have the energy, you will find yourself suddenly devoid of energy most of the time. If you clean the house only when it gets dirty as opposed to cleaning up little things as they happen, well, the sharknado gets overwhelming pretty fast, dunnit?

So to take a break of over a week from writing (anything, really, not just the daily-ish drivel I spew around here) sorta scares me. I’ve had the feeling more than once over the past week of “gee, I should really write something, just a quick little post about something the kids did, or maybe one more rant on the new Star Wars movie (both of those are coming, by the way).” But I let it slide, consciously so.

Partly to make sure I was spending the time with my family that they deserved. Partly to give my thoughts time to settle. (It’s been a good long while since I just kicked back and let my thoughts ferment a bit, and I’m feeling lots of ideas — for books, for stories, for the blarg — taking shape as a result). Partly, though, just for the break itself.

We work so hard in our day-to-day. Some harder than others, but everybody believes that they are working hard, and it’s true to some degree. Whether it’s the CEO working from dawn til dusk, the teacher taking home reams of papers to grade outside of work (HAHAHA not that that’s me, but those teachers exist), the stay-at-home mom who waits hand-and-foot upon the tiny humans she must teach to be good people… even the unemployed guy who hangs around and plays video games works hard in his own way. These things take stamina. These things tax the spirit.

I’m fortunate that I work in a profession with these built-in respites from the grind, that I get two weeks off for the holidays to spend time with family, to forget about work for a while, to recharge. Which is what it’s been all about for the last couple of weeks.

A big, giant pause button. Which I was glad to hit.

But I think, now, I’m even more glad to unpause and get back to work. I’ve got novels to edit. Short stories to draft. Other things to do stuff to.

Starting with cleaning these spiders out of the corners around here. Where is John Goodman when you need him?

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.