Our Voices Reach Far


The focus of this blarg has never been to rack up huge numbers of readers or views. Those things are nice — it’s nifty to watch the spinning wheels of the virtual odometer on the wall click over and reach new heights — but, even almost two years after I laid down the first lexile brick here on my corner of the net, the purpose is the same as it was: to think and write about the process of my “real” writing, and to serve as a release valve to vent my spleen from time to time.

Still, it’s neat to see those numbers grow. And while it would be hard to call my readership a horde, there’s an uptick that’s measurable. 1000 more views from my first year to my second. I’ve already had as many unique visitors this year as in last year, with three months to go. Which means that my little imprint here is growing, that more people are reading what I’m shouting into what I so often think of as the void.

measured-sandwich
I went to pixabay.com for an image of an odometer and found this picture instead. You’re welcome.

 

And that inevitably causes me to wonder how people end up at my site, and for those that end up clicking around a little bit, what makes them stay. Usually I have no idea. WordPress reveals my “trends” and my most popular posts to me, but there’s little rhyme or reason there. This year, the top of the pops has been my “Do You Wanna Go To Target” bit of fluff, composed after listening to the Frozen soundtrack for roughly the three-thousandth time when my wife and I were making a day run to Target. Then there’s a little muser of a piece I popped off about the symbolism and the ubiquity of light and dark in literature, which gets a handful of hits every week. And then, it’s been a constant head-scratcher ever since I penned it, but the story I didn’t write about giving my son an enema never seems to leave the top five.

Still, trends seem to balance out and I have a more-or-less regular crew of readers, I think. Unless I go crazy and write four or five posts a week, I usually get about ten reads a day. And while that’s not shattering any internet records or anything — I mean, if I wanted views and clicks, I’d go spout profanity about Donald Trump while wearing a fire helmet and slathering myself in chocolate sauce on youtube or something — it’s an extra little kick in the pants to keep me writing, knowing that there are people out in the cyberverse picking up what I’m putting down.

But then there are the outlier days, like this wekend, that strike like lightning and with about as much explanation. Saturday, my website was accessed from eleven countries. Eleven! Imagine, the drivel I penned while sitting on my couch with my lazy golden retriever sitting next to me and my kids strewing Legos across the living room floor (setting traps for my tender feet), somehow made it, literally, to the far corners of the globe. Wild. And then, Sunday, my website had over 100 views. A hundred! That’s never happened, and I have no idea why it happened. I can hope that some doppelganger, some kindred spirit, read some old post of mine and spent hours plumbing the depths of my site, nodding his (or her!) head in silent, shocked agreement and wonder. Equally possible, I guess, is that it was a gaggle of readers whose cats fell asleep on their keyboards and kept hitting the refresh key.

Who can figure these things out? Determining what will resonate with readers is about as easy as reading your future in the entrails of the hobo you killed and buried in the crawl space. Which is to say, tricky at the very least.

As usual, the only thing to do is keep writing.

Thanks for reading.

Or, maybe, thanks to your cat for falling asleep on the keys.

The Weekly Re-Motivator: Art Harder


My writing and blogging spirit animal, Chuck Wendig, urges his flock to “Art Harder” (and he usually intensifies that with a “motherf*cker”, because that’s the way he does it). It’s catchy for sure, and it bears repeating — so much so that I’ve thought more than once that I maybe ought to put it on a big poster and hang it on my wall. (The “Art Harder” part, maybe not so much the MF.) In fact, now that I’m a drama teacher, that seems maybe more apropos than ever. But it’s good advice, and not just because it’s catchy.

The world is not a forgiving place, least of all for an artist struggling to make his mark. The work itself can beat you down like a desert wind blasting the face off an ancient monument. Then you try to make the leap to getting your work into the public eye, look for some vindication, and that’s when the wolves come out. (Actually, that’s when the crickets come out.) You push and you push and you submit and submit and you keep sending it out there and all you get are rejections or, even worse, an ever-expanding ocean of nothing at all, and it’s enough to make you want to give up.

Add that to the fact that your life doesn’t want you to take time out for your art in the first place — you have a job, after all, and maybe a family, and a host of other distractions that are easier than arting, more immediately rewarding than arting, more sensible than arting. Arting is hard. Not for the faint of heart. Not for the weekend warrior.

In Fight Club, the nameless narrator claims, simply and without boast, something along the lines of “when a guy came to us, he was a lump of clay. After a few weeks, he was carved outta wood.” Counterintuitive as it may seem, artists have to be made of harder stuff. Lean, corded, wiry, spry. Float like butterflies, sting like bees.We have to be able to follow the art where it leads, dive into the thicket after it, wrestle it to its knees, outrun it across the unforgiving desert, hold it still while we extract all that glorious juice from its weeping orifices.

And you don’t get that lean, mean, carved-outta-wood mentality from creating “when you get the chance” or “when inspiration strikes,” any more than you get that Schwarzenegger physique from hitting the gym “when you can squeeze it in” or “when you’ve got the energy.” You get there by putting in the work every day, by chasing after it even when it’s uncomfortable, by squeezing in a few more words, a few more brush strokes, a few more reps, like Satan himself were your very own personal trainer.

Train every day. Create every day. Art Harder.

MF.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

The Weekly Re-Motivator: If-Then


What if life were like the movies? Or like books, or video games, or music?

What if life were like stories?

Let me back up. At one time in my life, I entertained the possibility of becoming a computer programmer. It made sense of a sort: I’m decent with computers, certainly I use computers a lot, and I’m kind of fascinated with what computers are able to do. I don’t, unfortunately, have the meticulous, detail-oriented mind that programming calls for. Still, I learned a few things about programming, one of which is the if-then parameter, which is the cornerstone of programming.

If this thing happens, then do this other thing. If this condition is met, proceed with the program.

It’s simple but critical. And it’s there in our stories, too. If you see a gun in the first act, then you expect to see that gun fired in the third act. If the main character starts off as kind of a jerk, then he will have some change of heart by the end. If this character is afraid of flying, then you can bet the farm he’ll have to get on a plane before the story runs its course.

But those are big if-thens. They are everywhere in stories. If the character has that extra drink, then you know he’s going to do something extra-stupid before the night is out. If she leaves a MacGuffin at home when she goes out, then that will be the very night she NEEDED the MacGuffin. If John McClane takes off his shoes, then the writers will be sure to make him tromp across broken glass.

You can predict what’s going to happen in stories, then, by paying attention to the little things characters do.

Wouldn’t it be nice if life were the same way?

If I wear this tie, the boss will recognize that I’m going the extra mile and give me a promotion. If I put in this time at the gym, I’ll end up with the body I always dreamed of. If I have a good breakfast, the rest of the day will go great.

Life is never so convenient. We prepare, we plan, we make adjustments on the fly, and life still blindsides us. There are no guarantees, there are no simple straight lines from the actions we take to the consequences we make.

Which could be disheartening, really. I mean, right now, I’m living my life in the hopes that: If I sink in all this time working on my writing and my novels, then I’ll get published and make tons and tons of money. But that isn’t a guarantee. It might not even be likely. Likewise, If I’m diligent about exercising, then I’ll enjoy a long, healthy life. But nope, that’s not automatic either. My books might never be published. I might get smacked by a bus tomorrow, or contract some horrible long-debilitating cancer that cripples me.

Life, to summarize, is a crap shoot.

So why try, right?

If the if-thens you set out have no bearing on the world at all, then what’s the point of planning, of trying? Damn, that’s dark and reductionist. And too often, I think — especially in this country — we think too much in that rigid if-then way. If I do this thing, spend this money, invest this time, then I expect these results. And if I can’t be guaranteed, then I’m not doing it.

We need to adjust our if-thens.

If I sink in this time working on my writing and my novels, Then maybe I can learn something about myself, entertain myself, and maybe possibly entertain a few other people, too. If I focus on my health, then I can improve the quality of the time I have, I can get stronger physically and mentally, I can do things I might not otherwise have been able to do.

Sometimes I look at life as a long con, where you keep your eyes on the distant prize and keep working toward that. The spire in the distance, the North Star that keeps you oriented.

But I think just as important is keeping focused on the immediate, the things you can count on, the real-life stuff that life throws at your feet.

Life doesn’t care about our big plans. Life owes us nothing. Best we can do is make the best we can out of the things we spend our time on.

And make sure we’re focused on the right if-thens.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

 

Can’t Concentrate


The internet is awful for writers, because there are always things on it to keep you from doing the thing you should be doing.

Like this: a Writer Struggles listicle at Buzzfeed.

I know, right? Buzzfeed. It’s horrible. It’s everything that’s wrong with our culture and the internet and people and society. But I’m like an alcoholic whose walk to work takes him right past the discount liquor store on the corner. IT’S RIGHT THERE I JUST CAN’T HELP MYSELF.

But it’s funny as hell. (Not the alcoholic. That’s never funny, and that guy should get help, and probably burn that liquor store down.) Because virtually everything in that list is true. Which is the point. They got me to be curious. They got me to click. And they got me to nod my head in agreement as I read through the whole list.

And that’s what’s keeping me from concentrating this morning.

 

The worst part is, I spent literally ten minutes just now trying to figure out how to make a bit of the post appear here on my site, but the embedding either isn’t working or I’m an idiot, and I just realized that those ten minutes are now totally wasted because I’m giving up on it.

 

So instead, I’m going to let frustration become the better part of tenacity, drop a crappy link here that you won’t click on, and go work on something productive.

Right. My favorite from the list was this:  

http://fozmeadows.tumblr.com/post/146993990776/writing-vs-brain

 https://secure.assets.tumblr.com/post.js

And I can’t even get rid of that second bit without breaking the link, and I’m totally past trying to mess with it anymore.

(Sidenote: this waste of a post is also my way to avoid thinking and writing about the week of horrors which has unfolded here in the states this week. I have thoughts. I will probably write about it. But not today. Death and murder and tension between law enforcement and the populace are not things I want to concentrate on today.)

This post is part of Stream of Consciousness Saturday.

 

Out of My Hands


Well, I did it.

I finally, after months of delay and deliberation and procrastination and hesitation (and probably a few more -ations along the line, but let’s not get carried away), I typed up a query letter and sent it out to an agent.

(Yes, I know this is a thing I was talking about several months ago. See the above note about procrastination.)

It may come as a shock, but I have confidence issues when it comes to my work, all right? I am so stressed out right now. SO STRESSED OUT. I want a cigarette, and I don’t even smoke.

I know that the query process is a long one. I know that I’m unlikely to get any results from my first query letter, or even my first dozen. But you know what they say about journeys of a thousand miles and single steps. You do know, right? Because I’ve forgotten, actually. Is it hot in here? I’m sweating.

Putting myself out there like this is in my top five list of most stressful things I’ve ever done. I daresay that writing the novel — and editing the novel — and editing the novel again — and letting friends and acquaintances read the novel — and editing the novel AGAIN — ALL OF THAT was easier than pressing “send” about ten minutes ago.

Deep breaths. Baby steps. This is the way forward.

Now it’s time to start working up the next query…