Tag Archives: embrace the suck

Savage Race Recap: Blow-by-blow part 3

Disclaimer: This is the third part of a race report. If you care about continuity, the first part is here, and the second part is here. If you think that running and obstacle course races are endeavors fit only for the insane, well, you might not be wrong, but feel free to skip this entry. If you’re intrigued by all this, you can find lots of pictures and in-depth descriptions of these obstacles at Savage Race’s website.

This entry concludes the (maybe too) lengthy detour I took to talk about this race. Regularly scheduled programming will resume.

The first half of the course, despite its challenges, has been a kids’ gloves introduction to the course. In the second half, the gloves come off immediately. Mile four begins with the craziest ascent I’ve ever seen on a running trail. We’re leaning against the hill itself for support in climbing the hill; ropes and pickaxes wouldn’t go amiss here.

Then we turn around and come right back down it; apparently we climbed that monster for the sheer hell of it, and if that isn’t a perfect metaphor for this race, then I don’t know what is. Our next obstacle is a dunk into ice water — there’s literally a refrigerated truck next to two pools, and as I go under, I can feel the cubes clinking off my dome — which, frankly, comes none too soon in the ninety degree heat.

Then there’s more pain: we pick up lengths of 4×4 and sling them across our backs to carry them a quarter mile across more rolling hills. Why? Because we can. We’ve already run a 5k and covered an elevation gain of something like a half mile, given and taken; why not slog some lumber while we do more of the same? And then we shimmy sideways across railings not unlike the ones you stand in while you’re waiting for your turn on the American Scream Machine, and if you haven’t fantasized about doing that, well, then maybe you’re reading the wrong race report.

The obstacles come fast and furious now; the first half of the race gave us maybe three challenges per mile, but we’ve got twenty more to cover in the last 2.5 miles, which means a lot less running and a lot more scrambling. “Wheel World” pits us against rotating garden spigots that leave a lot of racers twisting and spinning helplessly in space before splashing down in defeat, but a simple application of my old maxim — momentum matters — carries me through the obstacle. Instead of attacking it head on, I roll into it sideways off the launch platform, and the rotation carries me cleanly across.

Then it’s up a culvert on an incline which shifts to a decline when you’re halfway across. The culvert is too narrow to crawl on hands and knees but too slick to commando crawl. I inch forward like a slug until it tips and spits me out into the dirt, my abs burning and my knees bruised.

Then a climbing wall; not up, but across, and it’s leaned backwards at a fifteen degree angle. This is my first failure: I just don’t have the grip to hold myself up and I stumble off into the dirt. But here’s the thing about that: at this point in the race, people are failing obstacles left and right, and there’s no shame or anger in it. You just dust yourself off and truck on. A point of training to return to for the next time.

Now another crawl under barbed wire, but this one through the thickest, soupiest mud yet; we come out the other side looking like the Michelin Man hosed down in brown goop. It clings and clumps to us as we mount the hill for the next challenge: a simple ramp. Except, thanks to the mud, it’s impossible to climb the thing. Even the rope is slick with the mud of hundreds of previous runners trying to summit this thing.

At this point, you can barely finish an obstacle before you’re on to the next. A twenty-foot climb followed by a terrifying leap into a deep pool. A diabolical jagged monkey bars over murky water. (This one puts me in the drink halfway across.) An inclined traverse around telephone poles that you have to hug like the college girlfriend that’s looking for a reason to dump you. A maze-like series of ropes and rings that drops racers like a series of particularly bad habits. (I slip off the rope almost immediately, with burns on my pinkie and ring fingers to show for it. Never in my life have I injured my pinkie finger, until today, but there it is.)

And here, again, I’m forcibly informed of the key difference between an OCR and a road race. Road races, and to a lesser extent, trail races, are a more or less linear challenge. The difficulty goes up predictably with the distance, and the race gets harder the farther you go. The effort wears you down, but you know what distance and pace you’re capable of. But with OCR, the challenge is on an exponential curve: they save the best (most challenging) obstacles for last, but by the time you get to them, you’re gassed out by the previous obstacles and/or the viciousness of the run itself.

I’ve now failed three obstacles and I’m almost a half hour behind my predicted finish time. And in a strict running race, that would be shattering. But here? Today? Staring down the final obstacle — a fifteen foot quarter-pipe, mud-slick from failed attempts to summit it and topped with hooting, cheering savages who’ve already made the climb — well, earlier I likened the event to a bacchanalia, and while there are no chemicals involved, we’re all drunk at this point. The falls on earlier obstacles don’t matter, the bruises on my knees, shins, and elbows are irrelevant, the mud caked in my eyebrows and the stubble on my scalp is totally off topic. I don’t care about the burning in my calves from the relentless ups-and-downs of these murderous hills. Every runner who makes the top of this ramp does so to a chorus of cheers and howls, and every one who fails and slides back to the earth meets a sympathetic groan.

But I’m tapped. I’ve got nothing left. The six miles of the run and the ridiculous crescendo of the obstacles have left me a pile of sentient Jell-o. I can no more make it up that ramp than I can sprout wings and ascend into the heavens. But I lower my head and charge at the ramp anyway.

I grab at the rope. My fingers seal around the knot, strangling it. Somehow, I fling my arm upward and catch the next know, and creep higher. But that’s it. I’m done. The ledge is right there, but I can’t reach it. I cry out, or at least I think I do. On the ledge above me is some guy I don’t even know, and he’s shouting at me like I’m Rocky. Grab that ledge. You can do it. Grab it. Come on! He could help me, but he knows — as I know — that it’ll mean that much more if I can make it on my own.

And I do. My fingers catch the ledge, then a hand has my forearm and I’m being lifted upwards over the edge. I tumble onto my back and stare up at the sky for a moment.

It’s a clear, beautiful Georgia afternoon. Wispy blue clouds, postcard blue sky. The roar all around me goes dull.

I’m acutely aware that this afternoon would have been a gorgeous one whether or not I had put myself through the wringer of this race. But somehow, the air is a little sweeter, the breeze a little cooler, the sky a little bluer.

But there’s no time to rest. I get to my knees and turn around to offer a pay-it-forward hand up to a few other racers climbing their way up after me. High-fives and slaps on the back abound. Then, it’s over to the other side of the wall — a slide right back down into (you guessed it) more muddy water. And there’s the finish line. Somebody puts a medal around my neck. A bottle of icy water is shoved into my hand. Half of it goes on my head, half of it goes down in a few greedy gulps. It tastes like the untamed glaciers of the Arctic.

I’ve spent a lot of time thinking and writing about this race, a lot more than I usually bother to write about running. (Partly that’s because fitness isn’t really the focus of my blarg here, but partly that’s because there’s really only so much you can say about running.) But I think the race deserves a bit of time and reflection. It wasn’t just an event, it was an experience. I’m not going to say I’m a better person because of it — that would be shallow and too easy, I think — but there’s an ineffable sense of accomplishment swirling around me after finishing this thing, even almost a full week later.

There’s something primal about it that no amount of running or hours spent in a gym can replicate. Running, jumping, crawling, climbing — these are things our bodies evolved to do, and the creature comforts of this modern life have allowed too many of us to forget we can do them. Savage Race was a test in a way I’ve never been tested. It’s a bit like life, really: it throws a challenge at you, beats you up, bruises you a bit, knocks you in the mud. Then, if you come through to the other side, it says, “okay, you handled that. Now how about this one?” And it repeats, on and on until you drag yourself across the finish line, or until you tap out, give up testing yourself and walk the rest of the way home.

I’m happy to say that, even though I didn’t complete every obstacle, I tried every one. And my run may not have been pretty, but life ain’t pretty. We all get a little dinged up, a little scraped and bruised along the way. We all get a little dirty. Sometimes it hurts. But you can still run the race with a smile on your face.


Savage Race Recap: Blow-by-blow part 2

Disclaimer: This is the second part of a race report. If you care about continuity, the first part is here. If you think that running and obstacle course races are endeavors fit only for the insane, well, you might not be wrong, but feel free to skip this entry. If you’re intrigued by all this, you can find lots of pictures and in-depth descriptions of these obstacles at Savage Race’s website. Now, onward!

For a guy who runs mostly roads, it’s challenging enough going off-road. The footing isn’t as sure, the hills are ubiquitous, and you have to watch your every step for roots and rocks and, in this case, horse sharknado. From speaking to a few finishers before my wave started, I know enough to know the hills are going to be nasty, but I’m still not prepared. The first half mile of the course takes us down from the start line, up over a tree-lined hill that we couldn’t see past before, down again across the inline toward the lake (which has us leaning sideways to keep our balance), and back up again to get into the woods proper. As we roll down into another valley, we have to cross this tiny stream of runoff,  just wide enough to be unhoppable. Racers are hesitating and trying to pick a dry footing across. I shake my head in wonder. This is a mud run, isn’t it? And I pile ahead, right through the stream, kicking up spray and mud in my wake, and I hear the splashing of other feet right behind me. I immediately wish I hadn’t, though — mud run or not, running in wet shoes is not fun, and with all the hills and cambers, my feet and toes are sliding around and raising blisters already.

Despite all that, I can feel myself breaking the first rule of racing: don’t go out too fast. I can’t help it, though — the adrenaline is surging, I hear the light tromping of feet all around me, and there’s a cool breeze through the shaded paths, so that even at ninety-plus degrees outside, the running feels like heaven.

But we’re at the first obstacle: a pair of fences made of widely-spaced two-by-sixes about eight feet high. I don’t break stride — from my run I hop onto the fence and climb it like a ladder, toss my legs over, and drop to the ground. One down, and while it was hardly a challenge, I’m exhilarated. Then it’s through another patch of trees, and I see barbed wire stretched low across the ground. I’m preparing to drop to my belly when I see another racer lay out sideways in front of the obstacle and begin to roll through the dirt. Well, that looks a lot easier than commando crawling, so I follow suit. What I don’t notice is the downhill grade in the second half of the obstacle, and by the time I roll out the far side, I’m not so much rolling as tumbling. Clear of the barbed wire, I sprawl out and watch the sky spin crazily overhead for a few seconds before I stumble to my feet. I’m not the only one spun like a top, but we master it and truck on.

It’s a hot minute, fully a half mile of hills and trees, before it’s obstacle time again: another field of barbed wire. Didn’t we already do this? No, this one’s different — in addition to low-slung barbs, this one has lanes marked off with wire as well. No rolling through this one — it’s time to crawl. As I’m shimmying along, I hear the inevitable skritch of a snagged shirt and torn skin; the guy next to me just popped up too high and paid for it. Meanwhile, on my other side, there’s a commotion of rustling grass and a cloud of dust as another guy rolls past like Wile E. Coyote on rocket skates. Basic training comes in handy, it seems.

A bit further on, there’s a deceptively simple-looking set of chest-high pommel horses that must be vaulted; I clear them pretty easily with a half-cartwheel, half barrel-roll over the top, but I see lots of folks getting tossed on their backs as they hit the far side, or unable to get a grip enough to clear them at all. What’s easy for one is never easy for all.

Just after the start of mile two is the first obstacle that looks truly imposing, the strangely named “Venus Guy Trap.” If you’re picturing the jagged, toothy plant laid open for a fly, you’re not far off; this is a set of two ramps at 45 degree angles facing each other across a mud pit. You must first climb up the seven-foot back of the ramp (and the lip hangs well over the support, so you’re really dangling), navigate down the one ramp, tromp through the mud, and then do the same thing in reverse, except now you’re slippery from the mud. I watch a few people attempt it before trying my hand; some can muscle right over the edge, others can’t even get their hands on it. Well, hell. You got me, and I got you, right? I step up to a struggling racer, make a platform of my hands, and offer a boost up; figuring if I invest some karma now, it’ll be there for me when I need it later. I boost three people over the first lip and then turn around for my own attempt, and here I’m surprised again; turns out I can make the climb just fine. Not exactly graceful, but I clear the edge and roll down the ramp with no trouble. That’s the first daunting task, but it won’t be the last.

But here, again, this race is shaking up my preconceptions. Because there are people in the race who are clearly not physically fit enough for an obstacle like this, and I’ve been wondering just what the hell they were thinking, signing up for this thing. Case in point: there’s an older guy I’ve been gaining on for the last quarter mile who I finally catch up to at these two ramps. He’s overweight, too, and clearly struggling already just from the run, even though we’re only two miles in. To add to the indignity, his shirt is torn from the barbed wire a half-mile back. But he’s not in it for himself; he’s here to support his daughter. As they approach the obstacle, he wordlessly hustles up to the base of the climb and goes into a wall-sit, offering her both his knee and his shoulder to help her get to the top. Once she’s over, he hoofs it around to the far side to meet her on the other side. And suddenly I feel a little bit like an a-hole for being so judgey — everybody comes to this test for their own reasons. And the family that runs obstacle courses together…

The next mile has a handful of challenges that look tougher than they are — there’s what looks like a giant Swiss cheese wedge and a traverse across chain-link fences suspended over murky water, both of which are easier than they look. Then a few that are designed to make you uncomfortable and literally cover you in mud and muck: these are ditches with barriers submerged in the water/mud that you must crawl/swim/claw your way under to advance. If dignity was intact before this point in the race, it’s gone now — we are all unidentifiable orange-brown foot soldiers tromping off to new discomfort.

But in the midst of all that is another challenge to the spirit: one of the simplest obstacles yet, but a doozy nonetheless. This one is simply a free-standing wall eight feet high that offers no handholds or footholds. Nothing but upper body and scrambling feet will get you over — and maybe a leg up from your fellow racers. But I clear this one on my own as well, surprising myself again in the process.

We’re through eleven obstacles now, and three miles into this six-mile affair, and I’m already noticing changes in myself and the other racers. Not nearly as many people are running in between obstacles; myself included. I’m still jogging the straightaways and the descents (where I can manage it without risking a catastrophic tumble), but anything more than a gentle incline has me walking, and the course is stingy with anything gentle, even leaving the obstacles out of the equation. The walking is not terribly surprising, though. What’s surprising is that as the obstacles get tougher (and make no mistake, there’s a pretty steep difficulty curve the farther you go, which is actually kind of cruel … you might say SAVAGELY cruel, okay, I’m sorry, I won’t make that joke again), the people attempting them get fewer, and the camaraderie among those that fling themselves into the maw strengthens. Kind of like a chinese finger trap — the harder you work against it, the stronger it becomes. Those of us who try every obstacle get more determined, we help each other more, and when we succeed, there’s back-slapping and high-fiving and primal screams all around.

There’s a high in all this. As much as my body hurts more and more the further I go, there’s a sort of euphoria settling in. It’s not a runner’s high (although to be fair, I’m not sure I’ve ever actually experienced one of those in five years of running). The pain doesn’t disappear and give way to magical feelings of well-being and serenity. The pain is there, lurking in the back of the mind like a murderer hiding in the basement in the latest slasher flick. But who cares about the murderer in the basement when there’s a crazed, endorphin-fueled party going on upstairs?

I’m starting to see why this OCR has become such a thing. I came to the race alone, but now I’m recognizing the faces of the handful who are on the same pace as me. We’ve become almost a family flung together in this gauntlet; we kvetch and moan about the brutal hills, we encourage each other in the run-up to each new obstacle, we wait with hands outstretched as each of us muscles through the next struggle. I don’t even know their names, but I know their shouts of jubilation and their groans of agonized defeat.

And I’ll hear a lot more of both in the second half of the course.

Concluded here.


Savage Race Recap: Blow-by-blow part 1

Disclaimer: I ran my first obstacle course race this weekend, and it was awesome. I gave a sort of holistic overview of the whole race from this past weekend, and that overview is here. But it occurred to me that one, I left out a lot of what I was thinking during the race, and I wanted to get those thoughts down. And two, if you’re reading this and thinking of signing up for a race, having a blow-by-blow account might be more helpful to you than some unfocused, broad thoughts on the whole thing. So what follows is that account of the whole run. It might take a couple of posts. Skip at your pleasure!

It’s 10:30 on a Saturday morning, and I’m walking through a cow pasture.

I parked the family van in the grass after driving it a half mile down a gravel drive in rural Dallas, GA, and now I’m following the crowds of people toward the top of the hill. The low sound of birds gives way to the drone of human voices the closer I get to the staging area, and before I know it I’m surrounded by people: musclebound men and women who’ve already run and finished the race, and some more moderately dressed folk (like myself) who have yet to run. Some of them look as uncertain as I feel — other first-timers, I suspect — others swagger around the commons, lounge around the tables and the food trucks, or stretch casually by the starting line. Some are individuals. Some are friends. Some are co-workers. Some are families.

This is Savage Race — a mass of humanity about to embark on six miles of pain in the backwater hills of suburban Atlanta. All of us have spent the past months if not years training for the event, but how do you train for an event that has you crawling through mud, jumping like a lunatic from a twenty-five foot height into murky water, vaulting over walls and fences, and slithering under barbed wire?

I’ve previewed the course and the obstacles dozens of times in the months leading up to now, but being here is different. Down the hill there, at the bottom of the pasture, I can see racers on the course trudging up and down a series of rills with long wooden beams across their shoulders like Jesus on his way to the crucifixion. In a little gully off to the side is another leg of the course that features a series of grooved telephone poles that ascend toward a cowbell. I watch a few racers clamber adroitly across the maze of poles and whack the cowbell triumphantly; I watch several more slip off the second pole, unable to find a foothold, and walk on, shaking their heads in frustration.

At the top of the hill is the big one: the monstrous sixteen-foot quarter-pipe ramp outfitted with knotted ropes and smeared with mud from the failed attempts of would-be climbers sliding back down its face. That’s Colossus, the final obstacle on the course, and it’s flashy, but it’s far from my mind.

I’ve been at the gathering areas of dozens of races, and the atmospheres are as varied as the events themselves, but the central area for Savage Race is a unique animal. It’s part tailgate, part wildlife retreat, part bacchanalia. There’s the usual array of merchandise tents, packet pick-ups, and volunteer stations. Then there are the tents set up by participants and their cheering stations, complete with kegs and captain’s chairs and college logos. There are food trucks and a surprisingly well-stocked beer stand (attached to every participant’s bib is a voucher for a free brew, which they rightly advise you to detach now and store safely, as it is likely you’ll lose it on the course). And then there are the people.

The participants at any road race tend to be a fit bunch, but this goes a step further. About a third of the men are shirtless, and would look right at home in a promotional spot for 300. The women, alike, are dressed to show off their gym bods, many with their bib numbers inked on their shoulders (pictures during the event are sorted by bib number, so this is a good way to find your photos even if your bib is hidden, say, underwater, in a shot). Lots of beards. Lots of tattoos. Lots of skintight clothing. Superhero shirts and custom-made group tees: Bailey’s Badasses, for one. But there’s a fair contingent, like me, a bit more modest, watching from the fringes, trying to take this all in.

The course is set up in a strange, almost clover-like arrangement, so that the runners pass again and again near the central area. As such, you’re often in view of other obstacles on the course and other participants in various stages of distress depending on what particular pain they’re undergoing at the moment. So it’s a lot to take in. But there isn’t much time for that, now. My heat departs in five minutes, so I make my way to the starting corral, where I line up next to a couple of guys dressed in Dragonball shirts and wigs and a dude who looks like a black version of the Rock. Suddenly, I feel very out of my depth.

There’s an announcer at the starting line, which is a novelty. He asks how many are repeat racers, five-time racers, and finally, how many Savage Virgins are with us today, to a chorus of WHOOOOOO’s each time, and I throw my lot in with that last. He tells us what we already know: that the next six miles are designed to test our limits, to punish us, to show us what we’re made of. He invites us to stare down the people in the corral with us, to see which of them each of us is going to beat to the finish. I keep looking at the Rock (this is the last time I’ll see him — he leaves me behind early) and the Dragonball guys (surprisingly, I’ll see them again and again throughout the event), and feel pretty confident that I’m going to be in the bottom third of this particular heat, but who cares? We’re all shouting and laughing and high-fiving and chanting “you got me, and I got you,” and even though I’m the kind of guy who stays silent when Gene Simmons comes onstage and demands are you ready to rock???, I’m hollering and shouting myself hoarse with the rest of the Savages. It’s all very cult-ish, all very for those about to rock, we salute you.

And then we move to the starting line, and the gun sounds, and the waving, sun-baked grass stretches out before us.

And we run.

Continued here.

Staying Motivated (or, how to keep writing on those days when the writing sucks)

I’ve struggled with motivation mightily in the months since I started working on my novel.

Some days I feel buoyed by powerful waves of motivation, a deep, slow-burning desire to write and create and push this thing forward.  On those days, it’s all I can do to get myself in front of the computer before the ideas and the words start clawing their way out of my skull.  The plotlines and characters and conflicts dance around in my headspace subconsciously all day, sometimes resolving themselves in time to be written down in neat orderly arrays, other times becoming tangled and spilling out onto the page like intestines from a vicious gut wound.  Motivation isn’t a question on those days.  I’m going to write, regardless of what else I may have going on.

Other days I’m Sisyphus, and my novel is a big boulder the size of six or seven giant men and the hill I have to push it up is high indeed.  Even thinking about the task makes me feel weary and exhausted, and my mind starts thinking of all the other things in my life that need doing in this moment, and wouldn’t it be easier to focus on those things and then, maybe after I’ve done those things, I’ll feel like writing and I can get some work done.  Except, as anybody who’s ever put something off knows, you arrive at the end of the day and you still don’t feel like working on the novel, and what’s more you don’t have time to work properly on it anyway, and also you feel crappy about the fact that you haven’t gotten anything done with it today.  The simple act of even reading your own work to see where you’ve just come from and where you might go next seems like a slog through an endless swamp.  These days it feels impossible to write.

But the writing doesn’t change.  The book is just a book, just a story waiting to be told.  The characters, lively as they may be, are but lumps of clay looking for hands to shape them.  It’s only my perception of the work that seems to affect my motivation to work on it.  So how do you cultivate motivation?  Here are some humble ideas.

And I realize as I edit this post that while this dubious advice seems to fit for writing, I think it applies for staying motivated at just about anything, and if that’s the case, so be it.

  • Eyes on the Prize: On those days when I just don’t feel like writing, I have to remind myself that if it was easy, everybody would do it.  Anything worth doing is worth working hard for, and the book isn’t going to write itself; the words aren’t just going to arrange themselves on the page for me.  Yes, I may be a bit stuck on the story.  Yes, I might be a bit confounded by what this character is trying to do.  But these are Writer Problems, and it’s a writer’s job to solve those problems.  If I want to be a writer — to have that success, to have that recognition, to complete a Story Worth Telling — it’s no good hiding from the work.  When it gets hard, when it gets overwhelming, when it seems impossible, I start asking myself, “do you really want it?”  And almost always, I find that I can get some work done after all.
  • Plan of Attack:  If you were to ask me if I were an organized person, I would begin by laughing hysterically.  Then I might offer you a picture of my garage, or my desk, or my bedroom, and you’d quickly realize that not only am I not by any stretch organized, I might not even know what the word means.  But organization has been key to staying motivated and keeping the boulder rolling uphill.  But I don’t mean organization in the general sense of having a place for everything and everything in its place.  (I strive for that, but I often miss the target.)  I mean rather knowing what I want to accomplish within a given time frame, having a clear idea of what’s to be done on that day, seeing the obstacles and knowing perhaps not exactly how I will deal with them but at least that I am capable.  Notes to myself are invaluable for this.  Every day of drafting I’d finish with a little note to myself: “introduce this character tomorrow.”  “wrap up this scene tomorrow.”  “go back and establish that the main character carries a Taser in her purse so that she can zap this guy now.”  I need to know what needs to happen next more than I need to know what I’ll be doing in three weeks.
  • Window of Opportunity:  One of my favorite quotes of late says something along the lines of, “never put off a dream because of the time it will take to achieve it.  The time will pass anyway.”  And to say that time is a factor when it comes to motivation is a ridiculous understatement.  You need time to do the work.  You need time to do the other stuff in your life so that you can focus on the work.  And time doesn’t give a slippery sharknado about you or your work.  Time is going to roll on past you like a bus rolling past a pile of dog vomit.  If I’m sitting around waiting to find time to get the writing done, then the writing just isn’t going to get done that day.  I have to decide, early on during the day if not the day before, when I’m going to get the writing done.  Maybe tomorrow I can carve out time on my lunch break.  The day after, my wife has a class, so I can do some writing that evening.  However I do it, I have to seize the time, carve it from the still thrashing carcass of the beast, if I want to write that day.  I have to create the window of opportunity for myself to work in.
  • Achievable Goals: It’s too big to think “I need to work on the book today.”  What the balls does that even mean?  Character outlines?  Plot diagrams?  Word count?  No, if I’m going to be focused and motivated to do the writing, I need a goal to work toward that I can actually accomplish during a working session.  Write 900 words today.  Introduce this character into the scene.  End this scene.  All these little goals are part and parcel of the big goal — work on the book — but the difference is, they are things I can get done.  How do you eat an elephant?  One bite at a time.
  • Embrace the Suck: There are days wherein, despite the best of intentions, I’m going to write crap.  I’ll read back over a passage and wish that somebody else had written it, because surely, surely, I can’t be that bad, that uncreative, that uninspired.  And it’s all too easy to see that happening, to take stock of the growing puddle of sharknado on the page, and say NOPE, the work sucks, I suck, writing sucks.  I’m taking my ball and going home.  And I think that’s a normal reaction (correct me if I’m wrong).  But nobody works perfect the first time around, or for that matter, the second or the third.  There came a point where I realized that it was okay to write something terrible, as long as I was working toward the goal.  It’s easier to rewrite something, to clean it up and tweak it, than it is to start from scratch.  It’s easier to bust a thing apart and start over, even, because you still have all the pieces to work with when it’s time to put it back together.  If I can hold it together and write through the bad days and write when it’s awful, then it keeps the pipes clear for when the ideas want to flow on their own.

To put all this in perspective, here’s a turn that’s happened in the last few weeks.  A few weeks back, I lost the notebook I’ve been using to keep notes for my edit.  I keep notes in the draft as well, but big stuff that needs fixing in the work as a whole went into the notebook.  And it was just gone.  It’s still gone.  And with it went much of my motivation.  I’d lost a significant portion of work, lost a ton of time, and felt overwhelmed at the prospect of going back and doing much of the same work again.  And my work over the past few weeks has suffered.  I’ve been dragging my feet, doing the work at the last minute, doing the bare minimum, even skipping days.  I was dreading the writing.

Well, yesterday I accepted the fact that the notebook was gone and started a new one.  And yeah, it sucks looking at those blank pages that I have to refill.  And it’s painful writing down notes that I’ve already written and retreading ground that I’ve covered before.  But somehow, just accepting the loss and refocusing my effort has given me the best couple of days of editing that I’ve had in a month.  I’m not saying I’ve done the best work, I’m saying I feel better about the work.  Perception is everything.  I refocused from the lost notebook to getting the book done, I made a new plan around my new notebook, I got serious again about making my own time to work, and I accepted the lost work and moved on.  Suddenly, working on the book is that thing I can’t wait to do again.

Tomorrow, the pendulum may swing back the other way, but I’ll keep working anyway.  Motivation isn’t some magic elixir you can drink and suddenly be filled with purpose.  It’s just another thing to be worked at.


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