The Weekly Re-Motivator: Panning for Gold


I remember, when I was in school, learning about how during the gold rush — you know, old west, Manifest Destiny times — people would pan for gold. Scoop some water out of the river, sift through it, see if any nuggets were floating in the runoff. Or they’d just take big handfuls of dirt, toss them on these screens, and slowly sift away the big rocks, then the little ones, and so on, in hopes of separating out something priceless from the junk.

And I always thought that was kind of BS. You dunk your little pan into the river, hoping to get rich off some crumbs floating downstream? You dig up your backyard, hoping that in there among the rocks and the sand, there’s a gold nugget, just waiting to be discovered?

It’s the sort of ridiculous hope that keeps people buying lottery tickets. The overwhelming odds are that not only will you not find gold, but you will have wasted hours — if not days or weeks or worse — of time which you could have used for, you know, useful things otherwise.

Not incidentally, one of my favorite snippets from Sam Harris (a prominent atheist/philosopher/neurologist and pretty smart guy) has to do with a guy who spends his weekends digging in his backyard for an enormous diamond. “It gives me great pleasure, seeking this diamond,” the guy claims, though there’s no evidence that the diamond exists, nor is there any good reason to believe that it might. And regardless of whether this diamond does exist, the believer “wouldn’t want to live in a world where there wasn’t an enormous diamond buried in my backyard.”

Panning for gold in that way takes something maybe even stronger than an act of faith.

But lately, that metaphor strikes me in another way.

If the first draft is the rushing mountain stream, then there are definitely some gold flakes floating in it, lost amid the smashing rapids and festering cesspools of word vomit. (This is, incidentally, why I’m not totally soul-crushed after losing about twenty thousand words of my latest project; because I know that most of it is crap.) Problem is, there’s no knowing where they are ahead of time. And there’s no guarantee that, if I dive into that stream of bland, meandering word salad, I’ll come away with anything approaching usefulness.

But I keep doing it. Every day I wade into the waters and pan for gold, screening the water and the dust and the lumps of calcified cow crap in hopes that somewhere among the detritus is a nugget that I might one day parlay into a car payment.

You know. The sort of blind, hopeless faith that I usually rail against.

But with one key difference.

The poor saps panning and sifting for gold or digging for diamonds in their backyards are putting their faith in things they can’t see or touch or know in any way. The gold is either flowing in the river, or it’s not. It’s either mixed in the dirt, or it isn’t. The diamond is either buried in the earth to be found, or there is no such diamond. But the words I churn out every day? It may not be much, but at least I’m in control of those words. And I know that, even though most of them may be crap, the potential is there, hiding behind fossilized feces or drifting downstream.

The faith a writer has to have is a faith in himself (or herself!). Some would argue that it takes a hell of a lot of faith to return to the blank page, day after day, to deface it with your imperfection. There’s certainly something of the devotional in it.

But I don’t think it actually takes much faith at all. The stories we’re sifting for are there, hiding just below the surface, winking at us from behind the river of crap.

We just have to have the patience to screen out the garbage.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

Locker Room Talk


There’s been a lot of talk about “locker room talk” the past couple of days. But I don’t think any of the people talking about this so-called “locker room talk” actually know how people talk in locker rooms. (For the most part, guys don’t talk in locker rooms — they’re trying too hard not to catch an eyeful of old man scrotum.)

So to clarify what actual locker room talk might sound like, I reimagined a certain prominent recent conversation as it might more conceivably play out.

Please to enjoy.

 

Two men, on opposite ends of “middle aged”, meet in a locker room. A TV in the corner plays entertainment news.

Tronald: Hey.

Billiam: Hi.

Tronald: (gesturing towards the TV) You see her?

Billiam: Hmm? Oh. Yeah. Who’s that? She looks familiar.

Tronald: Ancy O’Dale. Pretty hot, right?

Billiam: Sure.

Tronald: I put a move on her, once.

Billiam: Who, the girl on TV?

Tronald: That’s right. Bought her some furniture.

Billiam: You — what? I thought you said you put a move on her.

Tronald: Yup.

Billiam: So … you bought her furniture? That was the move?

Tronald: I have a lot of money.

Billiam: I see.

Tronald: She was married, though.

Billiam: Wait. She was married when you put the move — when you bought her furniture?

Tronald: Sure. I was, too. I tried to bang her. Came up short.

Billiam: That’s … not cool. Why would you hit on a married woman? Especially when you were married yourself?

Tronald: Well, I had just gotten married.

Billiam: That’s even worse!

Tronald: Eh. It was only my third marriage.

Billiam: Jesus.

Tronald: Hey, do you have any mints? I could really go for a Tic-Tac.

Billiam: Um, I might, let me check.

Tronald: I get that bad breath, you know what I mean? I’m doing this interview in a few minutes, and you never know what might happen.

Billiam: I really don’t need to know. (Finds mints, offers them.) Here.

Tronald: Thanks, guy. (He tilts most of the pack into his mouth, crunches them loudly.) I might try to kiss this one, I don’t know.

Billiam: Huh? I thought you said you were doing an interview?

Tronald: Sure, but I just love women, you know? If she’s beautiful, I might just try to kiss her. I can’t help myself.

Billiam: Whoa. Stop. You’re just meeting this woman for the first time, and you think you might try to kiss her?

Tronald: I meet beautiful women all the time. As often as I can. I run beauty pageants, you know. Part of the deal. Sometimes I try to kiss them, sometimes I don’t. Just depends how I feel.

Billiam: What about how they feel?

Tronald: What do you mean?

Billiam: The women. You just kiss them? I mean, the ones you feel chemistry with, or … I really don’t understand.

Tronald: No, no chemistry. I just see a beautiful woman, I try to kiss her.

Billiam: That’s … a little rapey, isn’t it?

Tronald: It’s all right. They don’t mind. I’m a star. I can do whatever I want. Grab them by the pussy, whatever.*

Billiam: The — WHAT?

Tronald: What?

Billiam: Dude, that’s actual sexual assault. You know that, right?

Tronald: You want to come with me? I can get you one, too.

Billiam: No. NO. Who the hell even are you, anyway?

Tronald: I’m running for president.

(Billiam just stares, dumbfounded.)

Tronald: Can I count on your vote?

Billiam, now dressed, scurries out to tell all his friends not to vote for serial abusers, as though such a thing had to be said.

 

**I just want to tell you how uncomfortable it makes me to use the word, even when quoting somebody who, I feel, is a totally reprehensible excuse for a human. But we can’t go mincing words, and we can’t go pretending total jerks didn’t say the things they actually said, live, on video.

A Laughing Matter


Scowling through the mirror at Earl is a face as twisted as the ones in his nightmares.

One hand tightens on the brown bottle, the other on the glass. The cubes swirl and clink as he pours a drink too many and tosses it back.

“You’re just not making them laugh like you used to, big guy.” Max had given him a sorry grin, like a dog who’s eaten your dinner but who knows you’re not going to do a damned thing about it. “Nothing personal.”

And just like that, here he is, cleaning his crap out of the dressing room for the last time. Over the monitor, Earl can hear the trite jokes from some new kid on the circuit — name of Zamir, of all things, riffing on his foreign parents — to what sounds like an ocean of raucous laughter.

A sound Earl’s only ever from backstage; never in person.

The glass flies from his hand and shatters the mirror, and now it’s not a single scowling mask that looks back at him, but a dozen. Earl stares himself down for a good, hard minute, then grabs his jacket, frayed elbows and all, and beats it.

There’s a storm rolling in. The first fat drops are just starting to fall, but the real action’s a long way off, yet. A couple of drunks are hanging out, grinning at each other in that half-lidded, glassy-eyed way that you only see at one in the morning outside a comedy club. One of them recognizes Earl, and it begins.

“Hey, it’s the comedian.”

Earl knows what’s coming. He pulls up his collar and tries to walk by, but the guy’s in front of him, a hand on his chest, fruity, watered-down vodka on his breath. “You weren’t funny.”

“Sorry you didn’t like it.” Earl sighs. Tries to be contrite. “Look, talk to Max. Tell him Earl said to give you a few free passes for next week.” Max will never give this guy anything, but vodka breath doesn’t know that.

“What, so we can hear more lame jokes about your mother-in-law?”

Vodka-breath’s buddy thinks this is really funny. He bursts out in a laugh that sounds like a choking horse. Again, the sound of laughter that isn’t for him burns away at Earl worse than the bourbon burning through his guts.

Everybody thinks they know what funny is, but they don’t, not really. They don’t laugh at Earl’s jokes. But they’ll laugh at their idiot friends making fun of Earl’s jokes, sure, no problem.

Earl stares at horse-laugh long enough for it to get real uncomfortable. “You think that’s funny? How about a knife in your spleen, think that’d be funny?”

A low rumble of thunder punctuates this, and the drunks back away real slow, watching Earl like he’s rabid.

“Thought not,” Earl mutters, and shoves his way past, making sure to give vodka-breath an elbow to the gut as he goes.

“Asshole.”

Then a bottle hits him in the back of the head, and everything goes dark to the sound of shattering glass.

#

Earl comes to — he’s not sure how much later — choking on the rainwater that’s puddling around him. His head hurts like hell; he rubs at it and his hand comes away hot and bloody. Lightning lights up the deluge that’s falling now, and the thunder rattles his skull.

The club is dark. Max. Probably saw Earl lying there when he left and didn’t do a damned thing to help him.

It’s the last straw.

#

Blue-lipped and shivering, Earl almost knocks the door to his cramped, moldy apartment off its hinges. He brushes past a sink full of dishes and a table covered with slowly decomposing takeout Chinese and makes for the bathroom.

It’s no mistake that his bathroom is set up like a green room; the apartment may be a shithole, but this is a shrine. His shaving kit, immaculately laid out by the sink. A couple of freshly-pressed towels hung on the rack. The bright lights overhead make him blink when he turns them on. Worn, curling pictures and newspaper clippings — over a dozen of each — are sandwiched between the frame and the mirror. Earl catches glimpses of himself in between as he looks back and forth. His father, his uncles, grandfathers and greats.

Down one side, he sees Samuel, the foppish Auguste in a frilled collar and big red nose. Randolph, a simple Whiteface in an oversized suit with white gloves. Freddy, the bumbling Tramp with a chewed-up derby and stippled-on stubble. All grinning in that carefree, gleeful way that clowns have, like even behind all the paint and the makeup and the oversized shoes, they find the whole world funny.

You could say it’s a family business. One that Earl’s tried to avoid. “Cheap laughs,” he always called it. But clowning is in his blood, he knows that, now, as he sees his eyes reflected in the pale masks.

But the other side of the mirror is in his blood, too. Tri-Cities Terror. Seaside Strangler. The Knife in the Night. They’re Earl’s family, too, and their mugshots stare back at him with the same clownish grin as the others, minus the makeup.

If psychology were a thing Earl’s family ever bothered with, they might have made something of the checkered legacy he has inherited. All Earl knows as the storm pounds on the windows is that he tried, he really did. He only wanted to kill them with laughter.

Now, he thinks as he reaches for the greasepaint, he’s just going to kill them.

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***************************

Holy carp, how long has it been since I turned in a flash fiction?

Well, this one’s not complete, but that’s by design: Chuck’s challenge this week is to start off a horror story that somebody else will (hopefully) pick up and run with. I figured, hey, clowns are topical right now, right?

Anyway. Sorry to the clown-phobes in attendance. Guess I shoulda put a trigger warning up top, huh?

The Weekly Re-Motivator: No Such Thing as Coincidence


I posted earlier this week about my missing flash drive.

It’s now been a solid week since I realized it was missing, and having now cleaned the house and looked in every reasonable place three times (and the unreasonable places, once or twice), it’s hard to argue with the simple, impassive truth. It’s gone.

And because I’m an idiot, the missing little chunk of plastic and silicone has taken with it about 40,000 words of work — the bulk of almost three months daily wordhammering — on the latest novel.

Just gone. Not like somebody broke into my house and my TV, dvd player, and all my wife’s jewelry are missing — that sort of thing, while senseless and random, would at least make sense in a causal sense. There would also be the lovely spectre of somebody to blame. No, it’s rather like I went to the grocery store and came back to find my dog gone. All of her toys still strewn around the house. Sprouts of fur on her blanket and bed. Leash on the wall hook. But no sign of the mutt herself; just the back gate swinging in the breeze. The gate I forgot to close before I left the house.

It’d be tempting to think that it’s an awfully big coincidence that my entire project literally vanishes when I’ve been struggling so mightily with it over these past few months. Some of the days have been good, but most of them have been a bit too much like work, and as much as I like the central idea of the book, there’s just something … off about it. Maybe it’s the tone, maybe it’s the point of view, maybe it’s the setting; hard to pin down, but the idea just hasn’t caught fire with me the way I wanted it to.

So it disappears when I haven’t backed it up in months, and wipes out all those months of work.

But I don’t believe in coincidences; at least not in that cosmic, maybe it was meant to be kind of way. I’m furious with myself for losing it. I’m ready to throttle myself over the idiocy of failing to back up my project. And no matter how the project might have pained me, I don’t believe that simply throwing all that work out the window — literally, it turns out — would have been the best choice. Even bad writing sometimes reveals hidden gems, turns of phrase worth keeping, little narrative nuggets buried among the scree and scrap.

But I also don’t believe that it just happened. I think that, if I were really proud of this work, if I really felt it was worthy of my time, I probably would have safeguarded it a little bit better. I think if it mattered to me that much, I would have found the time to click a few buttons and back it up.

I don’t think me losing the flash drive and the project is the universe’s way of telling me that the project is wrong. I think that me losing the project was my own way of telling myself that the project was wrong.

Because here’s something I noticed in edits for my first novel: as much as I changed things, there was a hesitation to really deconstruct the thing, to shred it to pieces and rebuild the stuff I had spent so much time building the first time around. I did that deep rebuilding in places here and there, but a not insignificant portion of the first draft survived, coming through with only cosmetic changes.

With this project, though, I won’t have that option. I know the outline of what I wrote — the plotlines and the character developments that need to take place to get me to the middle — but I won’t have the fleshy bits, the meat of the story. I’ll have to rebuild all that.

Which is frustrating, but also kind of liberating. Not only am I not tethered by the shortcomings of the draft, but I can’t even see them in the rearview mirror. I’ve got no choice but to take this in an entirely new direction.

And the fact that I’m not filled with dread at the prospect tells me that, even though it burns worse than a throatful of rotgut bourbon, it doesn’t have to be all bad.

So maybe it’s just a coincidence that my project vanished into the ether when I was filled with so much doubt about it.

But I kind of don’t think so.

Maybe it’s just more likely that I’m devoted enough to this thing to turn this lemon — and man, is it a hell of a lemon — into something like lemonade.

Or maybe I have an alter ego who knows what’s best for my writing and chucked the thing in the garbage disposal while I thought I was asleep.

Either way, it’s time for a fresh start.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

Lost


I have a confession.

A writer’s confession, which should be taken with all the appropriate hand-wavings and grains of salt. When you look at the real problems of the world, my meager problems mean little. But it’s weighing on me nonetheless.

I haven’t worked on my novel in almost two weeks.

On the one hand, I feel okay about that, but on the other hand, I feel very much not okay about that, because I know I’m not going to be able to work on it today, and it’s dubious whether I’ll be able to get to it later this week either. The excuses for this are twofold:

One, it was vacation last week, and as much as writing is a release and an adventure in pink unicorn land, there are days when it’s work, too. And of late, the writing has felt more like work than like a unicorn frolic. As such, a little vacation from it is, I think, warranted, and what better time than when I’m on a vacation from actual work? I got to turn the ol’ brain off, veg out and watch some TV, take the kids and the wife on a few day trips … it was good. Didn’t have to worry about how to get my protagonist out of his latest scrape. Didn’t have to construct the machinations of the villain working behind the scenes. Didn’t have to batter my brain against the Rube Goldberg machine of gears and spindles and flywheels that constitutes the plot of this thing.

Still, I felt guilty about leaving that creative garden untended for the week, sort of the same way I feel about letting my lawn continue to grow, sprouting weeds and dandelions and the occasional mushroom, while my neighbors keep their lawns neatly trimmed.

Sidenote: there’s a new show out called Speechless, about this deadbeat family with a handicapped, mute son. No idea if the show has any staying power or not — the first few episodes have been pretty funny, but who knows — but I at least resonate with the family. Not because they’re jerks — the mother proudly drives in the emergency lane, runs stop signs, and flings bluster and righteous indignation and her son’s handicap at anybody who even looks sideways at her. And I have a hard time getting down with that. What I totally get, though, is that they just don’t give a sharknado what other people think of them. Lawn is overgrown? Paint is peeling? Car’s looking a little dumpy? Yeah, no, we’re not going to fix those things. They just don’t matter to us; we have only so many fargos to give. To that, I give a deep, sonorous AMEN.

So I returned to work on Monday, all set to hunker down and return to the love-hate relationship I have with my current novel. Which brings me to…

Two: I can’t find my flash drive.

Now, before you say anything, know that I’ve already said every possible thing to myself, mostly inside my own head, occasionally in raging, fists-pounding-on-the-desk angry shouts. How can you be so stupid? Haven’t you heard of backups? How could you possibly lose it? Dunce! Idiot! Disorganized, sloppy, careless!

And my excuses are like the rain in Arizona: woefully inadequate, but all there is. I write the novel mostly at my job, so keeping it on the flash drive makes sense for taking it home, back and forth. But I have to steal time at work to write, so I don’t exactly have a routine, and, well, backing up is the last thing I’m thinking about, because usually I’ve either got parent calls to make or meetings to get to or students coming to my room and …

Well, here’s my other dirty confession. I haven’t backed up outside of the flash drive in over a month.

Sigh.

And of course, with the whole of the novel missing (or at least my recent work on it), I can’t re-read to get inspired to write the next bit. Not to mention the soul-crushing stupidity I feel when I think about the project at all, which pushes every creative thought right out of my ears.

But I’m going to have to face up sooner or later. If the drive doesn’t turn up in the next few days, it probably never will; there’s only so many places it could reasonably be, and considering all the places we went over the break … well. That little piece of plastic and silicon could be anywhere in a fifty-mile radius, which means it might as well be on the moon for my likelihood of stumbling across it again.

Luckily, the weather is changing. Morning runs have been downright pleasant — sixty degrees or so with the stars twinkling overhead — and have done good things for my blood, which on Monday was boiling, and which today is only simmering. Further, when I think about it, the beginning of the novel was going to need massive re-working anyway, probably a complete re-write in lots of places, so the first 40,000 words were hardly carved in stone.

Still, for the moment, they’re not carved anywhere, and that’s tough to see around.

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