WriterSpawn


It’s 7:45 AM. The sun is out, the weather, gorgeous. The beach is deserted. A dreamland for a kid who’s already been awake for two hours, mainlined a bowl of sugary cereal and awakened every adult in the house.

And instead, he’s doing this:wp-image--2074352929

I even asked him if he wanted to go down to the beach. He said, “no, I want to finish making my book. I’m so excited to read it to you.”

As parents you sometimes find yourself in these moments. Moments when the heavens open up and celestial light shines down, and you realize that you’ve done the right things, and your kid is going to be OK, that he’ll be a force for good in the world.

Then there are other moments. Moments when you wonder whether the next time you see your kid, he (or maybe you!) will be on the wrong side of iron bars and bulletproof glass, and you question every parenting decision you’ve ever made.

I’m not sure which of those moments this is. If he’s a writer in the making (and he’s definitely not an athlete, so, you know, maybe!) then he’s doomed to a life both torturous and wonderful. Afflicted with a sickness that causes him to think about everything, absorb everything, and never let his mind be quiet. Gift and curse. Not sure if good or bad.

But this morning, he’s a creator and not a consumer, and that’s more than a little inspiring.

 

Toddler Life, ch. 68: (Lack of) Sleep Chronicles


My daughter has never been much of a sleeper.

I mean, she’ll do it, in much the same way I eat my vegetables. (I know it’s a thing I have to do, and if I don’t do it for long enough, I start to feel really funky.) But it’s not a thing she’s ever chosen to do, or done willingly. I think it’s safe to say she expends more tears in a week of bedtimes than the average pregnant woman does over the course of her nine-month term.

And that’s at home, where all the routines are firmly ensconced and the deviations from said routines are rare.

But this week, we’re on vacation. Which means: strange beds, strange rooms, strange barometric pressure, the total absence of anything like routine, and her absolute favorite person in the world (grandma!) hanging around to dote on her at any time. Which by extension means that if sleep is usually a struggle, this week it’s more like healthcare (who knew it could be so complicated?)

Tried her pack & play (for the uninitiated, that’s a fancy word for a “quick set up” crib that doubles as a playpen, which has accommodated both of my kids — in either task — for maybe three hours TOTAL) in a couple of quiet rooms in the condo. Nothing doing. Tried the air mattress we packed in case the pack & play didn’t work. Not a chance. So on night one, she slept in my bed with my wife while I slept on the air mattress (which I’m pretty sure is Greek for, oh, you’ve never had back problems in your life? Well, surprise, now you do).

Surprise surprise, the baby who doesn’t sleep very soundly by herself sleeps even less soundly while sharing a bed with an adult. My wife hardly slept a wink with the little princess kicking her, tossing and turning next to her, waking up to scream and falling immediately back to sleep.

So I slept with the baby last night, while my wife — who actually has legitimate back problems — opted willingly to dance the dance of death with the air mattress instead. This doesn’t seem like a terrible call. I’m a sound sleeper in exactly the way my daughter isn’t, so theoretically, we should balance each other out.

Should.

I woke up five times that I can remember in the night.

Every successive wake-up I found myself closer to the edge of the queen bed. Somehow, the little girl 20% of my size and body weight managed to completely box me out of the bed until I was, quite literally, dangling an arm and a leg onto the floor, somehow managing to hold onto my place either by biting the pillow or clinging on with my toes.

When we went to sleep, she was arrayed on the mattress like a normal human. Head on pillow, feet pointed downward toward the edge of the bed.

First wakeup: she’s angled herself away from me slightly, head pointed away and feet pushing firmly against my hip.

Second wakeup: She’s aligned herself like a torpedo aimed at my shoulder blades, the top of her skull driving into my spine and forcing me towards the edge.

Third wakeup: The toddler torpedo has reversed itself and is now pushing its feet into the small of my back while she lays flat on her face, arms at her side, like one of those planking videos from five years ago, except that in a truly remarkable abuse of the laws of physics, she’s leveraging me — 150 pounds her better — off the side of the mattress. At this point, I actually get out of the bed, redistribute her like an actual human in the bed, and reclaim y rightful half.

Fourth wakeup: she’s curled up in the fetal position against the small of my back, which is kind of adorable, except she’s pressing the dagger points of her toenails into the soft tissue behind my knees. I concede an extra quarter of the mattress again to make the pain stop.

Fifth wakeup: it’s now six AM, the time when she ordinarily begins to stir when we’re at home. I open my eyes to find her face inches from mine, eyes wide open and gleeful, teeth bared in what I guess is a smile but what appears to my newly-awakened brain to be the grin of the very angel of death itself. She giggles and swats me with frankly astonishing strength in the ear. This is a fantastic move if you’re ever in a fight as it discombobulates your opponent and bollockses their hearing. It’s a real jerk move to pull on your father who was, moments ago, asleep, as it discombobulates the hell out of him and bollockses his hearing.

In slow motion, I slither out of the bed and collapse to the floor and attempt to sleep just five more minutes while my beautiful, delightful daughter — the apple of my eye, the joy of my life — continues to rain blows upon me.

Chaotic Evil


I don’t do it all the time, but occasionally when working with characters, I think about their alignment.

You know. Dungeons & Dragons. Two sliding scales. Chaotic/Lawful, Good/Evil. It’s a more nuanced way of thinking about characters: rather than just saying “this is a bad guy,” you get “this is a character who is going to do everything he can to further his own ends without breaking the rules of society.” Or “this is a girl who will do everything she can to help somebody in need, even if it means hurting herself in the process.”

This approach was particularly instructive when drafting Villainous (working title!), a central theme of which was the blurred line between good and evil. I didn’t want cookie-cutter good- and bad-guys, so I tried to make sure that each character had strong motivations and believable reasons for the things they were doing and their worldview in general.

Why am I thinking about the alignments of my heroes and villains when I really should be focusing on the edit that’s in front of me?

Because of our goldfingered president.

I thought I was crafting a pretty cohesive psychopathic chaotic evil villain in my novel, but it turns out I had no idea what I was doing. Trump is chaotic evil to his orangey, fatty core:

A chaotic evil character tends to have no respect for rules, other people’s lives, or anything but their own desires, which are typically selfish and cruel. They set a high value on personal freedom, but do not have much regard for the lives or freedom of other people. Chaotic evil characters do not work well in groups because they resent being given orders and do not usually behave themselves unless there is no alternative. (Wikipedia)

And of course, just yesterday, Trump literally put his own short-sighted interests (namely: money and continuing to appeal to those in this country who have already voted for him instead of, you know, anybody else) above the interests of the ENTIRE FRIGGIN’ PLANET with his decision to pull the U.S. out of the Paris agreements.

Let’s say nothing of the fact that he can just do this when 70% of the country he represents is against the decision. That’s a political power seminar I’m not qualified to even wonder about. Let’s not even say anything of the fact that the rest of that blurb fits big Orange to a “T”. (Resents being given orders? Check! Do not behave themselves? Grab them by the check!) I’m just concerned with the morality of it, which is entirely bankrupt.

He’s literally willing to watch the world burn if it benefits him for an election cycle. (Oh, and it’s yet another not-so-subtly-symbolic middle finger to his predecessor.)

I mean, in a way, it’s inspiring, because I can take a page from that for the characters in my own work.

But it seems a bit hopeless to be thinking about works of fiction at a time like this, when the villains we face are all too real.

A Whiff of Distraction


You probably already know that the sense of smell is the sense most closely tied to memory. You catch a whiff of something that smells like it might have been the perfume your grandmother used to not so much dab as douse herself in, and all of a sudden you’re five years old again, playing trains in the basement while she watches The Price is Right upstairs.

But did you know why?

It turns out that as the human brain evolved (and yes, I know, the “human” brain wasn’t a human brain until we were humans and categorizing evolutionary changes can be arbitrary, just roll with me), more and more layers were added on to the pre-existing brain tissue. In other words, as we grew “smarter,” we had to keep growing more and more brain to support it. This makes sense. But as we grew bigger brains, the sensory inputs grew with them. Each sense developed its own area of the brain, and like a sulky teenager moving into the basement room, claimed that space as its own.

But not the sense of smell. Your sense of smell stayed put right where it was, in the primordial lizard brain that handles things like breathing and balance and whether to run from that weird sound in the bushes or attack it with an axe. This has kept the sense of smell in relatively close contact with other brain functions — especially base functions — which is, incidentally, why we still use smelling salts, of all things, to rouse an unconscious person: the sense of smell continues to function even while you’re asleep. (This is also why your significant other can sometimes wake you up in the middle of the night with their, uh, emissions. Not that I would know anything about that.)

I know all this courtesy of an article I read (or rather, that I am in the process of reading) on Wait But Why, which is my latest internet diversionary tactic. Tim Urban, the proprietor, does these deep dives (and I mean, drilling through the bottom of the Marianas Trench) on all kinds of topics, from science to futurism to philosophy, and it makes for fascinating reading.

Which is a great way to keep yourself away from a project that’s giving you the screaming willies — just pretend that, you know, everything is probably fine in that particular Scrivener file; certainly the problems in the draft aren’t compounding and spiraling out of control, or coalescing into an insuperable plot monster while you’re keeping your head down and trying to finish out the school year, probably I’m not losing all the momentum I spent the year spinning up, almost definitely my neglected characters aren’t concocting my comeuppance. Nope. Definitely none of those things are happening.

Of course, the problem with spending time on a site like Wait But Why is that it fills your head with all kinds of crazy ideas for other stories you’d like to write, which is also great for your current project, and not distracting from it in any way. You’re trying to puzzle through your current set of #writerproblems and you keep thinking about that awesome idea about two police officers sharing a brain, or a terrorist group weaponizing mosquitoes with Crispr technology,  or or or…

You know, because you don’t already have two first drafts in desperate need of editing right now.

*looks around*

*tries not to think about the current edit*

*sets the computer on fire*

Two more days of school, y’all.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

The Fermi Paradox and Why You Should Talk to Your Kids


Are you listening to This American Life? If you aren’t, you should. Every week, they take a topic, and bring you stories about and around that topic. It’s marvelously produced, always interesting and sometimes touching; and, not for nothing, it’s the predecessor of some other smash-hit podcasts like Serial and S-Town. (Serial’s first-season was off-the-chain good, but its follow-up was less so. S-Town apparently had quite the following but left me more than a little frustrated in the end — too many bait-and-switches as it pretended to be about one thing when it was really about another thing, oh wait, no, it’s really about this thing over here. But I digress.)

This week’s episode is Fermi’s Paradox, which is a topic that — well. To say it fascinates me is undercutting things a bit, sort of like saying cats are fascinated by laser pointers. For the uninitiated, the Fermi Paradox is essentially this: If the universe is so mind-bogglingly vast, and the chances for alien life therefore so (theoretically) inevitable, then why have we yet to see any signs of any aliens? Or, put even more simply: we shouldn’t be alone, yet we seem to be all alone.

Personally, I fall squarely on the side that believes there must be life elsewhere in the universe, and (less obligatorily) that it is exceedingly likely that some of it should be intelligent. It’s the height of hubris, in my view, to think that we’re it. “Where, then, are the aliens,” you ask? Well, I take the view that Neil deGrasse Tyson takes (if I’m religious at all — and I’m not — then it’s about real, and really intelligent people like NDT), which is something along the lines of:

Given what we know about space, to say that ‘there are no aliens’ is like taking a bucket of water out of the ocean, seeing there are no whales in it, and concluding that whales do not exist.

Anyway.

This American Life is taking on the Fermi Paradox this week, but in typical This American Life fashion, it’s not just the story itself, but stories thematically linked to that story. In orbit, if you will, around the theme. And while I enjoyed the straightforward take on the Fermi Paradox (wherein the — reporter? storyteller? guy with the recorder? — speaks with a dean of physics and a head of SETI), what really got me was the last segment. Which had nothing to do with aliens; it was about loneliness.

Right? Because, where are the aliens –> are we alone in the universe –> loneliness is the worst.

So the last segment is about a father and his daughter, who at the time was nine, having this communication breakdown. He was a work-at-home type, and she was the precocious question-asking type (which is to say, perfectly normal), and she would always pester him with questions. Why this. Why that. How do birds fly? Why do we breathe? (I know this life. My son once asked me how we could put out the sun. I think XKCD addressed this once. [update — he did!]) And the father, like any exasperated father, got frustrated and tried to think of an easy way out.

“Look. Stop asking me these questions. If they really matter to you, write them down, and I’ll answer them then.” (Again, I know this life. Tell the kid to think about what they’re saying, and they’ll get distracted smashing some Lego constructions to bits and forget about it. This is how I solve most of my problems as a father. “Ask me again later” is the only way I survive most days.) He fully expected maybe a few questions and a drawing of a bunny. What he got, a few days later, was a fifty-question list, which he began to dutifully research and answer as best he could, citing sources like Kierkegaard for the philosophical ones and Einstein for the science. Laboring for months over his earnest responses to her earnest questions. Which he would then dutifully explain to her.

These answers, naturally, flew over her head for the most part. But that didn’t matter. The twist, of course, is that the daughter didn’t care about the answers to the questions; she just wanted her dad to talk to her.

Heartbreaking and adorable, and my two-paragraph summary doesn’t do any of it an inch of justice. I teared up in the car on the way to school. (But I didn’t cry. MEN DON’T CRY.)

And of course, it got me thinking about my own interactions with my own kids, and realizing that, you know, I should probably talk to them some more.

The segment in question starts around the 34-minute mark, but the whole episode is worth a listen.