*Pokes his head out of the editing gopher-hole*

Advice I’ve heard more than once says that you should give your projects time to breathe in between revisions. Like, ideally, you should be able to read it with objective eyes, as if you yourself didn’t slave over it for months.

And I laughed at that advice, because I thought it was impossible. And in a panoramic sense, it is. An author can probably never divorce himself so completely from a work as to not recognize it. (Sidenote: I think that may be the first time I’ve ever referred to myself as an author. Feels cozy.)

But that’s the work as a whole. The prose? Oh my god. I’m sixty pages into the edit and … yeah, it feels like some arsehole idiot who basically knows nothing about writing wrote this thing.

And that’s coming from an arsehole idiot who basically knows nothing about writing.

It’s not bad. But man… if it feels this unpolished to me now … I mean, I have to take that as a sign that I’m getting better, right?


I’m not saying I’m an expert or anything, but … even incremental progress, yeah?

*Vanishes back down the gopher-hole*

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