He does this from time to time — the impulse just strikes him and he wants to tell a story, and he’ll grab a bunch of white paper and sharpies and markers and go on a writing and drawing spree for a couple hours, then come away with this concoction of hastily-scribbled, choppily-illustrated wonder.
This one, being in a holiday frame of mind, was about Santa Claws.
That’s not a misspelling, you see — in addition to being creatively inclined, the kid also has an affinity for the macabre.
“You thought Christmas was a happy season?” The book begins, ominously.
In his story, to summarize, Santa Claus is attacked by a Clawster (what that is, I have no idea, and upon further discussion, I’m not sure the kid does either). This infects him with a deadly virus that turns him into Santa Claws, who goes on a Tarantino-esque roarin’ rampage of revenge, attacking elves (tearing one in half!) and savaging his reindeer (poor Rudolph!) before being attacked by a SWAT team. (“PREPARE WAR”, Santa Claws says, in a quote from the book.)
This does not deter Santa Claws, however, because his claws are able to slice ‘n’ dice the bullets they shoot at him. The SWAT team comes up short, so it takes the army to subdue him, at which point they learn that the Clawster was from the Civil War, somehow.
(I’d take a picture, but he gave it to my dad as a birthday present — because after hearing him read it to me, I told him his grandfather would love to hear it. )
I tell you all that not to try to brag that the kid’s story is awesome or anything (I mean, as a parent, I’m over here gushing about it. Objectively? …There are some plot holes.).
I tell you that instead to point out just how awesome it is to be a kid. Here I’ve been agonizing over this writing thing for years. One finished novel (unpublished), one drafted but un-edited novel (trunked), and a third in late-stage edits (out for review with some trusted critics). Endless revisions. Long-Dark-Tea-Times-of-the-Soul wondering whether my drivel is any good or will ever come to anything.
This kid has an idea, tosses it off in a couple hours, and starts shopping it around the same day — and then doesn’t think about it again.
Funny that from my self-doubting, self-flagellating self could come such a font of unabashed abandon, such impervious confidence.
The more I write, the more I think about the craft of writing, and the more I think about the craft of writing, the more I think about how badly I screwed up by not thinking about it more when I was just starting.
Of course, when I was just starting, I hadn’t thought about it all that much, so I couldn’t have done otherwise… and yeah, thoughts like that are ultimately pretty useless.
The point of this is that I’ve got this story idea that I’ve been kicking around for a few years now and I’ve just started actually putting words to paper (or, y’know, words to pixels or whatever, you know what I mean) on it, and … I mean, the idea is nifty and all, but… okay, I have to digress further.
With my other stories, it sort of felt like, from the premise, the story just wanted to get up and go. Like the conflict started up and took off immediately, like a cat startled out of slumber by a zucchini squash.
With this one, there’s less of that immediate impulse to action. So it feels like the story needs something. It needs guidance. Or, I dunno, maybe it’s not fully formed yet and it needs more time to incubate.
So I spent my session today doing something I’ve never done — in advance, anyway — for a story: outlining it.
That’s right, I went back to high school and I made an outline.
The outline sucks, it’s vague as heck and it reads like every action / spy / thriller movie you’ve ever heard of, but y’know, it’s an outline. And once I had it down, I started fleshing it out with possibilities.
And man, it’s weird. Because in my other work, I usually don’t plan all that much. I just strap a lead on the story and try to hold on while it rushes off to wherever it’s gonna rush off to. But what I noticed is that, in my other stories, they end up wandering around, feeling lost in the middle.
I don’t want to get lost on this one. So I’m trying something new.
Will it work? I don’t have a clue.
Anyway, here’s another cat gif, because cat gifs are awesome and it’s Friday and that’s awesome.
This is a stupid question. Ask any woodworker, plumber, electrician… anybody who does any sort of job that requires tools, and they will tell you without hesitation that the right tools make the difference between a job well done and a job that takes ages longer than it should and ends in frustration.
But writers aren’t woodworkers or plumbers or electricians (most of them, anyway), and tools aren’t part of the process for us the way they are for lots of other jobs. So do tools matter to us in the same way?
I’m the wrong person to answer this question, as I’m finicky and flighty and I love one thing then the next for a couple months at a time, proudly proclaiming this new thing to be “the best thing ever” before getting bored with it and moving on to some other new thing which itself becomes the new “best thing ever”. (Maybe what I really like isn’t each successive thing along the way … maybe what I like is just *new* stuff. Did not mean to psychoanalyze myself here today but, yikes, I may have done.)
Regular readers will know about my brief affair with fountain pens (current status: they are lovely but I am too clumsy to own them for long). For a while there I was on mechanical pencils, and while I still love a good clicky pencil, they are far from my first choice in writing implements. But pens are their own animal, and they have a tactile sense all their own.
What about keyboards?
They come in all shapes, sizes, and *feels*, and I am sure somebody in the industry could describe these things to me in a way that would make sense, but all I can tell you is what I’m noticing right now.
Our schools just updated our computers (you know, that whole work-remotely-because-the-world-or-at-least-America-is-on-fire thing), and while I don’t love the new laptop in general — it’s too flimsy for my taste, I feel like I’m gonna break it just moving it around the room (although therein lie points in its favor, because it’s *super* light and easy to move around, which is a plus for me) — I must count myself a fan of its keyboard.
I don’t know how to quantify it, but there’s a stiffness to the keys, a crispness to each keypress, that previous laptops I’ve used did not have. There’s a sense of certainty around every time you press a key, a sort of “yes, you definitely pressed that button, there’s no need to worry about whether you actually pressed it or not or whether the machine registered the pressing… that button was pressed and it’s gonna stay pressed”.
And the click. My goodness, the click! When you strike a key home, there’s this deep, satisfying click that you hear with your fingertips as well as with the ears. And it’s all the more resonant and satisfying when you type with gusto, letting your fingers crash down upon the buttons like so many tons of rocks in a mudslide, the way I do when I’m writing something I really enjoy.
It’s a silly thing, but the physiological reaction I have to using this keyboard is delightful. It makes me want to write more on this little machine that I otherwise don’t care much about.
For a while, back when I first had the thought of “I’m going to try to be a writer!”, I tried out several word processors. I didn’t love Word because I was a poor recently-graduated-from-college type and since I was also messing about with writing scenes at the time, Word was too clunky to use and gave me heartburn. So I tried out some other ones, writing a few pages in this one, transferring my files over and banging out some words in another one, tweaking settings, testing the way each one “felt”, trying to get it right. (I eventually landed on Scrivener, by the way, which is a lovely program, but we’ll get back to it.)
Some of the programs I enjoyed the most were these bare-bones plain-text editors like q10 and WriteMonkey. These are not robust programs by any stretch, not the sort of thing you want to put a novel together in… they’re essentially glorified versions of Notepad, designed for various purposes but generally with the aim of eliminating distractions and leaving you with only the blank page. I found them great for drafting and would probably still use them for this purpose if it wasn’t so heckin’ tedious to transfer files back and forth when you want to edit them or cram them into a larger project.
But the thing I miss the most about them is so small and silly it’s almost not worth mentioning, except for the fact that this is my personal site and if I want to wax romantic about silly little things then that’s what I’ll bloody well do. And that thing is: they had this option — you could toggle it on and off — to have the program give you aural feedback whenever you struck a key. They had typewriters in various models and other, more exotic clicks and boops and such, but the sounds were varied: striking the space bar was a little different from pressing a letter key, striking Enter gave a little “ding” as your cursor leapt back across the page … it was so strangely soothing and satisfying, a monotonous symphony of white noise as the words spilled out onto the page.
Scrivener does not have this feature, and I wish it did. And sure, you can get programs out there that will run in the background of your computer and make these noises for you… but I don’t want typewriter noises when I’m browsing the web, for goodness’ sake… don’t be ridiculous.
I only want them when I’m capital-w Writing.
This keyboard makes noise, though, which is loud enough to scratch that “typewriter sound” itch without being full-on noise to the point of annoyance when doing other things. It’s not quite that full-on typewriter sound, but it’s close. And it makes me want to write more.
So, do tools matter?
For nostalgia’s sake I went and looked back at the WriteMonkey site and it looks like they’ve had a lot of updates since the time when I used it. Which may necessitate me going back and giving it a spin again, just to see what I’m missing out on.
Every profession has ’em. Hammer, scalpel, ruler, drill. Depending on the profession, the tools become more or less important. A manufacturer or fabricator lives and dies by his tools; a
Me, I’m not particularly arsed about the tools of my writing. I have some tools that I like — Scrivener being the big one for work on my main project — but I’ve worked with other, less flashy processors in the past. And when it comes down to it, I could work on any clunky old laptop or desktop computer; hell, in my particularly motivated phases I’ve even typed project notes on my phone. Sometimes I’ll use a bluetooth keyboard for that, sometimes the dreaded touch screen. (Though typing anything of substance that’s more than a line or two on a touchscreen is enough to make me want to rip out what little remains of my hair.)
The writer’s tools, it seems, are largely digital these days, no?
I mean, there are typewriters, but I’ve given my thoughts on typewriters before: in short, if you think a typewriter is essential to your process in any significant way, you are fooling yourself and being pretentious besides. They’re not bad, not at all, but they’re impractical, and to use one is to needlessly draw attention to yourself just for the sake of using antiquated equipment.
So. Digital tools. Right?
Digital tools may be awesome and nigh indispensable, but to me, if you’re a writer, you can’t get away from the written word. The literally written word. You know: you learned to make them in grade school? You hated every minute of it? Your craft for creating it atrophied over time like a vestigial tail until now your written words look like the frenzied scratchings of a terrified animal on your back door?
Handwriting. There’s something almost magical about it, about putting words to paper directly using your hand and an implement designed to put marks on things. I do rather a lot of handwriting lately (and it’s more than a little bit of the reason I haven’t posted here as much in the last year or so — because what I would otherwise be blathering into the digital expanse I instead scrawl into my growing collection of Drivel notebooks) and I have strong feelings about it. A keyboard and computer (or, if you really, really insist, a typewriter… hnngggrrrrrh) is great for getting the words from your brain to the paper quickly — maybe maximally quickly (barring text-to-speech dictation programs but there I will grind my heels into the earth, fold my arms across my chest, and gruffly direct you to GET OFF MY LAWN). But maximally quickly is not always the best way to do a thing.
Handwriting, for me, forces me to slow down a little. Not a lot — I scribble pretty fast, and the crooked, haphazard stumble of my words on the page belies that — but I can’t write by hand as quickly as I type, not even close. When typing the words race out almost as quickly as I can conceive of them; when writing by hand, there are mental pauses as the hand catches up. Each next sentence gets to rest just for a moment, gets to simmer in the cognitive juices for a second or two before it goes on the page. I become more engaged with what I’m writing precisely because I have to slow down and I get the time to think about it.
So I take my writing by hand (but not my handwriting — because YEESH look at that picture up there) pretty seriously.
Then I went and did a dumb thing last year. I listened to a podcast featuring Neil Gaiman. There, Neil talks about process and experiences and all sorts of fascinating things (somehow everything Neil talks about seems to become fascinating to me, maybe that’s a character flaw) but along the way, he talked about his fountain pens. Something, I believe, about writing his first draft of American Gods in these stacks of notebooks using this series of fountain pens, and how he could retrospectively tell where he was and how he was feeling based on the ink and the color and all of that. Really singing the praises of his tools. (And of writing by hand, too, for that matter.)
And I thought, well, I’ve got to try it. This is a thing that a Real Writer does, I want to be a Real Writer, ergo, get out of my way while I plunk down some dollars to get me one of these things.
So I dithered a little bit before buying a fountain pen of my very own: A Pilot Metropolitan in purple, if you must know. I may have posted about it before. I certainly tweeted about it. (Twitter being the perfect place to boast about such trivialities.)
And I loved it! It wrote smoothly, but not just smoothly: like gliding across a frozen lake on skates made of butter. It was heavy and satisfying in the hand like a candlestick before you bash in Mr. Body’s skull, and the tip and the whole feel of writing with it was just so classy even though what I was using it for was so pedestrian and boring. It felt like putting on a dinner jacket to go to the grocery store.
It was my “Writer’s Pen,” the tool I not only wanted to use for my daily writing, but the one I needed, the one that made what I was doing feel special.
And then I broke it.
I mean on the one hand, the glib “this is why we can’t have nice things” quip is made for situations like this. On the other … I really liked my fancy pen.
I was preparing for my morning drivel session, perhaps holding a freshly steeping cup of tea in my other hand and my notebook and The Pen in the other, and it slipped through my fingers. Straight down, it dropped. Like a torpedo, or more accurately, like a Kamikaze pilot. Landed right on the nib (a horrible word for the business end of a pen like this, a word I never knew before I looked into fountain pens, a word that still makes me squeamish and giggly to use). You know when Elmer Fudd points his shotgun at Bugs Bunny, and Bugs sticks his finger in the barrel, and when Elmer pulls the trigger it goes off and blows the barrel out like a spent banana peel? That’s what the end of my pen looked like.
Well, looks like, because there’s no fixing it. These things — these nibs (squee!) — are machined and measured with meticulous precision to allow for air flow and capillary action with the ink and, well, there’s no repairing it. It was broken. Not only was it broken, but you can’t (to my knowledge) buy a replacement nib (tee hee!) for this pen — they’re just not expensive enough to justify it; you’re better off just buying a new pen.
And, sorry, I’m a teacher. Disposable income ain’t a thing I’m well acquainted with. I spent $12 on the thing the first time around, I wasn’t gonna spend another twelve bucks for a second one that I am surely equally likely to break given enough time (enough time, in this instance, being probably about three or four months seeing as that’s how long this one lasted me).
So I did my writing with a lesser pen, one of my old soldier Pilot G2’s. Until, a few days later, I misplaced that pen (having no particularly strong feelings for it) and had to do my drivel with a still lesser implement, a “Clik-Stik” out of a dollar store multipack.
But here’s the thing — as soon as I settled into a groove (which when writing by hand now only takes a few lines — a fraction of a minute) I wasn’t paying attention to the cheap pen in my hand and how it wasn’t my beloved fountain pen. I was paying attention to the words, to the process, to the writing. You know, I was paying attention to what mattered.
And then I rethought the whole thing. Having the fountain pen (and worse, relying on it) sort of flies in the face of my whole oeuvre: that brands don’t matter, money doesn’t matter, what matters is that you make the best out of what you’ve got, and who gives a Fargo if you’ve got the latest luxury sneakers on your feet or if you drive the fanciest car or if you have a full head of luxuriant hair? I’m a barefooted bald guy driving a twenty-year-old Camry, why am I mucking about with fancy pens?
Because I got distracted, that’s why.
I got delusions of grandeur. I got caught up in the tools of the craft instead of the craft itself and then I suffered this blow to my ego when I broke my tool. (Heh, heh.)
Which is easy to do. You don’t have to go looking for distractions: this is the 21st century on the internet, the distractions find you.
And you know? Sometimes a distraction can be a good thing. Sometimes it can be nice to try something new. Sometimes you want to break out the nice jacket for a quick run to the store. But at the end of the day, what matters is that you remember to bring home the eggs.
(Have I butchered that metaphor enough?)
All that is to say, I have been doing my morning pages for a few months since without a thought towards plunking down the cashola to replace my fountain pen, and my writing — and my thoughts about my writing — haven’t suffered a stitch.
(They’ve suffered for entirely different reasons.)
I haven’t thrown The Pen out. It seems too nice to do that, even though it’s now useless, to toss it aside like trash. It taught me a lesson, after all, and it was lots of fun while it lasted. But now, like the smashed-up drunk-driving car out front of the school during Prom week, it’s there to remind me of something.
This week’s lack of a substantial post brought to you by an untimely tumble down a tvtropes wormhole.
This happens to me from time to time. (TV Tropes, for the uninitiated, is a treasure trove of all the things your favorite media do that has been done before, lovingly compiled and enumerated by legions of internet geeks and cross-referenced in such a way as to ensure that once you start to slide in, much like the Sarlacc pit, you will not easily (if at all) escape.) I watch a movie, I really enjoy it, and I want to deconstruct it a little bit, so I head over to tvtropes.org. This is a thing that, if I stop myself at all in the act, I call research, and it is — kind of. The site really is fascinating as a consideration of all the ways these movies and shows crib from one another and follow paths carved out ages ago, even if they feel fresh and new.
And it certainly can be inspiring and enlightening to see that all the ways that fresh and innovative film took the tropes we’ve seen before and tweaked them or inverted them or straight-up embraced them to such effective … um … effect. Invariably I get new ideas for my own story while browsing the site. Or I get new insights on things already happening in my story, that I can then flesh out and play up as I go back to work.
But as aforementioned, every page links to dozens if not hundreds of others, and they’re a bit like Pringles — you can’t click just one.
All of which is to say that while I should have been writing a pseudo-intellectual, slightly grumpy take on some thing or other, possibly writing related, possibly otherwise, I was spelunking in the page on Thor: Ragnarok instead.
Oh, also I re-watched Thor: Ragnarok for the more-than-enough-th time, because, why not?