Tag: Writing

The Weekly Re-Motivator: Light and Life

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If there’s one motif in literature the world over, it’s the struggle between light and darkness. Good and evil. Heaven and Hell. It’s often as simple and straightforward as good guy / bad guy: here the guy who fights for righteousness and justice and really good things, and there the one trying to subdue him, or even better, subdue the world the good guy fights for.

And that’s fine, and good, and even compelling, from time to time. But light and darkness are bigger than good and evil.

Humans crave the light.

It sustains us, nourishes us, protects us.

Our entire planet only supports life at all because the universe creates light by smashing the elementary blocks of matter together again and again.

The light of a fire at night means warmth, means food, means survival.

The light of the sun in the day means growth, means sustenance.

The light of a cityscape at twilight means vibrance and strife.

We sleep in the night because that’s when the monsters come out; only in the light can we see them for what they really are. We seek out the light because the light means other people.

Light, in short, is life.

Darkness, on the other hand, is the great unknown — it’s the monster lurking just out of sight, it’s the cold bleakness of night, it’s the blasted wasteland of a sunless world. Darkness is death.

I’m in the midst of teaching Beowulf to a bunch of, at best, mildly interested near-adults, who aren’t particularly interested in working to understand that basic symbolic dichotomy: that light means life, and darkness means death. The world of men, in the piece, is always surrounded by a warm golden glow: the glow of a fire, the glow of a nourishing sun, the glow of human heat. The lairs of the monsters, by contrast, are dark, bleached out, shrouded in shadow. Grendel attacks the halls of men and steals from their safe places the light of life; only when Beowulf arrives from across the sea, bringing the light of God with him, does light and life return to men. Heck, one of Grendel’s weapons in the fight with a demon in the film is a glowing artifact that he uses to light up the darkness.

And it got me thinking about my own works. This symbolism of light vs darkness, of life vs death, is so obvious, so simple, so hardcoded into our very brains, it seems almost silly not to tap into it. So am I using it? Well… yes, and no.

The hero of my first novel is struggling to overcome an insecurity, a lost ability. Along the way, the power is cut off in his apartment, and he is forced to write by candlelight; a shallow pool of light keeping the demons and his fears at bay. He invents new sources of light, but they are all artificial — only when he overcomes his tribulations and embraces his potential does he win the windfall that lets him put the lights on. (Okay, so that didn’t happen at all, but now that I’ve thought of it, IT’S GOING TO.)

In the second novel, things are a little more complicated. Machines have taken over the safekeeping of men, and their world is bathed with light, but a harsh, sterile, impersonal one. The blank, faded light of fluorescents, a cold light. Interlopers from another time and place arrive and slowly begin turning out the harsh light of machination, and the world lurches into darkness for a time, but little by little the darkness and the artificial light are replaced once again by enlightened human light; a blinding, all-illuminating force that drives the shadow out of all the dark corners and exposes the truths that have been forgotten. (Again, at the moment, this isn’t happening at all, but CRAP IT NEEDS TO.)

And I could write on and on about the play of light in my books, the way it ebbs and flows with the spirits of my characters, but my heart’s not really in it right now.

Because I fear my grandfather’s light is going out.

He’s been battling with infirmities and sicknesses for a while now, and in the last month or so, seems to have lost his spirit and his will to fight. He’s old — no getting around that — and seems to be making the choice simply to allow his candle to gutter out, rather than to rekindle it through artificial, uncomfortable, even painful means. This isn’t a shock to us, but that makes it no easier to bear. Life — and light — are precious and fleeting. We have them for a short, little while, and then the darkness takes us again.

Life is about the struggle with that darkness, and my grandfather’s struggle is almost over.

So, as a tiny disclaimer, my thoughts are likely to be a little jumbled up in the coming days or weeks. If the material here turns dark or nonexistent for a while, that’s why. Programming will return to normal as soon as we are sure what is normal in the first place, to bastardize a quote by the late great Douglas Adams.

In the meantime, I’ll leave the lights on around here.

This weekly Re-Motivational post is part of Stream of Consciousness Saturday. Every Saturday, I use LindaGHill‘s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

Mutual Back-Scratching

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Regulars around here will know that I take part in weekly flash fiction challenges over at Chuck Wendig’s blog. These are a lot of fun in their own right, but occasionally he switches things up and gives us the chance to co-op a little bit. Last week we were tasked with creating an interesting character, and this week we’re using those characters created by other authors in short stories of our own.

Well, I crafted a sketch of a shape-changing individual last week, and that character was picked up and run with by Kira Jessup, in a story she called “Shifters.” It’s pretty cool. Also, she’s Australian. Check it out!

A Plague of Excuses

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Usually I like to use the SOCS prompt to write about my writing process, but given that the prompt for the week is “four-letter words”, there’s only really one thing I can think about.

Plague.

No, wait. Disease.

No, sorry. Too fancy.

Sick.

We’re all sick. Everybody in my the house. Sprout the first is sniffling and snuffling and coughing his brains out. Sprout the second has a perpetual river of snot running down her face. Poor wife has been snagged by the grasping claws of the sore throat that I shook off a couple of days ago, and I’ve got the stuffy-headed feeling of a skull stuffed full of mucus. So, we’re all a little bit miserable.

And maybe that’s why this week seemed to stretch out for eternity, as my wife and I both agreed it did. In addition to the regular tribulations of the day, we had to come home to runny noses and coughing fits and the general bad humor of little kids suffering from sickness. Which is enough to take the wind out of anybody’s sails.

And as much as I like to find an inspirational or motivational spin to put on any hurdle to writing, it’s hard to think of much that’s positive to say about this one. There’s no positive to mopping snot off faces and having millions of germs coughed into your face holes by kids who haven’t got the motor control or consideration to even conceive of covering their mouths.

So writing on the project has been at a bare minimum this week. Posts here on the blarg have been next to non-existent. The plague going around the house has taken the mustard right out of my sails. And for all I write about powering through the crap days, writing even when you don’t feel like it, and embracing the work for its own sake for its therapeutic and uplifting properties, even I recognize that there are some days when that just isn’t the case. When you’re sick — really afflicted with something nasty, something physical or chemical that’s keeping you from firing on any of your cylinders, let alone all of them — the only thing to do is to hunker down, chug back a bottle of Nyquil or Pepto or whatever, and wait for the storm to pass.

Luckily, it feels like the storm might be breaking. I feel much better today than in the past couple of days, Sprout the Second’s face is not nearly so crusty this morning, and Sprout the First… well, he’s still coughing fit to serve as the percussion backbeat to a dubstep track.

Guess you can’t win ’em all.

Luckily, for that, they have Dayquil.

We’re Never Ready. Do It Anyway.

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When you’re starting something new, there’s a lot of hullabaloo about picking the “right time” to do it.

“I’d love to write a novel, but I just want to have the perfect idea first.”

“I’d love to start exercising and dieting, but I’ve got a vacation coming up (or the holidays, or whatever). I’ll start afterward.”

“I’d like to have a kid someday, but things are just too busy for me at work.”

The excuses all sound decent and reasonable, and they’re never specifically wrong. If you’re going to start writing a book, you should have the best idea you can muster in mind before putting pen to paper. If you’re going to start getting fit, you should eliminate as many barriers to success as you can. If you’re going to have a kid, you want to do so at a time when you can give the child as much of your attention as possible. And so on, and so on. The problem is, you can use that excuse (and here I mean whatever excuse you may have concocted to justify the thing you’re not doing) ad nauseam, and there is always another “perfect” excuse. Sure, I have a good idea for a novel, but what if I have a better one in a month or so? Okay, I cleaned the junk food out of my kitchen, but who wants to take up running in the middle of the summer? Yeah, my job is secure, but money’s tight right now, so maybe we can think about having a kid next year.

You can always find a reason why you’re not “ready”.

President Kennedy said of going to the moon that “We do these things not because they are easy, but because they are hard.” If a thing is worth doing, it’s worth doing regardless of the time frame in which you do it. There is never a “perfect” time. You’re never really “ready”. And chasing after perfection is the surest way to never get anything done. If you’re waiting for the perfect opportunity, you can prepare to spend your whole life waiting.

If you have the inkling that you want to write, pick up your pen (okay, crack open your laptop), open a word document (or notepad if you must) and write something. Now. Today. Brainstorm ideas for the novel. Do a little outline or a character sketch. Write an opening scene. It won’t be perfect — hell, it may not even be good — but at least you’ll have started, and taking that first step is the only way you’re going to change your momentum.

If you want to start exercising or watching your diet, do something. Now. Today. Go for a twenty minute walk around the neighborhood. Bang out a few push-ups during the commercial break. Have an extra helping of veggies before you hork down a bunch of bread, or stay in and cook your own dinner instead of driving to McFatty’s.Your exercise may not be graceful or impressive, and your dietary choices may not be the best, but at least you’re doing something. At least you’re making the effort instead of hiding from the opportunity.

If you want to have kids, well, the clock never stops on life, right? I had my kids at the age of 31 and 34, which means I’ll be about 50 when they graduate high school and head off to college. When my wife first started talking about having kids a year or two earlier, I told myself “I wasn’t ready” to be a father. But I did the math and realized I didn’t want to be a geriatric school parent. I have a colleague who just had his first baby at the age of 46. He’s going to be over 60 by the time his kid graduates high school. He told me he and his wife were just waiting for the right time, until they suddenly realized in their 40’s that there was no right time and they were on the verge of missing their chance completely.

The point of all this is, change is hard. Momentum matters. It’s easy to sit on the couch and get fat, easy to watch movies and TV endlessly instead of chasing after a dream, easy to stay a kid forever. The human animal seeks the path of least resistance by its very nature. We have to fight against evolution, against society, against ourselves to achieve the things we want to achieve.

We’re never really “ready.”

Which is why, whatever the change is that you’re chasing, there’s only really one thing you have to be ready for. And that’s being ready to say goodbye to the old you, the old way you did things. If you’re ready to move on, you’re ready for the next thing, whether you think the time is right or not.

Just start. Do something. It won’t be perfect, it may not even be good. But you’ll never get good if you don’t start sometime. And as somebody famous once said, there is no time like the present.

This weekly Re-Motivational post is part of Stream of Consciousness Saturday. Every Saturday, I use LindaGHill‘s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

Running and Writing: Two Great Tastes that Taste Great Together!

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It’s been a long time since I had a running post, and I wondered if I was done with them. After all, this is primarily a blog about the writing of novels and the tribulations of a writer of novels learning that he doesn’t actually know very much about the writing of novels. What does running have to do with that?

Well, a lot, actually.

I take a bit of a Dirk Gently approach to life, always trying to keep in mind the interconnectedness of all things. A hummingbird flaps its wings in Taiwan and creates a hurricane in Florida, or an angry old man sends back soup at a deli and the next thing you know, skinny jeans are going out of style and cats are scooping their own poop.

And if there’s one thing I’ve learned about writing, it’s that it’s hard. Really hard. I’ve called it a Sisyphean effort before, and that’s not hyperbole: take your eye off the work and it can backslide on you, rolling your project and your will to work on it all the way back down to the bottom of the hill you spent five months climbing. And that’s when the wind is at your back, when things are going your way and you feel really truly in touch with what you’re writing.

But those are the rare days.

A lot of writing (the biggest part of writing, of late) is writing when your heart isn’t in it, when you fear the work is crap, that you’re crap, that every idea you’ve ever had or will ever have is crap, and that the paper that might have been used printing out your manuscript would be better used as paper that’s actually designed for cleaning up crap. Authorial self-doubt, the fear of rejection, an inability to find the time to focus or the right circumstances to concentrate… all these can add up to make the prospect of writing as daunting as an ant deciding it wants to cut a tunnel through the Rocky Mountains. On those days, you really have to be clearheaded, you have to train your mind to block out all that negativity and self-sabotage.

Which is where the running comes in. Say what you will about the dubious benefits of prolonged cardio exercise or how bad it is for your knees (or better yet, don’t, because I will just laugh at you), but any activity that gets the blood flowing to your body proper is by its very nature going to get the blood flowing to your brain. All that fresh, hot, oxygen-laced, endorphin-riddled blood hitting the brain is like a cool breeze in the middle of a Georgia July, like stepping into a heated storefront after being out in a New York winter, like the first pop in a fresh roll of bubble wrap. It gets you focused, it gets you clear-headed, it gets you calm.

Add to that, of course, the fact that with running in particular, it’s just you and the road (or trail or track or whatever) and the low, rhythmic shuffling of your feet. If zen masters advocate focusing on the simple infinity of the “om”, then there’s a wealth of universal truth to be found in the relentless slap slap slap of your feet on the pavement. There is no better way to get some alone time with your thoughts than to lace up your sneakers and go out for a few meditative miles.

If you’re a regular reader, you might know that I’ve been struggling with a foot injury for the last year and a half that’s made it difficult for me to fully enjoy my runs. It’s been impossible for me to cover long distances or to push my pace much above a brisk jog without setting myself back something horrible. But I’m muscling through, perhaps idiotically so (especially if you ask my wife) because of one thing:

I write better on the days when I exercise than on days when I don’t. I write better on days that I run than on days when I “work out”. I’m clearer, more at peace, less stressed, less consumed with doubt. If I can start the day with that one accomplishment under my belt, it makes any other goal — from writing a few hundred words to grading a stack of horrible essays — seem that much closer to my grasping hands.

Problem is, there’s only so much you can say about running, right? I mean, sure, every run is different: the melodies of the birdsong, the low lullaby of the cars rumbling past, the poemic abuse from passing motorists weaves itself into a unique symphony every time you step out. But by the same token, of course, every run is pretty much the same: laces on, one foot in the other, tromp stomp tromp stomp, have a shower, go on with your day.

So on the one hand, I hesitate to write too much about running, because I fear it gets monotonous. Then again, I wonder if I don’t beat the writing about writing horse to death, as I fear I may have done of late.

Nevertheless, running, as I said before, is a part of my process. Which means it belongs here.

Oh, and: I went for a run yesterday. It was good. Probably go for one tomorrow. I think that one will be good, too.

Image from Avicii’s Levels music video.