Tag: writing about writing

… But He Was Still Hungry

Pavowski3 Comments

My kid is super-hot on Eric Carle’s timeless and much-adored The Very Hungry Caterpillar.  He loves the book so much that I can recite it word for word from memory without so much as a hiccup, and he can fill in the blanks when I leave words out.  (“On Monday, he ate through one…” “APPLE!”)  Fantastic bonding experience, reading with the sprout, even if it exhausts me reading the same book night after night after night (it does, but you know, welcome to parenthood).

We’re reading the book tonight before bedtime and I have one of those HOLY SHARKNADO moments.  If you’re not familiar with the book, basically there’s a caterpillar, he’s hungry, he eats through all this food at a picnic and every night he’s still hungry.  Sort of existential in a way, actually (damn, there’s ANOTHER of those moments, okay focus).  But I’m reading through the story for the sixtieth time and it’s right about the time where he eats through four strawberries (but he was still hungry) when I realize that I AM THE CATERPILLAR.

I mean, I guess we’re all the caterpillar, aren’t we?  Chewing our way through the swollen fruits of life, gorging ourselves on the sweet meats of the vine, but at the end of the day, it’s not enough: we’re all still hungry.  But it hit me today, like an unregistered immigrant flying through a red light when I’ve got a green (not that THAT ever happened to me), that the caterpillar is ME as a writer.  I popped from my egg one day and started looking for food (writing).  I chewed through apples, pears, plums (my novel, short stories, the blarg), eating so much at times that I made myself sick on it (yep I’ve definitely been sick of writing a few times on this little excursion).  I’ve not yet turned into a beautiful butterfly: more likely I’m one of those guys that turns into a dusty, nasty moth that spirals into your porch light and fries himself before he can get a taste of the night.  But man, if this realization didn’t resonate with me.  I guess great literature does that, dunnit?  No matter what age group it’s aimed at (you YA haters can suck it, Twilight is TIMELESS [no it isn’t, please kill me]) if the writing is sound it will appeal to virtually anybody in some way.

So I’m the caterpillar.  I achieved the goal I set for myself four months ago: achieved it in less time than I budgeted for.  And achieving it has tasted sweet, sweeter than I imagined it would, though not without its bitter aftertaste.  But it’s now a week and a half later and my stomach is rumbling something fierce.  The novel was fantastic.  Delicious.  Satisfying.  But I’m still hungry.

I’ve got to find my next project.

Sure, I’m still writing daily — the blarg is keeping me honest on that front, and that’s not going to change — but the blarg is a completely different animal than churning out 900 words a day on ONE singular topic, one idea, one band of characters.  The blarg requires the attention span of a coked-up yap dog: one moment I’m peeing on the carpet, next moment I’m chasing the neighbor’s cat through the azalea bushes, next I’m snoozing on the pair of shoes you left in the corner, and then I’m running under your feet trying to trip you down the stairs.  There’s no focus, no throughline, no gravity.  Last couple of days especially, the fact that I’m not writing anything of substance is irking me, burning in the back of my brain like I’ve left the stove on before leaving on a five-day cruise.

I guess that means that the break is over.  I’d promised myself a bit of time off to decompress after finishing the first draft of the Project, figuring that if I tried any serious writing too soon I’d feel burnt-out and frustrated and stretched too thin.  At the moment I’m torn between telling myself that I need a bit more time to really spin down — a lot has happened in these last few weeks — and embracing that sucking wound in my gut that’s gasping for more words, more ideas, telling me I need to write write WRITE.  The urge to write is winning out at this point, I fear.  The question is, what will it be?

Do I jump into the draft of another novel?  I’ve got a few ideas on the burner for that and I’ve felt a couple of nibbles along the way writing the first one.  Do I try my hand at writing an extended short story, a little novella perhaps of maybe ten thousand words?  Go back to the stable where I first started this crazy gig and try my hand at another stage play or screenplay?

New resolution: By no later than Monday of next week I’ll choose a new project to work on, and set an acceptable deadline for its completion.  I’ve got two weeks left in the summer and then it’s back to the teaching grind, and I’ll want something to anchor me creatively.

Routine and Breaking With It

Pavowski12 Comments

This post is part of SoCS: http://lindaghill.wordpress.com/2014/07/11/the-friday-reminder-and-prompt-for-socs-july-1214/

The theme for the week is “getting away, or getting out.”  As usual with these stream of consciousness posts, I won’t be doing any editing or fixorating after this post is finished, so it may be a bit unpolished, which I guess is the point.

In the four (now five, yikes) months since I’ve been “seriously writing,” I’ve come to notice a few things about, well, writing.  Specifically, that while rituals are important, they can also be limiting.  What I mean by that is, there’s this box.  And you always hear that it’s important to think outside the box, or whatever, and that’s true.  The box can hold you back.  But that sells the box short, really, because the box can also be comforting, like an old sweatshirt you slip into on the first cold days of Autumn or like a glass of wine before bed.

Case in point, when school was in session, I wrote in virtually the same way every day.  I’d steal a solid thirty minutes on my lunch break to work on my novel, using that time to block out any other distractions.  Really focused work.  Looking back, now, I can identify the work that I completed in that way not just by the timestamps but also by the way it’s written.  Word choice, sentence structure, ratio of dialogue to prose… my work completed by the routine has a certain feel to it that my work outside of routine doesn’t have.  Not to say it’s better; there are certainly merits to the work I completed outside of routine.  But the routine was the box, and I came to depend on it, so much so that in the last month of the Project I found myself mentally blocked, in no small part I fear because I didn’t have my routine to mentally prepare myself.

Now I love routine, but this experience with my first draft has shown me that you can’t always count on routines, so one thing I want to work on in my next project is shaking things up a bit and breaking at least some of my dependence on routine.

It shouldn’t shock me the effect routine has on my writing; it’s the same with my running.  When I was just getting started running, I did all my runs at the mall.  Well, as I increased my ability to run faster and farther, I started to become aware of hitting a wall with my runs at the mall.  After all, it was the same loop, the same hills, over and over and over.  So I started to branch out, to run different routes all around my neighborhood and, as I pushed my distance still farther, around town, and I noticed my pace and my endurance increasing all the more.  Breaking the routine allowed me to make bigger gains faster than if I’d kept doing the same thing over and over.  With new hills and new turns I was challenging myself in different ways, and that helped make me into a better runner.

It puts me in mind of those ads for P90X and Insanity that were big over the last couple of years, the central tenet of which was “muscle confusion.”  Here was a program designed to keep you from getting into the box in the first place.  The focus of these workouts was to exercise in a different way every single day to keep the body and the muscles from recognizing a pattern and getting lazy.  I never tried the workouts myself, but the reasoning seems sound enough.

So the box helps — routine helps — but more and more I think it’s going to be important that I work to get away from routines, get away from what’s comfortable and easy, and force myself to step off the reservation, out of the box, and go tumbling down a cliffside every now and then.  That’s my writing as well as my running and my cross training.  Hell, the fact that I’m cross training at all now — something I haven’t done in two years of running — is a step in that direction.

But I’m not trashing the box.  Just like there is no good without bad, no light without dark, neither can there be invention and experimentation without the norm to return to occasionally, even regularly.

It begs the question, then: what’s “out of the box” in terms of writing?  Off the top of my head, it means straying from some of these habits and tendencies.  Overuse of fancy say-nothing words like “particularly”.  Preoccupation with sounding clever or intelligent.  Fear of the simple statement.  Gravitating toward dark subject matter in short fiction.  Trying too hard to avoid dialogue tags.

For that matter, how can I get out of the box with running?  It’s harder than ever at the moment to break with routine since the sprout joins me for most of my runs, and that means the stroller, and that means I’m very limited in where I can go.  But here are some ideas.  More speedwork and/or interval sessions.  Running without music more.  Varying the dips and twists and turns in my route as much as possible.  Making sure to drive to a more interesting location for a run every couple weeks or so.

In short, routine can be helpful, but it can also be a crutch, and if you don’t escape the routine every now and then, then like a mouse in a cage, you will become trapped by it.

Am I overthinking routine?  How else can you push the boundaries while still getting the most out of a routine?  And do I overstate or understate the value of getting away from it?

Advice for Finally Getting Around to Writing That Novel You’ve Always Meant to Write

Pavowski9 Comments

Writing a novel is something I’ve told myself for years I would do someday.  In March of this year, I finally decided (for whatever reason) that this was the year, the time was now, and I was going to write the damn thing.  This past week, I finished the first draft. Now, writers of all walks will tell you that this is only the beginning, and they’re right.  But you will also learn very quickly that the world is littered with the corpses of those who wanted to try writing a novel and came up short before they finished their first draft, their first act, their first chapter, their first sentence.  I’m not an expert, but I’ve made it this far.  I picked up a few things along the way, and if you’re thinking of writing a novel, or starting to write a novel, or are bogged down and “blocked” trying to write your novel, maybe some of what I picked up will help you. Note that when I say “novel” I mean whatever your project may happen to be, be it screenplay, novel, poem, limerick, dirty joke.  And when I say “you” I mean “me”.  Let’s be honest, my entire blarg is an exercise in narcissism. Here, then, are 18 points of Dubious Advice (because nice round numbers are way too establishment for me, man) for Writing Your First Draft of Your First Novel.Read More »

It’s Over

Pavowski1 Comment

Remember in the Looney Tunes how Wile E. Coyote would go chasing the Roadrunner all over creation? Of course you do. Who doesn’t? (If you don’t, please feel free to exit the ride.) And then the Roadrunner would take a turn really quickly or leap a great chasm and the Coyote would miss it and just keep running straight off the end of the cliff, but as long as he didn’t look down — as long as he wasn’t aware of his mortal peril — he was okay. I think I can identify with the poor guy.

The first draft is done. It’s over. Finished. Put a fork in it. Aaand I pretty much hate it. Like, I’m fairly certain it’s among the worst things ever written, and I’ve read Twilight.  For all the reviewing I do at the start of every writing session, for all the time I spend thinking about the damn thing, I feel as if I’ve had a bit of Luke Skywalker tunnel-vision (stay on target) on it for the last month or so, and I’ve been so focused on catching the Roadrunner I hadn’t noticed that I’d gone over the edge of the cliff.  But now the chase is over — Roadrunner escaped, naturally, otherwise I’d be looking at a perfect draft — and it feels like there’s nothing left for me to do but look down so that I can get on with the business of falling to my death.

Is this how it’s supposed to feel??

Four months have gone into this project.  Four months of writing over 900 words a day, five days a week, and I NEVER MISSED A DAY outside of the week I took off when my daughter was born.  The commitment, back when I first made it, was a ludicrous one; the fact that I followed through leads me to believe that I’m actually living in a parallel universe right now, like somehow I skewed off from a reality wherein I should have crashed and burned and wound up in this altered state where I diverged and finished the mission.  It shouldn’t have happened so cleanly, so efficiently, so very on schedule.  That’s not how I operate.  IT’S ALL WRONG.  And yet I have it.  Backed up in three different locations, saved in three different formats, it’s now for all intents and purposes done.  I expected to hear choirs of mothertrucking angels on LSD, I expected an euphoric lightheadedness, I expected to literally step onto a beam of sunshine and sail off into the ether when I finished this thing.  Instead, I feel like I’m about to step in front of a firing squad.

Don’t get me wrong.  The sense of accomplishment is there.  It’s impossible, I think, to write ninety thousand words and not feel a sense of “well, I definitely did that” about it.  And I do feel good about the story I’ve written… in general.  I’m pleased with the way the conflicts unfolded, with the way (most of) the characters developed, with (a fair chunk of) the prose.  But there are holes.  Good god almighty, are there holes.  Let me count the ways.

I’m pretty sure any semblance of a voice that I had in writing the thing dissolved after the first act.  I wrote the beginning of the thing with great swagger and confidence, having a grand old time and chuckling to myself at how clever my bits of prose were.  Everything after that was crawling over broken glass through a minefield.  No room for eloquence. No time for embellishment.  Just raw, ugly, get-the-work-done-and-stay-the-fargo-down boring writing.  I feel like after the first twenty thousand words or so, the thing reads like an instruction manual.  In German.  If you’ve been reading for a while, you might remember that I used to post my favorite passage that I’d written in the day.  I’ve not posted a favorite passage in over a month.  THAT AIN’T COINCIDENCE, COWBOY.

The ending sucks.  It’s really terrible.  I mean, I guess I like what happens but the way I told it, the way I framed it, the way I presented it feels all wrong.  It’s like a Picasso painting, all funny angles and misshapen bits and awkward forced perspective, except I didn’t do it on purpose to make you think, it just came out that way because I’m awful and OH GOD WHY DID I THINK I COULD DO THIS.

Loose ends.  The thing has so many unresolved bits, so many loose ends and characters and plotlines left flapping in the wind that it’s like trying to count the untied shoelaces in a kindergarten class.  And don’t get me started on Velcro, god knows if I could’ve used Velcro on my story it wouldn’t have turned into the Gordian Knot of snarled action that i is.  The thought of tying up those loose ends makes my fingers hurt.

Just thinking about it is enough to make me want to curl up with a bottle of whiskey and drink until the whole thing goes away.  Maybe the best thing that could happen is that I black out and destroy my backups and we forget this whole thing ever happened.  That could work, right?  I honestly hate the draft so much right now.  I hate it for being so bad.  I hate the time I spent on it for being wasted in producing such a monolithic pile of dogsharknado.  And mostly I hate myself for actually thinking this was a thing I might be good at, because I can look at virtually any part of the draft and realize that IT CLEARLY ISN’T.

And yet.

The fact that I hate it gives me pause, because it means I can tell the good from the bad, and that’s worth something, isn’t it?  And the fact that I care that it’s awful is encouraging, because it speaks to a dissatisfaction that is calling out for improvement, and that’s worth something, isn’t it?  I mean, if it were awful and I didn’t hate it, then I might as well just pack it in right now, yeah?  But I don’t feel that.  I hate it and it’s awful but I don’t feel done; in fact I can’t wait to get started on the task of fixing it up so that it doesn’t suck quite so bad.  And that’s worth something, isn’t it?

Mixed feelings, no doubt.  But the draft is done, and that can’t be taken away from me, and that’s a pretty major fargoing accomplishment.  So as much as I hate it, I’m going to cling to that for now and be happy with it.  At least, I’ll try to be happy with it.

Good talk.  More to say about the first draft later, but for now, it’s time to give it some room to breathe so that I don’t feel the urge to accidentally delete / destroy / burn it.

Some Unsolicited Advice for Anybody Making a Life Change (a reflection on 100 posts)

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About a month ago I saw a video on YouTube from Numberphile (okay, the secret is out, I’m a nerd and I sometimes watch videos about math on YouTube when I have nothing better to do).  It’s a fascinating little examinaton of the methods we use for counting and it explores what our everyday interactions would be like if we had twelve fingers instead of ten.  (Spoiler alert — counterintuitively, numbers and computations and especially measurements and conversions get simpler by factors of oh-my-god-numbers-hurt-my-brain.)  You can check it out below if you’re so inclined.  They make some fascinating videos if, like me, you’re fascinated withthe way math impacts us even if we’d like to pretend it doesn’t.

But this isn’t a post about math, not really.  It’s just a little reflection.   Now, in the scheme of things, even though one hundred seems like a big deal, it’s an arbitrary number, which becomes incredibly obvious after watching a video like the one I linked above.  Nevertheless, it’s a significant number because we’ve all agreed that it is; we measure years in decades and centuries, we have the metric system (which nobody uses, PFF, SILLY REST OF THE WORLD), and our currency is nothing without hundreds.  Ultimately, however, it’s just one way out of many to count stuff, and as we all know, everything is relative and there is no best anything.

I’m hung up on one hundred today, though, because I recently passed the 100 post mark here at Pavorisms.  I’m pointing it out, not to toot my own horn or to massage my ego, but honestly just so that I can have another landmark to look back at.  Landmarks matter because they show us where we’ve been, but perhaps more importantly, so that we can tell other people where they’re going.  This particular landmark is a pretty monstrous one for me.

I started the blarg here the very week I decided I was going to finally get around to writing a novel.  It wasn’t meant to be a major undertaking; just a spot for me to reflect on the writing I was doing on the novel and to stretch my legs on writing some non-level fiction vis-a-vis my short pieces.  It wasn’t a big deal, but I committed to it just like I committed to writing the novel.  Now it’s four months later, and I’ve nearly finished the novel and I have made over a hundred posts here at the blarg.

That’s one hundred times I’ve sat down to write outside of working on the novel.  That’s one hundred times I’ve found something to say even on those days when I started out thinking I didn’t really have anything to say.  (Spoiler alert: I still don’t have much to say, but I do have fun saying it.)  The point is, I found ways to write even when I didn’t think I could.  I kept writing even when I was exhausted from writing.  I kept writing even when I was sick to death from the thought of writing.

My dad told me many, many years ago — and it’s a piece of wisdom that I’ve repeated many times throughout the years to myself and others — that you can do just about anything for a few weeks.  And I’ve found that to be pretty much true.  Anything you end up doing — however unpleasant, taxing, difficult or challenging it might be — you can muscle through it for a few weeks.  You can force yourself to get up at three in the morning for a terrible job and not crash for a few weeks.  You can try out a new diet and not hate it for a few weeks.  You can give up beer, chocolate, sex, or whatever other guilty pleasure you might have for a few weeks.  But there comes a point beyond which muscling through it cannot carry you.  A point that, for better or worse, you have to find a deeper drive to get past.  You can keep working the job that gets you up at three AM, but you’ll have to give up staying up to watch late night TV.  You can stay on your diet, but you’ll have to find replacements for the food you’re giving up, and make lifestyle adjustments so that you don’t keep craving the old stuff.  You can stay off your vices but you have to really know why you’re staying off — giving them up for Lent isn’t going to keep you clean.

My point is, muscling through can get you to the brink.  It can get you through the salty first days of something and show you what life is like with this new change you’re trying out.  But muscling through won’t get you through the days when you’re so exhausted you can’t bear to think about your three AM job, your diet, or your sudden lack of cigarettes.  What gets you through then?  For me, it’s an eye on the prize.

I tried running three different times in my life.  Twice I did it for a few months and then gave it up — it was too hard.  Two years ago I started it up again (for the last time) because my son had just been born and I wanted to work to stay healthy for him, and I am still going strong two years later, despite some serious setbacks of late.

Now, I’m writing because I have always felt that I could tell a decent story but never tested myself.  Well, I may still be in the muscling through stage, but I have a hundred blarg posts and almost ninety thousand words banked on the novel that say this is a habit I just might be able to stick with.

Jeez.  I start off talking about math and then I get all preachy.  Could I meander any more?  The point is this (and I write this, both for anybody thinking of trying out writing or trying out anything new as well as for myself when I lose gumption somewhere down the line, as I know I will): Making a change is about two major turning points.  The first is when you decide to do the thing.  People think that’s the hard part, but I don’t think so.  Look at the numbers for gym membership sales in January for your evidence: making the commitment is — I don’t want to say easy — not the hard part.  The hard part comes when you’re no longer riding the high of just having started, you no longer have the accolades of people clapping you on the back and saying “good for you.” When you find yourself in the trenches, covered in mud and blood and tears and sweat, clinging to your rifle like it’s the only good thing left in the world and you’re faced with deciding whether to press on through even more mud and blood and heartache and pain or to cash in your chips and go back to the easier life you were leading before.

So pick a milestone.  Shoot for it.  “900 words today.”  And write it.  “Run three miles today.”  And run them.  And then go for a bigger milestone.  “6000 words this week.”  And write it.  “Run twenty miles this week.”  And run them. And grow and evolve and improve and keep changing and don’t get comfortable and keep setting new milestones and enjoy the landmarks as you sail past them and leave them in the rearview.

If I can do it, you can do it.

I’m talking to you, Future Me.