Tag: short story

The Forty-Second

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The basement hallway stretched away in front of Prad, the maw of a great jungle flower in the night. The lights had gone out hours ago — just another cost-saving measure of the DraxilCorp power structure — and they did not light up at his passing.

This was by design.

The security guard stalked past him in the dark, the beam of his flashlight playing lazily this way and that as he wandered down the hall. Prad was on him in a heartbeat, his wicked, tri-tipped blade thrusting up under the base of the skull, shattering the bone, and muddling the brain.

It took a special kind of strength to pierce bone like that, a strength forged on farm tools and honed in hatred. The man felt nothing, and for that, Prad was thankful. As he fell down, the flashlight picked out distinctly Orarosian features in the man’s face. Prad relieved him of his multi-key and stole along down the passage, finding his way by the NightSpec goggles he’d liberated from a DraxilCorp storehouse.

There was a decided irony, he thought, in using DraxilCorp tech tonight. Who else could manufacture the top-of-the-line combat gear needed for such an operation? DraxilCorp alone had a net worth over five times that of Oraros’s entire wealth of nations combined, so their new headquarters going up in the heart of Gester was heralded and welcomed with jubilation.

At least at first.

On the promise of mutual bounty, the contracts were signed in haste, if not fully understood. Oraros operated on good faith and good will in matters of business, and was completely blindsided by the cutthroat, take-all-you-can business practices embraced on Anankeros, the home world of DraxilCorp. But the people of Oraros had learned, and learned quickly. Prad more than most.

Two years ago, Prad had been a humble, happy farmhand in a family of twelve. He had been engaged to a lovely girl from Gester. His life was simple, but enviable.  Now, his sisters and fiancee were slaves to the Anankerosian transplants. His brothers worked backbreaking shifts in the mines. Prad himself was lost in the menial labor system that had swallowed almost all the indigenous people of Oraros.

All, that is, except those who had signed the life of the planet away. Those privileged few now resided in the DraxilCorp complex themselves, though their appearances were limited to public service announcements from the corporation. It was widely believed that the Corp had brainwashed them to put on the company message, if it hadn’t killed them outright and replaced them with clones more than happy to be puppeted by the Corp.

So Prad found himself alone on a mission for the benefit of his homeland, disavowed as a traitor and erased from public record, halfway down a hallway leading to rooms whose purposes were unknown even to those who worked their entire lives in the building. On paper the room didn’t exist. Certainly it wasn’t listed on the corporate directory. On the outside, it brooked no suspicion at all: a simple door of Stavromulan Oak with a curt Authorized Access Only placard. This door was locked at all times.

Prad swiped the pilfered multikey across the scanner pad. It beeped and slid open on smooth, soundless hydraulics. Behind the first door was another door, this one featureless and blank as the Anankerosian polar desert. As the first door closed behind him, the room was bathed in a sickly purple light, the color of an Orarosian thunderfish about to part its prey from its skin. Prad tensed, but forced himself to stand up straight. He clicked a button at his wrist and his suit hissed agreeably.

Hidden sensors in the walls began sampling everything in the room, from the quality and texture of Prad’s hair to the slightly acidic signature of his sweat to the striated blue and green irises around his overlarge eyes. These readings did not match the only readings that the sensors would accept, but this was also by design. Instead of Prad’s readings, the sensors picked up the sensory holograms projected by his suit, recognizing not Prad Arkid, resistance operative, but rather Orthan Lob, personal physician and preservationist to the top brass at DraxilCorp.

Prad felt no particular remorse for Lob’s blood, some of which was still dried under his fingernails. Lob had indirectly spilled more than enough Orarosian blood to balance the debt.

The glow in the room shifted from electric purple to soothing green, and the door before Prad withdrew into the ceiling.

Before him, the room opened up into a smoothly circular chamber bedecked with monitor screens showing hundreds — perhaps thousands — of real-time diagnostics and three-dimensional representations of the biological functions of the figure at the center of the room. The head of DraxilCorp. The de facto despot of Anankeros. Menoetius Moros.

He slept, or seemed to sleep, propped upright in a tube broiling with a thick, vaporous fog. Bluish and translucent, it simmered full of enzymes and nutrients. The chemicals he bathed in renewed him while he slumbered, giving him the youthful, vibrant, charming appearance that had kept him the face of his corporation for centuries. “Why settle for being remembered forever,” Moros had famously said, “when you can be forever?” The man’s face rose, ghostlike, out of the fog; his thick, virile mass of black hair waved gently in invisible currents in the stuff. His smooth, untroubled eyes were closed gently as if in a pleasant dream. His vile mouth was slack, but seemed almost twisted into a smirk of inexhaustible advantage, the expression of a man who, the moment his opponent touches his first pawn, knows he’s won the chess match already.

Prad crept toward the tube, a spider advancing on an entangled moth. He leaned over the sleeping form of Menoetius, the gaunt, harsh features of his own face reflected and blended grotesquely with the smooth, perfected curves of the sleeping man.

At the hands of Moros, Oraros had bled. At the hands of Moros, Oraros had suffered. At the hands of Moros, Oraros was dying. Just like every other planet in the belt.

And now, beneath his own hands, Moros slept.

Prad couldn’t help smiling. One by one, he slipped his fingers out of their gloves. He wanted to feel the life go out of the old man. He wanted to look into the cold, dead eyes of the planet-killer as his blood ran out.

Prad reached for the console next to the Vitatube.

At the press of a button, the face of the tube slid back.

The fog billowed out, an ocean trapped within a bottle. It bathed Lewis’s skin, icy and slimy and stinking of death.

With one hand, Prad reached into the tube and seized the back of Moros’s neck, bringing the sleeping man’s face up as he bent his own face downwards. With the other hand, he brought the knife up under Moros’s jaw.

Prad thought of his brothers, entombed alive when a karillen mine collapsed on a DraxilCorp dig. He thought of his father, wasting away on a reservation for the old and infirm of Oraros in a DraxilCorp facility. He thought of his hometown, bulldozed and flattened to make way for the DraxilCorp complex, to lay the foundation for the building in which he now stood.

He thought of these and a thousand other injustices, and found he had no words for any of them. He pressed his face hard against that of the sleeping man. Tightened his grip on the knife.

“Die.”

The knife slipped through Moros’s jaw without a hint of resistance, hesitated for an instant as it sheared through his palate, and finally buried itself in his brain. Moros’s eyes shot open, his hands wrapped convulsively around Prad’s shoulder, pulling him into a bizarre embrace as he struggled. Prad watched coldly, his face still pressed to the dying man’s, as Moros thrashed, slowed, and stilled: an ant kicking feebly as it drowns in vinegar. He sank finally into the Vitatube.

The blood began to coagulate almost immediately on Prad’s arms and hands. It was darker than blood should be, blackish and ice-cold. As Lewis went to sheath his knife, he found he could no longer move his arms.

The fog.

His arms and legs had been bathed in the fog that shrouded the sleeping man. With mounting panic, Prad realized he could not move at all.

The banks of displays showing the failing vitals of the dead man flickered and went blank as the tube sank down into the floor. Then laughter flooded the room: piercing, gleeful laughter, the laughter of a schoolyard psychopath pulling the wings off butterflies. Then, the perfect, manufactured face of Menoetius filled every screen, staring at him, sneering at him, laughing at him.

“Congratulations,” said the disembodied faces of Menoetius Moros. “You’ve killed me. And now I have you.”

Prad blinked, uncomprehending, hatred bringing a snarl to his lips.

“Oh, yes, very good,” the faces said. “It might please you to know that you’re the forty-first person to successfully kill Menoetius Moros. Which means you’re the forty-first person to learn my dirty little secret.”

The Vitatube holding the dead Moros had vanished completely into the floor now, and a second tube was descending rapidly from the ceiling. It lit on the floor and opened like a clockwork box, and Menoetius Moros stepped out of the tube: young, beautiful, terrible, and immaculate in a pressed suit and starched tie, that same knowing smirk yanking on the corner of his mouth.

This time the man himself spoke, the impossible man that Prad had just killed, standing before him, flawless and self-satisfied and smug as ever. “Not that you’ll live to tell anybody about it.”

***************

This week’s flash fiction challenge from Chuck Wendig involved taking a character created by another author and crafting a short story featuring that character. This feels more like a vignette than a self-contained story, but man, it’s so hard to wrap these things up in tidy little packages…

I used a character offered by elctrcrngr, a devious fellow named Menoetius Moros. He was just too unlikable; I had to try my hand at killing him off. But then, a guy like Moros doesn’t go down easy…

Solo Shot

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Chuck’s challenge this week: Interestingness. In short, find a photo, write a story. I found my photo here. Something about it immediately haunted me, though I guess there’s nothing overtly creepy about it.

This one went in an unusual direction for me. Sometimes you just have to ride where the story takes you.

Solo Shot

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Elise has been gone for four months now.

Every day or two I’ll go combing through her old facebook account, looking at her pictures, reading the stupid little things she wrote, choking back sobs at the tearful farewells of friends and families. Her pillow still smells of her shampoo, and sometimes if I go to sleep hugging it, I’ll have dreams where Elise is alive, warm. Feel her arms wrapping around my neck and her hair like angel’s breath brushing my cheek. But it never lasts. I wake up and it’s worse than ever; I feel her absence like a rash under my skin, like I want to claw at my insides to make the pain stop.

My sister asked me for a picture of myself last week. I told her I was fine, but she wanted proof, so I sent her a selfie, and I guess I didn’t convince her. The deep-set, drooping eyes, the hair plastered ridiculously straight up by pressing my face into her pillow, the week’s worth of scraggle under my chin, the t-shirt stained with Monday’s Taco Bell salsa, Tuesday’s McDonald’s ketchup, and maybe Wednesday’s bowl of tomato soup. (I may have been wearing this shirt for longer, but I only have proof of those three days.) The moment I snapped the picture, I nearly deleted it, but that was when I saw Elise for the first time.

It was the strand of hair just over my shoulder. At first I thought it was a trick of the light, just an overexposure, or an artifact on the lens causing the sublime glow over my shoulder, but the chill on my spine, the tingle on my neck, the cold sweat on my forehead told me it was her. My sister didn’t see what I was talking about, but it was as plain as a message etched in fire to me.

Was she with me, still? Watching me, waiting for me, looking over my shoulder? I snapped another picture, and again, that trick of the light, but this time there was still more — the ghostly blur of an outline just behind my ear. I know the curve of her face like I know the feel of her touch, the touch that I felt on my shoulders, the ghostly warmth of her embrace from beyond, as I was certain it was by now. It was as if in her first picture, I had merely sighted her like a distant ship on the horizon, and now, she was striving to be seen, being etched more clearly despite the shimmering veil she had to peer through.

I began to take pictures at every opportunity — with the rays of the morning sun streaming through the window, on the front porch in her favorite rocking chair in the hazy afternoon heat, by the window as the evening chill sets in — and with each one, I saw her more clearly. Like the slow advance of a glacier, Elise took shape over my shoulder: first that lock of hair, then her cheek, then one gleaming, eternal eye, then the other. Her face snapped more and more into focus, becoming more and more visible, the phases of the moon recreated in her too-pale flesh, peering over my shoulder with that smile like she knows what I’m thinking even now, long after she’s gone. My sister can’t see Elise at all in these pictures, or so she says. She says I’m trying too hard to hold onto her, that I need to let her go. More likely, she’s afraid; afraid that I’ve found a way to connect with her, to be with her, even though she’s gone. Even though she’s only a faded echo of herself, forever behind me, gossamer and translucent and present only through the lens of the cell phone camera.

Last night, on a whim, rather than taking my selfie as usual, I caught sight of my grandfather’s antique Nikon on the shelf. He was an avid photographer, believing that the right picture could literally capture a person’s essence. I found some film in a box of his things in the attic, loaded the camera, and pointed it at a mirror. I drove to the Walgreen’s at what felt like 100 miles an hour and waited in agony for the shot to develop.

Maybe there’s some ancient artistry at work in the camera, maybe it was the mirror, or maybe the electronics of the modern age muddle whatever wavelength she’s appearing on. In the photo Elise appears as real and as lifelike as if she were truly there, her chin propped on my shoulder, her eyes dark and knowing, her lips parted as if she wants to tell me a secret. She’s there, frozen in that moment, waiting for me, calling out to me through the film and the clockwork of the camera.

My sister still doesn’t believe. She looks at the picture and insists that nothing is there. I think she’s afraid for me, but it’s I who fear for her. She’s determined to believe that Elise is gone, that all who leave us are gone, and my insistence that I can still see Elise, feel her, through these pictures upsets her. But that doesn’t matter. I’ve ordered dozens of mirrors to hang all around the house, and found a trove of old film on ebay. It’s all right that she’s gone. My life with Elise doesn’t have to stop. I plan to fill the house with pictures of us, as blissful and enamored as the day we met. I can live our vacations, our date nights, our quiet nights at home and our rambling road trips, as long as I can find a mirror and keep my camera loaded.

My sister says that’s creepy. But I don’t care if she can see Elise or not. I don’t mind that she’ll see a house full of pictures of me all alone. I’ll always see her.

Because she’ll always be with me.

The Bag Man

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Chuck’s challenge for the week: The car chase.

The fact is, I am not that thrilled with car chases. All they ever seem like is another tool to demonstrate how clever the chasee is and how inept the chasers are, and usually that’s just a big game of cops and robbers but with explosions and smashed fruit stands and millions of dollars in collateral damage. So I tried something a little different, a sort of Walter Mitty glimpse inside a familiar scenario.

The Bag Man

Wednesday mornings are the best. I get left alone most of the time, only occasionally getting called upon to fetch this or that. Mostly I hang around trying to dig up dirt on the neighborhood offenders, a couple of crazy cats that like to loiter around and cause trouble for the locals. Makes me sick, really. Dunno why they can’t keep that stuff in their own neighborhood. It’s sort of a little game we have: one of them will set up shop in a shady spot until they see me coming, and then they just bolt. Truth be told, I don’t know what I’d do if I caught one of ’em, but I chase ’em to send the message: this is my turf, not yours. But before too long they hop a fence or scramble up a fire escape or something, and well, I’m not in the shape I once was, so that’s usually the end of that. I can’t help but get the sense that they’re laughing at me, but this is my turf — it’s not like I’m going to STOP chasing down the no-goodniks.

But there are none of them hanging around this morning, which is good. Leaves me undistracted so I can focus on the big kahuna.

I’ve been chasing this guy for years, but I’ve never truly had a good chance at catching him. He always catches me unawares, showing up and dropping off packages for his associates, and clearing out before I can question him. He doesn’t wait around for payment, so I’m guessing he’s just some sort of bag man for some even bigger, more sinister syndicate operating right under my nose. I’ll hear the roar of his engine as I’m sitting down for a nice bowl of chow, or while I’m hunkering down for a midday nap, and by the time I can get on the road to look for him, all I can see are his taillights going around the bend. He’s been dodging me for years, and all I’ve got is his vehicle; a flat white truck with blue stripes. Inconspicuous. Blends right in. Vanishes quick.

But not today. Today my superiors have been a little lax with the call-ins, and as a result I’ve been ensconced in this sweet little spot all morning. I’ve got the whole road staked out, from the Johnsons’ place with the absurd little Cupid fountain out front, to the Smiths’ down at the end of the block with that gorgeous picket fence. The kind the neighborhood toughs want to pee all over. Sleepy little town. My town. When this guy rolls through today, he’s gonna feel the heavy weight of justice as I clamp down with my —

Son of a bitch. There he is.

I hear him before I see him, the peppy little coffee-grinder sound of his engine betraying him from around the corner of the Johnsons’ yard with that low-hanging Magnolia tree. He’ll lurch into view, turn this way up the street, and then I’ll have him. And, sure as sunshine, there he is, the boxy front end of his little white truck poking into view, before he makes his move…

Bingo.

He turns down my street and I turn from my post, hopping down from my window seat — its comfortable shape, molded perfectly to my butt, forgotten as I fly into action — and down the stairs. I skid out of control when I hit the linoleum in the diner — they must’ve just waxed — and crash into the kitchen wall with a decidedly unheroic yelp. Not my proudest moment. I spin around in a jiffy, though, and dart for the back door, which crashes open as I barrel through it and bangs shut the moment I am clear. Its clatter sets my teeth on edge as it does every time I give chase, priming me for the hunt.

The truck is almost at the Smiths’ by the time I careen onto the road behind him, my tail end swinging wildly out into the far lane as I fight for traction on the rain-slick asphalt. Then everything catches and I am flying, hurtling through space toward him, his white-paneled exterior growing large in my vision, the absurd red-and-blue eagle taunting me from the back hatch. I see his arm withdraw, empty of packages, and I know it’s him. Another successful drop. The wind of my pursuit flows like fingers through my hair, whistles in my teeth, tastes of paper and diesel and lunch meat on my tongue.

His engine growls and he lurches away from the curb, that tinny grinding sound like a nest of angry bees infuriating me. He’s not getting away, I silently vow, not today. And I am certain that he can hear my growl from behind, because he’s picking up speed, scattering tiny pebbles like living, malevolent marbles and causing me to slip and fall further behind.

He can’t get away. But he’s going to. If he makes the turn onto Oak, he gets away every time. I can’t keep up with him in the open.

I call out for backup, barking out in short, clipped phrases to my colleagues, trying to get them to join the chase — The bag man! He’s on Studebaker Street! I’m in pursuit! — but I know, in my heart of hearts, that nobody will help me this time. I’ve roused them too many times, I’ve made this my own personal crusade, I’ve exhausted them with my tales of my great chases after this guy. I can see them now, elbow-deep in piles of trash looking for leads, asleep at the desks catching a nap before their shifts, lazily munching a snack of congealed bacon and beef from last night’s leftover burgers (probably going bad, but some guys will eat anything). They’ll hear my call, think to themselves, Rufus is at it again, and start laughing, already anticipating my tale of another failed pursuit.

Not this time, boys. I dart forward and just miss his bumper, go sailing into the road as he clips the turn short. An oncoming wood-paneled wagon slams its brakes and skids, its occupant just visible above the wheel, squinting through glasses that make her eyes look somehow twice as big as her head. She stares at me and I shout at her, “Get outta the way!” but she’s frozen behind the dash like a deer that’s just scented a predator, and I have to take to the sidewalk to get around her.

She’s helped this monster get away without even knowing it — Oak Street is a long stretch of straight road, and the white truck has opened up a tremendous gap on me. I slide back onto the asphalt, ignoring the honks of the angry motorists I cut off, and continue halfheartedly down the street. His taillights are tiny in the distance. He’s going to get away, I think, but then his taillights light up like great red eyes, and they stay lit. He’s stopping.

I’m renewed. Adrenaline surges into every inch of me as I open all the way up, cannonballing down the street, shocked motorists swerving aside and shouting out at my passage. He’s only a hundred yards away now. Fifty. I’m actually going to catch him. It’s happening. I can taste my victory. My tongue slides out across my teeth and hangs there.

I close the last twenty yards in a frenzy, sliding in sideways on the glossy black street to block his escape. I stare at him through the windshield, my weapons out, howling at him. Out of the car! He looks out the window, sees me, and jumps in surprise back against the door. Never expected I’d catch you, did you, you lowlife? He looks panicked. His eyes dart from me to his steering wheel, to the traffic stopped all around, onlookers gaping in dumbfounded wonder. I hear the chatter of my colleagues echoing in the background. They can’t believe I’ve done it, and they’re rushing to the scene to get a firsthand look. This is how it’s done, boys.

With a sudden movement, he slips the vehicle into low gear and tries to dart past me into the oncoming lane, but I lurch sideways and head him off. He backs off and tries to take the sidewalk, but I’m there in a flash, shouting at him now louder than ever. His eyes are wide, terrified. I can smell the fear washing off him in waves. He eases his hands off the wheel and holds them up, in the universal “nothing to fear here” gesture.

Horns are sounding all around, people are shouting. This has gone on long enough; they want to get on with their business. I realize, suddenly, that I have never actually thought of what I would do if I caught this man. I can’t kill him. He won’t talk to me — probably doesn’t even speak my language. We stare at each other in silence for a few moments as I decide, as slowly as the leaves turning, that there’s nothing for it. I have to let him go.

It’s enough, I think, that he knows I caught him. That I could catch him again, any time I wanted to. It’s enough that he knows this street belongs to me. It’s enough to let him go, terrified of what might happen next time. I pull my lips back in a snarl and move out of the road to let him pass.

He slides by with terror in his eyes, but he can’t resist having the last word. Through his rolled-down window, he shouts in a tremulous voice full of defeat: “Nice doggy.”

Then his wheels spin and in a spray of mist from the road, he’s driving off into the distance.

I lick my paws, as if this was my plan all along: to catch and dismiss this man. I move to make an explanation, but nobody’s even looking at me now; the cars are just sliding past, moving on with their own respective Wednesdays. I see my colleagues, gathered at the edges of fences, tugging at the ends of their leashes, trying to get a better look. Their faces are a mix of amazement and wonder. I know what they’re thinking. He caught the bag man. It’s enough. I pad back to the house, my head and my tail held high. Smells like lunchtime.

Collector’s Item

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Chuck’s challenge this week: Literary Mash-Up.

I’m not sure if I’ve properly grasped the concept… I end up literally smashing the stories in question together rather than combining elements of each story’s genre, but this is a fun exercise, regardless.

Anyway, my mash-up victims were The Great Gatsby, which I love, and Pulp Fiction, which I double love. Let that serve as a warning that here there be gratuitous violence (thanks Pulp Fiction) language (thanks Pulp Fiction) booze and debauchery (thanks Great Gatsby) and possibly a deeper meaning hinted at but not in the least delivered (thanks BOTH).

Here, then, is Collector’s Item.

Collector’s Item

“We should have Tommyguns.”

Bruce propped one hand on the wheel and leaned his other elbow against the door, letting his fingers massage his bald scalp. Against his better judgment, he answered. “How many are there?”

“Six or seven, what I heard.”

“Hmm.” Bruce didn’t know how he felt about busting into a room with six or seven guys hopped up on moonshine and god knows what else, but he trusted Mr. G., even if Fitz was edgy. He changed the subject. “Where’d you get those shoes?”

Fitz had on a pair of wingtips polished to a blinding sheen. He angled his leg to get a better look at them. “Gypsies.”

“Get the hell out of here. Gypsies.”

“If I’m lyin’, I’m cryin’, sport. Band of gypsies.”

“Where did you find gypsies around here?”

Fitz sniffed and leaned back in the bucket seat, cupping a match to a cigarette and taking a deep drag. “Couple miles outside of town. They have a camp set up out there. Well, had a camp. Moved on since then. Wherever the fuck gypsies go.”

“And how, if I may ask, did you get a gypsy to part with a pair of shoes like that?”

“Gave him my .38.”

Bruce fought back the urge to slap Fitz across the face. “You traded a gun for a pair of sissyfied leather shoes?”

“I traded my old gun for a pair of designer alligator-skin shoes. One of a kind.”

“One of a kind, made out of hundred dollar bills, I don’t care; you don’t trade a fine piece of equipment like that for some shoes.”

“You do, if you have any taste. Look at your feet, man. What are you wearing, dime store loafers?”

“I promise you this: when I’m dropping bullets into somebody’s head, the last thing they’re thinking about is what’s on my feet.”

“See, that’s where you’re wrong. A man looks good, he feels good.”

Bruce shook his head and wiped a trickle of summer sweat off his brow. Fitz would argue the point until the moon got tired and went home. “This is it.”

The lights of the Hilton rose up like a luminescent palm tree in the night. Bruce maneuvered the car around to the service entrance, and in minutes, they had taken the stairs up to the 12th floor. There was some big event in the ballroom keeping everybody occupied; nobody even looked sideways at the two men in black, or at Fitz’s alligator-skin shoes.

“What I don’t understand is,” Fitz continued, having hardly stopped chattering all eleven flights up, “how big G makes all that money in such a short amount of time.”

This again. Fitz was always asking questions about the big boss. Whenever he did, Bruce could feel snakes sliding along the back of his neck. Boss had eyes and ears everywhere, and you didn’t go talking bad about a guy like Mr. G. Not if you wanted to keep your head on your shoulders.

“Do you get paid?”

“What?” Fitz wasn’t a child, but he could damn sure act like one.

“Do … you … get … paid?”

“The hell kinda question is that?”

“We’re on this job. Pays a couple hundred. Now, whether that comes from Mr. G. or from Sweeney or from whoever else, those couple hundred spend the same. Who cares where they get the money from? Long as I get my cut, I’m happy.”

“All right, all right.” Fitz spread his arms out wide, the classic gesture of a man showing you he’s unarmed and means no harm. The twin holsters revealed at his belt as his jacket flapped open belied the gesture somewhat.

Bruce flicked his watch up to his face.  “It’s time.”

Fitz knocked on the door. That damn “shave and a haircut” rhythm: tap, ta-ta-tap, tap… Thick door. Heavy. Maybe oak or something, Bruce didn’t know. Smooth green paint, numbers in gold, fancy carpets all lush underfoot. Nice place to spend a weekend, if you could afford it.

A blaring trumped assaulted their ears as the door swung open on a scene straight out of a … what was that word…

“Can I help you?” The smarmy-looking guy who opened the door leaned in toward them in a haze of booze and cigarette smoke. His eyes drifted in and out of focus as he swept his gaze back and forth across them. Guy was as hammered as a carpenter’s bench.

“Hey, we heard you all were having some kind of party or something,” Fitz said, turning on a positively magnetic smile.

“You heard right, partner! Come on in, the more the merr–” he hiccuped violently then, almost losing his balance. With a grand gesture he flung the door open and stepped aside to allow Bruce and Fitz in.

“Bacchanalia,” Bruce whispered, the word finally coming to him.

There were no less than a dozen people around the room, in various states of drunken disorder. In the middle of the room, one couple danced violently and out of time with the music. Near them, collapsed on the floor, was another couple ignoring the music entirely in their attempt, apparently, to devour each other’s face. The breathy sounds of their kissing and moaning could be heard above the penetrating music. One armchair held a woman drowsily staring at a spot about five inches in front of her face. The couch held two fellows in shirtsleeves passed out on each other’s shoulder. In a poorly-lit corner, one nervous, parrot-eyed man hung on the arm of a woman who looked as bored with him as she probably was with the world, given the clattering assortment of priceless jewelry adorning the arms folded across her chest. All of them, besides the unconscious ones, had that stumbledrunk heaviness to their movement.

The man who had greeted them beelined to the bar, a grand affair of mirrors and gold trim, hosting a litany of bottles with expensive-sounding monikers, all very English sounding. He uncorked a bottle of clear spirits and poured three glasses at once with a swirling of the bottle, splashing booze everywhere. He proffered one to Bruce, who waved it away with a curt flash of the hand.

“I don’t imbibe.”

Undeterred, the man shifted toward Fitz with the drink.

“Not tonight, buddy.”

“More for me, then!” With a mad grin, their host slammed back one of the glasses at one gulp, dribbling about half the drink down his rumpled shirtfront. Then he turned and sashayed back into the madness.

Bruce, meanwhile, had found the record player and dragged the needle, silencing the music with that unmistakable scratch. It was as if he had pulled the plug on a carousel; all the motion in the room ground to a jerking halt. Fitz, meanwhile, hit the lights, and the partygoers blinked in the sudden blinding whiteness.

“Don’t get up,” Bruce said, in a not-exactly-friendly tone, to one of the sleepers, who had woken and rose toward him. Wisely, the man sat down. Every eye in the room followed Bruce as he stalked like a panther among the drunks. He came to rest in front of the only man in the room who wasn’t drunk, a broad-shouldered affair with a weaselly look despite his lustrous blond hair.

“You must be Tom.”

“Who wants to know?” This the man said confidently, smugly, stroking the back of the woman sitting on his knee. Her hand rested daintily on his chest. If Tom wasn’t recognizable by his size and his stare, the woman was recognizable in that she looked as if the angels themselves had set her in the midst of this den of debauchery. Her golden curls tumbled past her shoulders, diamonds festooned her fingers, and her expression was flighty, bemused, and a little otherworldly. Daisy.

Bruce smiled, sliding his hands into his pockets; just chit-chat, here. “I thought so. Great party. Was that Duke I heard before?”

“I don’t know much about music. More important things on my mind.”

Bruce’s eyes glinted, and he pointed a knowing finger at Tom. “Like the way you think, Tom. Like your taste in booze, too, though I don’t drink myself. But I can tell you’re an individual who discerns. Only the finest.” He flicked his eyes momentarily at Daisy.

Tom nodded, cool, in control, but his mouth curled in a sneer. He didn’t care for Bruce’s eyes on his wife.

Fitz had glided soundlessly to stand with his back against the front door, hands resting lazily on his belt. Bruce glanced his way and Fitz nodded the most imperceptible of nods.

“Well, Tom,” said Bruce, “there’s no easy way to say this, but you’ve got something that belongs to my friend, Mr. G.”

“Who the hell is –“

Like a cobra uncoiling, Bruce drew his pistol and fired into the face of the man he’d asked to sit down. His brains and blood fountained all over the other man on the sofa, waking him up. There was an instant of cacophony in which everybody in the room began to scream, but Bruce shot the other man and things got deathly quiet.

“I don’t think we need to pretend, Tom.” Bruce grinned around his gun arm. “You’re smarter than that. We’re here to collect Daisy.”

“Over my dead –“

“Careful, Tom.” Bruce drew back the hammer on his pistol for effect. “She’s going with us. Whether you’re alive or dead when she does is up to you.”

Through all this, Daisy wore a horrified look pasted across her wispy features, but her eyes registered something else entirely, like she knew how she was supposed to act but couldn’t keep her excitement from bubbling through. She yelped when Tom swatted her on the bottom and nudged her up from her perch.

“I guess you’d better go on with… I didn’t catch your name.”

“Didn’t give it,” Fitz chimed in, smiling that winning smile from the door.

Dammit.

“I wasn’t talking to you,” Tom spat, and his bulk unfolded itself, springing out of the chair and throwing Daisy aside. He reached for the pistol at his belt but three bright blooms erupted from his chest – BLAM BLAM BLAM – and he staggered back into the chair, blood and spittle flying from his lips.

The men in the room, who’d seemed a bunch of harmless drunks before, lurched into action, reaching for concealed weapons or diving at the assassins. Intoxicated, though, they were woefully slow. Gunfire thundered off the walls of the little room, and ropes and sprays of blood mingled with the abstract artwork, soaked into the plush white carpet.

Daisy, her blond hair now red with blood, her newly crimson gown clinging to her body, stood trembling in the midst of a mass of death. The few other women in the room were screaming, the shrill sound echoing and magnifying itself in the small space. A dull thwack thwack thwack pounded on the edge of his consciousness; his heart pounding in his ears. It didn’t have to be this way.

With a heavy sigh, Bruce holstered his weapon and looked around for Fitz. Fitz knelt, his weapons spent, pounding the butt of his pistol into the ruined shape of one man’s head.

“Fitz.”

Thwack.

“Fitz!”

Fitz whirled, his gun above his head, mid-swing. A manic glee boiled behind his eyes. “Yeah?”

“We happy?”

Fitz smashed his gun into the man’s head one last time and shoved himself to his feet, sniffing derisively. “Yeah, we’re happy.”

“Miss Daisy,” Bruce said, holding his hand out for her with a little bow. Dreamlike, she took it, and allowed herself to be led from the room.

Fitz shoved his gun back into its holster and cast one last appraising look around the room. “We should have fucking Tommyguns.”

The Immutable Mr. Jenkers

Pavowski18 Comments

Chuck’s challenge for the week: The Opening Line challenge. I took a few weeks off from the flash fiction game, but it’s time to saddle up again. The task at hand: choose an opening line from another author and build it into a 2000-words-or-less story.

I took a line from a guy calling himself Nicholas. The first line is his. The rest is all me.

The Immutable Mr. Jenkers

The 3rd time I killed Mr. Jenkers I knew i had a problem.

Not because he came back to life. That happens all the time. Once is rarely enough when you start talking about quantum murder. Sorta like fixing a wobbly chair. You shave a few millimeters off one leg, then it’s wobbling the other way. Go back and try again. Or like swatting cockroaches. Sure, you get that one, but there’s a thousand just like him in the walls just waiting to pop out. That’s why there aren’t too many guys working solo like me anymore. Murder’s one thing, but that’s one universe, one reality. You want somebody well and truly wiped out, it takes legwork. Timelines have to be rewritten, sometimes memories have to be wiped, hell, I once had to take a two-hundred-year detour to make sure this one woman didn’t date any men from India, so that her descendant’s bloodline could be clean enough for her to marry into a rich family. People ask for the craziest things. And I’ve been back and forth across time so often, sometimes it feels like I’m older than the dirt itself.

Certainly felt like that after Jenkers. Who hires a hitman for a cat, I should have asked. Why not just, you know, stop feeding him, or drop him off across town. But it’s a hard thing to say no to a hundred thousand credits. And besides, how hard could it be?

I should’ve asked around before I took the job. I did, after the fifth try. Turns out, this cat’s been around for over three millenia, and maybe longer — they just don’t have good records going back past ancient Egypt. And no, I’m not making that up. Best I can make out, there have been over 800 documented attempts on the life of this particular feline; most of them successful. But like a bubble under a static sticker, you squish it down, it just pops up somewhere else.

But I’m getting ahead of myself.

The owner’s this sweet old lady. ‘Bout 60 or so. All white hair, glasses on a chain, looks like a librarian except for the dark circles under her eyes and the smell like she hasn’t bathed in a few months. And she wants Mr. Jenkers whacked. “Do it humanely,” she asks. On account of she still loves him, despite the fact that she’s pretty sure he’s eroding her sanity. Those were her words. “He never sleeps,” she says. “He just watches me all the time. Like he’s accusing me of something. Like I had tried to kill him and he knew all about it.”

I know, right? She didn’t get the irony, and I guess that’s fair. I didn’t get it right away either, but of course she was trying to kill him, and he absolutely knew about it.

I’m getting ahead of myself again. It’s a hazard of the job.

Protocol says you always go the straightforward route on the first try, because you never know when once will do the trick. So — that afternoon, picked up a cat carrier, came by Harriet’s place (her name is — was — Harriet). Jenkers in the carrier along with a couple of bricks, and into the river he goes.

Next morning, he’s back. I fire up the ReClocker and arrive at her house a day earlier. No frills, just a hammer to the back of his head. Get back to Now, the cat’s still there. I try this a few different ways, go back a few years on the cat, come to find out she adopted him fully-grown from a shelter. So I go back further. Try to kill him every time, naturally, but sure as the sun, there he is every time I go back to Now. Trace him back to another family. Two kids, picket fence, and this psycho-eyed cat. Thing is, though, I’ve gone back five years now, and the cat looks exactly the same. Killed it over a hundred times, now, and every time, he’s back. Mr. Jenkers. Orange stripes, big chunk missing from his ear, eyes sparkling like black diamonds. And now, Harriet’s words are in my head, and I feel like when he looks at me — in the past, you know, not in the Now — he knows what I’m doing.

I go back ten years, and there’s Jenkers. Same as ever. I go twenty years back. Same old Jenkers, same old scar on his ear, same evil eyes. He’s living with some World War 2 vet, and I can’t bring myself to kill him in that timeline, so I go back even further. Thirty years. Then fifty.

When you first suit up in this line of work they tell you not to go getting crazy notions in your head about drastically altering the flow of history. Can’t go back and wipe out Hitler, for example — something’s broken on that guy’s reality and he always comes back. Can’t scrub out Mussolini, or Pol Pot, or Rasputin, or any of those guys that the history geeks would really like a crack at, right? Thing is, those guys — and I’ve gone back and messed with them, who wouldn’t? — they at least exist in a normal timeline. They’re born, they turn into big world-altering jerks, they die. And you can’t erase them from the Stream, but at least they’re just little contained pockets of horror and atrocity.

But not Jenkers.

This thing is beyond anything I’ve ever seen, beyond anything the Bureau’s ever seen, and maybe beyond anything the universe has ever seen. You go back to the Renaissance, Jenkers is there scratching at the edges of a Botticelli painting. Go back to the Middle Ages and Jenkers is chasing plagued rats down alleys. Ancient Egypt, like I said, was a good time for the old boy — they worshipped cats back then, you know, and with his eyes like eternity, well. You think cats get spoiled now when they end up with somebody like Miss Harriet, it’s nothing on Egypt in the pyramid days. He had his own entourage.

Suffice it to say, as far back as we can go — and we can go pretty damn far — I can’t find an origination point for this cat. For all I know, he’s existed since life first crawled up out of the swamps. He can’t be killed. Can’t be erased. Can’t be unmade. He’s like a scar in the fabric of the universe.

So what else could I do?

I adopted him from Miss Harriet. Took him back to my house. Bought a bunch of toys, you know, feathers on strings, little jingly balls. Found this guy on the internet who sells catnip by the pallet — god knows Jenkers will go through all of it.

It was unnerving at first, coming home every night to those empty black eyes staring at me like death itself. But he grows on you after a while. I always laughed when people said their cats had personality, but Jenkers… he’s got a sense of humor. Like, he’ll run under my feet when I’m coming downstairs in the morning. As if he were trying to kill me, to get back for the thousands of times I killed him. But it’s all in good fun. Late at night, he sleeps on my feet. When I’m reading, he’ll nose under the book and demand to be petted, with that one floppy, chewed-up ear.

I still kill him at least once a week. Just to see what happens.

But he always comes back. Dependable as the Sunday paper. Watching me with those eyes like midnight at the bottom of the ocean.