A Recipe for Disaster (Anonymous Author Collaboration Concluded)


Chuck’s challenge: A three-author anonymous collaboration, concluded.

Matthew X. Gomez began the tale.  His bit lasts up until the first asterisk.

Mickie continued the tale.  Her bit lasts up until the second asterisk.

My bit concludes the tale.  I wish I’d been able to “end” it properly, but there’s just so much here.  I hope I’ve done their work justice.

 

A Recipe For Disaster

 

I’m sitting on a rooftop across from a bank robbery in process when I feel that tingle at the base of my spine telling me someone’s trying to get into my head. I brush it off at first, a minor annoyance as I gaze down the scope of my highpowered rifle, mentally daring one of the jokers inside to show their face.

Then the tingle gets more persistent, a buzz in my ear, an itch at the bottom of my foot. The probe is turning into an attack.

“Control, do the tangoes have a ‘path on record?” I don’t have to talk loud, the microphone taped to my jaw will pick up every whisper, just as the camera mounted on my helmet is picking up and broadcasting in high res.

“Negative, Ballista, no ‘path on record.”

I bite the inside of my cheek as the buzz turns into a drill. I smile, scanning the windows. If the ‘path is any good he could be anywhere, even halfway across the city, running overwatch on their gig. Still, I’ve got to wonder what a group of Ascended are doing robbing a bank. Aren’t there better things they could be doing? More profitable gigs? The ‘path they’ve got probably thinks he’s being subtle, but given how long I’ve been at this he might as well be marching a brass band down Main Street.

I start simple, throwing mental images to shock and dismay. Goatse. An exploded head. That time I caught my mom blowing my uncle, along with all the associated hatred and disgust that went with it. Finding out my wife was cheating on me with her best friend. That time I woke up covered in vomit with no recollection of how I got there, but there was dried blood under my nails, and blood on my shoes. All of it.

The drill disappears as rapidly as it started.

“We have confirmation that one of the tangos is down.” Control’s voice is always the same. Cool, collected, and with as much emotion as discussing this week’s corn futures.

The corner of my mouth twitches up into a smile. Maybe I pushed a bit harder than I should have. Maybe the asshole shouldn’t have gone around poking where he shouldn’t have.

“How many confirmed tangos still standing, Control?”

“Whisper confirms four tangos still active. All are confirmed Ascended.”

Bile rises up in my mouth and I fight to swallow it back down. I should have figured it was the case. They don’t bring us out for your run-of-the-mill robbers. No, we get saved for the special cases. Lucky us.

“Ballista, we have confirmation of movement. Looks like they are coming out the front door.”

I swing the gun around, get a bead on the door. It swings open. I don’t have the best angle where I am, but I bite down on my lip and concentrate. Hostages start walking out, hands on their heads, eyes a bit glassy looking. I curse when I see what walks out next.

****

It’s her.

What follows is a moment of disbelief and I feel as though I am falling through infinite blackness.Not dead. It’s the only thought I cling to. Not dead, not dead. Then horror-stricken, I am consumed with guilt. How could I have known! It was as if she had been here in this very building for those lost ten years with these psychos, held at gunpoint and waiting patiently for daddy to save her.

Then my heart freezes over as I realize there is no gun to her head. In fact, she cocks a rifle of her own with skinny arms. Her expression, upon which I once placed sweet kisses, is stony and grim. Then there are other things I should have noticed first off— the sharpness of her cheekbones, jutting hard against her flesh, chestnut hair gleaming like liquid bronze. Characteristics of all the Ascended. I groan in despair. Christ, Ixa, what did they do to you?

Her head whips in my direction as if she somehow heard me and I gasp. The blue of her eyes is piercing and I know she sees me through the darkness. Sees me clearer than anyone possibly ever has and I feel weak. My finger loosens on the trigger. She smiles then, a slow and knowing leer and the mental barrage begins again and I nearly collapse from the onslaught of the white noise that fills my head.

Then it stops as quickly as it started and leaves my ears ringing. I look to her again and her face darkens. Her message is loud and clear: She can kill me where I stand. Tears sting my eyes.Baby, please forgive me! How could I have known?

Then, Control over the earpiece, “All four tangoes in sight, please confirm.”

I say nothing.

“Ballista, targets are four adults: three males, one female. All confirmed Ascended. Confirm that you are in shooting range and take the shots.”

I swallow hard, my throat sandpaper. I breathe, “Control, I have reason to believe the female target is Ixa Manning, the subject of a missing persons case.”

I am met with the sound of fingers flying across a keyboard as Control checks the case file. “The case for Ixa Manning was closed nearly ten years ago, Ballista. She was legally declared dead.”

“Fuck that, you think I wouldn’t recognize my own daughter?” I hiss into the mic.

“Ballista…” a hint of warning tinges the cool indifference in the voice. “This is no time to lose your head. That woman is not your daughter. She is a traitor and a terrorist. Now, take. The. Shot.

My mind races. The girl I am sure is Ixa never takes her eyes off me as she grabs a fistful of hair of one of the hostages, a wailing woman shaking so badly she cannot remain on her feet. Unfazed eyes shine challengingly at me as she positions the nose of her weapon beneath her captive’s ear.

****

I see it unfold in slow motion as the training takes over.  Neutralize the threat.  The scope comes to my eye and I squeeze the trigger.  Ixa’s eyes track my bullet and it freezes, floating ponderous in the air an inch from her nose, still spiraling, whispering interrupted death.  She hurls the woman to the pavement, and with her free hand plucks the bullet from the air.  Her eyes fix me through the scope, crystal-blue and glowing.  I know what’s coming; I throw the rifle aside and reach for my sidearm, but she steps the distance in a heartbeat.  Her sharp, seeking fingers bury themselves in my throat as she lifts me from the ground.

Control is barking in my earpiece, but her face is mere inches from mine, contorted into a mask of too-perfect cheekbones and too-blue eyes gone vivid in the colors swimming in at the edges of my vision, and I’m lost.  I don’t struggle.  What good would it do?

In a flash, it’s ten years ago, Ixa is swinging with the careless abandon of a ten-year-old on a peppermint-red swingset in Glaston Park.  She shouts, “I’m flying, daddy!” and my perspective shifts.  I see through Ixa’s eyes, now; see Daddy turn and draw a previously unseen pistol and dart into traffic, forgetting about his daughter at the call from Control.  Rough hands yank me from the swing and hurry me to a waiting car, and I scream and cry for my Daddy, Daddy who always saves me and will follow me anywhere, but Daddy doesn’t come.

Another flash.  I’m still Ixa.  The transformation is taking hold; my eyes grow brighter in the mirror, the spectrum of previously invisible colors explodes in my vision, my mother’s obituary incinerates in my hands, my father — me — weeps behind a dusty windowpane.

Flash.  Ixa’s body, laid out before me, peppered with gunshots, blood pooled and congealed.  Ixa’s voice in my mouth.  “Looks good.”  Flash.  Planning the heist of this meaningless bank.  Flash.  Myself — Daddy — looks back at me through the scope of the rifle.  It’s time.

Flash.

She’s given me this gift before she kills me; the gift of knowing.  It’s enough.  My eyes focus on hers and she’s my baby again, precious, harmless, innocent.  I smile, cough up a mouthful of blood.  The gun slides from my grasp.  Then her black-hole pupils erupt with blue flame.

“Ballista!  Three Ascended are down.  We’ve lost the fourth.  What is your situation?  Ballista??”

On the street, it’s pandemonium, but up here, it’s silent, just for us.

“Sweetheart,” I say.

“Daddy.”

Her eyes are almost piteous.  She yanks me upwards, hard, and I look down and see my body topple over the railing, see my head dashed to bits on the pavement, hear Control chattering away in the shattered earpiece.  But I’m weightless, effortless, floating in my daughter’s unearthly embrace.  She peers into my eyes like she’s weighing my soul.  “Will you come with me?”

What else can I say?  “Anywhere.”

 

The Dressmaker’s Last Call


Chuck’s challenge this week:  The classic Random Title Challenge.  I did this one properly, rolling the dice before I even looked at the possible titles, coming up with the bizarre title “The Dressmaker’s Last Call.”  I balked at it, not knowing how I’d possibly approach it.  But no, the challenge is in working outside of your comfort zone, so I set it on to percolate.

I went through a lot of different concepts and plots before ultimately arriving at this one.  My Five Stories, One Title exercise has taught me that I get my best work done after I flush out the pipes a little bit first.  I pushed away my initial ideas of thieving and murder in favor of something entirely different.  I actually ended up liking this little story quite a lot.

Clocking in at 989 words, here it is.

 

The Dressmaker’s Last Call

******

As she stepped into the light and spun delicately on her toes, tears sprung into Tanner’s eyes.  He had woven nightsilk garments before, but never one so fine as this, and he would never weave another.  Myra was a miracle cloaked in the night; as she spun the candles seemed to gutter and fail, lending their light to hers.  The dress pulled the luminescence in and suffused her with it; setting her aglow in the sudden dimness, radiance spilling out from her skin.

“It’s incredible,” said Myra, laying her fingers lightly on her arms as if she were afraid to touch it.  In truth, she was, a little.

“Let me,” Tanner said.

He began the work of making tiny adjustments to the garment.  The shimmering material flowed through his hands like water; it cascaded over his fingertips and pooled in gathering incorporeal heaps and whispered as his needle pierced it again and again.  Darkly it billowed in swirling waves of deepest purple, midnight blue, and the black of the void; the fabric so light its touch on the skin was almost imperceptible, if it could be called fabric at all.  Far too fine and fragile for any machine to ever touch, the nightsilk, once stitched, seemed to mold and shape itself to itself and to Myra; a seeking thing almost merging with her porcelain skin, a congealed shadow, a living darkness.

Tanner stepped back and regarded his work with a frown.  It was immaculate, but his exacting eye picked out the flaws nobody else would ever see.  There was nothing for it; the shadowed silk was a mystery even to him, each garment unique, each swatch of silk with a personality all its own.  Even before his eyes, the dress bent and twisted with tiny imperceptible ripples, the thrashings of light and vibration that would ultimately tear the dress to pieces.

The room was alive with the flames of a hundred candles, guttering dimly, but the dress and their faces were barely visible. He clasped her by the hand.  “The dress will hide you from the eyes of the living wherever you walk.  You will appear as but a shadow, if they can bring themselves to look upon you at all.  Even now, it turns my eyes.”  It was true.  The longer she stood in the tiny room, the more she seemed to fade at the edges, the more she seemed just an extension of the shadows stretching across the floor.  His eyes hurt with the effort of keeping her in focus.

“But I’ll be able to see her?”  Myra stared back into the old man’s eyes, brushing his cheek with her hand.  The gesture seemed to calm him.  “And she, me?”

His lips pressed into a thin line, and he inclined his head ever so slightly.  “The dead walk in shadow.  To become a shadow yourself is to become like them.”  He squeezed her hand with a grimace and walked across the room.  Picking up a lantern, he turned to her and scratched his head in hesitation — he could no longer see her.  Myra reached out to take his hand, and he relaxed.  “Keep this near you, lest the darkness take you forever.”  She took the lantern and hung it in the crook of her arm.  Kissing him on the cheek like a whisper of autumn air, she left without another word.  He knew she was gone when the candles blazed back to life.  He gave the last scrap of the nightsilk to the flames and watched as it convulsed, shriveled, and died on the floor in an ashless wisp of smoke.

***

The sun had set and the stars did not show their faces — their tiny pinpoints of light drunk up by the nightsilk.  Myra made her way to the graveyard and hesitated; before her, in the dark, were the shuffling, aimless shapes of neighbors and friends long dead.  They floated in the darkness, gossamer and grey, barely visible, gazing back at her with wonder and contempt.  They spoke in words she could not hear and prodded at her with fingers she could not feel.  Seeing that she was not like them, they lost interest, allowing her to pass unmolested through their ranks.  There were more gravestones than living people in the town, and the yard was thick with their shadows, but they parted wordlessly before her as she pressed on toward the small, unmarked stone in a lonely corner, where a small wispy shade of a girl sat singing to herself, tunelessly, the way Myra’s husband used to do.

Myra’s voice caught in her throat.  She reached for the girl but pulled her hand back, tears in a river down her cheeks. Finally, she choked, “Clara?”

The girl spun and regarded her strangely, expressionlessly, then stood and faced her.  Myra felt sobs wracking her body, but made no sound.  The girl’s mouth seemed to move, but Myra could not hear the words.

“I can’t hear you, darling,” Myra protested.  She longed to grasp her, to squeeze her as if she could somehow share her own light with the girl, but Myra’s hand passed through her as through a fog.  Myra drew her hand back in horror as the girl recoiled from her, shielding her eyes.

In an instant, Myra forgot the Weaver’s warning.  The light hurt her little girl’s eyes; she must put it out.  The lantern shattered, the oil taking flame in a tiny gout that sputtered and faded in the night.  As the lantern’s light died, Myra felt her daughter’s tiny arms closing around her shoulders, felt the dress shifting and changing into the gossamer grey that the other dead wore.  The voices of the dead became a sudden clamor in her ears; Myra fought the rising panic until she heard her daughter’s voice, tiny and sweet and real again, after so long.

“Mommy, it’s safe.  You’re with me now.”

Prank Politics


Chuck’s Challenge this week:  Superhero Genre Smash-Up.

Superhero is an idea that’s on a low boil in the back of my mind; I may be using it for a novel one of these days, and if so, I’ll definitely be using some of the characters I’m working with here.  My genre of choice to smash up with the Superhero tack: buddy comedy.  And maybe a bit of that college frat-party feel.  Is there a genre for that?  …Whatever.

Came in at 975 words for this one, and, if you can believe it, this one isn’t dark OR depressing.

 

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The Potioneer’s Ploy


Chuck’s challenge this week:  Pick Five Characters.
I used random choice to get me down to eight and went with the five that I felt best fit together.  Here’s what I came up with.
The Dexterous, funny hermit

The Agile heir
The Unpredictable hunter, worst in his profession
The Unhealthy jailer
The Unheroic impostor
I wasn’t able to get an entirely self-contained story here, but I think it worked out well enough.  As a result, while I feel the arc of this particular moment is completed, it certainly leaves more to tell.
But, for a change, it’s NOT dark and weird!  Here, then, are 1494 words of fun in a sort-of LOTR, sort-of GoT world:

The Potioneer’s Ploy

As usual, Danver had no idea what on earth he was doing.

He poked his pointy nose around each corner of the cell, examining every last crumb of moldy bread and every crack in the wall for some sign, any sign, that might give an indication of where the princess had escaped to.  None was forthcoming.  Only one thing to do: stall.

“I’ll need to see the grounds outside her window,” Danver said, with as much authority as he could muster.

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