The Weekly Re-Motivator:

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Linda’s prompt for Stream-of-Consciousness Saturday this week is “-est”. Usually I like to find a single word or phrase using the prompt, but this week, when I plopped down to think of an -est word, the unusual happened.

Normally, I take the prompt and one of two things happens: either a single word hits me right away and, like the moon drifting across the face of the sun, immediately eclipses any other ideas, or a different moon drifts across the same sun and blocks out everything, and I sit there, unable to think of a single way to interpret the prompt, for hours. But not today. Today my brain is a slowly-spreading pile of gasoline, and the prompt is the casually-tossed cigarette of a black-clad action hero.

Too many words to choose from, so I’m gonna use as many as I can.

Our creativity, like the heavens, is inestimable, full of wonders we can hardly imagine, if we only have the courage to explore it — unfortunately, so many of us never do.

Our forebears in America were compelled to go west; partially out of a dissatisfaction with the way things were, partially for the promise that the unexplored country held. The artist needs more than a little bit of that wanderlust, of that westward yearning; the artist satisfied with where he’s at is an artist who stops pushing his boundaries.

Pushing the boundaries, though? When it goes well, it’s a(n) euphoric love fest. The ideas come fast and fresh, blowing through your hair (or in my case, across your dome) like the top’s down in your mid-life-crisis-mobile. But there’s no guarantee it goes well, as any writer will attest; and when it does go poorly, as inevitably it will, the whole affair can feel like the universe’s cruel jest. Every idea falls flat, every word feels forced; some days it’s all you can do to keep putting one word after the other.

But because it matters to you, you persist. And maybe you ingest some liquid courage or some chemical inspiration to kickstart the process, but one way or another, you keep on pushing your Sisyphesian boulder along. (Lest we forget, momentum matters.) Because you know that if you stop moving, if you bog down and leave the work for another day, one day quickly turns into another, which turns into another, and then, like a fetid pool, your creativity begins to fester, and even the stuff that looked good a few weeks ago begins to rot.

Still, the brain is a muscle much like any other, and a little rest brings it back to full functionality. Invest in a day off here and there, and somehow or other, the muses will wander their way back to the dark corners of your mind and drive your storytelling anew for a few more days. But it’s a foolish artist who relies on the muse too much: her magic is intoxicating and enticing as a desert mirage and just as fleeting.

The better way — the safe way — the only way, in fact, that works for more than a few weeks — is to establish the habit. Work for it. You don’t eat an elephant all in one sitting, you do it a little bit at a time, working day after day, checking your westward expansion by the stars overhead, the words on the page, the story twisting in your gut. Gestating. Improving, getting stronger with time, even if you can’t always tell quite how at the time. You keep writing. You keep pushing. And eventually, maybe, you bring your creation, squalling and covered in phlegm and gore, into the world.

Is this the best way to do it?

Hell if I know.

Writing is nothing if not an experimental flight in an experimental aircraft with an experimental pilot. Each and every element is a test.

But it feels good when it’s working.

Image result for just keep writing

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

Fly Away

Pavowski5 Comments

I’ve had to kill more than a few flies over the past few days.

Part of it, I think, is that the little buggers feel the end of summer coming on, and they’re trying to get indoors before the cooler weather comes. And part of it, of course, owes to the fact that the building I now work in was built in the 70s and shows every sign of it, down to the poor ventilation and the likely hundreds of nests and colonies in the walls. My room is always host to some six-legged creature or other, and this week, it’s been flies.

Which are the hardest things to deal with, it turns out. Mosquitoes you can catch in a closed fist. Bees drone along and then hover in space. But not flies. Flies catapult themselves through the air like UFOs powered by technology that shatters physics.

I remember reading once upon a time that flies have all kinds of extra sensory organs — from their tiny little antennae to the hair-like structures on their legs and body to their 800-faceted eyes — which make them one of nature’s most talented getaway artists. They end up with the reflexes of a cat that can see into the future, so that you’re always just a snap too slow, you always seem to strike the air just behind them. It’s almost as if they can sense that you’re about to swat them, and they leap out of the way.

Turns out, the actual air pressure created by your rapidly descending hands is sufficient to push the little critters out of the way; in other words, the act itself of swatting at the fly increases the fly’s odds of escape. The only way to counteract this is to anticipate where the fly is going to jump to and try clapping your hands at that spot, rather than aiming at the fly itself.

Which is a mug’s game, right? You can’t predict which way a fly is going to jump, any more than you can predict which way a flipped coin will land or which face a tossed die will fall on.

Still, guessing — even guessing wrong — gives you better odds than striking straight at the thing itself.

And there’s metaphors here, aren’t there? Life is a moving target, and all that. And by the time you think you’ve drawn a good bead on something, it’s moved along and you’re swiping at the empty air.

Sure feels like that lately, anyway. Working on this new story, it feels like the real thing — the good stuff, the soft, nougaty center of this idea — is buzzing around my head, lighting here on a bookcase, there on a lamp, occasionally on the skin of my scalp. But every time I try to nail the thing down, it flits away effortlessly, and I can almost hear its tiny, incessant insectoid laughter. And I bang my head away against some weak facsimile of the story I want to write and curse the muse for not dropping any of her glittery inspiration turdlets in my direction.

But then I strike off in a totally new direction; rather than trying to write the story I thought I was writing, I make a hard left and take the story in a new direction, and for a few blessed days at least, I get to bottle the lightning. I trap the fly between my hands and work gleefully while it bangs itself silly trying to escape.

And of course, it does. It escapes again. You can’t hold onto these things any more than you can hold on to a fistful of the ocean.

But you keep grabbing onto it all the same, as long as the story cries out to be told.

So if you’ll excuse me, I’ll be flailing around like an insane person trying to swat this storyfly.

15 years

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My brain is brimming with ideas, but I couldn’t find the motivation to write yesterday.

Then I wanted to make it up today, but ended up watching a bit of memorial 9/11 coverage and … well, that took it right out of me.

Just not a lot to say.

Image result for 9/11

I teach high school, which means that virtually none of my students remember the attacks that have shaped the world they live in. Many of my students weren’t even born yet when it happened. Which makes it all the more important to take time out to remember.

On Parenting: Lesser Indignities

Pavowski2 Comments

The kids are screaming again.

We’ve been home from work for about twenty minutes, and they’re screaming. And “screaming” is precisely the word for it — this is not a mildly perturbed whine, nor a plaintive cry for help — this is a top-of-the-lungs howl that doesn’t even really call for action or intervention, it simply rails against the great injustice of the world.

And it’s in response to a “stolen” spoon.

Not even a special spoon. In fact, the spoon in question is the exact twin of the one that sprout the younger holds clutched in her pudgy, grubby fist. But the spoon in question has been claimed from the tabletop by sprout the elder, and she has decided that that is the spoon she wants, not eventually but right the fargo NOW, and it gives him great pleasure to deny her anything she wants, and from her tiny lungs comes the mightiest ear-splitting shriek.

That sounds like fun, sprout the first thinks, and then he’s shrieking too, for the pure, unadulterated hell of it. My wife is up to her eyeballs in work she’s brought home from the job that taxes her more and more beyond her pay grade with every passing day, and I’m elbows-deep in chicken slime from cooking the sprouts’ dinner (which they will later totally ignore, for reasons that certainly make sense in the brains of a two- and four-year-old, but for no reason this thirty-something college-educated male can discern), and there’s nothing that anybody can do.

Time out, we threaten, which has about as much effect as you’d expect. Spanking, we enjoin, which they know is an empty threat — I’m not going to turn my salmonella hands upon them, after all.

This is how it goes in our house lately. And as parents, we get really torn, because all they really want is attention. They’re in day care these days, after all, so they only get our company for a few blessed hours in the evening. But, as any working family knows, you come home from work and there’s dinner to cook and baths to prepare and messes to clean up and the stress of the day hanging like an albatross from your neck and it’s almost a better idea if we don’t interact with the sprouts too much, because we might really unload on them, and they sure don’t deserve that. But still they clamor, and sometimes we can push the dark clouds aside and spare them a few minutes amongst the cascading junk pile of demands on our time, but sometimes we can’t, and when we can’t, well, that’s when the screaming starts.

Over anything. She’s in his chair. He’s got a toy that she wants. She dropped that thing I was playing with. He’s painting and she wants to paint too. She’s chewing on the coffee table. He’s holding onto the back of her shirt.

Their cries could shatter glass at a hundred yards.

And again, we endure it, because it’s better that than unloading a day’s worth of frustration and choked-back snide comments and real gut-boiling traffic-induced rage on somebody who has to stand on tiptoes to brush their teeth and who thinks that a dinosaur might make a really cool friend.

And then, somehow, some way, the clouds part, a ray of light shines down, and they stop howling. My wife and I lock eyes in shock but we say nothing. We don’t even try to look and see what they’re up to, lest we break the spell. We hear harmless, idle chatter from sprout the younger, and giggling, broken sentences from sprout the elder.

Just as quickly as the toddler tornado struck, the skies have cleared and they’re playing happily together. If we believed in God, we’d fall to our knees and give thanks, but God will soon make his absence painfully clear.

THUMP. THUMP THUMP.

It’s surprising how much any thumping sound can sound like a toddler’s head whacking any significant surface to a pair of bedraggled parents. We’re sure one of them has somehow managed to surmount the childproof stair gate and toss the other to their doom. We dash around the corner and look.

But they’re not dead. Not even close. They’re standing behind their little toddler armchairs, which have been upended and rolled across the floor, like wheels if they were designed by sadists and masochists working in perfect concert. THUMP THUMP. They push their chairs over and over, and the sound is a bit like carpet-wrapped bricks in a tumble dryer. THUMP THUMP. THUMP THUMP. Giggles. Laughter. Smiles.

Chairs aren’t supposed to be played with that way, for sharknado’s sake, and our teach-them-to-be-decent-human-beings instincts flare and we start for them with our voices already rising in chastisement.

But we realize it at the same time.

They’re not screaming.

Sure, they’re mistreating the furniture. Sure, it’s making an ungodly racket. Sure, they might crush a cat under all that tumbling upholstery (but the cat has it coming, and frankly the cats can go take a flying leap for all we’re concerned about their well-being at the moment). But paint this bald man blue and send me to Vegas, they have stopped screaming.

Being a parent is nothing if not a tactical, well-calculated slow retreat from a thousand lines drawn in the sand. Problem is, the tide never stops coming in. You have to pick your battles, and sometimes you choose the lesser indignity of the children pushing their tiny chairs around the floor like the worst sleds you’ve ever imagined over the perfectly disharmonious symphony of their unending screams.

We let this one slide. I finish cooking and my wife finishes working to the THUMP THUMP THUMPing of their chair game that would rival the dance beats of a few songs I’ve heard on the radio lately. We place a lovingly-crafted dinner of chicken and potatoes and green beans in front of them and watch as they refuse to eat a single bite. And yeah, that hurts my feelings a little bit.

But at least they’re not screaming.

The Weekly Re-Motivator:An Accumulation of Oddities

Pavowski6 Comments

If your house is anything like mine, the stuff just sort of seems to accumulate. (Doubly or maybe exponentially true if you have kids, and doubly exponentially if those kids are particularly young.) You see this or that shiny doodad, and you think, gosh,the kids would just love that, and because we live in America we buy the thing. Or a loving and well-meaning grandparent will make a gift of some battery-powered monstrosity that belches out Christmas music if it detects movement within a square mile. Or the kids themselves will bring home toys covered in foreign guck and another kid’s nose slime. (How do they get these toys away from other kids, I wonder? My kids can sense it — and immediately pitch a fit — if I so much as touch a stray eye from a long-lost mister Potato head doll.)

But even without kids, it happens. You’re at the mall for some reason, and you think, that’s a nice looking shirt. I wear shirts. Let me give some of my money for that thing. Even though you need another shirt like your kids need another toy. Or you pick up another fancy running gizmo or some inspirational book of quotes or an odd lamp you like the look of.

And it just adds up. It’s not a bad thing, per se. But with so much stuff, it becomes easy to lose track of things. Easy to take things for granted.

hoarders

And if you’re not careful, the same thing can happen to your stories. For me, this usually comes in the form of a sentence, half-formed in my mind, that goes something like: wouldn’t it be cool if…

…this minor inconvenience character turned out to be related to the main villain?

…the bad guys stole the thing that the good guys need to make their lives work?

…the mentor character’s cat starts phasing forward and backward in time?

All of which are fine and interesting and may well reach the final cut. Unfortunately, the mind, like the house cat that indiscriminately murders local fauna and deposits them on the doorstep, also drops off less-inspired idea corpses like…

There should totally be a paper-and-pen motif in this chapter.

Maybe the villain should have an electric puppy.

Feathers. Feathers everywhere.

Problem is, in the heat of a daily word-count grinding session, the gems are indistinguishable from the crystallized turds. You see them float past on the shelf of consciousness, think, oh, sure, that works for my story, and into the story sausage they go.

And again, that’s not a bad thing per se.

But just like the stuff that piles up in your house, this crap accumulates and chokes off a good story. Before you know it, you’re struggling to pick a clean path through your story, its every spare passageway littered with the half-formed iterations of these little oddities that, like the snot-caked stormtrooper my kid brought home the other day, you have no idea where they came from.

The little curiosities are a powerful spice, fascinating and interesting in moderation, overpowering and inedible if overused. Which means that, just like every now and then you have to go through the house and purge all the junk that no longer brings you joy, so, too, does a story in subsequent drafts need a brutal bit of spring cleaning.

The tricky thing, of course, is making sure you don’t accidentally put a priceless heirloom out on the curb by mistake.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.