Category: Ramble

Just writing stuff about things, and things about stuff.

Writing Journal: in which I ponder on stuff happening

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I’m having serious insecurities about my writing lately.

I mean, I guess that sentence could be true for any writer at any time, ever, but it feels more so now, and I can’t really say why. I feel like the narrative I’m crafting is boggy and mired, like it’s trying to slog through a swamp replete with swarming, biting mosquitoes, noxious muck that sucks at your shoes, and probably a bunch of gators lurking just below the surface, waiting for you to come close enough to take a chomp at.

It’s slow going, is what I’m trying to say. Not the writing — that’s moving along just fine — but the story itself. I constantly fear that it’s lurking dangerously on the precipice of going down forever in the mire. And I’m not 100% sure what to attribute this feeling to, this spider-sense that something’s wrong. The writing doesn’t feel so terribly dissimilar from the writing in my first novel, where I felt like things clipped along fairly well.

I think — and who the hell knows, certainly not me — that I’m doing too much explaining. What I mean is, I feel like the current story is more centered on a single character than my previous stories, and it’s particularly centered on the way this character sees the world. That viewpoint is pretty cynical (go figure) and a bit self-doubty (you don’t say) and ultimately a bit nihilistic (shocker). All of which is fine, maybe, but I feel like I’m spending entirely too much time in between things happening dealing with my character’s reactions to the events, with his thoughts and fears and plans for what’s coming next, rather than, you know, just getting to the next thing.

Then I go and watch, oh, I don’t know, any TV show ever and it’s nothing but things happening at breakneck pace. Tonight it’s Penny Dreadful, for example, and in one episode, a character tracks down his childhood home and throttles the current landlord; another pair of characters turns another character evil and then all three bathe in the blood of a previous antagonist; another character enters a hypnotic state wherein she learns of a previous involvement with another character that we never knew about, and yet another character goes on a murdering rampage with yet another character he just met while still another character chases him across the desert of the Wild West. I mean, holy sharknado. That’s all in just one hour.

Now, yeah, I know, that’s TV, which is not a novel. TV is a flash-flame, table-side grill, while a novel is a slow-cooker. But still. There’s hardly time to breathe in between all that stuff happening, let alone time to reflect, react, or plan for the future.

So, then, I take a page from that particular book and pursue tonight’s writing with a mind toward action, action, action, and bang out 850 words without breaking a sweat. And it’s great! But it leaves me wondering: am I writing this particular novel all wrong? Am I living too much in the character’s (and, by extension, my own) head, at the expense of actually letting the story happen? Maybe the story needs more passages like the one tonight, more swathes of stuff happening with less thinking about the stuff on the part of one character or another.

But then, (dammit,) I circle back around, because aren’t the protagonist’s internal struggles just as important as the external ones that manifest as he’s robbing banks to equip his newfound secret lair with the help of his newly reprogrammed robot companion? (Oh, yeah, spoiler alert, I guess, kinda.) I mean, the current novel is sort of an anti-superhero story, so it needs a fair bit of rock ’em sock ’em action, but without that introspection weaved throughout, won’t it ring hollow?

Just another missive from I-have-no-idea-what-I’m-doing-island.

*ponders*

*steams*

*hops back on the hamster wheel*

 

Baby Elephant Walk, or Juxtaposition Makes the World Go ‘Round

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I haven’t been doing a ton of reading lately, but I have been working my way through a Stephen King novel that I picked up off the bargain rack: Cell.

It’s not the sort of earth-shattering powerhouse that The Stand was, but it’s in a similar vein: post-apocalyptic survivalist us-vs-them quest to save the world.

I’m not going to write a full review or anything, but I just wanted to share something. In the novel, much of humanity is turned into, essentially, zombies by a mysterious transmission on their cell phones (get it? Cell? Social commentary, whee!). But as part of the mysterious transmission, the affected zombies develop this sort of hive-mind shared consciousness and begin to swarm and flock and generally do all kinds of freaky, unsettling stuff.

But one motif that sort of threads through the whole thing — and serves to defuse the abject terror of the situation — is that the phone-crazies huddle together at night to rest, reboot, and listen to some truly terrible music. One such piece of music is Baby Elephant Walk, by Henry Mancini. And, well, I just took it as granted that it was a ridiculous bit of fluff — with a name like Baby Elephant Walk how could it be anything but ponderous, playful, and harmless?

But I got to the end of the novel and it came up again, and I realized I needed to know what exactly the Baby Elephant Walk was all about. So I googled it, and now I know that I knew what it was all along.

Yeah. That’s basically the zombies’ theme in this post-apocalyptic horror-show novel. Fargoing fantastic.

The World of the Small

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We took the sprouts to Six Flags last night, and it opened up our eyes (as doing things with your kids will often do) to some things that you just don’t notice or even think about when you don’t have kids.

Namely, “family” events. Before you have kids, these things might as well be taking place on the moon, and you can avoid them just as easily. In short, if you see a bouncy house, a grown person in costume, or a brightly colored clutch of balloons, steer yourself in the opposite direction, and you’ll be fine. But when you do have kids, these are things you have to do, somehow. There’s a vague impression that lives at the base of your skull that you’re not a “good parent” if you don’t take your kids to these things. Unfortunately, they usually also mean leaning into the worst things about having kids. The peer pressure of other kids acting crazy, which inspires your kids to act crazy. The hyperprevalence of sugary snacks and drinks, for which your kids will beg you incessantly. The proliferation of oblivious parents, obliviously ignoring the obliviously a-hole-ish behavior of their oblivious kids.

But because you’re dumb, you take them.

And it sinks in — again — that your life has changed irrevocably, and will never again be what it once was.

Because once upon a time, you were young and adventure-seeking, and you went to amusement parks for the thrill rides: the more the better. Your stomach was made of iron: you could easily take down a 64-oz full-sugar soda, a double cheeseburger and fries, and a funnel cake, then ride the most wickedly devised gravity-defying stomach turning rides and never blink an eye. There was a “kids section” in the park, and you knew its location only so that you could more effectively avoid it.

These days, you know the kids section because it’s the only area of the park that concerns you. You pack your own snacks because you know that a whiff of funnel cake after riding even the tame little teacups will leave you queasy and sweaty. And you walk right past the thrill rides with a suppressed sigh because you won’t be riding them today, even if you thought you could handle them, which you probably can’t anymore.

So it’s bad enough going to the park with sprouts in the first place. But it’s worse on the “family days” (here in Atlanta, it’s Six Flags’ Holidays in the Park). Because 90% of the traffic in the park is poor, run-down, exhausted and raccoon-eyed moms and dads and their squalling, snot-faced brood.

The kid-centric drains on your wallet are even more pronounced, prevalent, and shameless. The kids’ area is lousy with “games” that cost a ridiculous amount of money for your kid to win a bit of candy or a cheap stuffed toy. Everywhere around the park are carts selling pretzels and popcorn and hot chocolate. And around every corner is a festive elf or a costumed cartoon character just crying out for a photo-op with your bundles of joy — which means people are clogging up all the major thoroughfares and creating foot-traffic jams, the worst kind.

But worst of all is making your bee-line past the thrill rides — most of which have waits of less than five minutes, if they have a wait time at all! — to the kids area with its crappy slate of rides, for which you’ll be waiting twenty minutes a pop, because everybody who is here tonight is here for this.

The part of your life where you could run amok, ride everything in the park, and go home without making a bathroom stop halfway (because the four-year-old somehow never needs to go when you’re walking past a restroom, but damned if he doesn’t suddenly start doing the dance when you’re about to get on the crappy kid coaster)? That’s over.

Say goodbye to fun at the amusement park.*

You’re parents at the park, now.

Abandon all hope.

*Actually, Holidays at the Park is pretty sweet. I just hate everything.

The Weekly Re-Motivator: Say Yes

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The case could be made that “yes” is the most powerful word in the world.

This is a thing that took me too long to learn in my life. Shortly after college and deep in the places where having a skeptical (okay, fine, cynical) outlook can take you, I knew about this “yes” thing, but I wasn’t interested in it. “No” was a lot easier. Only two letters, after all. One consonant, one vowel; there’s a beautiful balance there. And it had the power to ward off all kinds of uncomfortable situations.

“Is today the day you start writing that novel?” No.

“How about going for a run?” No.

“Maybe call up an old friend, or think about enrolling in a class, or even just step out of the house and do something different today?” Nope. I’m good.

No keeps the world in check. Keeps things level, even, and easy.

But yes is inherently unbalanced. Two consonants and a vowel, none of no’s lovely symmetry. Not only is it unbalanced, it’s unbalancing. “Yes” shatters the status quo. “Yes” breaks the mold. “Yes” floods your comfort zone with pepper spray and forces you to get the hell out of there.

“Working on that novel today?” Yes.

“Gonna do some research on publishers, too?” Yes.

“How about exercising a little? Reading a book instead of watching TV all day? Try something new out at work?” Yes, yes, yes.

“Maybe elect an orange dude with tiny hands and a rampant narcissism to run the most important democracy in the free world?” Apparently, yes.

(Okay, I know I said I wouldn’t. Couldn’t help it. Just slipped out. But my point stands: we are shattering the status quo.)

Point is, “no” lets you stay where you are. It lets you grow roots into the floor and get comfortable. “Yes” keeps you moving. Not always forward — if only life were so obliging — but always onward.

I teach drama, and one of the things I spend a lot of time on is improv. For the uninitiated, improv is that crazy thing actors do where they go in without a script, take on suggestions from the audience, and attempt to roll with it. Sometimes the scenes crash and burn, sometimes they soar. But always, the scenes are interesting. Even a scene that crashes has interesting tidbits lurking in the rubble. Anyway, the cardinal rule of improv is: “say yes.” Your partner brings to you a strange suggestion. “Let’s go see what’s in that cave.” That’s an opportunity. For you, because you get to embark on an adventure that you didn’t even have to come up with. For the audience, because now they want to know what’s in the cave. If you say “yes,” we all get to go on the adventure. If you say “no,” not only do we not get to go on the adventure, but we have to come up with a new idea. Not to mention, you piss off your scene partner, which is never a good idea. Actors are jerks.

So, let this little spiel fall into the pile of things I would have said to a younger version of myself. Say yes. Go on the adventure. Try the thing that scares you.

You know. Except for the whole voting for the orange guy thing. It’s okay to say “no” every once in a while.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

The Weekly Re-Motivator: Turning Away

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So this week has been … well, it’s been something, hasn’t it? One of the weirdest and perhaps most depressing weeks in recent memory.

But I can’t wallow in the pain, the uncertainty, the massive, all-consuming doubt that the imminent Trump presidency carries with it. Maybe it’s my unbridled optimism. Maybe it’s the fact that I have faith (how? where did this faith come from? I hate everything, after all) that, though it will certainly be bad, it won’t be that bad. Maybe it’s that I can’t stand being in a pain- and griping- and complaining-spiral.

Trump’s presidency will either be a total cock-up, or it won’t. And I know people are protesting in the streets, and I know the petitions are swirling and people are social-media-sharing that there are still things we can do to stop it, but … sorry, I don’t have that much faith. The electoral college is not going to negate itself just because the country has heartburn. Trump isn’t going to resign because he sees the protests and all the #notmypresident-ing. (By the way, you won’t catch me saying such ridiculousness. For better or worse, Trump is our president. That doesn’t mean I endorse him, but it does mean we get to hold his feet to the fire. We have to be good skeptics, as I said the morning after, and that means giving him a chance — even a short one — to not be a total scumbag as the leader of our great nation.)

We have to get on with our lives.

And yeah, I know, I speak this from a place of privilege. I know that I have the benefit of being allowed to get on with my life, as a middle-class white dude. And a part of me is more than frustrated with myself on that account. You can’t just move on like that, I hear myself insisting. Others can’t move on; that’s why this is so important.

But he’s only one man, and our country is bigger than one man.

I just … I can’t stay here, in this state of mind where the election of the orange nitwit is front of mind every day, for too many hours in the day. I’ve lost too much productivity and too much mental energy down that black hole (and a black hole it is; it sure as hell doesn’t give anything back for everything I’ve poured into it over the past several months).

He’s the president-elect, now, and in January, he’ll be the president proper. I think that sucks. I think it’s an embarrassment. I think we (and by “we” I mean basically the entire USA, even those of us who voted against him — because we couldn’t stop it) have made ourselves something of a joke on the world stage.

But I’ve got books to write. I’ve got students to teach. I’ve got kids to raise up into something resembling decent human beings. And miles and miles to run.

I’ll keep wearing my safety pin for solidarity, as long as that’s a thing. I’ll stay informed and vote in the 2018 elections, and I sure as hell urge everybody out there to do the same. And I’ll certainly be keeping tabs on our new president as he creeps toward office.

But — and I realize I’ve said this before, but now that the election is over, it feels more final — I’m not going to be posting about it as much around here. It’s tiresome to me, and I’m sure it’s tiresome to my readers. This is supposed to be a blarg about writing and running and parenting and other lighthearted sharknado like that, for fargo’s sake.

I’m not going to be thinking about it all the time. I’m not going to waste my mental energy worrying about a thing that’s out of my control.

I’m going to co-opt a bit of religious wisdom (without the religion) in the form of the Serenity prayer:

God, grant me the serenity to accept the things I cannot change, Courage to change the things I can, And wisdom to know the difference.

You don’t even have to believe in god to see the wisdom in that. Any good meditationalist (is that even a word?) will tell you that serenity comes from within.

For me, at least, it’s time to turn away from Trump and the noxious cloud that surrounds everything about him. It’s time to turn inward.

It’s time to get back to work.

This weekly remotivational post is part of Stream of Consciousness Saturday. Every weekend, I use Linda G. Hill’s prompt to refocus my efforts and evaluate my process, sometimes with productive results.