Stream of Consciousness Saturday: Sprout Shenanigans


Of course he’s awake.  I mean, why wouldn’t he be?  It’s only 5:30 in the morning.  The sun won’t be up for another hour.  His baby sister will be awake in about fifteen minutes, but after a light snack, she at least will go back to dreamland for another two hours or so.  But no, he’s awake.  Which means have to be awake, because today is my day to get up early with the kids.

Make no mistake, the mind of a child is a lot more powerful than we give them credit for.

On some level, he knows that I agreed to get up for the early shift with the kids so that my wife could have one blessed day of sleeping in.  He knows that we had a drink or two last night and got to bed later than usual.  He knows that I want nothing more than to turn off their monitors and let them cry it out until they fall asleep again, or until I wake up of my own accord.  But I won’t do that, because I’m dad.

They work together in ways you couldn’t imagine, these kids of mine.  Sure, Sprout #2 pretends to be completely defenseless and powerless to do anything and completely dependent upon my wife and I (okay, completely dependent on my wife), but I swear she’s communicating with Sprout #1, who is developing a kind of literary and oratory prowess that unnerves me a little.  Just the other day, he was playing with his toys and without any prompting, warning, or cue, turned to my wife and quoted with authority the entirety of page 37 of Dr. Seuss’s Green Eggs and Ham: “Would you like them in a car?  // I would not, could not, in a car!”  Confession time, that may not be page 37 of the book, but the quote is verbatim; I know this because I’ve only read it to him about four hundred times.  See, lately, he’s graduated from “want that” and “no beef stew” to actually using nouns and verbs together in the way they are intended, his tiny little stabs at formal language taking shape like so much silly putty being formed into the likeness of a sticky pink Statue of Liberty.

So I know he’s communicating with Sprout #2.  Covertly, of course.  While my wife and I think he’s just babbling incoherence or yelling for the sheer joy of hearing his not-so-tiny-anymore voice reverberate off the crayon-festooned walls, he’s slipping her messages.  I can only guess at what they are, but they are coordinating over the past several days in ways too numerous to ignore.  For example…

They don’t nap at the same time.  Ever.  The most we get is a fifteen-minute overlap, presumably the result of Sprout #1 falling too fast asleep and forgetting to wake up to hold up his end of the deal.

Sprout #1 will basically start crying whenever she stops.  He’ll find something to get upset about, something to want that he can’t have, something he wants to do that we can’t allow, something to fall off of and hurt himself.  When she’s crying or upset, he’s mostly cool, but as soon as she chills, it’s time for him to go to eleven.  Sprout #2, on the other hand, cries whenever I look in her direction, except when Sprout #1 is throwing a fit, then she falls asleep in a way that benefits us none at all.  Unless they decide to both go into full four-alarm screaming tantrums at the same time.  Then all you can do is sit on the couch and press your fingers into your temples until the world fades away.  Of course, then, Sprout #1 will throw a full bag of crayons at your unguarded privates, and then the whole screamy world comes crashing back into your cranium.

They can both go from being absolutely adorable to being nightmares out of a Stephen King novel in the space of about ten seconds.  All it takes for Sprout #1 to turn is tripping over a toy, or being told he can’t have a popsicle, or his daddy taking a little too long to get him loaded into the car to go to the playground.  Sprout #2, as I mentioned before, can turn on me in the space of a second for no reason I can discern.  I think she just likes to see if she can make me cry by crying at me, in a weird sort of reversal of the “let me imitate the face you’re making” game that kids apparently like so much.

They coordinate farts.  This cannot be made up, and I would not dare to embellish.  Just this morning (shortly after they both woke up prior to 6 AM) we were sat on the couch watching PUPPY SHOW (I’ve no idea what the show is called, LeapFrog something I think, but Sprout #1 calls it PUPPY SHOW so PUPPY SHOW it is), when I felt the tiny little burst on my left thigh where Sprout #2 was sitting.  Not a moment later, a somewhat bigger, juicier, louder brap on my right thigh.  Then a series of staccato fut-fut-futs on my left thigh from the newborn.  Then a deeper, gut-rumbling pfffththththth on the right. Then I’m sitting there, holding the two of them, laughing so hard I’m crying as their symphony of gastrointestinal woodwinds blows away in my lap.

And of course, they don’t let us sleep in.  No, she wakes up at 5:30 or 5:45 like clockwork for her early morning snack, and he’s up and kicking by 6:30, just about the time my wife is falling asleep again after providing the snack for the newborn.  But no, when it’s Daddy’s morning to get up early with the babies, they’re both up at 5:15 and there is no falling back to sleep for them or for Daddy until the sun is out and it’s so hot in the house no adult could sleep for fear of suffocating on his own sweat.

I love my children, I really do.  But I think they’re trying to kill me.  Not cold-blooded murder, you understand.  Just the long, slow, inescapable death of gradual exhaustion by degrees.

 

This post is part of SoCS:

http://lindaghill.wordpress.com/2014/08/22/the-friday-reminder-and-prompt-for-socs-august-2314/

To the Parents of Children Gassed in Ferguson (I Am Not Sympathetic)


I’ve said it before, but it is not my intention to go around starting fires using this blog.  I try to speak from a place of my own personal experience and to generalize that experience when it’s appropriate to those unlucky souls who read what I write here with any manner of regularity.

That said, there are some things going on in Ferguson that I do feel comfortable making blanket statements about.

Look, what’s going on there is a tragedy and a travesty.  I’m not here to say that justice has gone haywire or that people are overreacting — it’s a capital “B” Bad Situation there right now no matter how you slice it.  That said, what the situation calls for is NOT people across the country jumping immediately to the blind defense of one side or another.  We simply don’t know all the ins and outs and it’s impossible for us to make a judgment on what should or should not be going on there from one day to the next.  But I do know ONE thing that protesters SHOULDN’T be doing, and that’s involving their kids in the protests.

A thing that’s getting a lot of play today is that apparently some children were on the receiving end of teargas used by the police to disperse one of the protesting groups (I’m being really careful not to use the word “mob”, because, again, I’m not there and I don’t know the situation).  And let’s not split hairs: that’s bad.

But.

The subsequent headlines and outrage and villainization of the police on the back of this unfortunate eventuality is all a fraud.  You can’t be mad at the police in this case and this instance because it is not the police force’s fault the kids got gassed.  You just can’t.  Sorry.  I know the narrative is supposed to be that the police are jumping to violence and becoming downright fascist and impinging on human rights down in Ferguson.  And the truth is, maybe they are.  But that’s immaterial in the case of these kids getting gassed.  No, if you’re a parent in Ferguson and your child got gassed, that is your fault.

“But the police shouldn’t be using teargas to break up peaceful protesters!”

Maybe not.  But they have been.  They did it on the first night of protests and they’d done it again since.  What makes you think it’d be any different this time?

“But those protesters were protesting peacefully!”

Maybe they were.  But those protesters are also fully and acutely aware of just how tense the situation is out there.  They know the cops have (and I really wish there were a better metaphor) itchy trigger fingers.  They knew and they know that it can go down at any moment out there.

“But those were just children!”

Maybe so.  But a mob is a mob (again, I’m not saying it was a mob, but I’m saying that the police are treating it like a mob), and when you’re dealing with a mob, you don’t have the luxury of time to say “oh, this person is physically trying to murder me and that one’s leading a hunger strike; let me direct my limited resources at the one that matters”.

No, the onus for any child getting gassed at any of these protests is strictly on the parents.  As a parent, your job, before anything else, is to provide for the safety of your child.  Your kid should have been at home, watching terrible reruns of cartoons you’ve seen hundreds of times, or — and I know this is pretty far out there — in bed, asleep.  Instead, you brought the kid to a protest.  A protest in a city where over the past week a teenager has died, reporters have been arrested, and teargas and rubber bullets have been unleashed on protesters.

Let’s not forget, either, the lunatic selfishness and self-importance that might cause a parent to bring a child to an event like this.  I understand the compulsion, and perhaps even the fervor that makes you feel like you have to be present, that you have to be a part of what’s happening when your community is in turmoil.  Guess what?  Your first job as a parent is keeping your kid safe; you have to either accept that and sit the protest out or embrace the idea that you’re putting your child in harm’s way for your own ideology.  I might as well bring my kid to an industrial finger-slicing factory for the educational possibilities and be angry when my kid sticks his hand in a machine (as kids are wont to do) and gets his fingers lopped off.  It’s not the machine’s fault that YOU put your kid in a dangerous situation.  The machine is just doing what it does.  The police in Ferguson are just doing what they’ve done since this whole mess started.  I’m not saying it’s right; it’s not for me to decide what’s right.  But they’ve been using teargas and rubber bullets since the first night, and you brought your kid to the protest?  You should be arrested for child endangerment.

The righteous indignation over kids being the newest victims of police brutality in Ferguson is as empty as the sympathy-pit in my cold, dead heart for these idiots putting their kids in harm’s way.  News outlets posting that “violence in Ferguson has turned against children” or “children are the latest victims of police aggression” should be ashamed of themselves.  Parents raising hell and boo-hooing and calling for the officers in question to be killed or arrested can likewise go take a hike.  The police are not knowingly firing on children.  They’re firing on a “mob.”  Let’s say you have a delicious piece of cake.  It’s glorious and has just the right amount of buttercream frosting and the cake mix is just delectable; it’s so perfect that no man living could say a cross word against the cake.  You stick the cake into a brown paper bag, light the bag on fire, and ring my doorbell.  I open the door, see a burning bag, and proceed to stomp it into oblivion to extinguish the flame, ruining a perfectly good piece of cake in the process.  You don’t get to paint me as a cake-hater.  The only way you get to say the police are targeting kids is if the police broke into your house where your child was sleeping and gassed him in his bed.

And if the cops did see the kids in the crowd?  Sorry, you still don’t get to villainize them, because now you’re hiding behind the defenseless to deter the threat of violence, which is the most cowardly of cowardly war acts.

Oh, and if you did bring your kids to the protest in the hopes that you would gain more notice for yourself or your cause by involving the kids, shame on you.  Kids don’t have an agenda; kids don’t have the capacity for that stuff.  At best they think it’s some intricate field trip, at worst you’re just indoctrinating them.  And, oh yeah, if you got your kid gassed at the protest you just had to be at, you’ve only taught him to hate cops and by extension all authority figures, which I’m sure is NOT AT THE HEART OF ANY OF SOCIETY’S PROBLEMS.

Let me reiterate that I don’t think the cops are right in this.  I don’t think that they’re wrong either.  It’s not my place to make that call, but if they have received death threats and if the crowds are growing unruly, then I understand their position.  By the same token, I don’t think the protesters are right in this, but I don’t think they’re wrong either.  A member of the community is dead and the police seem to be closing ranks, so I understand their position.  What both sides need is a good solid dose of calm-down juice and probably a more forceful authoritarian force coming in from outside to chill the business out.  Maybe the National Guard can help that today.  Either way, for the love of all that’s holy, leave your kids out of this mess.  They don’t deserve to be on the receiving end of violence that you’re helping to perpetuate, no matter what you believe about this situation.

Simmering my Brainmeats in a Fragrant Crockpot of Creative Doubt


My Flash Fiction from last week is enjoying a bit of success over at terribleminds.com.  So good, in fact, that I stand to win a free e-book off the back of it (yay free stuff!).  That thread is here:  Three Sentence Stories.  And it got me to thinking, which is a bad habit I have.  Because I love these little Flash Fiction challenges; I take great pleasure jumping into them with both feet no matter how difficult or ridiculous or outside of my comfort zone they may be.

If you’re going along with this post, you might want to check out my series of stories from last week, because I’m stewing over them right now.  Simmering my brainmeats in a fragrant crockpot of creative doubt.

Writing the last one — I should say the last set, since I expanded on the topic and wrote way more than I perhaps should have — was instructive, because the development of the stories was so strange to me.  With only three sentences to tell a story, I agonized for the weekend over what story I could tell, what characters I could bring to bear, what possible development and twists I could effect within such a short period.  My first story was good but fell into my typical vein of the dark and somewhat horrific account of a more or less mild-mannered somebody taking part in senseless violence.  It’s a little bit of a motif with me, I’m afraid, and I’m just not sure how effective it really is.  It wasn’t bad, but the moment I wrote it, I realized just how much of a step into an old shoe it was, which is why I decided to write another one.

So I rebooted, kept my central idea and parameters, and brought in new characters, new conflicts.  New perspective, new story, new twist.  And v2 was better, I think, though it still fell in the same dark, depraved vein of the first.  But twisting the idea in my brain felt refreshing, so I tried again.  If the first story was a cruise down a familiar highway, the second was a short detour on a quaint exit ramp for a franchise burger.  A bit different but nothing incredible.

So for the third go-round, I decided to take a hard left into the ditch.  Rather than characters, I characterized inanimate objects (more or less), let them talk and explore human emotions and ideas, and … end up at the same dark murderous place.  Hmm.  The new take on characters was like a fantastic little food truck discovered set up around the corner from my office.  Totally new and exciting food in a familiar and comforting setting.  I knew I was getting warmer.

On the fourth go-round, I struck gold.  I re-imagined the central idea once again, personified an inanimate object and used my scenario to describe a situation that happens every day.  Not an earth-shattering revelation about everyday, just a little thought experiment on what might be happening when the vending machine at the end of the hall rejects your dollar.  Somehow, it felt like gold.  An ostensibly ridiculous premise with an endearing (at least, I think so!) character whom you don’t expect, giving an unexpected perspective and staying light and upbeat.  So it was a bit out of my comfort zone, a bit funny, a bit ridiculous, and very much me.  As I was writing it, before it was finished (yeah, that quickly, even before I could finish three sentences), I could tell it was the best one.  That “magic” was happening, that crazy feeling where you feel like you’ve tapped into the magical mind-juice of the universe and your pen (okay, your keyboard) is acting as a conduit for the timeless universal stories that speak to everybody.  You know, a good writing session.

The fifth attempt felt a little forced, so I pulled the plug after that one.

So, to reflect, I wrote one story in my usual vein, a second with one foot out of the vein, a third with an eye on a different horizon, and a fourth that struck out toward that horizon and — by all accounts — seems to be resonating with folks who read it.  So now, I’ve got another prompt in front of me for the weekend, and I’m all in my own head, wondering if I need to write three junk stories before I get at the “real” one.  For that matter, I’m working on an extended short story and boy oh boy, does it feel awkward and forced.  Like I’m in touch with the central idea, and I’m enjoying the premise, but I can tell as I’m writing it that I’m not telling the story the right way.

Do I need a few crap attempts at the topic to “clear the pipes” so that I can get down to writing the story that I want to write?  If so, how far do I have to carry those stories out?  When I wrote Rejected v1, it felt like a pretty good story to me, but in retrospect I can see that it’s awfully derivative.  The current version of Powdered Chaos, at about 30% completion, already feels crap.  Do I need to carry it to is conclusion before I take another stab at it?  Or, having written about 4000 words on it already, can I legitimately realize it’s crap and start over without crashing my creative process?

In short, just what the hell is my creative process anyway?  This is seriously bugging me, and it’s bogging down my writing hard while I’m trying to carry my momentum through this lull before I jump into editing Accidentally Inspired.

Need to figure this out.  Anybody else have anxiety like this about your drafts?  How do you attack it?  Do I just write the crap to clear the pipes or do I resist the urge to waste time on the crap and hold out for the good ideas to strike?

Nothing a Little Run Can’t Fix


Once more onto the beach, or however that saying goes.

I dutifully took my two weeks(ish?) off from SERIOUS writing to let the mind decompress and drift back into its natural jellylike state after four months of grind, but today is the day I pick it up again and continue whipping my word-vomit into something approaching Prose Worth Reading.

As with virtually every writing or otherwise creative project I have ever undertaken, the choosing was the hardest part.  For better or worse, choose I have, and now I press on with the goal of expanding one of my recent Flash Fictions into a fuller, more developed short story.  I’m aiming for about ten thousand words, just as a ballpark sort of area I’d like to land in, but if it runs long or short that won’t upset me terribly.  I’m not sure what the real goal will be as far as what I’d like to do with this one when it’s written, but I want to try out a length in between these little lightning strikes I’m spitting out every week and another full-length heartstomper like the novel has been.  Ten thousand words seems a nice happy medium, and when I’m finished with that, it will perhaps be time to start back in on editing Accidentally Inspired.

If you’re curious (why wouldn’t you be?!) I’m going to be expanding my entry from a couple of weeks ago, Powdered Chaos.  I feel like I scratched the surface of something really interesting with that one and I think it’s worth the time to delve into that particular cave and see what squishy bits of sweetmeats I can deliver back to the colony.  What’s that?  “Sweetmeats” aren’t what I think they are?

Hold on.

Okay, a sweetmeat is, of all things, a pastry.  The word I was thinking of was “sweetbread”, which for some reason is the name for pancreas.  English is a whimsical old thing, innit?

Anyway, I’ll be delving that particular cave over the next several weeks, with a much more reasonable goal of 600 words daily.  900 was a great goal for the novel, and I may use that as a benchmark in future times of novel writing dementia, but there were more than a few days when I started wanting to chop down trees with my keyboard after word 600.  Keyboards not being a particularly effective cutting implement, that’s the kind of impulse I’d like to, y’know, steer away from.  So.  600 words, five days a week, that’s about four weeks to turn Powdered Chaos into something that’s… well, something.  This is all experimental; don’t look at me if a zombie goliath of stitched-together story bits and half-formed ideas begins roaming the countryside and devouring your livestock and KILL IT WITH FIRE.

First day (night actually) of working on this one went swimmingly.  I chalk it up to my run this morning.  No, seriously.

I decided this was the project I wanted on Thursday but I wasn’t sure how I wanted to go about expanding it.  Start farther out front?  Deal with multiple characters and their interaction with the thing?  Maybe continue on past the one outlined in the story?  It was a problem and I was blocked.

As I’ve mentioned before, Past Me would hit a roadblock when writing and park the car, slash the tires and hitchhike back to town, abandoning the vehicle to looters and hobos.  New Me has no truck with blocks; he drives right at them with the brights on and the horn sounding its dopplerized war cry, and if the block is still there when I get around to my writing that day, well then WE’RE BOTH GOING DOWN.  Writing tonight was a given.  The how and the what and the whatever would come to me.  So I laced up.  (Actually I strapped up because my Vibrams don’t have laces, but… yeah, “strapped up” sounds a little bit like… okay let’s just move on.)

It was a rainy morning, so I left the sprout at home.  Also because of the raininess of the morning I didn’t take my headphones with me (they are a bright shiny BIRTHDAY GIFT and I am not ready to ruin them yet even though they are life-altering and awesome and give me wings).  Imagine!  Running completely unfettered by forty pounds of toddler + stroller and undistracted by mindless thumping dubstep!  I’ve not had such a run in months and I desperately miss it.

Running without distractions is something I always say I’m going to do more often and never actually get around to doing much at all, but I maintain that the experience is peerless when it comes to solving problems personal and mental.  So I’m hoofing it and enjoying the quickest pace I’ve had on a run in a while and delighting in the mist on my face and now and then pondering the question of what I’m going to do when I come up against this roadblock in actually starting the thing and then I get this idea, like a midget was following right on my heels and hopped up on my back and whispered in my ear so softly I could barely hear it, “point of view.”

And I cocked my head and pondered on that, because it’s not a complete sentence after all, but when ideas drift into my head on a run they usually do it for some sort of reason and I always at least try poking at them to see if they bite back.  “Point of view?” I pondered.  No answer.  The various Me’s bouncing around in my head only answer when they feel like it, or when I’ve had a few adult beverages.  And I run and I ponder, run, ponder.  It hits me that the point of view in that story is wrong.  Not wrong like five is not the answer to two plus two, but wrong like whitewall tires on a tractor.  The thing still runs, but it ain’t optimal.

So, change it.  But to what?

Well, I won’t spoil it yet, but needless to say, the point of view has been changed, and in a way that I hope will be both surprising and satisfying.  And I got a cool 750 words in tonight without breaking a sweat, but of course that should be tempered immediately because the honeymoon is just getting started with this thing.

At any rate, lesson learned.  There has not yet been a day when I’ve had a run and not felt better about my writing at the end of it.  It’s a lesson I keep learning and somehow keep forgetting, so THIS POST should serve as a reminder to any and all Future Me’s: Next time you get blocked, or think you might get blocked, or even think you might think about the possibility that in some future eventuality you could possibly get blocked, just lace up.  (Or strap up.  No, just lace up and adjust for your needs.)  The road and your feet and the void will go to work on the problem and before you know it, you’re home and ready for a shower and a good write.

An aside on side pieces


This post is part of SoCS:http://lindaghill.wordpress.com/2014/07/18/the-friday-reminder-and-prompt-for-socs-july-1914/

The prompt for a stream of consciousness piece this week is the word “side”, and when I read that, for whatever reason, the phrase “side piece” jumped into my brain and burrowed in like a tick.  A side piece, for those not in the know, is essentially “the other woman”, a woman that a man has an ongoing relationship with despite having a primary relationship with a long term girlfriend or even wife.

The concept is obviously nothing new, but what baffles me is the term itself (yeah, yeah, another one of those “I fixate on language” posts, I can’t help it, this is my brain).  “Side piece.”  “Side” is obvious, given the fact that the relationship that has been entered into is one on the side, and that’s fine.  The problem is the word “piece”.  It’s not a word you use for a person.  You have a piece of meat, or a piece of pie, or a piece of a puzzle, or if you’re the vulgar type, a piece of ass.  A person is not a piece!  And if you feel like defending the terminology to me, YES, of course I understand that it’s “just a figure of speech”.  That doesn’t make it okay.  Here’s just another example of objectifying women that has become culturally sanctioned and, as a result, accepted (see the video).

To go further still, women are embracing the term.  This is what baffles me.  I mean, okay, you won’t see a classy woman embracing the term, but there are scads of women out there bragging and boasting about being somebody’s side piece or becoming a side piece.  In fact, just searching for that video above on youtube displayed a page full of GUIDES designed to HELP A WOMAN BECOME A SIDE PIECE.

Far be it from me to tell a woman how she should think.  I fully own and accept that any view I might have on the subject is colored if not tainted by the windows I look out through up here on White Male island.  Your sexuality and the relationships that you enter into are your choice.  Do what makes you happy. But accept and understand that in the culture you live in, being “the other woman” is a scarlet “A”; it will get you shunned and judged, doubly so if you brag about it.  And, seriously, despite all the gains they’ve made in the last century, women are still fighting a neverending tide of injustice and inequality in this country (and others).  The last thing they need is dissenters within their own ranks setting women back by embracing and making light of this vicious sexism.

I’m cutting this one short because even thinking about this topic is putting a sour taste in my mouth.  Our country needs to grow the fargo up and stop standing for crap like this, and I mean the men FAR more than I mean the women.

…My blarg has been way too preachy over the last couple of days.  I’ll have to remedy that.