Solo Shot


Chuck’s challenge this week: Interestingness. In short, find a photo, write a story. I found my photo here. Something about it immediately haunted me, though I guess there’s nothing overtly creepy about it.

This one went in an unusual direction for me. Sometimes you just have to ride where the story takes you.

Solo Shot

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Elise has been gone for four months now.

Every day or two I’ll go combing through her old facebook account, looking at her pictures, reading the stupid little things she wrote, choking back sobs at the tearful farewells of friends and families. Her pillow still smells of her shampoo, and sometimes if I go to sleep hugging it, I’ll have dreams where Elise is alive, warm. Feel her arms wrapping around my neck and her hair like angel’s breath brushing my cheek. But it never lasts. I wake up and it’s worse than ever; I feel her absence like a rash under my skin, like I want to claw at my insides to make the pain stop.

My sister asked me for a picture of myself last week. I told her I was fine, but she wanted proof, so I sent her a selfie, and I guess I didn’t convince her. The deep-set, drooping eyes, the hair plastered ridiculously straight up by pressing my face into her pillow, the week’s worth of scraggle under my chin, the t-shirt stained with Monday’s Taco Bell salsa, Tuesday’s McDonald’s ketchup, and maybe Wednesday’s bowl of tomato soup. (I may have been wearing this shirt for longer, but I only have proof of those three days.) The moment I snapped the picture, I nearly deleted it, but that was when I saw Elise for the first time.

It was the strand of hair just over my shoulder. At first I thought it was a trick of the light, just an overexposure, or an artifact on the lens causing the sublime glow over my shoulder, but the chill on my spine, the tingle on my neck, the cold sweat on my forehead told me it was her. My sister didn’t see what I was talking about, but it was as plain as a message etched in fire to me.

Was she with me, still? Watching me, waiting for me, looking over my shoulder? I snapped another picture, and again, that trick of the light, but this time there was still more — the ghostly blur of an outline just behind my ear. I know the curve of her face like I know the feel of her touch, the touch that I felt on my shoulders, the ghostly warmth of her embrace from beyond, as I was certain it was by now. It was as if in her first picture, I had merely sighted her like a distant ship on the horizon, and now, she was striving to be seen, being etched more clearly despite the shimmering veil she had to peer through.

I began to take pictures at every opportunity — with the rays of the morning sun streaming through the window, on the front porch in her favorite rocking chair in the hazy afternoon heat, by the window as the evening chill sets in — and with each one, I saw her more clearly. Like the slow advance of a glacier, Elise took shape over my shoulder: first that lock of hair, then her cheek, then one gleaming, eternal eye, then the other. Her face snapped more and more into focus, becoming more and more visible, the phases of the moon recreated in her too-pale flesh, peering over my shoulder with that smile like she knows what I’m thinking even now, long after she’s gone. My sister can’t see Elise at all in these pictures, or so she says. She says I’m trying too hard to hold onto her, that I need to let her go. More likely, she’s afraid; afraid that I’ve found a way to connect with her, to be with her, even though she’s gone. Even though she’s only a faded echo of herself, forever behind me, gossamer and translucent and present only through the lens of the cell phone camera.

Last night, on a whim, rather than taking my selfie as usual, I caught sight of my grandfather’s antique Nikon on the shelf. He was an avid photographer, believing that the right picture could literally capture a person’s essence. I found some film in a box of his things in the attic, loaded the camera, and pointed it at a mirror. I drove to the Walgreen’s at what felt like 100 miles an hour and waited in agony for the shot to develop.

Maybe there’s some ancient artistry at work in the camera, maybe it was the mirror, or maybe the electronics of the modern age muddle whatever wavelength she’s appearing on. In the photo Elise appears as real and as lifelike as if she were truly there, her chin propped on my shoulder, her eyes dark and knowing, her lips parted as if she wants to tell me a secret. She’s there, frozen in that moment, waiting for me, calling out to me through the film and the clockwork of the camera.

My sister still doesn’t believe. She looks at the picture and insists that nothing is there. I think she’s afraid for me, but it’s I who fear for her. She’s determined to believe that Elise is gone, that all who leave us are gone, and my insistence that I can still see Elise, feel her, through these pictures upsets her. But that doesn’t matter. I’ve ordered dozens of mirrors to hang all around the house, and found a trove of old film on ebay. It’s all right that she’s gone. My life with Elise doesn’t have to stop. I plan to fill the house with pictures of us, as blissful and enamored as the day we met. I can live our vacations, our date nights, our quiet nights at home and our rambling road trips, as long as I can find a mirror and keep my camera loaded.

My sister says that’s creepy. But I don’t care if she can see Elise or not. I don’t mind that she’ll see a house full of pictures of me all alone. I’ll always see her.

Because she’ll always be with me.

The Bag Man


Chuck’s challenge for the week: The car chase.

The fact is, I am not that thrilled with car chases. All they ever seem like is another tool to demonstrate how clever the chasee is and how inept the chasers are, and usually that’s just a big game of cops and robbers but with explosions and smashed fruit stands and millions of dollars in collateral damage. So I tried something a little different, a sort of Walter Mitty glimpse inside a familiar scenario.

The Bag Man

Wednesday mornings are the best. I get left alone most of the time, only occasionally getting called upon to fetch this or that. Mostly I hang around trying to dig up dirt on the neighborhood offenders, a couple of crazy cats that like to loiter around and cause trouble for the locals. Makes me sick, really. Dunno why they can’t keep that stuff in their own neighborhood. It’s sort of a little game we have: one of them will set up shop in a shady spot until they see me coming, and then they just bolt. Truth be told, I don’t know what I’d do if I caught one of ’em, but I chase ’em to send the message: this is my turf, not yours. But before too long they hop a fence or scramble up a fire escape or something, and well, I’m not in the shape I once was, so that’s usually the end of that. I can’t help but get the sense that they’re laughing at me, but this is my turf — it’s not like I’m going to STOP chasing down the no-goodniks.

But there are none of them hanging around this morning, which is good. Leaves me undistracted so I can focus on the big kahuna.

I’ve been chasing this guy for years, but I’ve never truly had a good chance at catching him. He always catches me unawares, showing up and dropping off packages for his associates, and clearing out before I can question him. He doesn’t wait around for payment, so I’m guessing he’s just some sort of bag man for some even bigger, more sinister syndicate operating right under my nose. I’ll hear the roar of his engine as I’m sitting down for a nice bowl of chow, or while I’m hunkering down for a midday nap, and by the time I can get on the road to look for him, all I can see are his taillights going around the bend. He’s been dodging me for years, and all I’ve got is his vehicle; a flat white truck with blue stripes. Inconspicuous. Blends right in. Vanishes quick.

But not today. Today my superiors have been a little lax with the call-ins, and as a result I’ve been ensconced in this sweet little spot all morning. I’ve got the whole road staked out, from the Johnsons’ place with the absurd little Cupid fountain out front, to the Smiths’ down at the end of the block with that gorgeous picket fence. The kind the neighborhood toughs want to pee all over. Sleepy little town. My town. When this guy rolls through today, he’s gonna feel the heavy weight of justice as I clamp down with my —

Son of a bitch. There he is.

I hear him before I see him, the peppy little coffee-grinder sound of his engine betraying him from around the corner of the Johnsons’ yard with that low-hanging Magnolia tree. He’ll lurch into view, turn this way up the street, and then I’ll have him. And, sure as sunshine, there he is, the boxy front end of his little white truck poking into view, before he makes his move…

Bingo.

He turns down my street and I turn from my post, hopping down from my window seat — its comfortable shape, molded perfectly to my butt, forgotten as I fly into action — and down the stairs. I skid out of control when I hit the linoleum in the diner — they must’ve just waxed — and crash into the kitchen wall with a decidedly unheroic yelp. Not my proudest moment. I spin around in a jiffy, though, and dart for the back door, which crashes open as I barrel through it and bangs shut the moment I am clear. Its clatter sets my teeth on edge as it does every time I give chase, priming me for the hunt.

The truck is almost at the Smiths’ by the time I careen onto the road behind him, my tail end swinging wildly out into the far lane as I fight for traction on the rain-slick asphalt. Then everything catches and I am flying, hurtling through space toward him, his white-paneled exterior growing large in my vision, the absurd red-and-blue eagle taunting me from the back hatch. I see his arm withdraw, empty of packages, and I know it’s him. Another successful drop. The wind of my pursuit flows like fingers through my hair, whistles in my teeth, tastes of paper and diesel and lunch meat on my tongue.

His engine growls and he lurches away from the curb, that tinny grinding sound like a nest of angry bees infuriating me. He’s not getting away, I silently vow, not today. And I am certain that he can hear my growl from behind, because he’s picking up speed, scattering tiny pebbles like living, malevolent marbles and causing me to slip and fall further behind.

He can’t get away. But he’s going to. If he makes the turn onto Oak, he gets away every time. I can’t keep up with him in the open.

I call out for backup, barking out in short, clipped phrases to my colleagues, trying to get them to join the chase — The bag man! He’s on Studebaker Street! I’m in pursuit! — but I know, in my heart of hearts, that nobody will help me this time. I’ve roused them too many times, I’ve made this my own personal crusade, I’ve exhausted them with my tales of my great chases after this guy. I can see them now, elbow-deep in piles of trash looking for leads, asleep at the desks catching a nap before their shifts, lazily munching a snack of congealed bacon and beef from last night’s leftover burgers (probably going bad, but some guys will eat anything). They’ll hear my call, think to themselves, Rufus is at it again, and start laughing, already anticipating my tale of another failed pursuit.

Not this time, boys. I dart forward and just miss his bumper, go sailing into the road as he clips the turn short. An oncoming wood-paneled wagon slams its brakes and skids, its occupant just visible above the wheel, squinting through glasses that make her eyes look somehow twice as big as her head. She stares at me and I shout at her, “Get outta the way!” but she’s frozen behind the dash like a deer that’s just scented a predator, and I have to take to the sidewalk to get around her.

She’s helped this monster get away without even knowing it — Oak Street is a long stretch of straight road, and the white truck has opened up a tremendous gap on me. I slide back onto the asphalt, ignoring the honks of the angry motorists I cut off, and continue halfheartedly down the street. His taillights are tiny in the distance. He’s going to get away, I think, but then his taillights light up like great red eyes, and they stay lit. He’s stopping.

I’m renewed. Adrenaline surges into every inch of me as I open all the way up, cannonballing down the street, shocked motorists swerving aside and shouting out at my passage. He’s only a hundred yards away now. Fifty. I’m actually going to catch him. It’s happening. I can taste my victory. My tongue slides out across my teeth and hangs there.

I close the last twenty yards in a frenzy, sliding in sideways on the glossy black street to block his escape. I stare at him through the windshield, my weapons out, howling at him. Out of the car! He looks out the window, sees me, and jumps in surprise back against the door. Never expected I’d catch you, did you, you lowlife? He looks panicked. His eyes dart from me to his steering wheel, to the traffic stopped all around, onlookers gaping in dumbfounded wonder. I hear the chatter of my colleagues echoing in the background. They can’t believe I’ve done it, and they’re rushing to the scene to get a firsthand look. This is how it’s done, boys.

With a sudden movement, he slips the vehicle into low gear and tries to dart past me into the oncoming lane, but I lurch sideways and head him off. He backs off and tries to take the sidewalk, but I’m there in a flash, shouting at him now louder than ever. His eyes are wide, terrified. I can smell the fear washing off him in waves. He eases his hands off the wheel and holds them up, in the universal “nothing to fear here” gesture.

Horns are sounding all around, people are shouting. This has gone on long enough; they want to get on with their business. I realize, suddenly, that I have never actually thought of what I would do if I caught this man. I can’t kill him. He won’t talk to me — probably doesn’t even speak my language. We stare at each other in silence for a few moments as I decide, as slowly as the leaves turning, that there’s nothing for it. I have to let him go.

It’s enough, I think, that he knows I caught him. That I could catch him again, any time I wanted to. It’s enough that he knows this street belongs to me. It’s enough to let him go, terrified of what might happen next time. I pull my lips back in a snarl and move out of the road to let him pass.

He slides by with terror in his eyes, but he can’t resist having the last word. Through his rolled-down window, he shouts in a tremulous voice full of defeat: “Nice doggy.”

Then his wheels spin and in a spray of mist from the road, he’s driving off into the distance.

I lick my paws, as if this was my plan all along: to catch and dismiss this man. I move to make an explanation, but nobody’s even looking at me now; the cars are just sliding past, moving on with their own respective Wednesdays. I see my colleagues, gathered at the edges of fences, tugging at the ends of their leashes, trying to get a better look. Their faces are a mix of amazement and wonder. I know what they’re thinking. He caught the bag man. It’s enough. I pad back to the house, my head and my tail held high. Smells like lunchtime.

Dead Obvious


Chuck’s challenge this week: the Subgenre Mash-up. My mixed up genre? Zombie Whodunit.

I can remember, once in my youth, reading an Agatha Christie book, and I am sure it was nothing like this.

Dead Obvious

It’s all anybody can hope for in this world, to leave it without knowing whence the end comes. A surprise, like breakfast in bed on Mother’s Day or something. Surprise! You’re dead. And in that way, I was fortunate, because I didn’t see it coming. Middle of a dinner party. Excused myself for two minutes, and then it was lights out.

But here I am. Dead. And Alive. Which means two things.

One, somebody I know is a zombie. And two, that somebody didn’t exactly do an outstanding job covering his tracks. Just a nibble, I’m sure he thought (or she, I guess, the virus doesn’t discriminate, but it just feels like a guy’s lack of consideration), and then a total failure to kill me properly. You know, to ensure I didn’t come back.

I can feel it now, the bite on my shoulder, burning like a brand, spreading out like a fiery web. My head could be splitting open for the pain I feel; somebody must’ve clubbed me but good, to try to kill me before I came back. Nice job, that. My heartbeat sounds like the thumping bass at a rave right inside my ears. The burn is spreading. Whole body on fire. On fire with hunger.

I find myself wondering: Why the shoulder? Seems like too much sinew and bone up there to really get a good bite. Somehow, I feel like an expert in anatomy. The thigh is what I’d target, lots of muscle and fat and blood, inches of it before you tangle up in bones. Nice and soft, too, chewy and moist and…

They’re staring at me. I know this because I can feel their heat, smell their blood, hear their hushed whispers and slightly panicked breathing. All of them shocked. How could this happen? At our dinner party, no less? Right before the dessert course? Well, guess what, idiots? I may be dead, but there’s another zombie out there waiting to get you, too. It could strike at any moment.

I open an eyelid with a tiny squishing sound and they all jump. Not astute enough to catch wise to the zombie in your midst, but you don’t miss me sneaking an eye open, do you? Bunch of short-sighted jerks.

Okay. Everybody’s here. The biter is hiding in plain sight.

Could it be James? The snot-nosed trust-fund baby who’s here in a suit that costs twice the average monthly salary for a blue collar worker? He’s clinging onto the waist of his date, Barbara, like he’s more scared than she is. And she, the daughter of a hotel empire, wearing more furs than a snowbound wolf, screaming vacuously into his ear, like I’m about to get up and eat her face. Actually, that sounds rather tempting. I try not to think about how her skin would disintegrate between my gnashing teeth, how her blood would cloy in my throat, how…

Man, the bug works fast. All of them look delicious, in fact, especially tubby Vera, who’s crammed herself into a dress three sizes too small to accentuate her curves for her date, a man she hopes to ensnare in order to rescue her from the one-bedroom flat she shares with her sisters. Too bad he’s gay. Tobias there, lending her his elbow in order to keep up the charade even though he keeps sneaking glances at Francis, stands to inherit millions if he’d only marry a nice girl like Vera and give his mother some grandchildren. Poor woman knows she’s got a better chance of being eaten by zombies now than of seeing her son breed — there’s not much hiding his condition with the spangly tie, the perfectly coordinated pocket square, and swooshing sashay of his walk — but it’s nice to hope. Much like I hope to suck the meat from his fingers, slurp slurp slurp like chicken wings, and…

I slam my eye closed again to shut out the visions of devouring my ex-friend, and collectively they sigh in relief. Dead after all, they say, and shuffle from the room. Francis, the one Tobias has been eyeing, comes over to check my pulse — I know it’s him because he reeks of his cologne, smelling like cut grass and musk and cognac and spinal fluid and… maybe I’m just daydreaming a little, but he smells intoxicating — and determines that I am, in fact, dead. He announces it to the rest of the guests and they sigh in relief and move the party to the parlor. No sense hanging around in here while I lie in a pool of my own blood, going bad like the hors de’ouvres, ruining the evening the way my murderer has ruined my three-piece suit and my skull.

But wait. Francis. He’s the internet dynamo who founded a dozen different companies before he was thirty, and has been married almost as many times. Could he be my killer? It’s almost too much to imagine: as much as he’s been in the tabloids for dating this or that supermodel, that he might be the country’s highest-profile zombie to boot. How salacious. Everybody knows you can’t tell if somebody’s a zombie by checking their pulse, after all. Well, everybody except the people at this party, apparently.

Or maybe it’s Carol, who, after everybody else leaves, stands in the door frame hugging herself tightly, like all the heat’s been sucked out of the room. That’s not the room, dearie, that’s me, going cold over here on the Spanish tile. She thinks she loves me — or rather, loved me — but everybody here knows she could have done better than a third-rate investments agent. I could have bought her the mansion and the yacht, sure, but not the vacation home on the coast that she really has her heart set on. But I don’t think she could have killed me. She’s too innocent, and sweet, and delectable, and her face just looks like it would melt in my mouth, and… And there she goes.

All of them gone. Maybe now I can sneak to my feet and…

Arnulfo. The butler, of course. Pretending not to speak English so that he can simply nod and serve our drinks without a word. That ever-so-subtle limp that we all assumed was a scar from his troubled life in the third-world country of… wherever he claimed to be from. He lingers by the door, his smarmy, faintly clouded eyes lingering on me, and wipes a drop of my blood from his lip. His lip falls off, and he quickly replaces it, tamping it into place with clumsy fingers. That sneaky son of a bitch. His face contorts like he’s trying to giggle at me, or maybe he’s just moaning with the eternal torment of the living dead; it’s hard to tell which. He slips out the door toward the others.

I have to stop him before he kills again.

Shit. Did my blood congeal into glue or something? My face is stuck to the floor with sticky crimson, my limbs feel like they’re strapped with lead sleeves. I haul myself to my feet, but I feel shaky, unstable, like my body is made of jenga blocks balanced on a rope bridge. I splay my legs unnaturally to better hold my balance, throw my arms out in front to counterbalance my ungainly torso. That works. I hobble to the next room, throw the door open —

They all gasp at the sight of me, even Arnulfo, that treacherous swine. In a flash, Carol collapses in the corner with Francis, Vera starts screaming at a high C with Barbara in perfect harmony, Tobias grabs a chair and brandishes it like a medieval greatsword and James draws a little pistol from his coat pocket quick as a cobra. But that’s okay, I’ve figured it out, and I can explain it all to them in an instant, and we can kill that prick Arnulfo together.

I hold up my arms, take a shaky step toward them, and state my case: “Grrraaaaaaaaaarrrgh. Uuuuuuuuhhhhh… HmmmMMMMMMMMaaaammmmfffff.”

That’s odd. I try again: “Rrrrroooooooooooorrrrrrzzz. Nnnaaaarrrrssssshhhhhhhhhhh. Ffflllllllleeeeeeeeeeeccchhhhhhh…”

Dammit, dammit, dammit. Out of the corner of one eye, I see Arnulfo’s hand fall off. I scream at them all to look (“Blaaarrrr, BLLAAAAAAARRRRRR”), but he grabs it and shuffles out of the room, unnoticed, while they’re all staring at me like I’m some kind of monster or something.

Everybody’s shouting at me now. The girls are crying, the guys are advancing on me with their weapons, and it’s all a big mess. Still, all I can think about is eating their brains to save them from their own stupidity. I figure it’s worth a shot, so I lunge at Francis, he of the sweet cologne and flesh smell, and that’s when I hear the meat of James’s finger tighten on the trigger.

I hope he hits my brain this time.

Search History Stories


Chuck’s challenge this week: Tell a story using search terms.

Sounds weird; is weird; is also tons of fun. I wrote one, then while thinking of something completely different, another one struck me. So here’s two for the price of one, and I might just return to this format.

Make your own honey
Amateur beekeeping
Increase beehive productivity
decrease beehive productivity
controlling beehive population
webMD how many bee stings are fatal
webMD buzzing in my sleep
webMD urge to eat sunflowers
how to attract a mate through dance

meteor shower viewing
identifying a meteorite fragment
webMD strange rash on hands
webMD rash on entire body
are meteorites radioactive?
visions of the future are they real
biggest lottery jackpot america
private islands for sale

Collector’s Item


Chuck’s challenge this week: Literary Mash-Up.

I’m not sure if I’ve properly grasped the concept… I end up literally smashing the stories in question together rather than combining elements of each story’s genre, but this is a fun exercise, regardless.

Anyway, my mash-up victims were The Great Gatsby, which I love, and Pulp Fiction, which I double love. Let that serve as a warning that here there be gratuitous violence (thanks Pulp Fiction) language (thanks Pulp Fiction) booze and debauchery (thanks Great Gatsby) and possibly a deeper meaning hinted at but not in the least delivered (thanks BOTH).

Here, then, is Collector’s Item.

Collector’s Item

“We should have Tommyguns.”

Bruce propped one hand on the wheel and leaned his other elbow against the door, letting his fingers massage his bald scalp. Against his better judgment, he answered. “How many are there?”

“Six or seven, what I heard.”

“Hmm.” Bruce didn’t know how he felt about busting into a room with six or seven guys hopped up on moonshine and god knows what else, but he trusted Mr. G., even if Fitz was edgy. He changed the subject. “Where’d you get those shoes?”

Fitz had on a pair of wingtips polished to a blinding sheen. He angled his leg to get a better look at them. “Gypsies.”

“Get the hell out of here. Gypsies.”

“If I’m lyin’, I’m cryin’, sport. Band of gypsies.”

“Where did you find gypsies around here?”

Fitz sniffed and leaned back in the bucket seat, cupping a match to a cigarette and taking a deep drag. “Couple miles outside of town. They have a camp set up out there. Well, had a camp. Moved on since then. Wherever the fuck gypsies go.”

“And how, if I may ask, did you get a gypsy to part with a pair of shoes like that?”

“Gave him my .38.”

Bruce fought back the urge to slap Fitz across the face. “You traded a gun for a pair of sissyfied leather shoes?”

“I traded my old gun for a pair of designer alligator-skin shoes. One of a kind.”

“One of a kind, made out of hundred dollar bills, I don’t care; you don’t trade a fine piece of equipment like that for some shoes.”

“You do, if you have any taste. Look at your feet, man. What are you wearing, dime store loafers?”

“I promise you this: when I’m dropping bullets into somebody’s head, the last thing they’re thinking about is what’s on my feet.”

“See, that’s where you’re wrong. A man looks good, he feels good.”

Bruce shook his head and wiped a trickle of summer sweat off his brow. Fitz would argue the point until the moon got tired and went home. “This is it.”

The lights of the Hilton rose up like a luminescent palm tree in the night. Bruce maneuvered the car around to the service entrance, and in minutes, they had taken the stairs up to the 12th floor. There was some big event in the ballroom keeping everybody occupied; nobody even looked sideways at the two men in black, or at Fitz’s alligator-skin shoes.

“What I don’t understand is,” Fitz continued, having hardly stopped chattering all eleven flights up, “how big G makes all that money in such a short amount of time.”

This again. Fitz was always asking questions about the big boss. Whenever he did, Bruce could feel snakes sliding along the back of his neck. Boss had eyes and ears everywhere, and you didn’t go talking bad about a guy like Mr. G. Not if you wanted to keep your head on your shoulders.

“Do you get paid?”

“What?” Fitz wasn’t a child, but he could damn sure act like one.

“Do … you … get … paid?”

“The hell kinda question is that?”

“We’re on this job. Pays a couple hundred. Now, whether that comes from Mr. G. or from Sweeney or from whoever else, those couple hundred spend the same. Who cares where they get the money from? Long as I get my cut, I’m happy.”

“All right, all right.” Fitz spread his arms out wide, the classic gesture of a man showing you he’s unarmed and means no harm. The twin holsters revealed at his belt as his jacket flapped open belied the gesture somewhat.

Bruce flicked his watch up to his face.  “It’s time.”

Fitz knocked on the door. That damn “shave and a haircut” rhythm: tap, ta-ta-tap, tap… Thick door. Heavy. Maybe oak or something, Bruce didn’t know. Smooth green paint, numbers in gold, fancy carpets all lush underfoot. Nice place to spend a weekend, if you could afford it.

A blaring trumped assaulted their ears as the door swung open on a scene straight out of a … what was that word…

“Can I help you?” The smarmy-looking guy who opened the door leaned in toward them in a haze of booze and cigarette smoke. His eyes drifted in and out of focus as he swept his gaze back and forth across them. Guy was as hammered as a carpenter’s bench.

“Hey, we heard you all were having some kind of party or something,” Fitz said, turning on a positively magnetic smile.

“You heard right, partner! Come on in, the more the merr–” he hiccuped violently then, almost losing his balance. With a grand gesture he flung the door open and stepped aside to allow Bruce and Fitz in.

“Bacchanalia,” Bruce whispered, the word finally coming to him.

There were no less than a dozen people around the room, in various states of drunken disorder. In the middle of the room, one couple danced violently and out of time with the music. Near them, collapsed on the floor, was another couple ignoring the music entirely in their attempt, apparently, to devour each other’s face. The breathy sounds of their kissing and moaning could be heard above the penetrating music. One armchair held a woman drowsily staring at a spot about five inches in front of her face. The couch held two fellows in shirtsleeves passed out on each other’s shoulder. In a poorly-lit corner, one nervous, parrot-eyed man hung on the arm of a woman who looked as bored with him as she probably was with the world, given the clattering assortment of priceless jewelry adorning the arms folded across her chest. All of them, besides the unconscious ones, had that stumbledrunk heaviness to their movement.

The man who had greeted them beelined to the bar, a grand affair of mirrors and gold trim, hosting a litany of bottles with expensive-sounding monikers, all very English sounding. He uncorked a bottle of clear spirits and poured three glasses at once with a swirling of the bottle, splashing booze everywhere. He proffered one to Bruce, who waved it away with a curt flash of the hand.

“I don’t imbibe.”

Undeterred, the man shifted toward Fitz with the drink.

“Not tonight, buddy.”

“More for me, then!” With a mad grin, their host slammed back one of the glasses at one gulp, dribbling about half the drink down his rumpled shirtfront. Then he turned and sashayed back into the madness.

Bruce, meanwhile, had found the record player and dragged the needle, silencing the music with that unmistakable scratch. It was as if he had pulled the plug on a carousel; all the motion in the room ground to a jerking halt. Fitz, meanwhile, hit the lights, and the partygoers blinked in the sudden blinding whiteness.

“Don’t get up,” Bruce said, in a not-exactly-friendly tone, to one of the sleepers, who had woken and rose toward him. Wisely, the man sat down. Every eye in the room followed Bruce as he stalked like a panther among the drunks. He came to rest in front of the only man in the room who wasn’t drunk, a broad-shouldered affair with a weaselly look despite his lustrous blond hair.

“You must be Tom.”

“Who wants to know?” This the man said confidently, smugly, stroking the back of the woman sitting on his knee. Her hand rested daintily on his chest. If Tom wasn’t recognizable by his size and his stare, the woman was recognizable in that she looked as if the angels themselves had set her in the midst of this den of debauchery. Her golden curls tumbled past her shoulders, diamonds festooned her fingers, and her expression was flighty, bemused, and a little otherworldly. Daisy.

Bruce smiled, sliding his hands into his pockets; just chit-chat, here. “I thought so. Great party. Was that Duke I heard before?”

“I don’t know much about music. More important things on my mind.”

Bruce’s eyes glinted, and he pointed a knowing finger at Tom. “Like the way you think, Tom. Like your taste in booze, too, though I don’t drink myself. But I can tell you’re an individual who discerns. Only the finest.” He flicked his eyes momentarily at Daisy.

Tom nodded, cool, in control, but his mouth curled in a sneer. He didn’t care for Bruce’s eyes on his wife.

Fitz had glided soundlessly to stand with his back against the front door, hands resting lazily on his belt. Bruce glanced his way and Fitz nodded the most imperceptible of nods.

“Well, Tom,” said Bruce, “there’s no easy way to say this, but you’ve got something that belongs to my friend, Mr. G.”

“Who the hell is –“

Like a cobra uncoiling, Bruce drew his pistol and fired into the face of the man he’d asked to sit down. His brains and blood fountained all over the other man on the sofa, waking him up. There was an instant of cacophony in which everybody in the room began to scream, but Bruce shot the other man and things got deathly quiet.

“I don’t think we need to pretend, Tom.” Bruce grinned around his gun arm. “You’re smarter than that. We’re here to collect Daisy.”

“Over my dead –“

“Careful, Tom.” Bruce drew back the hammer on his pistol for effect. “She’s going with us. Whether you’re alive or dead when she does is up to you.”

Through all this, Daisy wore a horrified look pasted across her wispy features, but her eyes registered something else entirely, like she knew how she was supposed to act but couldn’t keep her excitement from bubbling through. She yelped when Tom swatted her on the bottom and nudged her up from her perch.

“I guess you’d better go on with… I didn’t catch your name.”

“Didn’t give it,” Fitz chimed in, smiling that winning smile from the door.

Dammit.

“I wasn’t talking to you,” Tom spat, and his bulk unfolded itself, springing out of the chair and throwing Daisy aside. He reached for the pistol at his belt but three bright blooms erupted from his chest – BLAM BLAM BLAM – and he staggered back into the chair, blood and spittle flying from his lips.

The men in the room, who’d seemed a bunch of harmless drunks before, lurched into action, reaching for concealed weapons or diving at the assassins. Intoxicated, though, they were woefully slow. Gunfire thundered off the walls of the little room, and ropes and sprays of blood mingled with the abstract artwork, soaked into the plush white carpet.

Daisy, her blond hair now red with blood, her newly crimson gown clinging to her body, stood trembling in the midst of a mass of death. The few other women in the room were screaming, the shrill sound echoing and magnifying itself in the small space. A dull thwack thwack thwack pounded on the edge of his consciousness; his heart pounding in his ears. It didn’t have to be this way.

With a heavy sigh, Bruce holstered his weapon and looked around for Fitz. Fitz knelt, his weapons spent, pounding the butt of his pistol into the ruined shape of one man’s head.

“Fitz.”

Thwack.

“Fitz!”

Fitz whirled, his gun above his head, mid-swing. A manic glee boiled behind his eyes. “Yeah?”

“We happy?”

Fitz smashed his gun into the man’s head one last time and shoved himself to his feet, sniffing derisively. “Yeah, we’re happy.”

“Miss Daisy,” Bruce said, holding his hand out for her with a little bow. Dreamlike, she took it, and allowed herself to be led from the room.

Fitz shoved his gun back into its holster and cast one last appraising look around the room. “We should have fucking Tommyguns.”