Comparison Shopping (or, Dirty Writer Secrets)


Writing is like running, I think. If you’re doing it, you’re winning.

Sounds cliche, but I believe it. For a couple of reasons.

First of all, there is no way to actually “win.” In running, the fastest person in the hundred-yard-dash won’t be able to hold a candle to a marathoner’s pace. And a marathoner won’t be able to touch the explosive energy of the sprinter. He who wins a marathon this year will get edged out next year. There is no “best.” So it is with writing. There are bestsellers, sure, but they rotate as quickly as the windmill blades on that damn mini-golf hole that you can never score less than seven strokes on. And there are popular writers within genres, but the question of who is “best” is always a matter of personal preference. So, in both endeavors, you win by simply doing the thing to the best of your ability.

Then, of course, there’s the fact that by and large, running is an individual activity. Okay, on race day you might meet up with 1000 of your closest friends to pound the pavement in your town, and maybe you run with a group on the weekend, but most of the time it’s just you and your shoes (if shoes are your thing). So, too, with writing. At some point you bring in readers, and if you’re at a certain point you might have editors or agents or reviewers, but most of the time it’s just you and the computer. Or typewriter. Or notebook. Or yellow snow.

And there’s really no point in comparing yourself to anybody else, right? I could compare myself with Meb Keflezighi (yep, I definitely had to google to see how to spell that), but what would be the point? He’s been running his whole life, and I will never perform at that level, so why beat myself up about the fact that I won’t be winning any marathons? Likewise, it’d be pointless to measure myself by such yardsticks as Stephen King, or Douglas Adams, or Jasper Fforde, or Neil Gaiman (and I’m just now recognizing that I need more female authors in my go-tos); I might as well be an ant shouting obscenities at the boot descending toward my segmented thorax.

So you run for you, and you write for you, and if you’re doing those things, and doing them well enough to feel good about what you’re doing, that should be good enough, right?

Well, that’s true. But there’s something else in us, I think, that makes it impossible for us not to compare ourselves to others. We may not mean to, we may actively try not to, but, come on — can you look at the person with a bestseller credit and not feel a little pang of, “man, maybe one day?” Can you watch Meb crossing the finish line and not think, “if only I could do that?”

I think the focus, in writing and in running, should be inwardly-focused. Your concern should be yourself and your improvement, and if you can say that what you did today was better than what you did yesterday, then you’re doing all right.

But. (There is always a but.)

I have a dirty secret. I like to compare myself to those lower on the ladder.

Right? Makes me feel good to see the people struggling with things I no longer have to struggle with.

Okay, so, when I drive around and see people out slogging it in the heat, running at a pace barely above a shuffle, I gloat a little inside. Poor sap, I think. Look how hard you’re working, for so little return. I think about how much faster I am, or how much farther I can go, and I feel better about me. I get a thrill if I pass another runner when I’m out on my own run, no matter what the situation, because in that moment, I’m better.

And I’m no different in writing. In fact, I’m worse in writing. I know a blogger/writer much in the same vein as myself, an aspiring novelist working to get his/her feet on the ground (or off it, choose your metaphor). I read his/her work semi-regularly. And he/she is just awful. Every story turns to over-the-top melodrama. Every character is an unjustified badass. Every turn is so heavy-handed and abrupt that I feel thrown into a narrative ditch while reading. The grammar errors could bleed an old typewriter dry. The spelling makes me want to punch kittens. (No, I won’t name the writer. Or link the blog. I am relatively sure he/she is not a regular reader of mine.) I read his/her work and I think, man, I’m so much better than that! And it makes me feel good about my little pile of turdlets I’ve amassed in my swampy corner of the internet.

I know I shouldn’t. I feel bad as soon as I catch myself doing it. But just like reaching for one more Nacho Cheese Dorito, I just can’t help myself. Because I want to feel like I’m making progress. I want to feel like I’m, if not the best, at least better than somebody.

And I think it’s worth remembering that, while it’s true that there will always be somebody out there who’s better than you, there will also always be somebody out there who’s worse than you. That goes for writing, running, filing your tax returns, animal husbandry, and crocheting. I am probably, for example, worse than you at crocheting.

So use me. Because I’m using you. If I think you’re better than me, I’m using you as motivation; I want to get what you’re getting. If I think I’m better than you, I’m using you as motivation; I want to make sure you don’t catch up to me, or worse, pass me. Because even though I may think I’m better than you, and you may think you’re better than me, we are all better than the folks who always say, “man, I would really like to take up running,” or “I want to write a novel someday,” but still haven’t gotten off their donks to actually try it.

I can’t be the only one that thinks like this. Come on. Admit it.

Imported Goods


Chuck’s challenge for the week: Begin with a body.

Usually I can tie the inspiration for these stories to something going on in my life, but for this one… man, your guess is as good as mine. It’s a little bit Soylent Green, a little bit The Matrix, a little bit Grapes of Wrath. And it’s a bit twisted, as usual around here, but … what can you expect, when you start with a body?

Imported Goods

“Got a shipment.”

He sits down right across from me, heavy boots and work gloves stained brown, putrid smell coming off his skin. I perk up. Hasn’t been a shipment in months, and the whole town’s running low. I look him up and down. He looks honest enough if a bit dingy, but who can tell? “They clean?”

He shrugs from under a floppy straw hat. “Does it matter?”

He’s got a point. Spot we’re in, we’d take ’em, clean or not. Technically speaking, it’s illegal to toss an illegitimate body in a harvester — that is, one that hasn’t officially been released by its claimants — but technically speaking, after just a few minutes, a harvester renders a body unrecognizable. Newer models don’t even leave behind usable DNA, they’re that efficient. The bio-nanites work fast, and they’re merciless, chewing up all the soft stuff and spitting out a softball-sized ball of bone and gristle. Used to be, we’d bury those as a way of payin’ our respects to the dearly departed who are now powering our garage doors and air conditioners, but that almost seems silly these days. The kids invented a new game with ’em and it’s taking off. Skeleball, they call it. Got uniforms and everything this year. My own kid keeps bugging me to come to one of his games. If I can make the time.

“So, you want ’em?” He’s looking at me from under the brim of that ridiculous hat, designed no doubt to hide his face, but nobody around here is going to look twice at a guy bringing in fleshy gold like this, not us, not here.

“Damn right, we’ll take ’em. How many you got?”

“Fifty or so.”

“Jesus. Where’d you come by ’em?”

“Big dope shoot-out on my block. Leader of the Wrecking Crew took out the families of a couple of Wandering Dogs. They hit back. Next thing, the block is engulfed in flames, and it’s bodies everywhere you look. Police cut back months ago, they still may not be there. And me… I was just trying to clean out my garage, and I happened to have a U-Haul handy.”

I dunno who referred him to me, and I dunno who might be chasing him. What I do know is that if I don’t move fast, he’ll take his haul on to the next town along. Time to make a deal. “How much you asking?”

#

Back in the day, I understand they used to have a guy who’d dress all in white with a goofy hat and bow tie and deliver milk to your door. Back before preservatives and whatnot, when you had to get it fresh from the teat. This is sorta like that, I guess. Preservatives of any kind screw up the processors, so the fresher, the better, and I’m driving a flatbed pickup door-to-door piled with the recently deceased. Some of ’em have bullet wounds, some have their throats slit, some are burned half to a crisp… all ages, too, and colors, a real smorgasbord. Some people are particular about what they put in their harvesters, like Drucker. He meets me on his sagging back porch and spits a brown stream of goo into a bush.

“Shit, are they all murdered?” He puts his hands on his hips and scowls.

“Earl, all I know is, I’ve got your ration for the month. Now, I came to you first, but what you see is what I’ve got. So pick something out that you like, I’ve got a lot of stops to make this morning.”

He decides on a younger girl, about sixteen, who might look at peace if the back of her head didn’t resemble an exploded sausage omelet. Tosses her in a wheelbarrow and nods at me as I pull the truck around.

“I don’t need to tell you to get that in your harvester right away. Never know who’s gonna come looking for ’em.”

Drucker gives me a smile and a wave, which I return. I flip my shades on and beat a little rhythm on the steering wheel. It’s a good morning. I never understood the law of conservation of energy in high school physics, but I sure as shit do now. You live your life, sucking up all the energy around you as you travel the world, or make your fortune, or push out a bunch of kids, or whatever you do. Then you kick off and end up supplying the juice for your neighbors to sit around microwaving processed burritos and watching old sitcoms. Nothing is wasted. The past becomes the future.

#

My last stop is at my own house. I back the truck up and slide the corpse right into the maw of the harvester. It’s missing an arm and the rest of the body is charred all over. Folks in town didn’t want it because it was unsightly, as if that mattered. But more than that, the missing arm means a couple days’ less juice we’ll get out of it. But I don’t mind scrimping a little bit. Comes with the territory.

My wife is making pancakes when I come in, absolutely gorgeous in that red polka-dotted apron. She doesn’t even wrinkle her nose at the death-smell clinging to me.

“Surprise delivery?” she asks, even though she knows already, since I texted her while I was making my rounds.

“Drug war or something.” I kiss the side of her neck, wrap my arms around her waist. “We lucked out.”

She beams at me and hands me a plate heaped with sweet-smelling flapjacks. The synthetic syrup is so authentic-smelling it makes me feel eight years old. “Well, then, guess it’ll be a quiet couple weeks around here, won’t it?”

I nod, sip some orange juice, and plunk myself down at the table. “More than a couple, if we’re lucky.” It’s been months since old man Jarvis killed his wife since he couldn’t pay his power bill, and it’d been almost a year before that. Today’s delivery will keep our community happy and healthy for a while.

The flapjacks taste like heaven, even better since nobody had to die to make ’em.

Well, nobody in our community, that is.

The Buzzing of Flydeas


I don’t always start my blargs by writing a title first, but when I do, I tend to immediately recognize the problems with the title. For example, I just titled this blarg “The Buzzing of Flydeas” (sticking with that, totally), and I realized that in that context, it might read more like Flydeas is a person perhaps of pseudo-Greek descent (Flid-E-es, or like Darth Sidious for you Star Wars berks out there) and not the mashup of flies and ideas (Fly-deas) that I intended. Incidentally, I’m setting aside “The Buzzing of Flydeas” (pseudo-Greek mythological hero) as a potential story idea. Trademarked, copyrighted, no takesy-backsies. If that’s even how you spell takesy-backsies. Takesie-backsies? Doesn’t feel right.

Anyway. I love Ghostbusters. Both of them. And one of my favorite moments of both movies is in the second film (is it pretentious to call Ghostbusters a “film”?) is when Yanosh (Janos? I dunno) is telling the ‘Busters, who have just busted up the museum and screwed up Lord Vigo’s resurrection attempt: “He is Vigo! You are like the buzzing of flies to him!” and he turns to see that Vigo has vanished completely. The confidence in his project that Yanosh has is so complete and inspiring, and then his despair when he sees that his master has (apparently) deserted him is priceless.

So, yeah. When I saw that the week’s SoCS prompt was “onomatopeia,” I thought immediately of Lord Vigo and the buzzing of flies. Here’s a guy with the power of the cosmos at his control. Survived multiple assassination attempts, harnessed the dark spirits of the underworld, bound his spirit into a painting so that he could come back from the dead in the new millenium, and rocked a freaking mullet. He had his sharknado together, even if his sharknado was all about building his throne of blood. And he was so focused on his sharknado that even the best resistance the world could muster against him (the Ghostbusters) was only as the buzzing of flies to him. So focused he saw his obstacles only as blurs in the side of his vision, tuned them out like static on the radio.

Where’s this metaphor going? Well, writing, of course. Because I’ve got the new novel on my mind in a big way. I started it with goals and portents in mind, but it’s been a bit of a slow start… I’m waffling on my protagonist a bit, I’ve agonized over the point of view, I’ve kvelled over the themes and tones and structures in the book. But this past week, that magic thing is happening; that thing where, like Frankenstein bunging a fork of lightning into the cerebellum of his reconstructed monster, the story flickers to life and starts to move of its own twisted accord. Characters have started doing things I didn’t expect. Unforeseen twists and deviations are sprouting up on all sides. The thing is getting seriously fun to write.

Which is awesome.

But. (There is always a but.)

The surge in creative energy (and creative determination: the writing is going well, so I’m more determined to get the writing done, which makes the writing go well, which…) has my head buzzing with ideas all the time. Some of them great for the story, lots of them not, scads of them completely unrelated to the story. Just a week ago I tossed off a really delightful (I felt) short story about a door-to-door salesman for vampires, and for whatever reason, it seemed to resonate with people. Whether it soaked up some of the creative juice from the novel or whether I just hit on something else good at the same time, it worked. And it worked so well, it got me thinking, “what if I extended it? Could this short about a solicitation by a wandering con man turn into a full short story rather than just a flash fiction? Could it grow into a novel?” And all of a sudden, I felt that story — that side tale, that deviation, the buzzing of flies — pulling me off my goal for the current novel.

The navicomputer was failing. I was drifting off target. (In much the same way I’m mixing my filmic metaphors now.)

But here’s the thing. When I’m in the flow, when I’m writing well and really enjoying the work, this kind of thing happens all the time. The ideas spew out like a pipe has burst in the wall: liquid inspiration pouring out of ceilings, drywall, light fixtures, electric sockets. Paradoxically, the project that generates the inspiration becomes really, really difficult to focus on for all the flydeas buzzing around (see, I finally got there). And it’s hard to say that this is a bad thing, because it gives me more material to think about for the Time that Comes After, that dread expanse of time after writing and editing the novel when it goes out for reading to various folks whose opinions matter when you have to start work on the next big thing.

Still, it gets frustrating dealing with all the buzzing of the flydeas when they’re all in your ear while you’re trying to get something done. What to do?

Make notes. I always keep note cards handy so that I can jot down any idea when it strikes me. I keep a notebook now, (one that I will not lose again, like I totally did about eight months ago) for more long form exploration of those ideas when I have a bit more time to sit with them. And I’ve started using Evernote, which is a fancy way to keep notes in a virtual space that’s accessible from any computer. Point is, if you’ve got all these flies buzzing around your head, ignoring them isn’t going to make your life any easier. You’ve got to either smash them (shut the idea down completely, which — just like swatting a fly — good freaking luck) or open the window and let them out (which means getting up from your work for a moment — stepping aside from the project for an instant to make a note — so that you can come back and resume your focus).

The Flydeas are a curse for pulling me off the project, but they’re a blessing too — they remind me that my creativity doesn’t live and die with the project I’m working on.

Let ’em keep buzzing. But they’ll do it in the tiny little jars I’ve trapped them in.

This post is part of Stream of Consciousness Saturday.

How do you deal with your off-topic ideas when they strike?

Wal-Mart Thinks We’re All Criminals


I am not a crook.

Just as a rule, I don’t break laws. That may put me in the minority, especially if you consider traffic violators to be lawbreakers (by the way, the days when cars will automatically drive us where we need to be cannot get here fast enough for me. I firmly believe that driving, like the internet, somehow brings out the worst in people just by its very nature), but I take some pride in being a guy who follows rules, does what’s meant to be done, and by and large and as often as I can, considers the people around him when making a decision.

Despite all this, and despite the fact that I look about as likely to go on a crime spree as to spontaneously break into a ballet dance, Wal-Mart and its subsidiaries think I’m a criminal.

I mean, they must, right? Because I can’t exit their establishment with any amount of goods in my possession without displaying my receipt. It’s been that way at Sam’s Club for a while, but today it happened at the regular old Wal-Mart as well.

Yeah, I know, here I go again with the first-world problems, and this is me making a big gripe over a really minuscule inconvenience, but I’m not so sure it’s minuscule.

Let me be clear: I don’t mind proving that I bought and paid for the things I’m carrying out of the store. That’s fine. What I mind is being detained (let’s not split hairs here, you get stopped on your way out the door while they “check your receipt”) for no other reason than that the store has to double-check and make sure I’m not stealing from them.

Because that’s what they’re doing. There’s really no other way around it. Checking your receipt at the exit isn’t designed to make sure you have the everything you paid for, it isn’t designed to safeguard the nutritional value of the food you’re buying for your family, it isn’t even designed to create jobs for retirees and veterans — that’s just a byproduct (though the fact that they have to take jobs like this is a subject for another post, probably too depressing for me to cover here). No, the business of checking your receipt is designed to ensure that you aren’t walking out with stuff you didn’t pay for.

In other words, that person at the door is there to say to you, “let me make sure you didn’t forget to pay for something,” which is another way of saying, “let’s make sure you aren’t a dirty, stuff-taking thief,” all while they (hopefully) smile at you and (sometimes) wish you a nice day.

And I get it. People steal stuff. Some people steal a lot of stuff. The whole self-checkout thing is throwing a wrench into the works, whether it’s the way forward or not, and there have to be some safeguards in place to make sure people aren’t taking advantage. A company’s within their rights to protect their property through reasonable means (reasonable, I guess, would be an action short of shooting you in the kneecap if you accidentally stuff a bottle of salad dressing into your pocket because your kid started having a fit in the store and you needed both hands on him to wrangle him and usher him out of the store in a hurry, forgetting to pay for the bottle of salad dressing in the process, NOT THAT THAT’S EVER HAPPENED TO ANYBODY AROUND HERE *whistles*), and having a person there to check what you’re walking out of the door with certainly isn’t an invasion of privacy or a denial of your human rights. I’m not about to stage a sit-in because a low-wage employee came at me with a highlighter. But does that mean that the company has to operate under the assumption that everybody is a criminal?

It makes me feel icky about shopping there. It’s hard to look past the subtext: “we check everybody’s receipt because everybody is potentially a criminal.” I don’t care how nice the shopping experience is otherwise (and let’s be clear, I’m not saying it is — Sam’s Club is routinely home to the longest and slowest lines I’ve ever seen in retail, and Wal-Mart is… well, let’s just say there’s an entire website dedicated to the ridiculous/sad/terrifying/I-don’t-want-to-live-on-this-planet-anymore experience that is shopping at your local Wal-Mart), the fact that this retailer is silently accusing me of petty theft every time I pass through their doors kinda makes me not want to shop there.

So, for the most part I don’t. Trips to Sam’s and Wally World are few and far between for us these days, for this among other reasons. But every time I check out, and I see people blithely handing over their receipts, I have to wonder if anybody is really thinking about what’s going on there, if they really consider the fact that the retailer they’re giving their hard-earned dollars to silently and discreetly considers them a possible thief just by virtue of having bought something there.

And there’s the fargo’ed up thing. If you walk out ostensibly empty-handed, you don’t get stopped. So I — having just stood in line for fifteen minutes waiting for a dead-in-the-eyes twenty-something to ring up my economy-sized jar of pickles and twenty-pound sack of potatoes and shambling toward my car while carrying a baby in one hand and holding the hand of my three-year-old in the other, and pushing the cart with my third hand OH WAIT I DON’T HAVE A THIRD HAND, I’m doing all this with only the two hands I was born with — I get stopped to have my receipt checked. But the guy who came in, stuffed a couple of fishing rods down his pants legs, a few astonishingly priced shirts under his armpits, a bunch of grapes under his hat and a half dozen batteries up his ass, and then walked out empty-handed because he “didn’t find what he was looking for” doesn’t get smiled at, doesn’t get a highlighter waved in his direction, and in fact goes on to rob the very store that’s giving me such a hard time for shopping there with an ease I can only dream of.

This is our world. Wal-Mart thinks we’re all crooks, but man, just look at those prices! I guess they can think what they want…

The Summer Rhythm


Teaching is weird.

Don’t get me wrong, it’s great; having those two months off during the summer is fantastic, and it’s enviable to people who don’t work in education. (It’s maybe the only enviable thing about the job, but hey, you take what you can get.) And I’m certainly not complaining about the time off: that time translates into lots of opportunities to sleep in, go running during earthly waking hours (during the working months I’m out there before the sun is up, which has its own sort of ethereal calm about it but also sorta makes me feel like a vampire  — NO I MUST AVOID THE SUN), be a dad who’s actually present in his kids’ and his wife’s lives, check out some horrible daytime television.

Problem is, when I’m working, I have this routine, and over the summer, that routine is shattered. Not just shattered, but then stomped on by little toddler feet and flung at my face by little toddler hands and then not only do I have to deal with the shards of shattered routine embedded in my corneas, I also have to stop the toddler and the infant from swallowing the broken pieces and…

By the way, can you still call a three-year-old a toddler? It seems idiotic to do so, all of a sudden, since “toddlers” are named for their toddling, that wobbly, baby-goat stumbling gait that’s the hallmark of an uncoordinated, top-heavy biped learning to walk. But sprout #1 is well past wobbling. He can still lose his balance and go crashing into a table edge or fall down the last stairs, bouncing off like he’s made of rubber, but when it comes to walking, running, galloping, skipping… I mean, he’s mastered it. So he’s not toddling anymore, but what is he? Still too little to be a boy, I think. Is there a word for that? Fargo, the kid is going to be in preschool next year. Look, let’s just dial the clocks back a little bit…

Okay, enough of that sentimental diversion. (Seriously, though. Kids grow up FAST.) I was talking about routines and how over the summer my routine breaks down worse than my old Chevy Malibu (god rest its hunk-of-junk soul). I’m trying to find the routine for getting my writing done over the summer, because even though my 9-5 job is on a little hiatus, the writing dream NEVER SLEEPS, and its hungry maw must be fed a steady diet of word count, despair and whiskey.

Nice thing about doing my writing on and around the job is, there’s structure there. Typical work day: Wake up, exercise, get to work, do the teacher thing for four hours, break for lunch, write for about thirty minutes while pounding down a salad or a sandwich, do a lightning session of grading papers and planning the next day’s lessons, and write for another fifteen minutes or so before my last class of the day comes in. Patterns. Regularity. You can plan for that and the body adapts nicely to it, not unlike it adapts nicely to a bowl of raisin bran in the morning and a visit to the crapper in the afternoon. Easy to plan your day that way.

Over the summer, there’s no such luck. One day, my wife’s at work, so I’ve got the kids for nine hours, then a spot of cleaning and cooking in the evening, then it’s time for a glass of wine with a nice TV show in the evening, and then, whoops — it’s bedtime again. (Here my wife is rolling her eyes: “I still find time to get things done!” and that’s true, honey, you do. But you have superpowers, and I don’t, and it’s virtually impossible to maintain the focus needed to hold a narrative together when you’re constantly stopping to make sure the sprouts aren’t devouring a bucket full of chalk, or shaving the cats, or trying to feed your lunch to the dog, or taking markers apart to see how they work and then smearing the magic ink on their faces, or pretending to be dinosaurs and stomping all over creation and, again, eating everything in sight.) Next day, wife’s home, but we’re prepping for a yard sale. One minute we’re taking sprout #1 to Grandma’s house for the day, next minute we’re hauling stuff out of the garage, next minute we’re hauling stuff into the garage, a bit later on I’m off to the Home Depot to get some cleaning supplies, then it’s more sorting and prepping and cleaning and don’t forget changing sprout #2’s diaper and keeping her from sticking her fingers in it as you do so (her new favorite habit, and there go my wife’s eyes again because I think she actually cleaned more diapers today… again, she’s just better than me at handling that stuff promptly, whereas I’m maybe better at letting things be), then holy carp it’s time to put sprout #2 to bed and hey did we eat yet, no we probably should so it’s time to cook and whoops the sun is down, hey let’s go to bed. Which is a fine day, very productive and all, until I realize about 9pm SHARKNADO I forgot to write today.

Do you let it slip? Or do you gird your loins for battle and go in to do battle with the Word Monsters when all you really want to do is go to sleep to prepare yourself for the unpredictability that tomorrow will surely bring?

Problem is, as I may have mentioned once or twice before, momentum matters. I know that if I let the writing slip today, it’s twice as easy to let it slip again tomorrow (well, I missed one day this week, what’s one more — I can rest up and hit it properly next week), and so on and so forth until whatever dubious progress I’ve managed in this little endeavor is lying in a twisted heap at the bottom of the chasm, smoke pouring from its innards as I crawl toward the couch for a nap.

Anyway, I’m looking for that rhythm, that pattern that will let me get my writing done during these oddball summer months without feeling like I’m taking away time from the wife and kids. And yeah, I know these are totally first world problems, and I own that. But, privileged problems or no, when there are things throwing your life out of balance, I think it’s worth slowing down a little bit to see if you can work toward restoring that balance, rather than just riding it out. We humans, we seek the path of least resistance. Unfortunately, nothing worth having is easy.

So, the question: when your regular routine is thrown off, how do you make sure you get everything done? Technically I have more time than ever in my days now, but it feels like those hours just slip away.