Toddler Life, Chapter 219


Living with a toddler is two parts awesome, two parts terrifying, six parts gross, and eight hundred parts blinding, world-shattering panic.  One moment you are giving high-fives to your adult family members as he takes his first steps, the next moment you are spilling lemonade all over yourself in a scrambling frenzy as he legs it across the yard toward the street.

They are incredible little critters, capable in single acts of making you shake your head in amazement, shaking your head in wonderment, shaking your head in disgustment; sometimes all in the same single act.  For example (and this is a 100% true, zero-embellishment story), MERE MOMENTS AGO as I was sitting down to think what I would blarg about tonight, I situated myself with tablet on the armrest of the sofa and keyboard in my lap.  I reached over the arm of the sofa to get a sip of my soda and put my hand in a pool of something slimy.

Let me not bury the lede.  I did not at the time, nor do I now, know what the slimy something was.  I was more or less equal parts appalled and curious (a state of mind I have come to live in as a parent), but this time, at least, discretion got the better of curiosity and I cleaned it up without asking the difficult questions.  I should point out (and I don’t know if it’s a guy thing or a parent thing or a me thing) that whenever I come across these somethings in the house, I *must* sniff them.  For some reason, some tiny but unknowable part of my brain just HAS TO KNOW whether what made the mess is benign (masticated cookie bits, fruit juice, melted chocolate) or Just Another One Of Those Things Which Will Make Us Need To Burn The House Down One Day (cat barf, blood, cat poop, human poop), and as long as the stain in question hasn’t yet dried, what better way to test the content of a smear than by shoving it up under your beak?  This happens more than I would like to admit.

As I said, I somehow stopped myself from smelling this slimy something, but it was green and brown and cold and gross and Extra slimy, so I felt it a safe bet that it was something I didn’t want to smell. I cleaned it up, simultaneously wondering at a number of factors:
1) when did he make this mess?
2) what did he use to make it?
3) how did he make this mess in this spot without either my wife or myself noticing him making it?
All at once I am admiring his stealth and choking back the bile rising in my throat at the touch of this slime on my hand.  So, you know, impressed and horrified at once, that’s parenting.

Anyway.

It’s funny how clever he can be when he wants to be and how dumb he can be when it suits him.  We’ve been trying to teach him colors for over a week now, and he is more than happy to call everything blue.  The sky?  Blue.  The plate of spaghetti?  Blue.  School bus?  Blue.  OR, he will happily hold up a brightly-colored object and ask us, “what color is this?” and when we tell him, he tosses it aside in favor of the next bright color that he can “what-color-is-this” us with.  This game can be played for entire minutes at a time (a minute in baby time is worth a good hour of adult time).

So he either cannot understand, or is willfully refusing to understand, colors, but at the same time, he can make a fully-understandable (and in fact perfectly grammatically correct) sentence to tell us, “No, I don’t want green beans”. “No, I don’t want juice.”  “No, I don’t want night-night.”  All I know is, as Bill Cosby once put it, it takes a lot of intelligence to fake stupidity, and if he can pick and choose what kind of vegetable he would like for dinner, then he can Dondraper sure tell the difference between blue and red, no matter how much he calls them both orange.

Then there’s his motor skills.  Improving, by leaps and bounds in fact, but I still wouldn’t trust him with a ginsu knife, or for that matter a tube of toothpaste.  He can conduct himself across a room in 2.3 seconds, arms and legs flailing like a scarecrow in a hurricane, leaping with outstretched legs up the step into the foyer and sidestepping the cat like he’s Jackie Chan in Drunken Master.  The same child will then, while walking AND holding my hand in a grocery store, trip over his own feet so badly that he sprawls on his face and begins screaming like I’ve taken his favorite plastic dinosaur away.

Yesterday we were watching The Tigger Movie for, oh, I don’t know, the thirtieth time this week (those of you without children, don’t judge — those of you with children know exactly what I’m talking about, you know your kid has THAT ONE MOVIE).  For no apparent reason, without any apparent impetus and certainly without warning, he turns to me with the look of greatest purpose on his tiny, innocent face, and says, with all the gravity and urgency of a bloodstained, cyborg-pummeled Schwarzenegger, “I GO.”  And then gets up and dashes from the room, scarecrow arms and legs flapping madly.

I don’t know what was in his head, and it doesn’t matter.  It was awesome.  Things are so immediate.  There’s no doubt, no hesitation, no waffling over “well, if I do this, somebody might think this…” The cookie looks delicious, I GO.  That juice needs spilling, I GO.  That cat needs it’s tail pulled.  I GO.  Simple words for simple deeds.  There’s an eloquence in that to be striven for.  I’m not sure it’s worth the price of all the poop and vomit, though.

Take the Long Way Home (some writing advice to my future self)


I just finished the first act of Accidentally Inspired.

This was a surprise to me.  I hadn’t been writing it with a 3-act structure in mind, though certainly I’m aware that stories tend to read well when there’s a structure like that in place (problem is introduced in the first act, characters bang their heads against the problem in the second act, problem is resolved in the third act).  Nonetheless, I’ve never been much of a planner.  In storytelling, I like to learn who the characters are, decide what the central problem is, and then simply write the characters and let them figure it out.

In retrospect, this might be why I’ve burned myself out on writing in the past.  Because as much as any character worth his salt can surely find his way to the pot of gold at the end of the rainbow, it helps if there’s a trail of breadcrumbs, a map, or ANY SEMBLANCE OF ANYTHING TELLING YOU YOU’RE MOVING IN THE RIGHT DIRECTION.  Up until the current project — and I mean that as literally as I possibly can mean it, as in I took action against this problem TODAY following my Project writing session — here’s how I write.

Step 1: The idea strikes.

Step 2: A few days / weeks / months pass in which the idea putters around my head like a hobo looking for change.  If the idea is a good one, it will grow, drawing my focus and attention to it like protoplanets gathered matter in the infant solar system.  If it sucks, it withers and dies like every tomato plant I have ever tried to grow.

Step 3: I start to write.  Notice there is no “planning” step.  I simply pick a moment at the beginning of the story and begin to write it.

Step 4: In a flurry of energy and excitement, I write several scenes / pages, typically about five to ten pages or so, and maybe I even take a few character notes (not PLOT notes, you know, things that would help me to tell the story and make sure things stay interesting, but CHARACTER notes, so that I know exactly what kind of patent leather shoes to put on the ANTZhole lawyer character when he arrives at the end of the first act because THESE ARE THINGS THAT MATTER).  Then I get distracted with something; let’s say that it’s painting a bathroom or replacing some light fixtures and definitely not watching Seinfeld reruns.

Step 5: The idea falls from the pockets of my mind like a discarded candy wrapper, to lie forgotten in the ditches of my memory for a couple years, until it reoccurs to me out of nowhere (probably while I’m, again, patching some drywall, and definitely not watching the Lord of the Rings films again), at which point I think, oh yeah, I started writing that idea a while back, I wonder if I still have my notes on it somewhere?

Step 6: While looking for the notes on the original idea, I have an idea for another idea, and the process begins again, cycling back on itself into infinity.  This can occur once every few months or every few years.

So, how can I be sure that it’s FOR REALZ this time and not just an extended step 4?

I’m glad I asked.  For one, and I really can’t pinpoint the exact reason for it now more than at any other time, but I simply want to make it happen.  There’s more drive there and, frankly, I don’t want to question it too much, I just want to ride it like the strong wind that it is.  For another, as I mentioned above, I’ve taken some proactive steps to make sure I don’t bog down.  Like salting the roads before an ice storm (and I live in Atlanta, so enjoy the stupidity and futility of that simile), this will keep my sharknado from spinning out of control.

So I’ve outlined some high points for the story to follow.  Not a rock-solid outline — technically I already have that in the form of the stage play, though in a lot of ways that’s out the window if it’s anything other than a ROUGH outline — but rather some tentpole moments, as my kung-fu master Chuck Wendig would call them (if Douglas Adams is my spirit guide, Chuck is my ANTZ-kicking bearded ninja guru, perching on treetops and dispensing wisdom and beatdowns with one hand tied).  For the moment, it’s a scribbled series of notes: this happens, then that happens, at some point these characters need to make this happen, try to bring this situation about.  It’s what I see in the distance for now, and it’s by those shining points of light that I will steer through the darkness.

But.  (There’s always a butt.)

Translating this story from play to novel has taught me a few things.  First of all, the dialogue is easy, it’s the descriptions that are hard for me.  Being that there is virtually all of the former and none of the latter in stage plays, it’s easy to see why I gravitated to those (and, likely, still will in the future).  Second, stories are living things.

I set out to tell the story of the play in novel form, and it was like tossing a sea monkey on steroids into the ocean.  That thing swelled up and expanded and started growing all sorts of spider appendages and lizard tails and buzzard beaks and IT’S COMING RIGHT FOR US, RUN FOR YOUR LIVES.  As I write the characters, I keep learning new things about them, they keep doing things that surprise me, and as a result, the story is taking odd turns I never expected.  And therein lies the lesson I learned from my work today.

Are you listening, future me?  REMEMBER THIS MOMENT, because you learned something today, and if you forget it, Past Me is going to reach up through space and time and punch you right in the nads.  You hear me?  RIGHT IN THE NADS.  It’ll hurt me as much as it hurts you, but sometimes you have to send a fargoing message.

TAKE THE LONG WAY HOME.  Sure, plot the path.  Figure out how you’re going to get from where you are now to the end you imagine.  But don’t be afraid to blaze a new trail, to take a turn down a side street and see what secrets are hidden off the main drag.  Maybe the end you end up with is better than the end you thought you wanted.  (Whose end?)

Following that advice has led me, as I mentioned back at the top of this post, to the end of the first act of this novel.  The characters are all stuck, they’re all in trouble, they’re all in doubt.  They’re at the edge of a cliff, and it’s hard for any of them to see the way out.  (BUT THE ID-WRITER SEES ALL).  It’s a moment that never existed in the staged version of the story, caused by a character who existed only as a throwaway joke in the staged version, and yet it fits so perfectly (at least in my mind at the moment) that I don’t see how the story could unfold any other way.

For now.

So they’re stuck.  Tomorrow the second act begins, and it’s time to start digging them out.

OR IS IT?

*evil laughter echoes*

*sounds of struggle*

Sorry about that.  We’ve really got to get a handle on that guy.

Late Night Write


Getting the writing done a little bit later than I’d rather.  But such is life.  I still have yet to miss a day or a deadline, and that’s something.  In fact, I sat down to write tonight at 9pm telling myself, “just get the 900 words and sack out,” and my ink-crazed id-writer half kept me going all the way to 1400 words, where my clearer-thinking half realized that if the rest of us didn’t get together and stop him soon, he might keep us up and writing all night, so we tagged him with the tranq gun (yeah, there’s a tranq gun in my head for when my other mes get out of hand, what do YOU use??) and he’s taking a little nappy-nap now.  And YES, it’s considered to be late at night at 10:30, I’m the parent of a toddler and THIS IS MY LIFE.

Spring Break is halfway over — actually more than halfway, now that today’s at an end — and that’s sad.

Two things from today.

First of all, I had my first post-podiatrist run on my not-actually-shattered foot, now infused with cortisone, AKA liquefied unicorn horn, AKA jumpin’ jamba juice, AKA I-don’t-know-what-pain-is-anymore happy medicine.  Seriously, in my first contiguous three-mile run in over a month, I felt not a tweak of pain or discomfort or “wrongness” in the heel, and nothing since.  Not only was there no pain, but I found myself running faster and easier than I have in months.  I kept going faster than I wanted to and reminding myself to slow down, which, for a runner, is sort of like asking your torturers to give you a few more lashes and really take their time with the thumbscrews.  The run over, I iced it and stretched the foot, per doctor’s orders, and for today at least, it’s holding up fine.

What’s not holding up fine, on the other hand, are my lungs, for two reasons.  First, I’m out of shape.  Not running consistently since basically December has reduced my conditioning to (for me) pitiful levels, and I cut the run short today as much out of an inability to breathe enough as out of caution not to overwork the heel.  Second, spring seems to have sprung here in Georgia, and if you’ve ever been in Georgia in the merry merry months of springtime, you know that the trees are mating, and their yellow, uh, genetic legacy just lays like a blanket over EVERYTHING.  We had an honest-to-goodness deluge of rain at the beginning of the week, and in the two days since, the pollen has piled up enough that our blue car is now blue-under-a-fine-misting-of-vomit-yellow.  The breeze stirs and you see it swirling like a desert sandstorm.  The trees rustle and it comes cascading down like the yellow snowfall of your nightmares.  When it rains again, the rivers and streams will look like streams of snot.  So me, I go out for my first run in a week, and as much as it’s a nice day out, I’m breathing in these coarse particulates by the metric sharknado-ton.  Oh, but I’m not breathing so much as gasping for my life, so I don’t even have the benefit of the filtration system in the nose, no, it’s all going straight down the gullet and powdering the inside of my lungs.  I feel confident that if you could shine a blacklight into my trachea, my entire respiratory system would fluoresce with this gunk.

So I’m hacking up what looks like powdered yellow-cake uranium, but I had a good run, so that’s awesome.  And I got my writing done for today, and that’s awesome too.

I wish there was more cleverness to be had in this post, but the id-writer is snoring so hard over there with that dart in his neck that he woke the neighbor’s dog up.  Nothing but drool and night terrors for that guy.  What a mess.

4 Questions & an update


Two Blargs in one day?  Shenanigans.

Actually I wrote 90% of the one about my feet last night so I can’t really claim it as today’s work.

SO: today’s blarg.

It’s Day 2 of Spring Break (the weekend doesn’t count – that was a day off anyway!) and it’s been pretty productive so far.  I had feared that it would be difficult to maintain momentum with my daily routine getting bashed up (write for thirty minutes or so on my lunch break, finish it up and blarg in an hour or so at home), but it’s been okay.  I got my Project writing done last night thanks to a bit of time granted to me by my dear wife, and today’s words came out courtesy of the sprout’s solid 2-hour nap.  And I’ll get some more blarging in besides.

And!

A favorite passage from today’s writing!  I fell off the ball with these, partially because it’s hard fargoing work carving out time for all the writing I’m trying to fit in, and partially because a lot of what I’ve been pushing out lately hasn’t been particularly … what’s the word… artful?  It’s good but it needs polish.  Not done cooking.

This bit, I think, is fairly sound.

Accidentally Inspired was, when I wrote it as a stageplay, a bit autobiographical, and now expanding it as a novel, yeah, it’s still autobiographical.  I think this bit was me pulling right from the heart today.

     “Sooner or later, you dig deep enough, you’ll hit the Bottom.” The capital B was evident – again, the gods’ phones have no difficulty translating intricacies of inflection and emphasis. It just sounds like static or wind noise on human phones. “And when you hit the Bottom, one of two things will happen. One: he’ll figure out that he doesn’t really want to be in that hole — not really — and then you can start to climb out again. Or two: the Bottom will cave in, and you will find yourself somewhere else entirely.”
“What do we do if that happens?”
Exasperation crackled through the ethereal wireless connection. “You figure it out, Thalia. Gods, are you a grown woman or not?”

 

WordPress has me at almost 40 followers now.  Pretty cool.  Part of that is community, and thanks to the content of what I’m posting here, many of the people seeing my brain-droppings (RIP George Carlin) are a part of a pretty significant writer’s community.  Collaboration is always a good thing, so I thought I’d acknowledge that some of those writing blogs out there have helped me and inspired me and given me some ideas along the way when I’ve been stuck.  So thanks.

In poking around on the WordPress reader, I came across this little tidbit posted by one of the first members to check out my blog and give me a follow, Jodie Llewelyn.  It made me think for a minute, and what I think about I usually end up writing about, so here you are.  Four little questions to tickle a writer’s brain.

1. Why did you start writing?
2. What do you love the most about writing?
3. What goals are you working towards, right now?
4. What advice do you have for other writers who may be struggling with a lack of inspiration, right now?

Here, then, is how I answer.

1. Why did you start writing?
I wrote my first creative stuff, real genuine doing-this-for-my-own-dark-and-slimy-writer’s-heart after playing a video game, of all things. It had such a great (to me, at the time) story that I felt compelled to write a similar story without the video game construct. God, it was awful.  (The game, if you’re curious and go way back, was Final Fantasy 2.  I wish I could say it was the much better and much more widely acclaimed Final Fantasy 3, but that one wasn’t out yet.  I’m sure it played a role, too.)

So my little story (I think ultimately it came out to be 100 pages of chicken scratch, or maybe about twenty thousand words or so were I to really do anything serious with it, like type it out, which I never did, because what do you want from me, I was a teenager, and a dumb one at that) was crap, but it showed me that anybody — but anybody — even dumb ol’ me, could write a story.  It wouldn’t necessarily be good, but it could be done.  By that rationale, I mean, they’ll let anybody drive.  But I noticed, after I wrote it, that there were bits of it that I didn’t like.  That didn’t work.  So I edited it, by hand, in that crappy little spiral notebook, and continued to do nothing with it.  I just retooled it a little here and a little there, until I got tired of it and forgot about it.  I think of it fondly now, not because it was good or because I may return to it (not ever going to happen in this world or the next), but because it’s a pinpoint of cosmic get-your-head-on-straight guidance.  A beacon in the dark of doubt and misgivings that swallow up, I think, many a writer, not least of all me.  If a dumbANTZ (I really have to get some better gouda for the a- word) fourteen year old can punch out a twenty-thousand word little fantasy story, how can my thirty-something-year-old self, with his nearly infinitely grander life experience, measurelessly improved vocabulary, and unfathomably deeper ability to overstate and belabor a point FAIL at writing a complete novel?  It’d be an insult to that pimply-faced fourteen year old.  And I won’t do that to you, Past Me.  You had it rough, back then.

2. What do you love the most about writing?
The raw, maker-and-breaker-of-universes feeling. And the release of psychic tension. I said psychic when I meant to say intellectual, but I’m sticking to it, because I am the maker-and-breaker-of-universes and surely the maker-and-breaker-of-universes says what he means and means what he says.

But honestly, I’m not an Alpha guy.  I don’t know if Alpha guys (or gals) even have the inclination to be writers.  I could be wrong.  But there it is.  I’m not afraid of people – far from it.  I just prefer to let other folks take the lead most of the time.

But.

Give me some fake people?  Let me tell a story, let me decide the conflicts, the combats, the pitfalls and the possibilities?  Ooh, brother, it’s on like Donkey Kong.

So yeah, then there’s the intellectual tension.  In the last month, I’ve found that I feel clearer of mind, quicker of tongue, and in general a little happier.  Given the fact that my running is in the ditch and I have no other physiological cause to chalk all this up to, I can only imagine that the writing is playing the primary role.  I think the main project is great for focusing my mind and keeping me lasered in on what I’m trying to do, and my blarg is doing a bloody brilliant job of siphoning off the ancillary thoughts, clearing out the clogged mental pipes and generally just burning out the gunk that the average day’s crap pumps into my brainholes.

3. What goals are you working towards, right now?
Finishing — really finishing — like, for serious, really and truly nail-in-the-coffin finishing — my first novel. Also, developing some ideas for future novels so that I won’t have what happened last time I finished a creative project — I stood around for a while, thinking “what now”, couldn’t think of anything, and quit — happen again. The construction of that sentence is correct, and again, maker-and-breaker-I-do-what-I-want.

I’m not sure I ever felt better in my life about myself as a human than after I finished, really finished, the stage play of Accidentally Inspired and saw it to a full production.  Except maybe for the birth of my son.  Yeah, usually sappiness has no place here but I’m a relatively new dad and about to be one again, what can you do.  (Obligatory – my wedding day was pretty great, too, but heck, anybody can get married.)  It slipped away from me then because I lacked direction and didn’t know what to do next, once that was finished.  A mistake I don’t plan to run into again.  Between the blarg (where I vent what’s in my brain on the regular, and which is quickly becoming a repository of little novel seedlings vis-a-vis my growing collection of flash fictions) and the spin-off ideas that creep in there when I overhear snippets of conversation or just, I don’t know, where do ideas come from?  They come, and I write them down now (something that, again, I have neglected for far too long), and I’m saving them until they’re ready.  I’m not actively thinking about them, but even when I’m working on AI, I can feel them back there, bubbling away in the dark.

4. What advice do you have for other writers who may be struggling with a lack of inspiration, right now?

This is one I really feel entirely unqualified to answer, because I’m just bouncing back onto the horse myself after getting thrown off it, what, seven or eight years ago?  (God, kill me.)  But in my short experience at capital-W Writing, here’s what’s working so far:

Write off topic or read. Writing about something unrelated to your focal project has, for me, a way of unstopping the pipes and burning out the gunk. Reading — whether it’s good lit or bad — fills my head with all kinds of ideas — new storylines, phrases, voices, characters, conflict structures, paces, artful misspellings, the list goes on — that, after a while, I can’t wait to bring back and experiment with over in my shallow end of the pool.

 

 

 

 

So there you have it.  A few thoughts on writing from your resident Pav.  Maybe it’ll help you out, maybe not.  At any rate, it helped me, and that’s the point of all this, so consider me selfish, and turn the lights out when you leave.  I do my best thinking in the dark.

Modern Medicine is Magic (a running post in which you can see the inside of my foot and it looks like a horror movie)


So I’m a runner.

I caught this disease almost two years ago (no, it was earlier than that, but I date it from my first race which was on Cinco de Mayo, a “holiday” whose legitimacy it is not the goal of this blarg to explore) and have since embraced it, the way Rainman kinda leans into the skid and accepts that while he may never be a dashing, smooth-talking ladies man, hey, he can count the balls off some beans.

That is to say, running is not the best of hobbies to have.

Let me clarify that.  I call it a hobby because in a lot of ways it’s no longer about the exercise, it’s about the meditation, the focus it brings, and yeah, let’s be fair, it’s still in no small part about the exercise, but let’s push that aside for now, I’m going somewhere here.  Yes, hobby.  A hobby is something you enjoy doing, something that eats up a (often unhealthily [yes, unhealthily, shut up]) disproportionate amount of your time (money, thought, money, sense of a well-rounded life, money…), and as I’ve mentioned before, for a sport that professes to be about simplicity and an escape from big gyms and monthly fees and expensive equipment, you can drop a fargoing bundle on running gear. And it’s not the best of hobbies to have because it becomes difficult, when you have a (growing) family and a (beyond) full-time job and, let’s not forget, I also just took up capital-w Writing as another hobby (because I have time for that like I have hair on my head [spoiler alert: the key word is “shortage”]), to make time for Everything Which Must Be Accomplished Today.  Less so when you start out and it’s a twenty- to thirty-minute jaunt here and there, more so when you really lose your mind and begin running for nearly an hour at a time four or five times a week, and two hours on the weekend (because daddy needs his long run, no I don’t have a problem just GIVE ME THAT LONG RUN).

Anyway, there’s a problem with running and it’s this:

Dondraper it, let me try again.  There are some problems with running, and one of them is this:

Nope, still not there.

Running is a problem.

Here’s one reason.  We’re built to run, sure, great, fantastic.  The body and its legion of interconnected systems combine to make humans one of the kings of distance runners on our little blue slice of life.  However, most of us lazy Americans don’t give running a try until we’re old enough to know better.  Our lives of leisure and sedentary work and Law-and-Order marathons have caused those finely tuned systems to atrophy.  So we jump into running, and it hurts.  It fargoing HURTS.  Blisters, shin splints, sun burn, broken toenails, bloody nipples, ALL of these things can happen, sometimes within your first few steps out the door.  And a lot of people try it for a week and it hurts TOO DONDRAPER MUCH and they quit.  Hard to fault them.  Others think, “hey, this hurts, but it’s kind of awesome too,” and they keep at it.

Now, the body adapts fast.  It builds up resilience quickly.  And as any runner who makes it past, say , three months (I just made that figure up, but let’s go with it because this is my house) will tell you, once you get to the point where you can run a few miles, the rest is mental.  So if you didn’t drop out when it started hurting (which was immediately), you’re unlikely to drop out barring serious injury, and you’ll keep pushing up the mileage and the duration and you’ll find yourself smashing through your own boundaries and personal achievement and yay yay yay I’m awesome, running is awesome, the world is awesome, yay running.

Problem is, running is not like other sports.  You don’t take spikes to the knee making a tag at second, you don’t get a three-hundred pound linebacker smashing your brains into mush on every snap, you don’t take ice skates to the teeth when the puck does the thing with the hockey implements.  Okay, I don’t know a lot about hockey injuries, but I HAVE AN IMAGINATION AND ICE SKATES ARE DANGEROUS AND THOSE GUYS ARE BIG AND FAST.  Running injuries are subtle.  Like a fine wine (except that they crush your soul rather than bringing sweet, sweet music into it), running injuries develop over time.  Figure a conservative 1000 strides per mile times an average of 4 miles per run (my average in 2013)  times let’s just say I ran every other day last year and that’s a Holy Sharknado lot of steps you’ve taken, each one magnifying the entropy that your thirty-year old (indulge me) frame has slid into over the past YOUR WHOLE LIFE of not doing anything active outside of an occasional game of yard football.

So, my feet hurt.  And they finally hurt badly enough and longly enough (yep) for me to go see a doctor.

X-rays, poking and prodding, lots of questions.

Turns out that while I have no structural deficiencies (no broken bones or heel spurs or stress fractures or duck-feet), I do have a mild form of plantar fasciitis.  The phrase the doctor used was “you have a high arch, but your foot is behaving as if your arch is flat.”  I asked him what the haberdashery that meant, and he responded with words that may have been answers, but I still have no idea what he actually said.  Basically, I think what he said is that because I have healthy feet and because I have good running form, I’m overworking the plantar fascia (the tendons along the underside of the foot) and then they recede and shrink up like your business in a cold pool when I go to sleep at night, then they get extra stretched out again when I run again, wash, rinse, repeat.  (Healthy feet + good form, then, equals injury.  THIS IS RUNNING.)

The treatment?  Stretch it and ice it.  Seriously, that’s it.  He gave me a cortisone shot (I’ll come back to that) and some pills to take if I have more pain (the pills may cause a slight evacuation of my stomach contents, so, you know, USE SPARINGLY) and a see-you-in-a-month.

Two things bear mentioning from my little visit with my healthcare professional.

First, x-rays.

wpid-imag0945.jpgThose are goldfinger alien appendages.  Seriously.  From the above angle they look like the long, taloned claws of the grim-reaper dunked in phosphorescent goo (and, by the way, look at the big bone [the tarsal?  Go science yourself] just below the “toe joints” [yeah, SCIENCE] and tell me those don’t look like demonic slitted eyes gazing into your soul.  SERIOUSLY WHAT ARE THOSE).  And then…

wpid-imag0946.jpg

If you’ve seen the first thirty seconds of Terminator 2, I need say no more.  If not, what are you doing here?  Go watch it.  Anyway, that’s a fargoing cyborg death-claw-foot, not a human extremity.

Second, the shot.  We’ve all had them.  Shot in the arm; if the doctor likes you he’ll tell you an amusing anecdote about fly fishing or his fourth-grader’s art project and you’ll be so bored you won’t even notice the needle sliding in, and then it’s over.  Dentist shots aren’t so quick or painless but at least you can’t see it happening so there’s that.

A cortisone shot is different.  First of all, the needle is longer than anything piercing your skin has any right to be.  My stomach did a backflip as soon as he uncorked the thing and I was literally unable to look away from it; all I could think was how it could possibly penetrate my flesh that much without causing searing, blinding pain.  The doc assures me that he’ll freeze the skin and I won’t feel anything except a little pulling.  Okay, sure, but I still can’t take my eyes off the thing.  He sprays a stream of this liquid at my heel and it feels like I’ve dunked the thing in a supercooled ice bath; the needle goes in and sure enough, I feel nothing.  But I see it.  The needle goes in and in and in, like a snake down a drain.  (Real or plumber’s, you decide!)  Then it stops, and he begins to depress the plunger.

Emptying the syringe takes him at least a minute.  Part of it’s because he’s deliberately going slow, which he explains is to allow the medicine to empty into the tissue without displacing things too rapidly, which would cause serious pain and discomfort.  The other part is that, its, uh, payload is dramatically big.  Again, all I have for reference are those doctor’s office inoculations, so maybe my scale is broken like the pollen count mechanism here in Georgia… but I won’t get sidetracked on that (tonight!).  3 ccs, he says.  Anyway, he’s sitting there pushing this clear fluid into the side of my heel and my eyes are just frozen to it like a five year old’s tongue to a light pole in winter, and I keep saying “uh huh, right, sure” to whatever he says in his reassuring voice.  It goes on too long, and my skin looks like one of those closeups of water that you see where the surface isn’t broken, it’s lifting up and sticking to the sides of the straw or string or whatever’s stuck in it, and I’m thinking of all that fluid oozing into my heel and oh my god, where is all that stuff going, it’s not my bloodstream because that’s not the point, and I feel myself getting dizzy.

Lunch almost comes up, but just like that, it’s over, the swordfish spike comes out of my heel, and he’s wiping it off with alcohol.  “All done,” he says, and I ask the question I’ve been afraid to ask because I’m somehow certain the answer will be no: “can I keep running?”

He laughs a little.  “Oh, sure.  I mean, don’t go running six miles on it tonight or anything, but you can return to your regular activities in a day or two.  Just keep stretching and icing.  Now the nurse will come in for your ultrasound.”

Thank crikey.  Wait, what?

The nurse comes in with this wand which makes no sound, not least of all ultra (okay, I apologize to the readers for the horribleness of that joke, but no, I’m not taking it back).  She slathers it with goop and rubs it all over my heel and the back part of the bottom of my foot for a good five minutes, explaining that this will distribute the cortisone all throughout the soft tissues of my foot.  Small talk about our kids (being a parent somehow makes small talk in odd situations so much easier than it ever was in the years BS (before sprout).  Then she’s done, she packs it all up, and sends me on my way, telling me to be careful the rest of the day and not take part in any strenuous physical activity because my foot is going to feel a little numb.

That clear fluid from the syringe, the cortisone, is made of fairy tears or unicorn pee or something.  I put my heels to the ground and feel nothing but a dull tingling in my ENTIRE left foot, like I’d sat on it funny for an hour and it has that pins-and-needles thing going on.  This feeling lasted for the entire rest of the day.  No pain, just that bizarre, stars-exploding-in-my-nerve-endings kind of feeling every time I take a step.

I wake up this morning and the sharp pain I’m used to feeling in my heel on my first steps of the day is just gone.  I rouse the sprout (okay, he was already roused and chasing his toy dinosaurs around his room) and take him downstairs – the stairs that usually intensify the pain in the heel, and again – nothing.

I won’t be running on it again today, but hopefully before school’s back in, I can take it for a spin and see how it’s doing.

I’ve said it before and I’ll say it again: modern medicine is magic.  I learned this firsthand when my son was born with half his insides on the outside, and I’ve learned it again since this doctor was able to pull the evil out of my heel like sucking up milk through a straw.