Tag Archives: writer tools

An Open Letter to the Creators of FreeWrite

I heard about a product a little over a year ago: The Hemingwrite. I wrote a little piece about it then, in which I waffled between two opinions. namely that it would probably help some writers to a) write more and b) feel better about their writing, but ultimately I came down on the side of feeling that the thing was decidedly silly for the price. It was still in development, though, and everything was fair game for change.


Well, the wait is over, and the discussion is no longer hypothetical: the device is here. You’ve rebranded it the FreeWrite, which is maybe less catchy than the obvious play on Hemingway’s name. I like it, though. The new name taps into the inspiring soul of the idea: they’re branding it as “your distraction-free writing tool.” It conjures up images of writing wherever, whenever you feel like. A lonely beach at sunrise! A breezy mountaintop with the whispering wind swirling about you! The cozy confines of your murder cabin! Er, writing cabin. I meant writing cabin. Take it anywhere, write anywhere. Distraction free!

And I stand by most of what I wrote in my original review. I would love to test-drive one. It’s still adorable. And I can totally see the draw it will have. We writers are a strange lot — what looks odd and useless to the general public can be a source of endless inspiration for us. Having a tool “just for writing,” especially a tool in which one makes a serious financial investment, is almost certain to do two things: remind the author that he has made a commitment to his craft, and remind him that he really should be writing.

Of course, we have Benedict Cumberbatch for that.


But I see one problem towering above all the rest with the FreeWrite.

The investment.

When I first wrote about it, I (crazily, apparently) mused that I might be willing to spend $100, maybe $150 on something like the FreeWrite. I also realized at the time that that figure was probably laughably low, and I was right; I checked their website and the price, to my memory at the time, was projected to be in the $200-250 range. That’s frankly too rich for my blood.  I’m a guy who agonized for a month over shelling out $40 for a copy of Scrivener. (Which I love, it turns out, although they seriously need to implement a Track Changes feature for the Windows version.)

So what does $250 get us? A typewriter simulator with an e-ink screen and a wi-fi switch for automated cloud backups and a couple of weeks of battery at full charge (which is pretty cool). No internet connectivity for anything other than your backups (which is, obviously, sort of a core tenet of the idea — no distractions). A million pages of internal storage (which is, in the scheme of computer storage, not actually all that much, but since this is all the thing does, it’s more than adequate). Feels a little overpriced to me, but I guess I would have been willing to shell out extra for the kitsch factor.

Except — surprise! — the price on the current iteration of the FreeWrite is $499.

Four hundred ninety-nine dollars. (Which is a specially discounted, limited-time offer over the apparent original price of $549.)

Look. FreeWrite creators.

I wanted to like the product. I really did. In fact, I still do. I think, conceptually, it’s absolutely got a place among burgeoning, youngish writers like myself. (Sorry, I just had a coughing fit over calling myself a youngish writer. Whoops, it happened again.) I can even envision how I  would use it:

“I’m going out to write!” I announce to nobody in particular, as I throw a scarf around my neck and don my tweed jacket with suede elbow patches and spontaneously sprout a beard. I put on spectacles for no apparent reason (they’re just empty frames and YES I CALL THEM SPECTACLES), scoop up my FreeWrite by its collapsible handle and bicycle off on my 19th-century huge-front-wheeled bicycle (because modern bicycles are so mindlessly corporate, and yes, I use “bicycle” as a verb AND a noun in the same sentence; I’m a writer, whee). Along the way, I stop and pick some coffee beans from the living trees and brew them with my own urine, then I perch in the crook of a mighty elm in the heart of the wood, sipping my coffee and typing away on the next American masterpiece while the fauna of the forest swirl lazily around me.

Seriously, the site features pictures of a bearded dude writing on this thing. So tranquil! So creative! So hip! This is what you’re’re selling to the throngs of would-be writers out there. Don’t get me wrong, this is a great vision. People would buy that! I would buy that!

But — five hundred dollars? That’s almost a mortgage payment. Rent for a month. That’s two months worth of car payments. A university course. Four weeks’ worth of groceries for my family of four. 2500 packets of Ramen Noodles, enough to subsist on for over ten years!

So who are you really selling this to? I have to imagine that any “established” writer is already going to have their routines and favorite tools well-ensconced; they won’t have any need for this thing. Poorish college types will balk at dropping that kind of cash on this thing when they can easily get a laptop — and a damn good one at $500 — to do everything this machine does and more. And middle-of-the-road types like me (my wife and I are comfortable, but by no means flush with extra money) are never going to be able to justify dropping that kind of coin on a unitasker like this.

In short, I feel you’ve priced yourself out of the very market you hope to attract. The only people I can see spending $500 on this device are the very rich who have run out of useful things to spend their money and time on (which may be a bigger segment of the population than I give credit for) or those who believe that the tools seriously make the writer (which I sincerely hope is a minuscule portion of the writing population).

For the same $499, I can buy myself a laptop and a copy of Scrivener (which not only offers a distraction-free writing mode, but will also package and format my book for submission to agents or even self-publishing) or any other free programs that do what the FreeWrite does (q10 and WriteMonkey, just off the top of my head, are two free programs that are excellent for drafting), and still have $200 to throw at the tsunami of credit card debt rising outside my door because of all the frivolous, needless things that I buy.(I’m an American, after all).

I would have loved for the FreeWrite to be one of those things. I love its design and I love its concept.

But I can’t, in any type of conscience, let alone with a straight face, consider paying $500 for $100 worth of hardware and $400 worth of kitsch.

Bleh. Back to doing this thing I love using the tools I already possess — which are more than adequate and don’t make me feel like a stinky hipster in hiding.



Things Writers Need – Dictionaries

In this next installment, it’s time to talk about more tools of the trade.

Last time, of course, I talked about the word processor, and why I like small, minimal ones instead of monolithic, fully-featured ones — for the drafting process, at least. Today, another staple: the dictionary.

Every writer should own a dictionary.  Scratch that — every writer should own a Dictionary, capital letters and italics included and necessary.  There’s a gargantuan difference between a Dictionary and a dictionary, and I’m not just talking about the price point.  Of course, there are alternatives.  To effectively draw a distinction, we need to consider what you’re using a dictionary for. To my mind, there are basically two functions that the dictionary should serve for you.

One, the dictionary needs to let you find and define words that you don’t already know the meaning of.  (Yeah, I just ended a sentence with a preposition.  SOMETIMES IT’S OKAY, OKAY?  Would you rather have read “words whose meaning you don’t already know” or “words of which the meaning you do not know” or the thing I wrote?  YEAH I THOUGHT SO.)  If you’re reading age-appropriate literature, odds are there will be a tasty handful of these little gems sprinkled in there.  Why?  Because variety is the spice of life, and you can only read the word “good” or “fast” or “slow” so many times before you want to pluck your eyes from their sockets and puree them into a gristly soup so that you don’t have to read those boring words any more.  Good writers avoid having their readers puree their eyeballs by using a broad swathe of words so that you don’t get bored to the point where eye-pureeing seems like a good idea.  That means that they will, by necessity, exhaust the canon of “ordinary” words that the average person lives with in his average life and strike out for the far reaches of the unknown, where words have four or five or six syllables (multisyllabical words, oh my!) and the sad fact is that a lot of us just don’t know all those highfalutin’ words well enough to use them in our everyday speech or writing, if at all.  And I say that with full confidence in my vocabulary as an English teacher.  I know my vocabulary sucks.  Sorry, it’s atrocious.

I read once that the English language is composed of something like three hundred thousand adjectives, which is more than 850% of the total words in the language.  Statistics are always true.  The point is there are more words in the language than you have room in your brain for, and a good storyteller will push your limits by throwing some of those words in there.  Sure, you can figure them out on context a lot of the time, but isn’t it satisfying to look up a fancy word so that you know it and can then toss it offhandedly into your water cooler conversation like a foppy prince tossing a bag of change at a servant?  “That episode of The Walking Dead was so guttaperchic, man.  I mean, positively seminiferous.”  See, if you knew those words, you’d know that at least one of those statements is absolute nonsense. The other reason (and it flows from the first, really) you need a solid Dictionary is to help you discover new words to use in your own writing.  Think of it this way.  Electricians have tools.  Carpenters have tools.  Missile building geniuses have tools (right John?).  Hell, even a Comcast Service Technician has a truck full of tools.  What do all those tools do?  Well, unless you have a lifetime of experience running wires or building vestibules or being a totally worthless appendage of a company best likened to the Sarlaac — sorry, a Comcast Service Technician — you don’t know!  Sure, you can guess that the clippy-looking-thingy might be used to, I dunno, cut things, or that the pointy-bit-on-the-end-of-a-steel-doodad could be used to poke holes in things, but when it comes to poking the proper holes in the proper things in the proper place, you’re as educated as a Comcast Service Technician.  (Truthfully, CST’s I’ve had experience with have all been pretty decent human beings, even if they work for the most unholy corporation in the known universe, a corporation that now apparently has religious freedom, so HAVE FUN WORSHIPPING THE BLACK MAW.  Thanks, Supreme Court!)

Ahem.  Writers have a job just like carpenters and electricians and rocket scientists and… no, we’ll leave the Comcast Service Techs out of this one.  Unlike those, you know, technically-abled sorts, we don’t have trucks or toolboxes or closets to keep our tools in, because our only tools are words.  A good, solid dictionary is the best tool repository you can hope for, and on a per-word basis, even an expensive dictionary is the equivalent of getting a 5,000-piece drill-bit and screwdriver-attachment set for $19.99.  You wouldn’t set out to build an addition onto your house with just a manual screwdriver and a hammer. All that said, let’s look at your options.

Online Resources.  Here’s your web-based dictionaries, i.e., Merriam-webster.com, dictionary.com, or whatever website floats your boat.  And don’t get me wrong, these are AWESOME, but they come up short in that “discoverability” factor in the same way that Amazon doesn’t quite measure up to a good old fashioned bookstore with actual walls and shelves and books and snooty clerks.  With an online dictionary, you can only find the words that you’re looking for.  Now, that’s a great feature — albeit one you can accomplish with an old-fashioned dictionary in the absence of a working internet connection, and for those write-at-the-edge-of-society-so-as-to-commune-with-nature types, that’s a monstrous plus.  Sure, these sites will highlight words from time to time and post “words of the day” and other fun stuff, and again, those are GREAT.  But you miss the tactile feel and sense of wandering among corridors and pages of words that a hard copy brings. By the way, just for poops, I scrolled down on the Merriam-Webster site and found a list of the top 10 most searched words in the last week.  They are:

  1. bestiality
  2. bigot
  3. pedantic
  4. et al
  5. biweekly
  6. comradery
  7. holistic
  8. sex
  9. culture
  10. closed-minded

And I think that says JUST A LITTLE BIT about the insane perverted prudish idiotic political culture that we live in.

Cheap, dollar-store dictionaries and pocket dictionaries.  This is a step backwards from online resources, because there is not nearly enough depth or breadth in these.  I saw one in a dollar store once that was literally one hundred pages long.  That was boasted on its cover.  How many words can you cover in one hundred pages?  Not enough.  The really tasty words just aren’t going to be in there, and even the definitions are condensed and crap, like a microwave dinner.  These are useful until about the time you finish high school, assuming you’re not particularly interested in expanding your horizons beyond high school.

Abridged dictionaries.  Now we’re getting somewhere.  If a dollar-store dictionary is a microwave dinner, an abridged edition is a meal-in-a-box.  You don’t feel as dirty using it as you would if you just tossed your food — THE FOOD THAT YOU EAT TO SUSTAIN YOUR LIFE — in the microwave for its entire cooking process, but you know in your heart that you can do better than boiling water to dump the noodles in or preheating the oven to 350 and then cooking for an hour.  The definitions are better and you get a lot more depth and breadth and you start seeing some of those juicy words, but you’re still only dredging the shallows.

Dictionaries.  Here I’m talking about books that might be better classified as bricks.  This book is probably hardcover, because a paperback won’t stand up to being cracked open and laid bare along its spine the way a hardback will, not to mention that there are SO MANY PAGES a paperback wouldn’t even support them.  This is a book whose presence on your shelf demands notice, like an elbowy mafia fatman squirreling for space in an elevator.  It uses that ultra-thin paper like bibles use because the printing costs would be astronomical if it used standard paper; that paper that feels like it would dissolve in direct sunlight, that paper that makes you feel like you need the steady hands you developed from years of playing Operation just to turn the pages without crinkling them.  And ooh, that smell.  Smells like knowledge.  Crack this book open and you can just taste that delicious aroma of every word that’s ever been thought of crashing through your olfactory nerve and wrecking your frontal cortex with the pungent stank of knowledge.  Thumb through the book, put your finger down on any random page and discover words like isogamete and nasturtium and teetotalism (which actually means the OPPOSITE of what I thought it means, in fact I didn’t even think teetotal was a word until just now, I always thought it was “T-total”, like “capital T Total”, in other words COMPLETELY MOTHERTRUCKING TOTAL, but it DOESN’T.  The more you know!).  Add them to your daily lexicon and impress your friends (or, more likely, earn yourself a few raised eyebrows and punches in the mouth).

I’m not making any secret what my preference is.  At the moment I’m flipping through the weathered pages of a Webster’s Collegiate Dictionary, a book bound in beautiful royal blue and weighing in like a bowling ball.  This book could classify as a home defense system if you could get a good swing with it.  And it’s not even a “big” dictionary.  To my mind, if you’re writing in any arena beyond high school, you owe it to yourself to have a hefty hardbacked capital-D Dictionary handy.  One that’s heavy with wordstuffs, so heavy you need a packmule to carry it around.  Thumb through it from time to time.  Make it into a drinking game — one shot for every word that features a schwa.  But more importantly, use it to GROW YOUR LANGUAGE-FU.

What else do writers need?  What else do people think writers need?  Am I wrong about dictionaries?  Let me hear it.

What Does a Writer Need?

I am fascinated with stuff.  I love gadgets and gizmos and accessories and tools and programs, probably to the point where it’s unhealthy.  Case in point:  my wife and I were, just a few weeks ago, talking about how we should have a garage sale before school starts back up to clear out some junk and de-crapify the house (and especially the garage) a little bit.  While we were talking, part of me was quietly filing its nails in the back of my brain, yawning and saying to itself with the most bemused of eyerolls, “yeah, that will never happen.”  True to form, school starts back up in just over a week and yeah, that garage sale ain’t happening — it’s barely even been spoken of since.

My obsession with stuff is also at odds with a philosophy I’m trying to cultivate lately, which is one of minimalism: cutting out of my life the unnecessary, the redundant, the distracting.  It’s a problem.  One side of me can give you thirteen entirely acceptable reasons why that old crappy food processor should just be thrown on the heap, but the other side manages to forget to do it or find one reason to keep it or … well, maybe it goes without saying, but the thing is still in my kitchen cabinet despite the fact that we’ve not used it in (over) two years.

But I’m wandering.  I’ve struggled this summer — struggled mightily, like a T-Rex trying to wipe its butt — with my writing in a way that I just didn’t for the first several months of the Project.  That’s my capital “W” Writing on the novel as well as my blather here on the blarg.  That hoarder part of my brain, the part that thinks any problem can be solved if I only have just the right THING to help me solve it, wonders if there isn’t some missing piece to help me write more gooder.  The minimalist part of my brain, meanwhile, is trying hard to ponder the deeper meanings of whatever and wonders if I already have too much stuff as far as my writing goes.  One way or another, there are certain things that I think you absolutely, without a doubt, must have to write, and there are other things that maybe people in general think writers need even though they really don’t.  So I want to take a look at some things that writers need (and, by extension, some things that they don’t).  Incidentally, I also want to make sure I’m maintaining focus here at the blarg, and maybe having a weekly rotation is the way to do that.

The list will by no means be exhaustive, and it will definitely be biased and opinionated.  It ain’t like companies are sending me their brand new shiny toys to beta test, but maybe if you’re an aspiring writer (like me) you’ll find something here you can use on your own journey.  I know I’ve certainly gotten help from some other writers out there, and I believe in paying it forward, so if I can help even one person out there to find a little focus, inspiration, or motivation, then it will be worth it.

Also, and maybe it goes without saying, but I’m still fairly new to the path — more chronicling the experience than trying to teach — so I won’t be able to speak yet about things like agents and publishers and all that business yet — because I’m not there yet.

So!  As I get started, I’d love to hear from anybody out there who’s reading, on one or more of these questions:

What do writers need?

What do non-writers think writers need?

What tools do you use to help yourself as a writer?

First column tomorrow, and hopefully one every week until I can’t stand this idea any more — so stay tuned!

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