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Things Writers Need — TIME

School is back in session, and as you might have noticed if you’re a regular here at Pavorisms, it’s taking a toll.  My writing has suffered a vicious setback at the hands of being back to work and will likely continue to be set back until I get a handle on a new routine for the year.  That said, today’s topic for “Things Writers Need” is particularly salient.

Today’s thing is time, bloody precious uninterrupted sacred time.  Time to make deadlines, time to think up story ideas, time to actually write the blighted thing.  Specifically, I want to talk about the actual time you need when actually actively writing.
Let’s get this straight.  Writing is HARD.  Even when you’re writing about something you love, it’s knuckle-whitening, teeth-grinding, marathon-running HARD.  The best writing is a greased pig with a hot poker applied to its nether bits; it darts this way and that, wails like crazy and will kick mud in your face the moment you think you have a handle on it.  Even if you do manage to lay hands on the thing, without the utmost focus it will twist right out of your arms, leaving you sprawled in the mud and wondering whether the sweet savory taste of bacon is worth all the trouble.  (It is.)  You can’t corner it.  You can’t strategize it.  You just have to chase after it and hope to get lucky enough to scoop it up every now and then before it leaves you in the dirt.  Every once in a while the magic just happens.  But it can’t happen if you don’t have time to chase the pig around the yard.

There’s a quote I loved from the much-adored John Green’s The Fault in Our Stars, “What a slut time is.  She screws everybody.” Doesn’t even buy you diner first.

The fact that I am realizing lately more than ever before in my life is that time is a fixed, non-renewable and ultimately precious resource.  Life is filled up with so very many things we must do that it can feel like a mug’s game trying to decide what to do with the time you have left over.  Writing, sad to say, takes up a lot of time.  Even on a good day, I can get maybe 1000 words an hour.  Measure that against the novel I just drafted at 89000 words and that’s ninety hours at a minimum, but let’s be more pragmatic and assume it was closer to a hundred and fifty.  Where does a guy with a full-time job and two full-time kids get that kind of time?
You get it at the expense of other things.  You have to cannibalize the things you hold most dear and use the sweet sweet time you harvest from their still-breathing husks to do the thing that matters.  My thing is video games and TV.  I’ve been a video game junkie since I was five years old and played my first round of “Skier”, in which you steered a pixelated blob down a white expanse dotted with pixelated tree-like green things and pixelated brown lumps and pixelated H-shaped things which somebody assured me you were supposed to navigate between but I was too busy crashing my pixelated blob guy into trees and cackling like a Bond villain to care.  (Seriously, ask my dad about my experiences with “Skier” and he will laugh until he’s blue in the face.)
And TV, holy god!  I used to think that TV was a drain on my life before we got Netflix.  Now it’s a ravenous all-consuming black hole.  On one side you’ve got brilliant network shows one-upping each other with crime dramas and sitcoms, on another side you have cable shows pumping out blistering tour-de-forces in character study and horrible dark drama, on another side you have premium channels hawking epic escapist fantasy and historical fiction, and then there are the on-demand streamers giving you a smorgasbord of bizarre and compelling no-holds-barred excursions in the secret lives of everyday people.  I really think one could watch eight to ten hours of television a DAY and still miss out on some of the incredible programming that’s coming out of TV in the last ten years or so.  I say that not as a rant against television but more as a statement of awe.  There’s SO MUCH GOOD STUFF out there.  As a writer, watching a good show is research, right?  RIGHT??
Point is, it has to go.  Or at least, most of it has to go, because, see, if you want to create, you need large, unbroken swathes of time to let your mind stretch out in.  You need to be able to stew in your thoughts, to fart around with your characters and work on the Gordian knot of tangled plotlines and entrapments that your stories turn into.  I’m not even talking about the actual act of writing, I’m talking about just thinking about writing.  You have to carve out these huge chunks of time in which to operate.  Writing isn’t a microwave dinner, it’s a slow cooker.  You can’t catch ten minutes here, twenty minutes there and expect to turn out Hamlet.  (I understand that some writers work that way, and bully for them.  Honestly.  But how much better could they be if they didn’t have to write that way?)
I read a fantastic article a few months back on NerdFitness.com (yeah, ‘net browsing is another thing that could do with some cannibalizing) called “Why ‘I don’t have time’ is a Big, Fat Lie”.  Steve Kamb has it right here.  It’s true.  So true, it hurts.  In short, the article encourages you to change the way you think about time.  We all have the same amount of time in our day, no matter how much we might wish it otherwise, and some of us are doing amazing things with that time and others are withering on the vine.  Instead of saying, then, that “I don’t have time” to write that novel or run those three miles before work or cook that nice dinner, Steve encourages you to say instead “it’s not a priority.”  Because we make time for the things we prioritize, even if the decision to do so is not a conscious one.  Sitting on your donk and watching TV or playing a video game gobbles up your precious time, so while you’re doing that, you’ve made it a priority.  This is not to say, of course, that TV or video games should be eschewed entirely.  Far from it.  (TV is research, right??)  But we (and by “we” I mean “I,” and by “I” I mean “writers,” and by “writers” I mean “everybody”, really) have to make time for the things we want to do even when the making of time is difficult.  And I really shouldn’t say “make time”, because the time is just there.  You just have to steal it away from the other unimportant sharknado in your life that wants to steal it first.
So you have to fight for your time.  In full battle-armor and with broadsword polished and flailing and a tiny little holdout dagger in your belt ready when the fighting gets really gnarly, if necessary.  You have to carve that time out of your schedule anywhere there is meat left on the bone, and when there is no meat left, you might just have to cut the bone, too.  I operated on six hours of sleep most nights this summer because I’d stay up late writing after sprout #2 went to bed late and then wake up early when sprout #1 popped out of bed like a happy tornado at six AM.  (Of course, my wife operated in staccato bursts of two hours of sleep at a time, so I bow to her masterful experience there!)  It sucked, but I got it done.  I’m trying to find the groove now for being back at work with two kids at home leaving footprints in the jello, and it’s difficult, but I’ll find that groove somewhere.
However you find it, you have to make writing the priority, and that means you have to make the time to do it.  That’s the bottom line.  Writers need time to do what they do if they want to do it well.  If you’re a writer, you have to claim that time however you can.  If you’re dating or married to a writer, well… maybe cut him (or her!) a break once in a while.  Give him (or her!) an hour’s break from the kids — take ’em to the park or something — or take a girls’ or guys’ night, or I dunno, build him (or her!) a temporal displacement chamber in the basement so that he (or she!) can by god create more time and get some damn writing done, paradoxes like meeting your future self or becoming your own grandfather be damned.
No, seriously, if anybody has any leads on that temporal displacement thingy, let me know.

Things Writers Need – Dictionaries

In this next installment, it’s time to talk about more tools of the trade.

Last time, of course, I talked about the word processor, and why I like small, minimal ones instead of monolithic, fully-featured ones — for the drafting process, at least. Today, another staple: the dictionary.

Every writer should own a dictionary.  Scratch that — every writer should own a Dictionary, capital letters and italics included and necessary.  There’s a gargantuan difference between a Dictionary and a dictionary, and I’m not just talking about the price point.  Of course, there are alternatives.  To effectively draw a distinction, we need to consider what you’re using a dictionary for. To my mind, there are basically two functions that the dictionary should serve for you.

One, the dictionary needs to let you find and define words that you don’t already know the meaning of.  (Yeah, I just ended a sentence with a preposition.  SOMETIMES IT’S OKAY, OKAY?  Would you rather have read “words whose meaning you don’t already know” or “words of which the meaning you do not know” or the thing I wrote?  YEAH I THOUGHT SO.)  If you’re reading age-appropriate literature, odds are there will be a tasty handful of these little gems sprinkled in there.  Why?  Because variety is the spice of life, and you can only read the word “good” or “fast” or “slow” so many times before you want to pluck your eyes from their sockets and puree them into a gristly soup so that you don’t have to read those boring words any more.  Good writers avoid having their readers puree their eyeballs by using a broad swathe of words so that you don’t get bored to the point where eye-pureeing seems like a good idea.  That means that they will, by necessity, exhaust the canon of “ordinary” words that the average person lives with in his average life and strike out for the far reaches of the unknown, where words have four or five or six syllables (multisyllabical words, oh my!) and the sad fact is that a lot of us just don’t know all those highfalutin’ words well enough to use them in our everyday speech or writing, if at all.  And I say that with full confidence in my vocabulary as an English teacher.  I know my vocabulary sucks.  Sorry, it’s atrocious.

I read once that the English language is composed of something like three hundred thousand adjectives, which is more than 850% of the total words in the language.  Statistics are always true.  The point is there are more words in the language than you have room in your brain for, and a good storyteller will push your limits by throwing some of those words in there.  Sure, you can figure them out on context a lot of the time, but isn’t it satisfying to look up a fancy word so that you know it and can then toss it offhandedly into your water cooler conversation like a foppy prince tossing a bag of change at a servant?  “That episode of The Walking Dead was so guttaperchic, man.  I mean, positively seminiferous.”  See, if you knew those words, you’d know that at least one of those statements is absolute nonsense. The other reason (and it flows from the first, really) you need a solid Dictionary is to help you discover new words to use in your own writing.  Think of it this way.  Electricians have tools.  Carpenters have tools.  Missile building geniuses have tools (right John?).  Hell, even a Comcast Service Technician has a truck full of tools.  What do all those tools do?  Well, unless you have a lifetime of experience running wires or building vestibules or being a totally worthless appendage of a company best likened to the Sarlaac — sorry, a Comcast Service Technician — you don’t know!  Sure, you can guess that the clippy-looking-thingy might be used to, I dunno, cut things, or that the pointy-bit-on-the-end-of-a-steel-doodad could be used to poke holes in things, but when it comes to poking the proper holes in the proper things in the proper place, you’re as educated as a Comcast Service Technician.  (Truthfully, CST’s I’ve had experience with have all been pretty decent human beings, even if they work for the most unholy corporation in the known universe, a corporation that now apparently has religious freedom, so HAVE FUN WORSHIPPING THE BLACK MAW.  Thanks, Supreme Court!)

Ahem.  Writers have a job just like carpenters and electricians and rocket scientists and… no, we’ll leave the Comcast Service Techs out of this one.  Unlike those, you know, technically-abled sorts, we don’t have trucks or toolboxes or closets to keep our tools in, because our only tools are words.  A good, solid dictionary is the best tool repository you can hope for, and on a per-word basis, even an expensive dictionary is the equivalent of getting a 5,000-piece drill-bit and screwdriver-attachment set for $19.99.  You wouldn’t set out to build an addition onto your house with just a manual screwdriver and a hammer. All that said, let’s look at your options.

Online Resources.  Here’s your web-based dictionaries, i.e., Merriam-webster.com, dictionary.com, or whatever website floats your boat.  And don’t get me wrong, these are AWESOME, but they come up short in that “discoverability” factor in the same way that Amazon doesn’t quite measure up to a good old fashioned bookstore with actual walls and shelves and books and snooty clerks.  With an online dictionary, you can only find the words that you’re looking for.  Now, that’s a great feature — albeit one you can accomplish with an old-fashioned dictionary in the absence of a working internet connection, and for those write-at-the-edge-of-society-so-as-to-commune-with-nature types, that’s a monstrous plus.  Sure, these sites will highlight words from time to time and post “words of the day” and other fun stuff, and again, those are GREAT.  But you miss the tactile feel and sense of wandering among corridors and pages of words that a hard copy brings. By the way, just for poops, I scrolled down on the Merriam-Webster site and found a list of the top 10 most searched words in the last week.  They are:

  1. bestiality
  2. bigot
  3. pedantic
  4. et al
  5. biweekly
  6. comradery
  7. holistic
  8. sex
  9. culture
  10. closed-minded

And I think that says JUST A LITTLE BIT about the insane perverted prudish idiotic political culture that we live in.

Cheap, dollar-store dictionaries and pocket dictionaries.  This is a step backwards from online resources, because there is not nearly enough depth or breadth in these.  I saw one in a dollar store once that was literally one hundred pages long.  That was boasted on its cover.  How many words can you cover in one hundred pages?  Not enough.  The really tasty words just aren’t going to be in there, and even the definitions are condensed and crap, like a microwave dinner.  These are useful until about the time you finish high school, assuming you’re not particularly interested in expanding your horizons beyond high school.

Abridged dictionaries.  Now we’re getting somewhere.  If a dollar-store dictionary is a microwave dinner, an abridged edition is a meal-in-a-box.  You don’t feel as dirty using it as you would if you just tossed your food — THE FOOD THAT YOU EAT TO SUSTAIN YOUR LIFE — in the microwave for its entire cooking process, but you know in your heart that you can do better than boiling water to dump the noodles in or preheating the oven to 350 and then cooking for an hour.  The definitions are better and you get a lot more depth and breadth and you start seeing some of those juicy words, but you’re still only dredging the shallows.

Dictionaries.  Here I’m talking about books that might be better classified as bricks.  This book is probably hardcover, because a paperback won’t stand up to being cracked open and laid bare along its spine the way a hardback will, not to mention that there are SO MANY PAGES a paperback wouldn’t even support them.  This is a book whose presence on your shelf demands notice, like an elbowy mafia fatman squirreling for space in an elevator.  It uses that ultra-thin paper like bibles use because the printing costs would be astronomical if it used standard paper; that paper that feels like it would dissolve in direct sunlight, that paper that makes you feel like you need the steady hands you developed from years of playing Operation just to turn the pages without crinkling them.  And ooh, that smell.  Smells like knowledge.  Crack this book open and you can just taste that delicious aroma of every word that’s ever been thought of crashing through your olfactory nerve and wrecking your frontal cortex with the pungent stank of knowledge.  Thumb through the book, put your finger down on any random page and discover words like isogamete and nasturtium and teetotalism (which actually means the OPPOSITE of what I thought it means, in fact I didn’t even think teetotal was a word until just now, I always thought it was “T-total”, like “capital T Total”, in other words COMPLETELY MOTHERTRUCKING TOTAL, but it DOESN’T.  The more you know!).  Add them to your daily lexicon and impress your friends (or, more likely, earn yourself a few raised eyebrows and punches in the mouth).

I’m not making any secret what my preference is.  At the moment I’m flipping through the weathered pages of a Webster’s Collegiate Dictionary, a book bound in beautiful royal blue and weighing in like a bowling ball.  This book could classify as a home defense system if you could get a good swing with it.  And it’s not even a “big” dictionary.  To my mind, if you’re writing in any arena beyond high school, you owe it to yourself to have a hefty hardbacked capital-D Dictionary handy.  One that’s heavy with wordstuffs, so heavy you need a packmule to carry it around.  Thumb through it from time to time.  Make it into a drinking game — one shot for every word that features a schwa.  But more importantly, use it to GROW YOUR LANGUAGE-FU.

What else do writers need?  What else do people think writers need?  Am I wrong about dictionaries?  Let me hear it.

Things Writers Need: Drafting Software

In this inaugural post of my Things Writers Need series, I want to take a look at the big daddy.  No sense doing a thing if you’re not going to take on the biggest parts of that thing, right?  So, I want to start with something every writer needs to make friends with:  The Word Processor.

I’m sure some out there will disagree with me, but I’m sorry, if you’re not writing on a computer at this point, you’re just being silly.   Now, before you jump down my beak and strangle me from inside, rest easy, I don’t think all writing needs to be done on a computer.  There is a time and place for writing with whatever’s to hand, and even in the best of situations, your computer or laptop doesn’t fall into that category.  That said, you can’t hope to punch out the word count you can get with a word processor using pen and paper.  A typewriter might come close, but seriously… who uses typewriters any more?  Honestly?  Are you just trying to make a statement?  “Oh, I’m so retro, technologeee ain’t for meeee!”  If you have a typewriter in your house or apartment or storage shed and it’s being used as anything other than a paperweight, you’re doing it wrong.  Don’t get me wrong.  There’s nothing wrong with typewriters.  At the time they were marvels of engineering, and many of them are positively bubbling over with delightfully adorable designs and sleek features.  They’re great to look at.  But if you’re using one to do any amount of actual Writing, you’re being pretentious.  Get with the times.

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What Does a Writer Need?

I am fascinated with stuff.  I love gadgets and gizmos and accessories and tools and programs, probably to the point where it’s unhealthy.  Case in point:  my wife and I were, just a few weeks ago, talking about how we should have a garage sale before school starts back up to clear out some junk and de-crapify the house (and especially the garage) a little bit.  While we were talking, part of me was quietly filing its nails in the back of my brain, yawning and saying to itself with the most bemused of eyerolls, “yeah, that will never happen.”  True to form, school starts back up in just over a week and yeah, that garage sale ain’t happening — it’s barely even been spoken of since.

My obsession with stuff is also at odds with a philosophy I’m trying to cultivate lately, which is one of minimalism: cutting out of my life the unnecessary, the redundant, the distracting.  It’s a problem.  One side of me can give you thirteen entirely acceptable reasons why that old crappy food processor should just be thrown on the heap, but the other side manages to forget to do it or find one reason to keep it or … well, maybe it goes without saying, but the thing is still in my kitchen cabinet despite the fact that we’ve not used it in (over) two years.

But I’m wandering.  I’ve struggled this summer — struggled mightily, like a T-Rex trying to wipe its butt — with my writing in a way that I just didn’t for the first several months of the Project.  That’s my capital “W” Writing on the novel as well as my blather here on the blarg.  That hoarder part of my brain, the part that thinks any problem can be solved if I only have just the right THING to help me solve it, wonders if there isn’t some missing piece to help me write more gooder.  The minimalist part of my brain, meanwhile, is trying hard to ponder the deeper meanings of whatever and wonders if I already have too much stuff as far as my writing goes.  One way or another, there are certain things that I think you absolutely, without a doubt, must have to write, and there are other things that maybe people in general think writers need even though they really don’t.  So I want to take a look at some things that writers need (and, by extension, some things that they don’t).  Incidentally, I also want to make sure I’m maintaining focus here at the blarg, and maybe having a weekly rotation is the way to do that.

The list will by no means be exhaustive, and it will definitely be biased and opinionated.  It ain’t like companies are sending me their brand new shiny toys to beta test, but maybe if you’re an aspiring writer (like me) you’ll find something here you can use on your own journey.  I know I’ve certainly gotten help from some other writers out there, and I believe in paying it forward, so if I can help even one person out there to find a little focus, inspiration, or motivation, then it will be worth it.

Also, and maybe it goes without saying, but I’m still fairly new to the path — more chronicling the experience than trying to teach — so I won’t be able to speak yet about things like agents and publishers and all that business yet — because I’m not there yet.

So!  As I get started, I’d love to hear from anybody out there who’s reading, on one or more of these questions:

What do writers need?

What do non-writers think writers need?

What tools do you use to help yourself as a writer?

First column tomorrow, and hopefully one every week until I can’t stand this idea any more — so stay tuned!

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