Tag: momentum matters

The Weekly Re-Motivator: Mind Over Mind

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I was sitting at work the other day, having just come back from one of several “important” meetings during my planning time, lamenting my general loss of productivity of late. It’s been an adjustment, getting back into the school routine: waking up earlier to get in my runs and workouts, bundling the sprouts off to germcare (sorry, daycare), putting in my time at school, coming home exhausted but still having to cook dinner and wind the sprouts down for the evening, and finally collapsing in a boneless heap to hope that the kids sleep through the night (they’re both in a bit of a midnight waking sort of phase right now, which is a real bummer).

As a result, I’ve lost some momentum on my writing front. I’ve dropped from writing about 800 words a day on my current WIP to 600 or so, and I’m down from five postings a week here at the blarg to three or four if I’m lucky. Which is frustrating. Toward the end of the school year, I was priding myself on those statistics.

Then again, when I think back on it, my workouts were suffering during that time. I was gaining momentum in one area at the expense of the other.

And then further still, I think back to the beginning of summer, when the routine of the workday disappeared and I fell into a funk and wasn’t accomplishing my workouts or the writing I wanted to. I did some, sure, but I just felt so wiped, so burnt out, so unmotivated. Did I need a bit of time to recuperate from the end of the school year? Probably. Did it merit the amount of down time that I took? Meh… I have a hard time justifying that.

And then, my brain flashed back to my time in college. This is a thing I tend to try to stop my brain from doing, because the results are rarely good. I loved my college days, but man oh man were some poor decisions made. And needless to say, the brain doesn’t flash back to the good things when it senses I need a good kick in the arse. No, it flashed back to a stretch of about a year and a half where I did little more than sit in my room and play video games for hours and even days on end. I failed a class, something I’d never done in my life. My other grades tanked. I packed on about fifteen pounds. I turned into a big old jerk (well, even more than normal). Why? I just lost the drive. I felt worthless so I was worthless. And in the depths of that toxic fog, a good friend of mine (who was somehow still my friend despite all my atmospheric jerkitude) came to me with a bit of advice: “The more you do, the more you can do.”

I don’t know if she plagiarized that, and I don’t care. Because it’s true. The mind is a weird organ. It believes what it wants to believe, often contrary to the empirical evidence all around it. That little aphorism led me to get back into my classes and write the first drafts of the play that would grow into Accidentally Inspired, the work that in no small way set the course for the next chapters of my life, and is still setting the course for me.

The more you do, the more you can do.

Momentum matters.

You pick yourself up out of the funk and do something — anything — take a walk around the block, scribble a few bits of dialogue on the page, bang out a few push-ups, chase your kid around the room a few times — and there’s pushback, sure. Your negative momentum holds you in place. But your brain also says to itself, “hey, that wasn’t so bad, we can do that again.” And if you’re smart, you do, and you do a little more next time.

If the me who heard my friend drop that little truth-bomb on me back in college could see what I’m up to these days — even in my current, slightly diminished and frustrated state — he’d have a heart attack. Married, two kids, full-time job, coaching soccer after school, working out five or six times a week, writing novels and short stories like it’s my job, operating a website… The me of the past didn’t believe he could do all that, so of course, he couldn’t. But little by little, he started to believe. Little by little, momentum grew. Little by little, his mind changed.

Were there setbacks along the way? No doubt. The road is neither straight nor level. But by taking on a little more at a time, slowly upping the ante, slowly turning up the burners, I was able to trick myself into becoming moderately productive.

Which reminds me, it’s time to take the kids out on a walk, and then come back and write…

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This weekly Re-Motivational post is part of Stream of Consciousness Saturday. Every Saturday, I use LindaGHill‘s prompt to refocus my efforts and evaluate my process, sometimes with productive results.

The Summer Rhythm

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Teaching is weird.

Don’t get me wrong, it’s great; having those two months off during the summer is fantastic, and it’s enviable to people who don’t work in education. (It’s maybe the only enviable thing about the job, but hey, you take what you can get.) And I’m certainly not complaining about the time off: that time translates into lots of opportunities to sleep in, go running during earthly waking hours (during the working months I’m out there before the sun is up, which has its own sort of ethereal calm about it but also sorta makes me feel like a vampire  — NO I MUST AVOID THE SUN), be a dad who’s actually present in his kids’ and his wife’s lives, check out some horrible daytime television.

Problem is, when I’m working, I have this routine, and over the summer, that routine is shattered. Not just shattered, but then stomped on by little toddler feet and flung at my face by little toddler hands and then not only do I have to deal with the shards of shattered routine embedded in my corneas, I also have to stop the toddler and the infant from swallowing the broken pieces and…

By the way, can you still call a three-year-old a toddler? It seems idiotic to do so, all of a sudden, since “toddlers” are named for their toddling, that wobbly, baby-goat stumbling gait that’s the hallmark of an uncoordinated, top-heavy biped learning to walk. But sprout #1 is well past wobbling. He can still lose his balance and go crashing into a table edge or fall down the last stairs, bouncing off like he’s made of rubber, but when it comes to walking, running, galloping, skipping… I mean, he’s mastered it. So he’s not toddling anymore, but what is he? Still too little to be a boy, I think. Is there a word for that? Fargo, the kid is going to be in preschool next year. Look, let’s just dial the clocks back a little bit…

Okay, enough of that sentimental diversion. (Seriously, though. Kids grow up FAST.) I was talking about routines and how over the summer my routine breaks down worse than my old Chevy Malibu (god rest its hunk-of-junk soul). I’m trying to find the routine for getting my writing done over the summer, because even though my 9-5 job is on a little hiatus, the writing dream NEVER SLEEPS, and its hungry maw must be fed a steady diet of word count, despair and whiskey.

Nice thing about doing my writing on and around the job is, there’s structure there. Typical work day: Wake up, exercise, get to work, do the teacher thing for four hours, break for lunch, write for about thirty minutes while pounding down a salad or a sandwich, do a lightning session of grading papers and planning the next day’s lessons, and write for another fifteen minutes or so before my last class of the day comes in. Patterns. Regularity. You can plan for that and the body adapts nicely to it, not unlike it adapts nicely to a bowl of raisin bran in the morning and a visit to the crapper in the afternoon. Easy to plan your day that way.

Over the summer, there’s no such luck. One day, my wife’s at work, so I’ve got the kids for nine hours, then a spot of cleaning and cooking in the evening, then it’s time for a glass of wine with a nice TV show in the evening, and then, whoops — it’s bedtime again. (Here my wife is rolling her eyes: “I still find time to get things done!” and that’s true, honey, you do. But you have superpowers, and I don’t, and it’s virtually impossible to maintain the focus needed to hold a narrative together when you’re constantly stopping to make sure the sprouts aren’t devouring a bucket full of chalk, or shaving the cats, or trying to feed your lunch to the dog, or taking markers apart to see how they work and then smearing the magic ink on their faces, or pretending to be dinosaurs and stomping all over creation and, again, eating everything in sight.) Next day, wife’s home, but we’re prepping for a yard sale. One minute we’re taking sprout #1 to Grandma’s house for the day, next minute we’re hauling stuff out of the garage, next minute we’re hauling stuff into the garage, a bit later on I’m off to the Home Depot to get some cleaning supplies, then it’s more sorting and prepping and cleaning and don’t forget changing sprout #2’s diaper and keeping her from sticking her fingers in it as you do so (her new favorite habit, and there go my wife’s eyes again because I think she actually cleaned more diapers today… again, she’s just better than me at handling that stuff promptly, whereas I’m maybe better at letting things be), then holy carp it’s time to put sprout #2 to bed and hey did we eat yet, no we probably should so it’s time to cook and whoops the sun is down, hey let’s go to bed. Which is a fine day, very productive and all, until I realize about 9pm SHARKNADO I forgot to write today.

Do you let it slip? Or do you gird your loins for battle and go in to do battle with the Word Monsters when all you really want to do is go to sleep to prepare yourself for the unpredictability that tomorrow will surely bring?

Problem is, as I may have mentioned once or twice before, momentum matters. I know that if I let the writing slip today, it’s twice as easy to let it slip again tomorrow (well, I missed one day this week, what’s one more — I can rest up and hit it properly next week), and so on and so forth until whatever dubious progress I’ve managed in this little endeavor is lying in a twisted heap at the bottom of the chasm, smoke pouring from its innards as I crawl toward the couch for a nap.

Anyway, I’m looking for that rhythm, that pattern that will let me get my writing done during these oddball summer months without feeling like I’m taking away time from the wife and kids. And yeah, I know these are totally first world problems, and I own that. But, privileged problems or no, when there are things throwing your life out of balance, I think it’s worth slowing down a little bit to see if you can work toward restoring that balance, rather than just riding it out. We humans, we seek the path of least resistance. Unfortunately, nothing worth having is easy.

So, the question: when your regular routine is thrown off, how do you make sure you get everything done? Technically I have more time than ever in my days now, but it feels like those hours just slip away.

Only Off By a Minute or Two (or 14.4)

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The topic for the week in Stream-of-Consciousness Saturday is “ke”.

Which is crap, innit? It’s not a word, certainly not a concept. But it’s more than just a letter. It’s a sound, sort of, though it depends on how you use it. It sounds like itself sometimes: KEy, KEep, KEen; but throw it at the end of a word and its sound disappears entirely: faKE, liKE, smoKE. It vacillates between setting the tone for the thing it’s a part of and being entirely subservient to the rest of the thing.

So I took to the Googles, typed in “ke” and I guess not surprisingly, the first thing to pop up was a wikipedia page, and that seemed promising.

KE is a postal code for Kildare, Ireland, which sounds lovely.

KE is the abbreviation for kinetic energy in physics. Now, I like the thrust of that, but we all know I do more than my share of nattering on about the importance of momentum and doing things and I already feel the gravity of more nattering on the topic, so I will do us all a favor and drive that train of thought into the ditch and move on.

Then you’ve got Ke, which has its own attributions: It’s a translation of a common surname in China, it’s the elimination rate constant (or the rate at which drugs are removed from the body, a topic I know nothing about), it’s also an electrical constant called Coulomb’s Law, which I would have loved to tie in here in clever fashion but ye gods, I had a partial stroke just trying to read the formula:\oiint\mathbf{E} \cdot {\rm d}\mathbf{A} = |\mathbf{E}|\mathbf{\hat{e}}_r\int_{S} dA = |\mathbf{E}|\mathbf{\hat{e}}_r \times 4\pi r^{2}

And I apologize for whatever ill effects it might have had on your system. Finally, a Ke is also a Chinese unit of decimal time measuring either 14.4 minutes or 15 minutes.

Wait a minute.

It’s a unit of measure — those things that we use to determine how much of things there exist in a given system, or the distance between things, or the purity or contamination of things, or in fact any of the myriad of methods we have for making meaning out of the world around us — but we don’t know exactly how much of the thing it sets out to measure that it actually measures.

I thought more about this, and it only made my brain hurt even more, and it was already reeling after trying to read that formula up there. (HALF OF IT IS JUST WAVY LINES.) Think about it. The difference between 14.4 of something and 15 of something is 4%. 4% doesn’t sound like a lot, but when you start doing math of any consequence, 4% becomes enormous. 4% of the world’s population, for example, is 284,000,000 (that’s 284 million) people. 4% of the distance from the earth to the moon is almost ten thousand miles. It’s hard to imagine any measurement having a grey area you could sail the earth itself through.

But that’s the way of things, innit? The Ke is not a contemporary unit of measurement. It doesn’t get used anymore, except perhaps by Chinese authenticists (the measurement, it turns out, was based on the sundial), in large part because we’ve come up with new, better, more precise measuring sticks. So are we always redefining the rules, fine-tuning the specs on our tools, rejiggering the machinations that control and that build our lives. As our goals and, by extension, our accomplishments grow, so too must the means by which we measure them. An “A” in high school chemistry might have been the most important thing in the world to a past version of myself, but today it means precisely bupkis.

I got up for a drink just now, and on my way back to my seat, I had the thought that just about the only yardstick that has meaning in my life at the moment is money, and as I thought that thought, my blood started to simmer. My head filled with insane, tinfoil-hat kinds of ideas and notions that money isn’t real yet our lives and our livelihoods depend on it, that some people in the world can just invent all the money that they want while others live their lives in the shadow of its absence, and ultimately I decided that my blarg is a whole lot more lighthearted than that and the best thing to do was just to wrap this stream of consciousness up.

And to think, it only took me a couple of Ke’s to write all this.

This post is part of Stream of Consciousness Saturday.

Little Victories Fuel Big Victories

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If you’re like me, a wannabe writer trying to figure out how to make the dream happen, you might be struggling to write every day. I know I did; writing the first draft of my first novel was as challenging as pulling the teeth from an enraged baboon while whistling “Happy Birthday” backwards. Sure, you start off full of chutzpah, ready to slay dragons and save the world every day, but the honeymoon only lasts so long. After a few weeks, you find yourself tasked with churning out more and more words, even though you’ve already used up your good ideas — or even though you don’ t know how to get to the good ideas.

That blank page stretches out in front of you like a wasteland, cruel and without end.

Some days are better than others, but every day is hard. Not just because you have to claim your time from the jaws of your enemies with blood and fire, but because you have to keep the creative engine churning, you have to keep the cursor moving, you have to keep that word counter ticking over like the odometer on a road trip.

Now, I’m not an expert. I’ve yet to make a dime off of anything I’ve written creatively, so I can’t claim to know any better than anybody what you should do to make any money at this endeavor. But I do know that if you aren’t writing, every day, you’re handicapping yourself before the race has even begun. Momentum matters, and if you keep the ball rolling a little every day, you don’t have to kickstart it from a dead stop again. To that end, if there were one piece of advice I’d offer to anybody trying to start writing, it’s this:

You need a daily goal. A set amount of progress that you will, one way or another, put to “paper” one way or another before today turns into tomorrow. Momentum matters. Achieving this goal every day will keep you sliding forward like a glacier. You can’t set out to say you want to write eighty thousand words by November and hope to get there by focusing on the eighty thousand. It’s too big. You might as well be thinking about climbing the summit of Mount Everest when you haven’t even left base camp. It’s a good goal to have, but you’re not going to achieve it today. Or tomorrow. Or next week. And when you fail to achieve that goal, you will lose gumption, you will lose drive, you will lose the confidence that you can achieve this thing. What you need is to focus on what’s in front of you and achieve that, however big or small that goal is. What’s your daily goal? 100 words? 300? 2000? It depends on the kind of time you have available in your days (or, more correctly, the amount of time you can prise from your day’s cold, dead fingers).

I find that, on a normal workday, I can usually find about 45 minutes to write, and that tends to be enough time for about 900 words.

Now, 900 words assumes I’m able to write productively and without pauses for almost the entire time, and that’s not always the case. So my “on paper” goal per day is 600, even though I’m really trying for 900. 600, therefore, is what I want to accomplish so that I can feel I’m not neglecting my writerly duties. 900, however, makes me happy.

How does it go, writing 900 words a day?

A little something like this:

0-100 words: Man, this is hard. Why did I decide to do this, again? I’m not sure what I should be writing at all. (re-reads yesterday’s work.) Okay, maybe this can happen, or maybe this character can set this trap… I dunno, it sounds lame. But if I don’t get to work, I’m not getting my words. Whatever. Just write something.

100-300 words: Well, I guess this is happening. I’m not sure I love what’s happening, but it’s happening. Make sure to keep that character involved. Think about what this character is thinking. Where is this heading? Just keep writing.

300-500 words: Okay, I like what’s happening now, and I see where it’s heading. Maybe, though, it doesn’t make sense for this character to say this thing now, or to take this action now, but I’m not sure how else it could go. Don’t think about it, don’t think about it, don’t think about it… fix it later.

500 words: SHARKNADO. I just realized the perfect thing that should have happened earlier to set up the thing I just realized needs to happen now. Do I go back and fix it? Press on and make a note? (This is usually where I get up and walk around for a minute to rearrange my thoughts.)

500-700 words: I’m either going back and inserting an alternate text to something I already wrote, or I’m forging ahead full-speed with today’s beats. Either way, at this moment, I’m in a state of flow, just letting the words come on their own and keeping up with the narrative as quickly as it’s unspooling in my head.I don’t even check word count during this step. It just happens.

700-900: Flow continues and the possibilities for future events are exploding like popcorn, one after another, each one showing a road to the rest of the novel that might develop into something or that might wither on the vine. There’s no telling which one is the right one, though, so I grab hold of one and ride the wave while it’s high. At some point in this range I realize that I’m almost out of time for today, so…

900-1???: I use my remaining time to find a stopping point. I used to try and finish a beat, but now I like to either stop right in the middle of one or just at the beginning of a new one. That way, when I come back to write next time, I still have fresh in my mind some semblance of where this scene is going. I don’t usually want to stop writing at this point, but by this time there are other responsibilities banging on my door, either literally or figuratively.

So that’s pretty much every day. I push through five days a week like that when I’m drafting. I aim for a blarg post about every other day or when I can manage it, but I don’t stress about the length of the posts anymore (I used to shoot for 1000 words… yeah, this post is over 1000 already, but sheesh, that’s a lot in a day).

900 words might seem like not very much to you. Or maybe it seems so lofty as to be insurmountable. Point is, it’s been a sweet spot for me: It’s a challenge to get there, but not so daunting that I have to struggle every day to make it. But it’s not so easy that I can do it without any effort at all. It’s significant enough to give me a pick-me-up when I meet the milestone, but not so significant that I feel I can’t make it. Pick a goal that stretches you a little bit, but one that you can realistically reach from where you are. Little victories fuel big victories.

I’ll admit I’m feeling somewhat at sea with my current story. There are loose ends all over the place, I’m still getting a feel for the characters, and I’m not even 100% sure where I want the story to go. But what I do know is, I’ll be writing about 900 words a day every day for the next few months. If I can keep to that schedule, then long about September, I’ll have my second novel drafted.

How do you eat an elephant? One bite at a time.

Newton’s Laws of Writing

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A while ago, there was this guy.

He sat under a tree for a while — a really long while — until eventually the tree sharted an apple on his head, and instead of just finding a different tree to sit under, this enterprising fargoer went and derived the laws for all freaking motion in the universe from that one little incident. I’m pretty sure he also went on to invent some awful cookies, although the real depth of his genius might be measured by the fact that he convinced people that those little bits of sandpaper wrapped around pseudo-fruit-filling were cookies in the first place, and not, in fact, aardvark turds rolled in discarded cicada husks.

But yeah, his more important contributions to the world were probably the three laws. But what Newton didn’t know (or at least, I have on good authority from this absinthe fairy that’s twinkling around the room at the moment) is that the three laws apply not just to the motion of things in the universe, but they apply to everything. And that means they apply to writers, too. I’m one of those, so here’s how it works:

First Law: An object in motion tends to stay in motion. That’s inertia, which is married to momentum, which is a concept I’ve found myself a little … obsessed is too strong a word … we’ll say “fixated” with here on this blarg and in my writing journey. I’ve written about it a few times before. In the universe, it means that if, say, you’re a planet hurtling through space, you will continue to hurtle until an asteroid many times your size smashes into and pulverizes you in a gigantic horrifying cosmic fender bender, or until a burgeoning sun swallows you up like the gnat I swallowed on my run this morning. To writers, it means that it’s easy to keep writing as long as you keep doing it. In other words, if you’re writing, and you want that writing to turn into something other than pointless scribbles in a forgotten word document, you have to forget the excuses and make sure you write a little bit, like, every day. Or at least almost every day. You’re only human, after all. Unless you’re a planet, in which case, I’d love to read your autobiography, except maybe try writing it in English instead of the eldritch tongue of star screams and soul-tearing that you probably write in.

Second Law: Look, the metaphor falls apart here in the middle. This is a stream-of-consciousness post, okay? I only planned it so far. I’m going to be honest. I remember the 1st and 3rd laws of motion from high school physics but I had no idea what the second law was. So I googled it, and found some highly technical descriptions of it, and then I got smarter and wikipedia’d it (is wikipedia’d a valid verb? It should be) and I still couldn’t figure it out. Essentially it’s about force and acceleration (F=ma) and all this other sciencey stuff I can’t be arsed about as a purveyor of fiction and dubious thoughts about writing. How does it apply to writing? Fargoed if I know. Let’s play acronyms. Freaking metal, always. Funky math: avoid. Fight me afterwards. Let’s just forget I talked about the second law. I was just killing time until I got to the 3rd law anyway.

Third Law: For every reaction, there is an equal and opposite reaction. This law explains why people get black eyes from shooting guns, or so I’ve heard. And why, when you’re walking barefooted across the carpet that was harmless before you had kids, a Thomas the Tank Engine figurine can stab upwards with all the force of an icepick wielded by an angry yeti into your tender underfoot. But, see, this one is great with writing, because it works in a couple of different ways. First, there are days when the writing resists you, and the harder you lean your shoulder into it the harder it leans back, unmoving, until you collapse at its feet, sobbing and gibbering about your inadequacies. By the same token, of course, if you don’t try to force the writing — if you write what needs to be written rather than trying to force words that don’t fit — then the whole task becomes ridiculously easier, and in fact, your story can end up working with you rather than against you. Second (and I’m twisting the law harder than a kid I knew in seventh grade, who shall remain nameless, delivering a purple nurple) it means that for every good day, there’s gonna be a bad day. For every day that the words and ideas and plots and characters flow from your fingertips like so much cosmic radiation pouring off of the sun, there will be a day that finds you as productive as my old and worthless cat who just keeps swatting at my ankles and crapping on the carpet. For each brilliant idea that seems to solve all the problems in your story at one fell swoop while choirs of angels sing in the background and golden sunlight suffuses the whole, you will lay an egg from which hatches a deformed, pitiful, limping abomination that squeals pitifully to beg for narrative death. You have to learn to ride the wave when the 3rd law is flowing in your favor and weather the storm when it isn’t.

Writing is a fickle mistress. Luckily, if you are up on Newton’s laws, you can predict some of her irrational moods and get out of the way when she comes at you with a knife. Of course, if you were thinking, you wouldn’t have written a razor-sharp butcher knife into your third act for her to use in the first place, but NO, you just had to have it there for “dramatic tension,” didn’t you?

Oh, THAT’S what the second law stands for.

Female Machete Assassin.

Yeah, that makes perfect sense. We’re going with that. Newton’s 2nd law for writers: Female Machete Assassins. Include them in your stories. Or avoid them. Or something.

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This post is part of Stream of Consciousness Saturday. This week’s prompt was “opposite.”