Bull Rush


Chuck’s challenge this week:  Nothing but Action.

Action is a thing I struggle with, so this was an exercise I desperately needed.  I really like the beginning of this one… I have to confess I couldn’t think of an action-y way to end it.  The ending suffers a bit for that, I’m afraid.  And to my wife, when she reads it… I just couldn’t work the duck into it.  I’ll break that thing out later.

 

Bull Rush

Checking the figures on his monitor one last time, Taurie breathes deep and jabs the needle into his thigh.  The clear solution oozes in and he feels a slimy cold spread through his leg.  He hears a distant crunch as they kick in the downstairs door.  He mashes the red button to arm the failsafe, throws his chair through the window, and dives out.  He drops two stories, tucks, rolls, and cracks his skull on the side of a dumpster.

The agents kick his door in and flood his room like cockroaches, sweeping through his apartment in a frenzied buzz of intercom chatter.  It’s only seconds before an agent spies the window, shards of glass still clinging to the frame, drapes floating lazily in the breeze.

Taurie blinks the stars away and lurches to his feet.  Twenty feet above him, he sees a suit and sunglasses speak into its wrist and disappear back into his apartment. He jogs to the street, then lapses in judgment for a fraction of a second and looks back toward his building.

The smear of blood on his forehead gives him away.  Taurie sees the guy in the camouflage shorts and handlebar mustache, and Handlebars sees Taurie see him.  As if a starter pistol had gone off, they both break into a dead run.  Nondescript faces and bodies fly at Taurie as he hurtles down the sidewalk, brushing them aside or ducking around them as best as he can, knowing that he’s only creating an empty wake for Handlebars to follow him in.  He doesn’t even have to look behind him to know that the guy is closing.  Taurie’s short, and Handlebars has the benefit of not having to pick an escape route.  So Taurie hurls himself into the street.

A cab lurches to a heavy halt but can’t stop in time; Taurie tumbles across its hood, pirouettes and dashes in a jagged arc across four lanes to a chorus of honks and shouts.  A passing bus clips his heel but doesn’t slow down.  He hazards a glance over his shoulder as he makes the far sidewalk.  Handlebars, initially slowed by the detour into the street, is now closing the gap between them, aided by his long strides and the fact that all of the traffic is now stopped.  In the open, he’ll be caught in seconds, not minutes.  Taurie spots a bellhop pushing a luggage rack out through the doors of the Grand.  He aims a shoulder at the guy’s midsection, sending him sprawling.  He grabs the trundle, yanks it sideways behind him and wedges it in the door.

Handlebars grabs his hand through the stack of suitcases and flowered dresses just as Taurie turns to bolt through the lobby.  He twists Taurie’s wrist backwards; Taurie yelps in pain and collapses backward into a foul-smelling duffel bag, kept upright and pinned in an iron grip.

“It’s over, Conway,” Handlebars says, his ludicrous facial hair twisting into some sort of fuzzy alien punctuation mark.

Taurie aims a mule-kick at the stack of luggage; it topples over and crashes down on Handlebars.  His hand comes free, and Taurie bolts through the lobby —

And then the building is shaking like the inside of a bass drum with the percussive force of a massive explosion.  Through one of the floor-length glass panes, Taurie sees the roof of his building belching fire and smoke into the sky.  He has only a moment of panic to realize that the inhibitor signal is probably about to cease, and then Taurie is gone and the Tank takes over.

Handlebars has extricated himself from the tangle of mothballed dresses and hardshelled suitcases and he sees Taurie stop short across the lobby.  The kid doubles over and begins pounding on the floor, his shirt stretching and snapping, his neck and shoulders and arms bulging like he’s been suddenly pumped full of hot air.  Handlebars’s mouth goes dry and his stomach turns.  He unholsters his pistol and fires off a tranq dart — then a second, for good measure.  The thing that used to be Taurie peers ponderously at the feathers sprouting from its butt and rounds on him.

The scrawny kid is gone; in his place is a golden-eyed monster the size of three linebackers, snorting and snarling with great bull nostrils and great bull horns sprouting from his sweat-matted hair.

Now it’s Handlebars’s turn to run.  He stumbles into the street but the Tank is on him in the blink of an eye.  He feels his ankle caught as if in cement, and then the world turns a half flip and he’s dangling upside-down, staring into the inverted face of Taurie-Tank.  Its bulging eyes bore into his, protruding snout exploring his face, horns jabbing into his collarbones.  Its breath smells of rancid meat and ashes; he gets lightheaded breathing it in.  This is the end, Handlebars thinks, and then he hears the pock-pock of gunfire, feels warm spray spatter his cheek, tastes iron on his tongue.  The monster drops him on his face and he feels consciousness slip away as the Tank leaps toward the dark-suited agents across the street, stomping a crater in a sedan along the way.

****

Taurie wakes up in a stainless steel room, cuffed to a bed.  There’s pain in his shoulder, but it’s faint and distant.  In the corner stands Handlebars, his ankle in a cast and a bandage over one eye.

“Welcome back.”

Taurie asks the only question that matters.  “Did I kill anybody?”

“Is that what you’re worried about?”

“What should I be worried about?”

Handlebars shrugs.  “Whether or not you ever see daylight again.”

Taurie folds his arms, or tries to.  The handcuff clatters at his wrist.  “You want my research.  I’m not giving it to you.  Why do you think I blew up my apartment?”

Handlebars smiles.  “We already have your research.”  He hobbles into the light, his unbandaged eye turning gold.

 

Powdered Chaos


Chuck’s challenge this week:  Infocomm Inventory.  This one really called to me because I enjoyed the heck out of these games back when I was a young’un.  That said, squeezing eight items from a grab bag into a single story of only 2000 words is not an easy task.

My list of items was: a crucifix, a jade figurine, a soccer ball, an ionic diffusion rasp (!), a veil, a coin, a pearl necklace, a manuscript, and Chaos (capital letters included).  That’s right, one of my items was CHAOS.

Anyway, another dark one, and my apologies if it doesn’t hold together as well as I thought it did — I have been on some pretty serious painkillers for the past forty-eight hours.  They may have affected my judgment and / or creativity and / or ability to tell if what I’m writing is any good or utter crap.

Read More »

Bound Howler


Chuck’s challenge this week:  Subgenres.

This one’s a bit longer than most, but I think it’s worth it.  That in mind, I won’t beleaguer you with a drawn out explanation, I’ll just let the story speak for itself.

 

 

Bound Howler

*****

Trina threw down an armload of ropes and a sturdy length of chain on Ark’s counter, drawing a hearty laugh from the proprietor.  He leaned his smudged elbows on the smudged oak and leered at her.

“And what on earth are y’doin with all that, then?”  His eyes traced a long slow route down her blouse and her skirt before arriving, much too late, back up at her face.  She wasn’t the prettiest girl in the village by any stretch, but she wasn’t the ugliest, either.  He’d certainly had worse.

“Not sure if that’s any of your concern, Mister Ark.”  She, on the other hand, stared fixedly into his eyes, she had no use for the rest of him.

Ark spat.  “My supplies, my concern.”

Trina sighed and leaned in toward him across the countertop.  Again, his eyes strayed south; she wasn’t above using what wiles she had to her advantage.  “Storm last night.  Spooked my horses.  They broke their gate and scattered all over MacLaren’s land.  I need to secure the gate,” she nodded at the chain, “and throw together some bridles til I can have proper ones made,” she nodded at the rope.

Ark’s eyes fell on the bandage just above her left elbow; she’d tried to conceal it with her sleeve.  “What happened there?”

She yanked her sleeve back down, covering the dressing.  “Snagged it on a nasty tree branch.  Chasing after the horses.”

His eyes began creeping down her body again.  “So, how do you plan to –”

“I’ve got coin, you lout.”

Transaction completed, she rushed home.  The darkening sky was all the sign that the village needed to begin closing up early; it was already a full moon, and likely to storm again besides.  Storefronts were being closed up and bolted shut, horses tied a little more securely in their stables, children hurried inside over their whines of protest.  As she crested the little hill before her squat stone house, Trina paused next to the perfectly intact stable door; all her horses were completely undisturbed.  She shifted the ropes and chain on her shoulder and moved on toward her house as the first drops of rain began to fall.Read More »

This Time I’ll Drown


Chuck’s challenge this week is the myth of the Phoenix.

This is a sort of return to form for me, as I’ve gone back to short stories which are ultimately pretty depressing and horrifying.  So there’s that.  That said, I enjoyed this one.  It was inspired by equal parts Groundhog Day and Hitchhiker’s Guide to the Galaxy, with a dash of Final Destination thrown in.

Anyway, here are 1000 words.  Exactly.  I had to trim a bit when I got to the end.

 

 

 

This Time I’ll Drown

The whistling wind whips her coppery hair madly around her head, the rain flying in her face like a swarm of furious locusts, soaking her to the skin.  She grips the railing , tension-whitened knuckles protruding as she gazes at the swirl of surf and pounding waves.  Lightning explodes and thunder follows, smashing her eardrums, rattling the deck, tumbling around in the maelstrom like a herd of spooked cattle.  It finally quiets just in time for the next crash of lightning just off the port side of the ship, a jagged lance crackling through the night.

This is as good a chance as she is likely to see in this life.  With the relentless storm and the skeleton crew, she’ll vanish beneath the waves and never be found or heard from again.  There won’t be any fire, so she won’t come back.

She steps up onto the first rail and her life begins to pass before her eyes.  Her lives, rather.  For most people, it takes an instant — the whole of their tribulation on this earth coursing through their cortex like a bolt through the mind of Frankenstein’s monster, all their loves and hates and triumphs and failures singing a bitter symphony in the space of a second.  She, however, has lived more lives than most.

First she was Anna, the farmer’s girl, who loved a stableboy and bore him three children before marauders came in the night, raped her, killed her children and husband, and burned their cottage to the ground.  Then she was Marie, the daughter of a princess, eating roasted ducklings and candied dates while the peasantry were murdering each other for scraps of bread.  She had been fifteenth in line for the throne, but that didn’t stop the revolters from torching the mansion she and her royal family lived in.  Then she was Elizabeth, a perfectly ordinary girl with a gift for knowing what people were feeling without having to hear them say it, for which her neighbors rewarded her by tying her to a stake and lighting a pile of pitch-soaked timber at her feet.

Her lives stretch out behind her like dominoes, some filled with joy, some with sorrow, all filled with suffering, all touched by the taint of human hate.  And the fire, always the fire.  Whether highborn or low, fair or plain, wealthy or impoverished, it always ended with fire, though she scorned to use words like “end” anymore.  Each life brought with it more understanding, more pain, more disillusionment and distrust, and more fire, though she was blissfully ignorant every time she woke up, a new person in a new place and a new time.

Over a thousand years have passed for her in one body or another, scores of births and weddings and children and lovers and accomplishments and failures, and countless deaths by fire: smoke clogging her lungs, flames searing flesh from bone, embers charring the muscle, hot wind disintegrating her impossibly red hair.  Whether she is blessed with her repeated incarnations or cursed with them, she does not know.

But this time is different.  This time she remembers.  She remembers countless lives lived in terror, in fear, lives ended in crimson and smoke.  And she vows that this time will be different.

The captain shouts at her to get below deck, but his words float away in the squall.  She wouldn’t have listened anyway.  She feels a ping of conscience and regret for the crew; in all the lives she’s lived she’s never been a killer, never been directly responsible for the death of another.  For the first time in centuries, thoughts of heaven and hell circle in her mind.  She tries not to think about Billy, with his pregnant girlfriend back home, or Charlie, whose daughter graduates college next week.  Tears spring to her eyes, immediately lost in the rain.  A few innocent lives are worth it for a chance to break the cycle, a chance to not spring back onto this mortal coil, a chance to escape human cruelty and human suffering.

Time is wasting; she knows it, and she feels her resolve weakening as she stands on the rail with the rain pelting her face.  She climbs a step higher, leaning out over the rail.  This is not the moment for weakness, not the moment to trust to fate.  She leans out over the black abyss.

The captain grabs her from behind and yanks her bodily to the deck, just as a monstrous wave smashes the boat sideways like a drunk man lurching into an empty dumpster.  He loses his balance, cracks his head on the railing, and pitches over the side, gone in the blink of an eye.  Her foot twists under her.  She collapses back into a pile of uncoiled rope which suddenly goes taught as the anchor slides over the side.  She is pinned, a rabbit in a trap, unable to move.  She screams in pain and frustration, noiseless in the fury.  Lightning strikes.  Too close.  It shatters her eardrums and sears her vision.  For a long moment, she is senseless in the dark, and then she smells it.  Smoke.  Her vision comes back, slowly, flooded not with the black of the night and the storm, but with the orange and red of the burning ship.  Her scream becomes one of terror, of rage, of a man cheated of his life’s work.

The roaring flames are a rising tide.  She tries to brace herself for the pain, though she knows there is no bracing.  She begins to burn and to scream, her flesh taking light as the doomed ship cruises its last minutes above the waves, her funeral pyre defying gravity just long enough for her to strangle in smoke and scorched air.

The darkness is momentary.  Before she can forget the pain, there are monstrous gloved hands reaching for her, pulling her struggling and squirming into the light once again, fighting not for her last breath, but for her first.

Betrayer’s Helix


Chuck’s flash fiction challenge for the week is the Random Title Challenge.

I could cut some excuses off the old ham hock of scrubbitude, but I’ll instead choose to focus on the fact that I had a really great idea with this one that I just don’t think I was able to fully realize.

Maybe I can mine this one for some material later.

Comments and critiques are welcome.

 

Betrayer’s Helix

Art told his first lie when he was four.Read More »