A Lament


A student at my school died last night.

To be specific, she was a student of mine.

I can’t say I knew her particularly well, but I knew her well enough for the tragedy of a young person’s death to be bigger than that; this was the death of somebody who I taught, whose presence in my class I enjoyed and appreciated, who lifted up the students around her with her energy and enthusiasm.

This was a girl who had plans for college, who worked two jobs in addition to attending school, who found a way to be a positive influence in a setting where it is so much easier and commoner to be negative.

Since I teach her, there was a parade of teachers through my classroom today offering sympathy and prayers. (And I won’t begrudge people their prayers in a time like this.) But one of them said something that gave me pause.

She said, “the world just doesn’t make sense sometimes.”

And I found myself unable to agree with that. Quite the contrary, the world makes perfect sense. It just doesn’t always operate in a way that we approve of or enjoy.

The loss of any life is tragic to somebody. The loss of a child is tragic to a community. Tragic or not, these things happen all around us, all across the country, all over the world. It is the absence of these tragedies from our immediate lives that blinds us to them. The world carries on in much the same way every day, but because we don’t endure a tragedy this day, we feel like the world makes sense (of a sort).

But when it strikes close to home, suddenly the world ceases to make sense?

No. The world operates as it always has, but on this day, my community, my school, my classroom, has been visited by a tragedy. But it is still normal. It is still commonplace. Death, even the death of somebody young and undeserving, is a part of life.

It’s sad. It’s a shame. The loss of potential is devastating. Who knows what she might have been?

One of the novels I teach is Night, by Elie Wiesel. And no matter what we do, no matter how many videos or pictures we show the students, I never really feel that they get it. It’s impossible to describe the loss of life on such a scale to somebody so young. Six million deaths is too much to process, like the size of the universe, or even the fact that light takes eight minutes to reach our tiny blue sphere from the sun.

But a single life, plucked from their very ranks and extinguished? Taking with it all her hopes and dreams? All her happiness and vitality and struggles and pain?

I fear they will understand that all too well.

I sat in the room with them today, while grief counselors filed through and while students walked the halls with tissues pressed to their faces to the sound of the shuffling of feet and the snuffling of noses. And I saw them looking for answers. Looking for meaning. And while I’ve always had a healthy dose of self-doubt as a teacher, I felt for the first time completely inadequate. And yet, we must find a way to offer these students guidance. We must find ways to encourage them to seek meaning, to pursue their potential, to affect the world in whatever way they are able.

It’s times like these that I understand why people turn to God for answers. But the truth is, the answers that we want to think come from God, really only come from within ourselves.

The world is what it is. Whether it makes sense to us or not, whether we like what we see in it or not.

Today the world is poorer by one, and maybe that’s not a big deal. But the world of my community is poorer by one, and that’s a big deal indeed.

 

Sleep When the Wind Blows


I’m not going to wax philosophic about the death of my grandfather, because for the most part this blarg tries to take a positive, or at least proactive, spin on things, and not a lot is to be gained by sitting around lamenting things that might have been different if only … well, fill in the blank. But I feel I ought to say something about it, if only to justify (and remedy) the blank spaces that have been hanging around here this week.

Somewhere in the midst of all the sadness and confusion and existential doubt and thoughts of the void that awaits us all, it came to light that my grandfather was exceptionally well-prepared for his passing. (I should maybe not say well-prepared, because who of us is ever well-prepared to die?) What I mean is, he left all his affairs in order, sparing his wife and daughters from making any of the painful decisions that too many mourning families are left to make.

The minister at his service related a little story, and it sparked me enough to wipe the tears aside and jot something down on my notepad. It affected me enough that I wanted to relate it here.

It’s a story about a farmhand.

This farmhand goes to a farm looking for work. He speaks with the farmer, who asks him, “why should I hire you?”

And with cool confidence, the farmhand responds, “I can sleep when the wind blows.”

The farmer doesn’t rightly know what to make of that statement, but he likes the look of the boy, and he puts him to work. And things are fine — the boy does his work, takes good care of the farm, and keeps things running in good order.

Photo by Richard Walker.
Photo by Richard Walker.

Then, one night, a doozy of a storm kicks up. Clouds gather up in the distance, and before anybody knows what’s going on, the storm is upon them: trees lashing in the gales, rain pounding on the roof, thunder rattling the very ground. The farmer and his family get up in the night, expecting to find the animals going wild, the doors of the barn flapping open, the tack scattered all around…

But they don’t. They find all the animals neatly penned up, the doors securely shuttered and braced, the ropes and harnesses and everything else neatly stowed away. The storm rages on outside, but in the barn, it’s calm, peaceful even. And there, in the corner, the farmhand snoozes lazily away. While the wind blows.

Again, I’m not here to wax philosophic or poetic or any other -ics you might think of. But that story struck me, and, who knows. Maybe it’ll do something for you, too.

The Weekly Re-Motivator: Light and Life


If there’s one motif in literature the world over, it’s the struggle between light and darkness. Good and evil. Heaven and Hell. It’s often as simple and straightforward as good guy / bad guy: here the guy who fights for righteousness and justice and really good things, and there the one trying to subdue him, or even better, subdue the world the good guy fights for.

And that’s fine, and good, and even compelling, from time to time. But light and darkness are bigger than good and evil.

Humans crave the light.

It sustains us, nourishes us, protects us.

Our entire planet only supports life at all because the universe creates light by smashing the elementary blocks of matter together again and again.

The light of a fire at night means warmth, means food, means survival.

The light of the sun in the day means growth, means sustenance.

The light of a cityscape at twilight means vibrance and strife.

We sleep in the night because that’s when the monsters come out; only in the light can we see them for what they really are. We seek out the light because the light means other people.

Light, in short, is life.

Darkness, on the other hand, is the great unknown — it’s the monster lurking just out of sight, it’s the cold bleakness of night, it’s the blasted wasteland of a sunless world. Darkness is death.

I’m in the midst of teaching Beowulf to a bunch of, at best, mildly interested near-adults, who aren’t particularly interested in working to understand that basic symbolic dichotomy: that light means life, and darkness means death. The world of men, in the piece, is always surrounded by a warm golden glow: the glow of a fire, the glow of a nourishing sun, the glow of human heat. The lairs of the monsters, by contrast, are dark, bleached out, shrouded in shadow. Grendel attacks the halls of men and steals from their safe places the light of life; only when Beowulf arrives from across the sea, bringing the light of God with him, does light and life return to men. Heck, one of Grendel’s weapons in the fight with a demon in the film is a glowing artifact that he uses to light up the darkness.

And it got me thinking about my own works. This symbolism of light vs darkness, of life vs death, is so obvious, so simple, so hardcoded into our very brains, it seems almost silly not to tap into it. So am I using it? Well… yes, and no.

The hero of my first novel is struggling to overcome an insecurity, a lost ability. Along the way, the power is cut off in his apartment, and he is forced to write by candlelight; a shallow pool of light keeping the demons and his fears at bay. He invents new sources of light, but they are all artificial — only when he overcomes his tribulations and embraces his potential does he win the windfall that lets him put the lights on. (Okay, so that didn’t happen at all, but now that I’ve thought of it, IT’S GOING TO.)

In the second novel, things are a little more complicated. Machines have taken over the safekeeping of men, and their world is bathed with light, but a harsh, sterile, impersonal one. The blank, faded light of fluorescents, a cold light. Interlopers from another time and place arrive and slowly begin turning out the harsh light of machination, and the world lurches into darkness for a time, but little by little the darkness and the artificial light are replaced once again by enlightened human light; a blinding, all-illuminating force that drives the shadow out of all the dark corners and exposes the truths that have been forgotten. (Again, at the moment, this isn’t happening at all, but CRAP IT NEEDS TO.)

And I could write on and on about the play of light in my books, the way it ebbs and flows with the spirits of my characters, but my heart’s not really in it right now.

Because I fear my grandfather’s light is going out.

He’s been battling with infirmities and sicknesses for a while now, and in the last month or so, seems to have lost his spirit and his will to fight. He’s old — no getting around that — and seems to be making the choice simply to allow his candle to gutter out, rather than to rekindle it through artificial, uncomfortable, even painful means. This isn’t a shock to us, but that makes it no easier to bear. Life — and light — are precious and fleeting. We have them for a short, little while, and then the darkness takes us again.

Life is about the struggle with that darkness, and my grandfather’s struggle is almost over.

So, as a tiny disclaimer, my thoughts are likely to be a little jumbled up in the coming days or weeks. If the material here turns dark or nonexistent for a while, that’s why. Programming will return to normal as soon as we are sure what is normal in the first place, to bastardize a quote by the late great Douglas Adams.

In the meantime, I’ll leave the lights on around here.

This weekly Re-Motivational post is part of Stream of Consciousness Saturday. Every Saturday, I use LindaGHill‘s prompt to refocus my efforts and evaluate my process, sometimes with productive results.