A Recipe for Disaster (Anonymous Author Collaboration Concluded)


Chuck’s challenge: A three-author anonymous collaboration, concluded.

Matthew X. Gomez began the tale.  His bit lasts up until the first asterisk.

Mickie continued the tale.  Her bit lasts up until the second asterisk.

My bit concludes the tale.  I wish I’d been able to “end” it properly, but there’s just so much here.  I hope I’ve done their work justice.

 

A Recipe For Disaster

 

I’m sitting on a rooftop across from a bank robbery in process when I feel that tingle at the base of my spine telling me someone’s trying to get into my head. I brush it off at first, a minor annoyance as I gaze down the scope of my highpowered rifle, mentally daring one of the jokers inside to show their face.

Then the tingle gets more persistent, a buzz in my ear, an itch at the bottom of my foot. The probe is turning into an attack.

“Control, do the tangoes have a ‘path on record?” I don’t have to talk loud, the microphone taped to my jaw will pick up every whisper, just as the camera mounted on my helmet is picking up and broadcasting in high res.

“Negative, Ballista, no ‘path on record.”

I bite the inside of my cheek as the buzz turns into a drill. I smile, scanning the windows. If the ‘path is any good he could be anywhere, even halfway across the city, running overwatch on their gig. Still, I’ve got to wonder what a group of Ascended are doing robbing a bank. Aren’t there better things they could be doing? More profitable gigs? The ‘path they’ve got probably thinks he’s being subtle, but given how long I’ve been at this he might as well be marching a brass band down Main Street.

I start simple, throwing mental images to shock and dismay. Goatse. An exploded head. That time I caught my mom blowing my uncle, along with all the associated hatred and disgust that went with it. Finding out my wife was cheating on me with her best friend. That time I woke up covered in vomit with no recollection of how I got there, but there was dried blood under my nails, and blood on my shoes. All of it.

The drill disappears as rapidly as it started.

“We have confirmation that one of the tangos is down.” Control’s voice is always the same. Cool, collected, and with as much emotion as discussing this week’s corn futures.

The corner of my mouth twitches up into a smile. Maybe I pushed a bit harder than I should have. Maybe the asshole shouldn’t have gone around poking where he shouldn’t have.

“How many confirmed tangos still standing, Control?”

“Whisper confirms four tangos still active. All are confirmed Ascended.”

Bile rises up in my mouth and I fight to swallow it back down. I should have figured it was the case. They don’t bring us out for your run-of-the-mill robbers. No, we get saved for the special cases. Lucky us.

“Ballista, we have confirmation of movement. Looks like they are coming out the front door.”

I swing the gun around, get a bead on the door. It swings open. I don’t have the best angle where I am, but I bite down on my lip and concentrate. Hostages start walking out, hands on their heads, eyes a bit glassy looking. I curse when I see what walks out next.

****

It’s her.

What follows is a moment of disbelief and I feel as though I am falling through infinite blackness.Not dead. It’s the only thought I cling to. Not dead, not dead. Then horror-stricken, I am consumed with guilt. How could I have known! It was as if she had been here in this very building for those lost ten years with these psychos, held at gunpoint and waiting patiently for daddy to save her.

Then my heart freezes over as I realize there is no gun to her head. In fact, she cocks a rifle of her own with skinny arms. Her expression, upon which I once placed sweet kisses, is stony and grim. Then there are other things I should have noticed first off— the sharpness of her cheekbones, jutting hard against her flesh, chestnut hair gleaming like liquid bronze. Characteristics of all the Ascended. I groan in despair. Christ, Ixa, what did they do to you?

Her head whips in my direction as if she somehow heard me and I gasp. The blue of her eyes is piercing and I know she sees me through the darkness. Sees me clearer than anyone possibly ever has and I feel weak. My finger loosens on the trigger. She smiles then, a slow and knowing leer and the mental barrage begins again and I nearly collapse from the onslaught of the white noise that fills my head.

Then it stops as quickly as it started and leaves my ears ringing. I look to her again and her face darkens. Her message is loud and clear: She can kill me where I stand. Tears sting my eyes.Baby, please forgive me! How could I have known?

Then, Control over the earpiece, “All four tangoes in sight, please confirm.”

I say nothing.

“Ballista, targets are four adults: three males, one female. All confirmed Ascended. Confirm that you are in shooting range and take the shots.”

I swallow hard, my throat sandpaper. I breathe, “Control, I have reason to believe the female target is Ixa Manning, the subject of a missing persons case.”

I am met with the sound of fingers flying across a keyboard as Control checks the case file. “The case for Ixa Manning was closed nearly ten years ago, Ballista. She was legally declared dead.”

“Fuck that, you think I wouldn’t recognize my own daughter?” I hiss into the mic.

“Ballista…” a hint of warning tinges the cool indifference in the voice. “This is no time to lose your head. That woman is not your daughter. She is a traitor and a terrorist. Now, take. The. Shot.

My mind races. The girl I am sure is Ixa never takes her eyes off me as she grabs a fistful of hair of one of the hostages, a wailing woman shaking so badly she cannot remain on her feet. Unfazed eyes shine challengingly at me as she positions the nose of her weapon beneath her captive’s ear.

****

I see it unfold in slow motion as the training takes over.  Neutralize the threat.  The scope comes to my eye and I squeeze the trigger.  Ixa’s eyes track my bullet and it freezes, floating ponderous in the air an inch from her nose, still spiraling, whispering interrupted death.  She hurls the woman to the pavement, and with her free hand plucks the bullet from the air.  Her eyes fix me through the scope, crystal-blue and glowing.  I know what’s coming; I throw the rifle aside and reach for my sidearm, but she steps the distance in a heartbeat.  Her sharp, seeking fingers bury themselves in my throat as she lifts me from the ground.

Control is barking in my earpiece, but her face is mere inches from mine, contorted into a mask of too-perfect cheekbones and too-blue eyes gone vivid in the colors swimming in at the edges of my vision, and I’m lost.  I don’t struggle.  What good would it do?

In a flash, it’s ten years ago, Ixa is swinging with the careless abandon of a ten-year-old on a peppermint-red swingset in Glaston Park.  She shouts, “I’m flying, daddy!” and my perspective shifts.  I see through Ixa’s eyes, now; see Daddy turn and draw a previously unseen pistol and dart into traffic, forgetting about his daughter at the call from Control.  Rough hands yank me from the swing and hurry me to a waiting car, and I scream and cry for my Daddy, Daddy who always saves me and will follow me anywhere, but Daddy doesn’t come.

Another flash.  I’m still Ixa.  The transformation is taking hold; my eyes grow brighter in the mirror, the spectrum of previously invisible colors explodes in my vision, my mother’s obituary incinerates in my hands, my father — me — weeps behind a dusty windowpane.

Flash.  Ixa’s body, laid out before me, peppered with gunshots, blood pooled and congealed.  Ixa’s voice in my mouth.  “Looks good.”  Flash.  Planning the heist of this meaningless bank.  Flash.  Myself — Daddy — looks back at me through the scope of the rifle.  It’s time.

Flash.

She’s given me this gift before she kills me; the gift of knowing.  It’s enough.  My eyes focus on hers and she’s my baby again, precious, harmless, innocent.  I smile, cough up a mouthful of blood.  The gun slides from my grasp.  Then her black-hole pupils erupt with blue flame.

“Ballista!  Three Ascended are down.  We’ve lost the fourth.  What is your situation?  Ballista??”

On the street, it’s pandemonium, but up here, it’s silent, just for us.

“Sweetheart,” I say.

“Daddy.”

Her eyes are almost piteous.  She yanks me upwards, hard, and I look down and see my body topple over the railing, see my head dashed to bits on the pavement, hear Control chattering away in the shattered earpiece.  But I’m weightless, effortless, floating in my daughter’s unearthly embrace.  She peers into my eyes like she’s weighing my soul.  “Will you come with me?”

What else can I say?  “Anywhere.”

 

Momentum


Lately I’ve been having the hardest time finding the time to write.  This is problematic for me because as much as that’s true — there are a lot of demands on my time of late — I also feel pretty strongly that that excuse is bullsharknado.

The issue of time is coming to a head because this week, I missed two days of editing my novel.  It might not sound like a big deal, but it’s eating me up inside.  The deadline is purely arbitrary; I’m accountable to nobody but myself, yet I’m furious with myself over it.  Ashamed.  And I’m asking myself why it’s happening.  After all, I didn’t miss a day of writing when I was working on the first draft — not a single day outside of the week my daughter was born.

Back when I started this shindig in March and April, I was turning out ridiculous word count for the time I had.  I’d have days where I’d bang out 2500+ words, between the first draft of the novel and the blog.  I’d carve out swathes of time at work, sneak a few minutes here and there at home, hammer out a few sentences in the morning.  Lately it seems I just don’t have the energy for that.  I drag myself out of bed in the morning and it’s all I can do to make myself exercise.  I feel like the day is too full at work to write even a few sentences.  Then I’m home and into the daddy grind and before I can blink it’s 9:30, time to slog it off to bed.

I have every excuse.  On the one hand, life has never been busier.  My responsibilities at work have changed a little bit: I have more students, more papers to grade, and coming up in a few months, some after-school hours to put in as well, and all that adds up to a pretty significant pull on my time.  There’s a second sprout now, and that means more diapers, more tantrums, more feedings, more outings — and of course, the original sprout is only getting bigger and louder and more demanding.  I love them like crazy, but they are little time-eaters.  I’m trying to put in a solid six days of exercise a week (okay, it’s more like five days on a good week) at thirty minutes a day, and that’s closer to an hour on a run day… and then there’s quality time to be carved out for the wife… Where does one find the time to write amidst all this?

But then I second guess myself.  And this is where I’m frustrated (and yet very happy) with myself for reading the writings of Chuck Wendig and Steve Kamb, achievers whose teachings I am doing my best to absorb in this new chapter of my life.  There’s one nugget they’ve both shared that has stuck with me: You have the same 24 hours in your day as everybody else.  I can’t shake that.  Sure, I have every excuse not to get the writing done.  Sure, it’s hard to blame me for missing a workout now and then.  But I know that for every edit I miss, every workout I skip, there’s another guy out there with all the same demands on his time but he’s getting it done and I’m not.  Now, I’m not strictly competitive by nature, but this eats at my soul like a blood-swollen tick.

The other thing I can’t forget is a thing I’ve learned this year.  Somehow it hit home after 33 years of living on this earth, and now the truth of it is inescapable to me:  Momentum matters.  The things you’ve been doing are the things you will continue doing.  It’s all well and good to make changes in your life: you start exercising, you start dieting, you take up gardening, you begin knitting socks for the gnomes in your garden.  And in the beginning it’s easy to establish new momentum: going for that run or leaving the cookies untouched or pulling the weeds or socking a gnome feels so satisfying because it’s such a sharp departure from the norm.  But you have 34 years of slacker momentum built up, and over time, your old momentum begins to assert itself, and it’s easier to reach for the snooze button than your shoes at 5 AM, it’s easier to reach for the cookies than the celery, easier to just leave the garden unweeded for a few days and easier to let the gnomes go sockless.  Before you know it, you haven’t run in two weeks, and you’re eating cookies by the sleeve, and the garden is one thick knee-high bramble and the gnomes are revolting.

I established some hellagood momentum back in March and April, not allowing myself to miss a single day of writing outside of the week that my daughter was born.  And it carried me through until the first draft was finished in July.  But my old slacker momentum is reasserting itself, and it is casting into doubt everything I’ve accomplished in the meantime.  I sleep in instead of getting up for my 5AM run, and it doesn’t bother me as much as it did the last time it happened.  I miss a day of editing, and I don’t feel bad about it all night.  Momentum matters, and the sharknadoey momentum I’ve spent my life developing is sucking me in with its immense gravity, despite the positive momentum I’ve spent the last six months cultivating.

But the momentum is just the beginning, because soon the momentum changes form and becomes an insidious mental decay.  I start having thoughts like, “maybe the time just isn’t right for me to pursue this dream right now” or “if I slow down, that’ll be okay too,” and the lure of those thoughts is tempting.  Just like my excuses, they could be entirely valid.  But I also know that accepting those thoughts of slacker momentum are only a short hop away from “maybe I’m just not cut out for it at all.”

And then I’m back to the 24-hour problem again.  Because if I’m having doubts about how I’m spending my time, then maybe I’m not spending it in the right ways.  And if it’s hard for me to make the time, to chip it away from the great grey monoliths of my other obligations, then maybe the sad truth is that I just don’t want it badly enough to make it happen.  If I can’t make my 24 hours work toward making me a writer, then maybe the truth is I just don’t want it at all.

But I’m afraid I’m not ready to swallow that particular bitter pill just yet.  Which is why last night I was up until nearly midnight writing this post, and why when WordPress ate it just before midnight, I vowed that I would go through the turmoil, the harsh truth, the unpleasant task of facing my doughy, slacker-momentum riding Asgard in the mirror AGAIN to write it today.  Because it needs to be said.  And I need to be able to come back here and see it.  And I need to remind myself that writing is a thing that I want, and it is a thing worth making sacrifices for, and it is a thing which deserves to be done, even and especially when it’s difficult to do it.

In a movie that I loved, Grosse Pointe Blank, a hitman having a touch of existential angst over attending his high school reunion was advised by his psychiatrist to stop and take stock of his feelings.  Repeat the mantra, “this is me breathing,” and “I’m at home in the me that is on this adventure.”  A simple idea, intended to ground one in the moment, focus on the little things, and not get swept away by the mad tide of life.  There’s wisdom in that, even if it’s not my goal to kill people with frying pans.

This is me breathing.  This is me writing.  I’m at home in the me that is on this adventure.

 

 

Excuses


I spent the last forty minutes typing a great post.

A thoughtful post, a post where I took a good hard look at myself and my habits and my situation.  A post where I leveled with myself about some hard truths.  A cruel post where I questioned what I was really about with this whole blarg and my writing and my life.

And I went to post this post and WordPress ate it.  No auto-saved draft anywhere in my site that I can see it.  Nothing there when I scroll back through my history.

And it’s kind of funny that I’m sitting here now shouting into the void that tomorrow I’ll remake this post, because the post itself was all about not making excuses and getting the goldfingered work done even when life takes a steaming dump on your plate.

But it really is almost three hours past the time when I should have been in bed, and the kids will be up in oh, less than six hours, and I just don’t have it in me to go through that again tonight.  Maybe I’ll find it in the meantime.  Maybe it’ll be better if I rewrite it tomorrow.  In the meantime, it’ll just have to wait.

Sigh.

Further Future Mes are Fargoed


It’s happened.  I knew it was only a matter of time — and if I’m honest with myself, it was never that much time to begin with — before I blew a tire.

No, I know, just this weekend I posted about how swimmingly the edit is going, how happy and fun everything is, how much it surprises me that things aren’t as bad as I thought.  But they are.  Things are undoubtedly as bad as I thought and even worse than I feared.

It’s like this time about a year ago.  I was driving with my wife to pick up my dad and my brother at the airport.  We took our Camry, which is a tank of an old car, but its tires were nearing the end.  They were so near the end, in fact, that the car would wobble when it got up above 45 miles per hour.  I knew a blowout was likely if not imminent, but I wanted to pretend that things were fine and that the tires were good for a little bit longer.  But sure enough, as we’re tooling down I-75, there’s an unmistakable BOOM flapflapflapflapflap and the car is pulling hard to the right like a hamstrung horse.

This — editing this novel — is a little different, in that I can’t really get proactive and go put new tires on the thing before I set out for the airport.  The edit itself is about fixing the tires, and replacing the motors in the power windows, and that burned out blinker, and the sandpaper windshield wipers, and that crack in the rearview, and getting that shudder in the transmission checked on.  In short, the whole damn car needs work if I hope to sell it, and make no mistake, the ultimate goal is to sell it (the novel, not the car).

Still, I knew the blowout was coming, and today I hit the first.  Probably the first of many.

There’s this moment in the first act.  It’s awfully hokey.  Like, for all intents and purposes, my protagonist and his sidekick basically accept as a given the weird sharknado that’s going down, break out the fringed vests and start singing Bob Dylan like everything’s gonna be cool.  And, to be fair, it helped Past Me to get past that troublesome moment and move on with more conflicts and more plot development.  And the stuff that comes after is good.  Problem is, when Present Me (then Future Me) goes to fix the Koombaya moment by removing the hokeyness from it, the entirety of the pages immediately following begin leaning like a house of cards built on sand in a windstorm.  AND I KNEW IT WAS COMING.  This is the part of the draft where Past Me started leaving a whole lot of messages to Future Me (now Present Me) which are sometimes as helpful as “go back and write a little bit of exposition for this particular thing” but more often as useless as “THIS SUCKS, HAVE FUN FIXING IT LOSER”.  I’d be laughing if that weren’t an actual note I actually came across in my parsing today.

It’s pretty clear that Past Me was just having his jollies on the promise of Future Me coming round to clean up the sticky bits on the carpet, and again, I knew at the time that I was doing just that.  In fact, I remember pretty clearly while I was drafting having a good laugh at what a jerk I was acting like toward this hypothetical Future Me that was going to have to deal with the angry neighbors and the ruined wallpaper.  It makes me want to hit that guy.  Because now I’m looking at a draft — about 20,000 words into it — and it’s as holey as a hand grenade of Antioch.  As porous as the freaking Falcons’ defense.  As flimsy as the Braves’ chances of making the postseason.  (GOD, it was an awful weekend for sports in Atlanta.)

Don’t get me wrong.  I know that the hardest part — the writing, the creating, the sheer calling from nothingness into being of this thing — is behind me.  But the task ahead ain’t all sunshine and lemondrops.  I can’t even say it’s peanut butter sandwiches and leftover pizza.  It’s looking more like a torrential downpour of excrement and a slog through alligator-infested swamps.  And my tires have blown out, so I have to go the whole thing on foot.  Not that my Camry was going to make much progress in a damn swamp… okay, too many mixed metaphors.  The point is, the proverbial sharknado is hitting the proverbial fan and the work is about to get real.

But tomorrow is another day, and it all gets simplified down to manageable bites on my to-do list for another Further Future Me.  Man, I feel sorry for that guy.

Parental Phone Tag (No Takesy-Backsies)


I love my parents.  Let’s get that on the table before I start the griping.  Not really griping.  Good-natured ribbing.  I hope they won’t disown me for writing this.  Then again, they’re on vacation for a week, so they may not even read this.

Like many thirty-somethings, I’ve got that time in my past when I sort of fell out of touch with my parents for a while.  Never estranged or anything like that, but there were times in my twenties when I’d go a month or so without speaking to them.  Not even necessarily on purpose.  I was just too cool for school.  Well, having kids changes all that, and these days it’s rare for me to go more than a few days without speaking to my folks.

Partly it’s because I now sort of appreciate the biological need for a parent to have his nose one hundred percent lodged in the kid’s business, and that’s literal as well as figurative (see this post which is not about giving enemas to a toddler).  Partly because frankly my wife and I need a little bit of backup every now and then and the grandparents are the best source of free childcare currently in operation.  Partly because all my wife and I have to talk about anymore is the kids, and it takes a blood relative to listen to all that sharknado.  But calling my parents particularly has its own set of hassles associated with it.  For example, every time I call my parents, I have to call twice.

No, let’s get this right.  Every time I call my parents, six or more phone calls are involved.

First, I call my dad, who’s a retired schoolteacher and now works more-or-less full-time as a math tutor, making enough money to make me want to get certified to teach Math instead of English.  To put it bluntly, he stays busy and is always driving around, so the odds of picking him up the phone are about as likely as a tornado opening up in my kitchen, the toddler notwithstanding.  For some reason, I can never remember those odds before I ring him up, so the call goes through and rings and rings and rings and then I get his voicemail.  Well, I’m not leaving him a voicemail (what is it, 2003?), so I hang up and remember that the smart play is calling my mother.  (That was call #1, by the way.)

Call #2 is to my mom, who is also an employee in the school system (but not a teacher – she’s a middle school counselor, so, y’know, god help her).  There’s something really odd going on with her, though, because she seems to love her job and therefore stays late almost every day, and her phone gets worse service in her building than my phone gets in mine, which is to say, I’ve got a better chance of finding my cats cleaning the kitchen than of reaching my mom at work.  Again I connect to voicemail, and again I hang up without leaving a message.

Let’s detour and note that the leaving of a message or lack of the leaving of a message is entirely inconsequential.  I could leave a detailed message with cross references and a works cited page, and I’d still get called back to see what the message was about.

Call #3 is from my mom to me. She’s returning my call, but she invariably calls when I’ve got the sprout in the tub or I’m putting the sprout to bed or I’ve got my hands full of raw chicken from dinner preparations or the sprout has hidden my phone inside of a cat.  Half the time she leaves a message which I will not check and which therefore throws notifications at my phone for about a week and a half after.  Call #4 is me to my mom and this is usually when we finally connect to establish plans for the weekend or give her an update on the toddler’s bowel movements (true story) or whatever other riveting developments have developed at Casa de Pav in the couple of days since we last spoke.

Call #5 is from my dad, usually within the first hour after I’ve spoken to my mother, but sometimes as much as six hours after on the weekend.  Just like my mother, he’s unnaturally gifted at ringing me when I’m wrist-deep in infant poop or my fourth load of dishes that day, so I miss this call.  Calls #6-9 are exchanged between my dad being on the road from one tutoring gig to the next and me being embroiled in one toddler emergency or another (“Want chocolate milk!”  *pours chocolate milk*  “Don’t want chocolate milk!”  *puts chocolate milk away in the fridge for later* “WANT CHOCOLATE MILK!”) before we finally connect and cover the exact same ground I covered with my mother an hour or six before.

Under no circumstances do my parents communicate with one another in the meantime.  I wonder if after 30+ years of marriage they’ve discovered that the secret to success is to simply avoid one another as much as possible.  At any rate, I have to have the same conversation with them both, sometimes as quickly one to the next as fifteen minutes.

The latest iteration was not a few hours ago.  My parents are going on a cruise (at a ridiculously good price, damn them) and they wanted an update before they left on how the sprout’s doctor’s appointment today went before they shoved off at 5pm.  I had a faculty meeting keeping me at school until about that time.  Now, my wife had graciously contacted my dad (unbeknowst to me) to let him know that things went pretty much fine while I was at work.  Not knowing that, I frantically tried to call first my dad (call #1) and my mom (call #2).  Neither picked up, so I figured I missed them and they were well on their way to the Bahamas or whatever.  Fifteen minutes later, my dad calls.  He’s at some drawing on board trying to win a free cruise and we can barely hear one another, but I give him the highlights and wish him a good trip.  Five minutes after that, my mother calls.  She’s elsewhere on the same boat trying to win spa giveaways and can’t talk right now (why did you call me?) and can she call me back in ten minutes?

Look, you get the point.  And you know, for having the grandparents involved and a part of our kids’ lives, a few extra phone calls are a small price to pay.  Mom and dad, I love you.  But seriously.  Maybe a little communication on your end.