The Too-Good Book Blues


I’ve just finished reading a book that I’ve had in my “to read” queue for far too long: Paul Tremblay’s Head Full of Ghosts. It came highly recommended from a number of sources, and though I don’t usually read horror novels, I have to say, it’s a hell of a ride. Possession. Fear. Devils and demons. (Maybe? Or maybe not? The book and its main character are kind of agnostic on the point, which is frustrating, but also powerful.) And a blindsiding final twist that doesn’t disappoint.

It’s one of those literally unpotdownable stories that keeps you breathlessly turning the pages.

Which is both a good thing and a bad thing. Good because it fills my head with all sorts of ideas and aspirations in addition to just being a bloody enjoyable waste of time. Bad because it’s over now, and I have to pick up something else to read, and whether the next tome I pick up will even come close is anybody’s guess.

English needs a word for this feeling: that vague hopelessness you feel after tearing through a proper humdinger of a story, that creeping suspicion that what comes next can’t hope to compare. (The Dictionary of Obscure Sorrows should get on that.)

In fact, I think it’s partially this feeling that’s had me so on the ropes creatively lately — in addition to the move, which swelled up and rolled out of control like the Thing and, bloblike, consumed my entire summer, I read John Scalzi’s Lock In at the beginning of the summer and it so filled me with this sensation that I couldn’t get interested in reading anything else for about a month. I pawed at Tremblay’s Disappearance at Devil’s Rock and it just seemed to drag on. I nibbled on Matt Haig’s The Humans, and, though it’s really very entertaining (an alien puts on a human skin to stop a scientific discovery from reaching the light of day), I just kind of stopped reading it for reasons I can’t properly identify. Nothing wrong with the books. They just didn’t exactly seize me by the lapels.

But Head Full of Ghosts did, and now I have to deal with that. The next book up is Michael Crichton’s Micro, which I bought at the bargain bookstore and have put away 150 pages of in just a few nights. Not a bad start.

And, for that matter, look — it’s got me posting on a weekend again. Maybe the haze is lifting.

This post is part of Stream of Consciousness Saturday.

Metaphor Monday: The Ins and Outs of Beauty


Hey guys!

Seeing as posts around here and posting time for me have been in such shockingly short supply of late, I reached out to long-time friend of the blog and man-about-internets, Glenavailable, to fill in a Metaphor Monday post for me. Glen being the sporting sort, he promised me a piece in about three weeks’ time and delivered it the next day.

He’s a heck of a guy, and spends his time splattering words around over at his Scenic Writer’s Shack. Enjoy!

Wanna hear a confession?

When given the choice between inner beauty and mere surface beauty, on a great many occasions I’ve opted to wade, frolic and generally amuse myself in the decidedly shallow end of the pool.

It happened only yesterday.

Hungry, I made a selection from my kitchen-benchtop fruitbowl, heading straight for the banana direct from central casting whose high-beam yellow color coating was so gloriously perfect it seemed to come with its own ready-made promotional line – “People will stare: why not make it worth their while?”

Sitting right alongside nature’s gift to banana-hood, lay a black-sheep relative – another banana, far less endowed with the outer beauty gene and painted with a very different pallet – this one showcasing small-pox patterned black spots. I didn’t trouble ‘it’ for even a second look. I fully knew that beneath that blemished exterior, the quality and taste of the fruit would have in all likelihood been the equal of its more air-brushed companion. I even made the effort to remind myself it wasn’t the skin I’d be eating (unlike Kevin Spacey’s mental patient character in the 2001 movie K-PAX).

So what’s the takeaway? Probably something as intuitive as why settle for the singular experience of just inner beauty when you can have the synergistic one on the not overly common occasions when outer beauty gets thrown in as well.

To cite another example: a few days before the ‘fruitbowl decision’, I’d entered a bicycle shop with an eye to buying what these days goes by the name of a ‘road bike’. With a budget of just $500, the backward-baseball-cap–wearing shop guy presented me with just two entry-level options – The “Aquila” for $300 or for $150 more, the large, broad-winged and soaring sounding “Condor”.

To my unschooled, ‘babe in the woods’ eyes, the working parts on both machines were identical – same chains, same rims, same brake levers, same cranksets, same gear systems, same peddles with the strap-in racing holsters. Same… everything! The added expense of one bike over the other as far as I could reason was down to one thing – looks.
The Condor resembled a black-olive Ferrari – coated from head to toe in that non-reflective matt finish most commonly associated with Stealth Fighter Jets. The less expensive Aquila, by comparison, looked like… well, a speckled banana, splash-decorated by a herd of over-excited, under-coordinated pre-schoolers. So what did I end up riding out of the store on? My own little black Stealth Fighter Jet of course.

To visibly dilute the opening line of this thought-piece regarding a ‘confession’, I will say I am not ashamed to admit a liking for package deals that combine the charms of both inner and outer beauty. Like an alchemist’s dream, when both elements are brought together, an entity both exquisite and sublime is what can very often result; rare and true beauty as dazzling and affecting as fireworks, as comforting as a lullaby and as fulfilling as an eight course banquet.

Breathtaking when it happens.

Metaphor Monday is about pointing out how things are like other things and appreciating the interconnectedness of all things. Got an idea for next week’s post? Let me hear it in the comments.